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  1. Biopunk Dystopias
    Author: Schmeink, Lars
    Published: 2017
    Publisher:  Liverpool University Press

    Biopunk Dystopias contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome... more

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    Biopunk Dystopias contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of biopunk, a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet

     
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    Source: Union catalogues
    Language: Undetermined
    Media type: Ebook
    Format: Online
    ISBN: 9781781383766; 9781781383322
    Subjects: Science-Fiction-Literatur; Genetik <Motiv>
    Other subjects: Literature (General)
    Scope: 1 electronic resource ( p.)
  2. Biopunk dystopias
    genetic engineering, society, and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9781781383322
    RVK Categories: EC 5207 ; EC 6745 ; HU 1691
    Series: Liverpool science fiction texts and studies ; 56
    Subjects: Literature, Science Fiction; Science-Fiction-Literatur; Genetik <Motiv>
    Scope: 1 Online-Ressource (viii, 272 Seiten), Illustrationen
    Notes:

    Dissertation, Humboldt-Universität zu Berlin, 2014
  3. Biopunk Dystopias
    Genetic Engineering, Society and Science Fiction
    Author: Schmeink, Lars
    Published: 2017
    Publisher:  Liverpool University Press, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome... more

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    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781781383766; 9781781383322
    Scope: 1 Online-Ressource
  4. Biopunk dystopias
    genetic engineering, society and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Oxford ; JSTOR, New York

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome... more

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    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781781383322; 1781383324; 9781786944115; 1786944111
    Series: Liverpool science fiction texts and studies ; ; [56]
    Subjects: Science fiction; Genetic engineering in literature; Dystopias in literature; Biotechnology in literature; BIOGRAPHY & AUTOBIOGRAPHY; Fiction and related items; Science fiction; LITERARY CRITICISM; Biotechnology in literature; Dystopias in literature; Genetic engineering in literature; Science fiction
    Scope: 1 Online-Ressource (viii, 272 Seiten), Illustrations
    Notes:

    Includes bibliographical references (pages 247-265) and index
  5. Biopunk Dystopias
    Author: Schmeink, Lars
    Published: 2017
    Publisher:  Liverpool University Press

    Biopunk Dystopias contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome... more

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    Biopunk Dystopias contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of biopunk, a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9781781383766; 9781781383322
    Subjects: Literature (General)
    Scope: 1 electronic resource ( p.)
  6. Biopunk dystopias :
    genetic engineering, society and science fiction /
    Author: Schmeink, Lars,
    Published: 2016.
    Publisher:  Liverpool University Press,, Oxford :

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome... more

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    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.

     
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    Source: Philologische Bibliothek, FU Berlin
    Media type: Ebook
    Format: Online
    ISBN: 9781781383322; 1781383324
    Series: Liverpool science fiction texts and studies ; ; [56]
    Subjects: Science fiction; Genetic engineering in literature.; Dystopias in literature.; Biotechnology in literature.; BIOGRAPHY & AUTOBIOGRAPHY; Fiction and related items.; Science fiction.; LITERARY CRITICISM
    Scope: 1 online resource (viii, 272 pages) :, illustrations.
    Notes:

    Dystopia, science fiction, posthumanism, and liquid modernity -- The anthropocene, the posthuman, and the animal -- Science, family and the monstrous progeny -- Individuality, choice, and genetic manipulation -- The utopian, the dystopian, and the heroic deeds of one -- 9/11 and the wasted lives of posthuman zombies.
  7. Biopunk dystopias
    genetic engineering, society and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Oxford

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome... more

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    Verlag (kostenfrei)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet

     
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    Volltext (kostenfrei)
  8. Biopunk Dystopias
    Genetic Engineering, Society and Science Fiction
    Author: Schmeink, Lars
    Published: 2016; ©2016
    Publisher:  Liverpool University Press, Oxford

    Biopunk Dystopias analyses 21st century cultural anxieties and dystopian visions about the consequences of biotechnology, especially genetic engineering, as part of contemporary social reality Cover -- Contents -- Acknowledgements -- 1. Introduction... more

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    Biopunk Dystopias analyses 21st century cultural anxieties and dystopian visions about the consequences of biotechnology, especially genetic engineering, as part of contemporary social reality Cover -- Contents -- Acknowledgements -- 1. Introduction -- 2. Dystopia, Science Fiction, Posthumanism, and Liquid Modernity -- 3. The Anthropocene, the Posthuman, and the Animal -- 4. Science, Family and the Monstrous Progeny -- 5. Individuality, Choice, and Genetic Manipulation -- 6. The Utopian, the Dystopian, and the Heroic Deeds of One -- 7. 9/11 and the Wasted Lives of Posthuman Zombies -- 8. Conclusion -- Works Cited -- Index

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781781383322
    RVK Categories: EC 5207 ; EC 6745 ; HU 1691
    Series: Liverpool Science Fiction Texts and Studies LUP
    Subjects: Science-Fiction-Literatur; Genetik <Motiv>;
    Scope: 1 Online-Ressource (280 pages)
  9. Biopunk dystopias
    genetic engineering, society, and science fiction
    Author: Schmeink, Lars
    Published: 2016; May 2017
    Publisher:  Liverpool University Press, Liverpool

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9781781383322
    Series: Liverpool science fiction texts and studies ; [56]
    Subjects: Science-Fiction-Literatur; Genetik <Motiv>
    Scope: 1 Online-Ressource (viii, 272 Seiten), Illustrationen
    Notes:

    "Online publication date: May 2017" - Startseite Cambridge Core

    Dissertation, Humboldt-Universität zu Berlin, 2014
  10. Biopunk dystopias
    genetic engineering, society, and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9781781383322
    Series: Liverpool science fiction texts and studies ; [56]
    Subjects: Science-Fiction-Literatur; Genetik <Motiv>
    Scope: 1 Online-Ressource (viii, 272 Seiten), Illustrationen
    Notes:

    Der Titel ist Teil des Projekts Knowledge Unlatched

    Dissertation, Humboldt-Universität Berlin, 2014
  11. Biopunk Dystopias
    Genetic Engineering, Society and Science Fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool ; Project MUSE, Baltimore, Md.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781781383322
    Series: Liverpool science fiction text and studies ; ; 56
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references (pages247-265) and index

    Description based on print version record
  12. Biopunk dystopias
    genetic engineering, society, and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human... more

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    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. The analysis deals with dystopian science fiction artifacts of different media from the year 2000 onwards that project a posthuman intervention into contemporary socio-political discourse based in liquid modernity in the cultural formation of biopunk. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet. As Rosi Braidotti argues, "there is a posthuman agreement that contemporary science and biotechnologies affect the very fibre and structure of the living and have altered dramatically our understanding of what counts as the basic frame of reference for the human today". The proposed book analyzes this alteration as directors, creators, authors, and artists from the field of science fiction extrapolate it from current trends

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
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    ISBN: 9781781383322
    RVK Categories: HN 1312 ; EC 6745 ; EC 5207 ; HU 1691
    Subjects: Biotechnology in literature; Science fiction; Science fiction ; 21st century ; History and criticism; Biotechnology in literature
    Scope: 1 Online-Ressource (viii, 272 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Jun 2017)
  13. Biopunk dystopias
    genetic engineering, society, and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool

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    Source: Union catalogues
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    Media type: Dissertation
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    ISBN: 9781781383322
    RVK Categories: EC 5207 ; EC 6745 ; HU 1691
    Series: Liverpool science fiction texts and studies ; 56
    Subjects: Literature, Science Fiction; Science-Fiction-Literatur; Genetik <Motiv>
    Scope: 1 Online-Ressource (viii, 272 Seiten), Illustrationen
    Notes:

    Dissertation, Humboldt-Universität zu Berlin, 2014
  14. Biopunk dystopias
    genetic engineering, society, and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool

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    ISBN: 9781781383322
    Other identifier:
    hdl: 20.500.12657/31629
    Series: Liverpool science fiction texts and studies ; [56]
    Subjects: Science-Fiction-Literatur; Genetik <Motiv>
    Scope: 1 Online-Ressource (viii, 272 Seiten), Illustrationen
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    Der Titel ist Teil des Projekts Knowledge Unlatched

    Dissertation, Humboldt-Universität Berlin, 2014
  15. Biopunk dystopias
    genetic engineering, society, and science fiction
    Author: Schmeink, Lars
    Published: 2016; May 2017
    Publisher:  Liverpool University Press, Liverpool

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    Series: Liverpool science fiction texts and studies ; [56]
    Subjects: Science-Fiction-Literatur; Genetik <Motiv>
    Scope: 1 Online-Ressource (viii, 272 Seiten), Illustrationen
    Notes:

    "Online publication date: May 2017" - Startseite Cambridge Core

    Dissertation, Humboldt-Universität zu Berlin, 2014
  16. Biopunk dystopias
    genetic engineering, society and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, [Erscheinungsort nicht ermittelbar] ; OAPEN Foundation, The Hague

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    Series: Liverpool science fiction texts and studies
    Subjects: Science-Fiction-Literatur; Genetik <Motiv>
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    Literaturverzeichnis: Seite 247-265
  17. Biopunk Dystopias
    Genetic Engineering, Society and Science Fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool

    Biopunk Dystopias contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome... more

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    Biopunk Dystopias contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.

     
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    Media type: Ebook
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    ISBN: 9781781383322
    RVK Categories: HN 1312 ; HU 1691
    Series: Liverpool Science Fiction Texts and Studies LUP ; 56
    Array
    Subjects: Social sciences
    Scope: 1 Online-Ressource (272 Seiten)
  18. Biopunk dystopias
    genetic engineering, society and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Oxford

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome... more

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    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet

     
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  19. Biopunk Dystopias
    Genetic Engineering, Society and Science Fiction
    Author: Schmeink, Lars
    Published: [2016]
    Publisher:  Liverpool University Press, Liverpool

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome... more

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    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781781383322
    Series: Liverpool science fiction text and studies ; 56
    Subjects: Biotechnology in literature; Science fiction; Science fiction ; 21st century ; History and criticism; Biotechnology in literature; Science fiction; Fiction and related items; Biotechnologie dans la litterature; LITERARY CRITICISM ; Science Fiction & Fantasy; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Science fiction; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (viii, 272 pages :), illustrations
    Notes:

    Includes bibliographical references (pages247-265) and index. - Description based on print version record
  20. Biopunk dystopias :
    genetic engineering, society and science fiction /
    Author: Schmeink, Lars,
    Published: 2016.
    Publisher:  Liverpool University Press,, Oxford :

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome... more

    Access:

     

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9781781383322; 1781383324
    Series: Liverpool science fiction texts and studies ; ; [56]
    Subjects: Science fiction; Genetic engineering in literature.; Dystopias in literature.; Biotechnology in literature.; BIOGRAPHY & AUTOBIOGRAPHY; Fiction and related items.; Science fiction.; LITERARY CRITICISM
    Scope: 1 online resource (viii, 272 pages) :, illustrations.
    Notes:

    Dystopia, science fiction, posthumanism, and liquid modernity -- The anthropocene, the posthuman, and the animal -- Science, family and the monstrous progeny -- Individuality, choice, and genetic manipulation -- The utopian, the dystopian, and the heroic deeds of one -- 9/11 and the wasted lives of posthuman zombies.
  21. Biopunk dystopias
    genetic engineering, society and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool ; Knowledge Unlatched, Berlin

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. The analysis deals with dystopian science fiction artifacts of different media from the year 2000 onwards that project a posthuman intervention into contemporary socio-political discourse based in liquid modernity in the cultural formation of biopunk. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet. As Rosi Braidotti argues, "there is a posthuman agreement that contemporary science and biotechnologies affect the very fibre and structure of the living and have altered dramatically our understanding of what counts as the basic frame of reference for the human today" (40). The proposed book analyzes this alteration as directors, creators, authors, and artists from the field of science fiction extrapolate it from current trends

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781781383322; 1786944111; 9781786944115
    RVK Categories: HN 1312 ; EC 6745 ; EC 5207 ; HU 1691
    Series: Liverpool science fiction texts and studies
    Subjects: Science fiction; Science fiction; Biotechnology in literature
    Scope: 1 Online-Ressource (viii, 272 Seiten), illustrations, figures, tables
  22. Biopunk dystopias
    genetic engineering, society, and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool ; Cambridge University Press, Cambridge, UK

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human... more

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    Universität Marburg, Universitätsbibliothek
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    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. The analysis deals with dystopian science fiction artifacts of different media from the year 2000 onwards that project a posthuman intervention into contemporary socio-political discourse based in liquid modernity in the cultural formation of biopunk. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet. As Rosi Braidotti argues, "there is a posthuman agreement that contemporary science and biotechnologies affect the very fibre and structure of the living and have altered dramatically our understanding of what counts as the basic frame of reference for the human today". The proposed book analyzes this alteration as directors, creators, authors, and artists from the field of science fiction extrapolate it from current trends.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781781383322
    Scope: 1 Online-Ressource (viii, 272 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Jun 2017)
  23. Biopunk dystopias
    genetic engineering, society and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, [Erscheinungsort nicht ermittelbar] ; OAPEN Foundation, The Hague

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Title in the local catalogue:
    https://hds.hebis.de/ubffm/Record/HEB396115780
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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781781383322
    RVK Categories: HU 1691 ; EC 6745 ; EC 5207
    DDC Categories: 800
    Series: Liverpool science fiction texts and studies
    Subjects: Science-Fiction-Literatur; Genetik <Motiv>
    Scope: 1 Online-Ressource (viii, 272 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis: Seite 247-265
  24. Biopunk dystopias
    genetic engineering, society, and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human... more

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    Universitätsbibliothek Rostock
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    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. The analysis deals with dystopian science fiction artifacts of different media from the year 2000 onwards that project a posthuman intervention into contemporary socio-political discourse based in liquid modernity in the cultural formation of biopunk. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet. As Rosi Braidotti argues, "there is a posthuman agreement that contemporary science and biotechnologies affect the very fibre and structure of the living and have altered dramatically our understanding of what counts as the basic frame of reference for the human today". The proposed book analyzes this alteration as directors, creators, authors, and artists from the field of science fiction extrapolate it from current trends

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781781383322
    Subjects: Biotechnology in literature; Science fiction; Science fiction ; 21st century ; History and criticism; Biotechnology in literature
    Scope: 1 Online-Ressource (viii, 272 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Jun 2017)
  25. Biopunk dystopias
    genetic engineering, society and science fiction
    Author: Schmeink, Lars
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool ; Knowledge Unlatched, Berlin

    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek Clausthal
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Max-Planck-Institut für ethnologische Forschung, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universität Potsdam, Universitätsbibliothek
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    'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. The analysis deals with dystopian science fiction artifacts of different media from the year 2000 onwards that project a posthuman intervention into contemporary socio-political discourse based in liquid modernity in the cultural formation of biopunk. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet. As Rosi Braidotti argues, "there is a posthuman agreement that contemporary science and biotechnologies affect the very fibre and structure of the living and have altered dramatically our understanding of what counts as the basic frame of reference for the human today" (40). The proposed book analyzes this alteration as directors, creators, authors, and artists from the field of science fiction extrapolate it from current trends

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781781383322; 1786944111; 9781786944115
    RVK Categories: HN 1312 ; EC 6745 ; EC 5207 ; HU 1691
    Series: Liverpool science fiction texts and studies
    Subjects: Science fiction; Science fiction; Biotechnology in literature
    Scope: 1 Online-Ressource (viii, 272 Seiten), illustrations, figures, tables