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  1. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Subjects: Poetry & Criticism; POETRY / Medieval; English language; English poetry; English wit and humor; Renaissance; Rhetoric, Renaissance; Poetik; Concetto; Lyrik; Renaissance; Metaphysical poets; Englisch; Rhetorik
    Scope: 1 online resource (240 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  2. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: [1997]
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search... more

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    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Scope: 1 Online-Ressource (240 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  3. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Foreword -- Acknowledgments -- Note on Transcriptions and Citations -- Introduction -- 1. Strange and Admirable Methods -- 2. The Most Dangerous Game: Wonder, Melancholy, 6y and Satire -- 3. Suspicious Boldness -- 4.... more

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    Frontmatter -- Contents -- Foreword -- Acknowledgments -- Note on Transcriptions and Citations -- Introduction -- 1. Strange and Admirable Methods -- 2. The Most Dangerous Game: Wonder, Melancholy, 6y and Satire -- 3. Suspicious Boldness -- 4. Powerful Insinuations: Obscurity as Catalyst and Veil -- 5. Passing Wonder or Wonder Passing? -- Bibliography -- Index James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Subjects: Rhetoric, Renaissance; English language; English poetry; English wit and humor; Renaissance; POETRY / Medieval
    Scope: 1 Online-Ressource (240 p)
    Notes:

    restricted access online access with authorization star
  4. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Subjects: Poetry & Criticism; POETRY / Medieval; English language; English poetry; English wit and humor; Renaissance; Rhetoric, Renaissance; Poetik; Concetto; Lyrik; Renaissance; Metaphysical poets; Englisch; Rhetorik
    Scope: 1 online resource (240 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  5. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Foreword -- Acknowledgments -- Note on Transcriptions and Citations -- Introduction -- 1. Strange and Admirable Methods -- 2. The Most Dangerous Game: Wonder, Melancholy, 6y and Satire -- 3. Suspicious Boldness -- 4.... more

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    Frontmatter -- Contents -- Foreword -- Acknowledgments -- Note on Transcriptions and Citations -- Introduction -- 1. Strange and Admirable Methods -- 2. The Most Dangerous Game: Wonder, Melancholy, 6y and Satire -- 3. Suspicious Boldness -- 4. Powerful Insinuations: Obscurity as Catalyst and Veil -- 5. Passing Wonder or Wonder Passing? -- Bibliography -- Index James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Subjects: Rhetoric, Renaissance; English language; English poetry; English wit and humor; Renaissance; POETRY / Medieval
    Scope: 1 Online-Ressource (240 p)
    Notes:

    restricted access online access with authorization star
  6. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: 2019; ©2019
    Publisher:  Cornell University Press, Ithaca

    Cover -- Lyric Wonder -- Title -- Copyright -- Dedication -- Contents -- Foreword -- Acknowledgments -- Note on Transcriptions and Citations -- Introduction -- 1 Strange and Admirable Methods -- 2 The Most Dangerous Game: Wonder, Melancholy, and... more

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    Cover -- Lyric Wonder -- Title -- Copyright -- Dedication -- Contents -- Foreword -- Acknowledgments -- Note on Transcriptions and Citations -- Introduction -- 1 Strange and Admirable Methods -- 2 The Most Dangerous Game: Wonder, Melancholy, and Satire -- 3 Suspicious Boldness -- 4 Powerful Insinuations: Obscurity as Catalyst and Veil -- 5 Passing Wonder or Wonder Passing? -- Bibliography -- Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Series: Rhetoric and Society
    Subjects: Electronic books
    Scope: 1 online resource (241 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  7. Lyric Wonder :
    Rhetoric and Wit in Renaissance English Poetry /
    Author: Biester, James,
    Published: [2019]; ©1997
    Publisher:  Cornell University Press,, Ithaca, NY :

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Subjects: English language; English poetry; English wit and humor; Renaissance; Rhetoric, Renaissance.; Poetry & Criticism.; POETRY / Medieval.
    Scope: 1 online resource (240 p.)