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Displaying results 1 to 7 of 7.

  1. American graphic
    disgust and data in contemporary literature
    Author: Clark, Rebecca B
    Published: [2023]
    Publisher:  Stanford University Press, Stanford, California

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Paderborn
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    Unlimited inter-library loan, copies and loan
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  2. American graphic
    disgust and data in contemporary literature
    Author: Clark, Rebecca B.
    Published: 2022
    Publisher:  Stanford University Press, Stanford, California

    the graphic and the graph-ick -- The American grotesque : a graphic digest -- The ethnographic -- The pornographic -- The infographic -- Conclusion : identification and its discontents. ; Introduction "What do we really mean when we call something... more

    Location:
    Universitäts- und Landesbibliothek Münster
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    the graphic and the graph-ick -- The American grotesque : a graphic digest -- The ethnographic -- The pornographic -- The infographic -- Conclusion : identification and its discontents. ; Introduction "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the geometrically streamlined in the form of graphs, diagrams, and user interfaces. Clark's innovation is to ask what happens when the same moment in a work of literature is graphic in both ways at once. Her answer suggests that the graphic turn in contemporary literature is intimately implicated in the fraught dynamics of identification. As Clark reveals, this double graphic indexes the unseemliness of a lust in our current culture of information for cool epistemological mastery over the bodies of others. Clark analyzes the contemporary graphic along three specific axes: the ethnographic, the pornographic, and the infographic. In each chapter, her explication of the double graphic hinges on pairing a canonical author--Edgar Allan Poe, Vladimir Nabokov, Thomas Pynchon--read against the grain with literary, visual and/or performance works by black and/or female creators--Mat Johnson, Kara Walker, Fran Ross, Narcissister, Teju Cole--in order to test the effects and affects of the double graphic across racialized and gendered axes of differences. American Graphic forces us to face how closely and uncomfortably yoked together disgust and data--identification with and identification of the other--have become in our increasingly graph-ick world"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781503634237; 9781503630970
    Series: Post*45
    Subjects: American fiction; Grotesque in literature; Affect (Psychology) in literature; Aesthetics, American
    Other subjects: Array; Array; Literary studies: from c 1900 -; Literaturwissenschaft, allgemein; Array; Philosophie Ästhetik; Philosophy: aesthetics; USA; Vereinigte Staaten von Amerika, USA
    Scope: 296 Seiten
    Notes:

    Includes bibliographical references and index

    Interessenniveau: 06, Professional and scholarly: For an expert adult audience, including academic research. (06)

    Introduction: The Graphic and the Graph-ick 1. The American Grotesque: A Graphic Digest 2. The Ethnographic 3. The Pornographic 4. The Infographic Conclusion: Identification and Its Discontents
  3. American graphic
    disgust and data in contemporary literature
    Author: Clark, Rebecca B.
    Published: [2023]; © 2023
    Publisher:  Stanford University Press, Stanford, California

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the... more

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signature:
    13/HU 1095 C594
    Inter-library loan:
    No inter-library loan

     

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the geometrically streamlined in the form of graphs, diagrams, and user interfaces. Clark's innovation is to ask what happens when the same moment in a work of literature is graphic in both ways at once. Her answer suggests that the graphic turn in contemporary literature is intimately implicated in the fraught dynamics of identification. As Clark reveals, this double graphic indexes the unseemliness of a lust in our current culture of information for cool epistemological mastery over the bodies of others. Clark analyzes the contemporary graphic along three specific axes: the ethnographic, the pornographic, and the infographic. In each chapter, her explication of the double graphic hinges on pairing a canonical author--Edgar Allan Poe, Vladimir Nabokov, Thomas Pynchon--read against the grain with literary, visual and/or performance works by black and/or female creators--Mat Johnson, Kara Walker, Fran Ross, Narcissister, Teju Cole--in order to test the effects and affects of the double graphic across racialized and gendered axes of differences. American Graphic forces us to face how closely and uncomfortably yoked together disgust and data--identification with and identification of the other--have become in our increasingly graph-ick world

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503630970; 9781503634237
    Other identifier:
    9781503634237
    RVK Categories: HU 1095
    Series: Post 45
    Subjects: Literatur; Ästhetik; Affekt; Das Groteske; Poetik; American fiction; Grotesque in literature; Affect (Psychology) in literature; Aesthetics, American; ART / Criticism; LITERARY CRITICISM / American / General; Literary studies: from c 1900 -; Literaturwissenschaft, allgemein; PHILOSOPHY / Aesthetics; Philosophie Ästhetik; Philosophy: aesthetics
    Scope: viii, 294 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  4. American graphic
    disgust and data in contemporary literature
    Author: Clark, Rebecca B.
    Published: 2022
    Publisher:  Stanford University Press, Stanford, California

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the geometrically streamlined in the form of graphs, diagrams, and user interfaces. Clark's innovation is to ask what happens when the same moment in a work of literature is graphic in both ways at once. Her answer suggests that the graphic turn in contemporary literature is intimately implicated in the fraught dynamics of identification. As Clark reveals, this double graphic indexes the unseemliness of a lust in our current culture of information for cool epistemological mastery over the bodies of others. Clark analyzes the contemporary graphic along three specific axes: the ethnographic, the pornographic, and the infographic. In each chapter, her explication of the double graphic hinges on pairing a canonical author--Edgar Allan Poe, Vladimir Nabokov, Thomas Pynchon--read against the grain with literary, visual and/or performance works by black and/or female creators--Mat Johnson, Kara Walker, Fran Ross, Narcissister, Teju Cole--in order to test the effects and affects of the double graphic across racialized and gendered axes of differences. American Graphic forces us to face how closely and uncomfortably yoked together disgust and data--identification with and identification of the other--have become in our increasingly graph-ick world."

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781503634237; 9781503630970
    Series: Post*45
    Subjects: Literatur; Das Groteske; Groteske <Literatur>; Ästhetik; Affekt; Poetik
    Other subjects: American fiction / History and criticism; Grotesque in literature; Affect (Psychology) in literature; Aesthetics, American
    Scope: 294 Seiten
    Notes:

    Includes bibliographical references and index
  5. American graphic
    disgust and data in contemporary literature
    Author: Clark, Rebecca B.
    Published: [2023]; © 2023
    Publisher:  Stanford University Press, Stanford, California

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the... more

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the geometrically streamlined in the form of graphs, diagrams, and user interfaces. Clark's innovation is to ask what happens when the same moment in a work of literature is graphic in both ways at once. Her answer suggests that the graphic turn in contemporary literature is intimately implicated in the fraught dynamics of identification. As Clark reveals, this double graphic indexes the unseemliness of a lust in our current culture of information for cool epistemological mastery over the bodies of others. Clark analyzes the contemporary graphic along three specific axes: the ethnographic, the pornographic, and the infographic. In each chapter, her explication of the double graphic hinges on pairing a canonical author--Edgar Allan Poe, Vladimir Nabokov, Thomas Pynchon--read against the grain with literary, visual and/or performance works by black and/or female creators--Mat Johnson, Kara Walker, Fran Ross, Narcissister, Teju Cole--in order to test the effects and affects of the double graphic across racialized and gendered axes of differences. American Graphic forces us to face how closely and uncomfortably yoked together disgust and data--identification with and identification of the other--have become in our increasingly graph-ick world."

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781503634237
    RVK Categories: HU 1095
    Series: Post*45
    Subjects: Das Groteske; Affekt; Poetik; Groteske <Literatur>; Ästhetik; Literatur
    Other subjects: American fiction / History and criticism; Grotesque in literature; Affect (Psychology) in literature; Aesthetics, American
    Scope: viii, 294 Seiten
  6. American graphic
    disgust and data in contemporary literature
    Author: Clark, Rebecca
    Published: 2022
    Publisher:  Stanford University Press, Redwood City

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signature:
    bestellt
    Inter-library loan:
    No inter-library loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503634237; 9781503630970
    Series: Post 45
    Scope: 1 volume
    Notes:

    Forthcoming publication
  7. American graphic
    disgust and data in contemporary literature
    Author: Clark, Rebecca B.
    Published: [2023]; © 2023
    Publisher:  Stanford University Press, Stanford, California

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the... more

    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2023/2426
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Mannheim
    Signature:
    500 HU 1095 C594
    Inter-library loan:
    No inter-library loan

     

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the geometrically streamlined in the form of graphs, diagrams, and user interfaces. Clark's innovation is to ask what happens when the same moment in a work of literature is graphic in both ways at once. Her answer suggests that the graphic turn in contemporary literature is intimately implicated in the fraught dynamics of identification. As Clark reveals, this double graphic indexes the unseemliness of a lust in our current culture of information for cool epistemological mastery over the bodies of others. Clark analyzes the contemporary graphic along three specific axes: the ethnographic, the pornographic, and the infographic. In each chapter, her explication of the double graphic hinges on pairing a canonical author--Edgar Allan Poe, Vladimir Nabokov, Thomas Pynchon--read against the grain with literary, visual and/or performance works by black and/or female creators--Mat Johnson, Kara Walker, Fran Ross, Narcissister, Teju Cole--in order to test the effects and affects of the double graphic across racialized and gendered axes of differences. American Graphic forces us to face how closely and uncomfortably yoked together disgust and data--identification with and identification of the other--have become in our increasingly graph-ick world"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503630970; 9781503634237
    Other identifier:
    9781503634237
    RVK Categories: HU 1095
    Series: Post*45
    Subjects: American fiction; Grotesque in literature; Affect (Psychology) in literature; Aesthetics, American; ART / Criticism; LITERARY CRITICISM / American / General; Literary studies: from c 1900 -; Literaturwissenschaft, allgemein; PHILOSOPHY / Aesthetics; Philosophie Ästhetik; Philosophy: aesthetics
    Scope: viii, 294 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Interessenniveau: 06, Professional and scholarly: For an expert adult audience, including academic research. (06)