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  1. I, the Poet
    First-Person Form in Horace, Catullus, and Propertius
    Published: [2019]; © 2019
    Publisher:  Cornell University Press, Ithaca, NY

    First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet,... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies-including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice."In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningful across a great gulf of linguistic, cultural, and historical distances, McCarthy positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the "New Lyric Studies," I, the Poet will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501739569
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    Subjects: Ancient History & Classical Studies; Literary Studies; LITERARY CRITICISM / Ancient & Classical; First person narrative; Latin poetry; Point of view (Literature); Self in literature
    Scope: 1 online resource (258 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)

  2. I, the Poet :
    First-Person Form in Horace, Catullus, and Propertius /
    Published: [2019]; ©2019
    Publisher:  Cornell University Press,, Ithaca, NY :

    First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet,... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice."In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningful across a great gulf of linguistic, cultural, and historical distances, McCarthy positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the "New Lyric Studies," I, the Poet will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501739569
    Other identifier:
    Subjects: First person narrative.; Latin poetry; Point of view (Literature); Self in literature.; Literary Studies.; poetic address, lyric, Hellenistic period, Roman period, Latin poetry.; LITERARY CRITICISM / Ancient & Classical.
    Scope: 1 online resource (258 p.)
  3. I, the poet
    first-Person Form in Horace, Catullus, and Propertius
    Published: 2019
    Publisher:  Cornell University Press, Ithaca ; London

    First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet,... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice."In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningful across a great gulf of linguistic, cultural, and historical distances, McCarthy positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the "New Lyric Studies," I, the Poet will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres

     

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  4. I, the Poet
    First-Person Form in Horace, Catullus, and Propertius
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet,... more

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    First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice."In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningful across a great gulf of linguistic, cultural, and historical distances, McCarthy positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the "New Lyric Studies," I, the Poet will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501739569
    Other identifier:
    Scope: 1 Online-Ressource (258 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019)

  5. I, the Poet
    First-Person Form in Horace, Catullus, and Propertius
    Published: 2019
    Publisher:  Cornell University Press, Ithaca ; ProQuest, Ann Arbor, Michigan

    Universität Mainz, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501739569
    Scope: 1 Online-Ressource (255 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  6. I, the poet
    first-Person Form in Horace, Catullus, and Propertius
    Published: 2019
    Publisher:  Cornell University Press, Ithaca ; London

    First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet,... more

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    First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice."In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningful across a great gulf of linguistic, cultural, and historical distances, McCarthy positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the "New Lyric Studies," I, the Poet will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres

     

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  7. I, the poet
    first-person form in Horace, Catullus, and Propertius
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca

    Frontmatter -- Contents -- Acknowledgments -- Introduction: Voices on the Page -- Speaker and Poet -- Performance and Text -- Overview of I, the Poet -- 1. Poetry as Conversation -- 2. Poetry as Performance -- 3. Poetry That Says “Ego” -- 4. Poetry... more

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    Frontmatter -- Contents -- Acknowledgments -- Introduction: Voices on the Page -- Speaker and Poet -- Performance and Text -- Overview of I, the Poet -- 1. Poetry as Conversation -- 2. Poetry as Performance -- 3. Poetry That Says “Ego” -- 4. Poetry as Writing -- Epilogue: Ovid in Exile -- Works Cited -- General Index -- Index Locorum First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice."In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningful across a great gulf of linguistic, cultural, and historical distances, McCarthy positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the "New Lyric Studies," I, the Poet will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501739576; 9781501739569
    Other identifier:
    Subjects: Self in literature; First person narrative; Latin poetry; Point of view (Literature); LITERARY CRITICISM / Ancient & Classical
    Other subjects: poetic address, lyric, Hellenistic period, Roman period, Latin poetry
    Scope: 1 Online-Ressource (viii, 244 Seiten)
    Notes:

    restricted access online access with authorization star

  8. I, the poet
    first-person form in Horace, Catullus, and Propertius
    Published: 2019; ©2019
    Publisher:  Cornell University Press, Ithaca [New York]

    "First-person poetry is a familiar genre in Latin literature. Building on the Greek poetic tradition of performed poetry, Latin poets such as Propertius, Catullus, Horace, and Ovid positioned their speakers both as participants in the poem's... more

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    "First-person poetry is a familiar genre in Latin literature. Building on the Greek poetic tradition of performed poetry, Latin poets such as Propertius, Catullus, Horace, and Ovid positioned their speakers both as participants in the poem's narrative and as narrators standing outside the poem and shaping its discourse. This book offers a model for understanding the ubiquitous use of a first-person voice in Latin poetry, taking on several of the central debates in the field of Latin literary studies-- including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice"--Through close readings of Catullus, Propertius, Horace, and (in the epilogue) Ovid. Moving beyond debates about how closely the textual speaker replicates the historical author, McCarthy analyzes poetic structure, showing how the poet draws the reader in by narrating scenes of address from which the reader is, paradoxically excluded, as if leaning in to listen to an overheard conversation"--

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501739576; 1501739573; 9781501739569; 1501739565
    Subjects: Latin poetry; First person narrative; Point of view (Literature); Self in literature; Poésie latine - Histoire et critique - Théorie, etc; Récits à la première personne; Point de vue (Littérature); Moi (Psychologie) dans la littérature; LITERARY CRITICISM - Ancient & Classical; First person narrative; Point of view (Literature); Self in literature; Criticism, interpretation, etc
    Other subjects: Propertius, Sextus; Catullus, Gaius Valerius; Horace; Catullus, Gaius Valerius; Horace; Propertius, Sextus
    Scope: 1 Online-Ressource (viii, 244 pages)
    Notes:

    Includes bibliographical references and indexes

    Introduction : voices on the page -- Poetry as conversation -- Poetry as performance -- Poetry that says Ego -- Poetry as writing -- Epilogue : Ovid in exile.

  9. I, the poet
    first-person form in Horace, Catullus, and Propertius
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca

    Frontmatter -- Contents -- Acknowledgments -- Introduction: Voices on the Page -- Speaker and Poet -- Performance and Text -- Overview of I, the Poet -- 1. Poetry as Conversation -- 2. Poetry as Performance -- 3. Poetry That Says “Ego” -- 4. Poetry... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Acknowledgments -- Introduction: Voices on the Page -- Speaker and Poet -- Performance and Text -- Overview of I, the Poet -- 1. Poetry as Conversation -- 2. Poetry as Performance -- 3. Poetry That Says “Ego” -- 4. Poetry as Writing -- Epilogue: Ovid in Exile -- Works Cited -- General Index -- Index Locorum First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice."In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningful across a great gulf of linguistic, cultural, and historical distances, McCarthy positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the "New Lyric Studies," I, the Poet will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501739576; 9781501739569
    Other identifier:
    Subjects: Self in literature; First person narrative; Latin poetry; Point of view (Literature); LITERARY CRITICISM / Ancient & Classical
    Other subjects: poetic address, lyric, Hellenistic period, Roman period, Latin poetry
    Scope: 1 Online-Ressource (viii, 244 Seiten)
    Notes:

    restricted access online access with authorization star