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  1. Photographic Literacy
    Cameras in the Hands of Russian Authors
    Author: Reischl, Katherine M. H.
    Published: [2018]; © 2018
    Publisher:  Cornell University Press, Ithaca, NY

    Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in Photographic Literacy, authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself.For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers — including Sergei Prokudin-Gorsky and Alexander Rodchenko — used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501730481
    Other identifier:
    Subjects: Alexander Rodchenko; Alexander Solzhenitsyn; Ilya Ehrenburg; Leonid Andreev; literature; photography; Russia; Sergie Prokudin-Gorsky; Soviet Union; USSR.; visual consciousness; Literature and photography; Literature and photography; Photography in literature; Russian literature; Fotografie; Schriftsteller
    Other subjects: Andreev, Leonid N. (1871-1919)
    Scope: 1 online resource, 20 color photos, 78 b&w halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018)
  2. Photographic Literacy
    Cameras in the Hands of Russian Authors
    Author: Reischl, Katherine M. H.
    Published: [2018]; © 2018
    Publisher:  Cornell University Press, Ithaca, NY

    Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted... more

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    Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in Photographic Literacy, authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself.For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers — including Sergei Prokudin-Gorsky and Alexander Rodchenko — used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501730481
    Other identifier:
    Subjects: Alexander Rodchenko; Alexander Solzhenitsyn; Ilya Ehrenburg; Leonid Andreev; literature; photography; Russia; Sergie Prokudin-Gorsky; Soviet Union; USSR.; visual consciousness; Literature and photography; Literature and photography; Photography in literature; Russian literature; Fotografie; Schriftsteller
    Other subjects: Andreev, Leonid Nikolaevič (1871-1919)
    Scope: 1 online resource, 20 color photos, 78 b&w halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018)
  3. Photographic literacy
    cameras in the hands of Russian authors
    Author: Reischl, Katherine M. H.
    Published: 2018
    Publisher:  Cornell University Press, Ithaca [New York]

    Introduction : chasing Pushkin's photograph -- Tolstoy in the age of his technological reproducibility -- The diffusion of domesticated photography : Leonid Andreev, Vasily Rozanov, and Maximillian Voloshin -- Micro-geography, macro-world : Mikhail... more

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    Introduction : chasing Pushkin's photograph -- Tolstoy in the age of his technological reproducibility -- The diffusion of domesticated photography : Leonid Andreev, Vasily Rozanov, and Maximillian Voloshin -- Micro-geography, macro-world : Mikhail Prishvin -- Look left, young man! The international exchange of photo-narratives -- Conclusion : Nabokov, Solzhenitsyn, and the anxiety of photographic authorship "A primer in photographic literacy, focused on the sites of contact between photography and literary writing over roughly seventy years, this book traces the visual consciousness of modern Russian literature in the twentieth century as captured through the lens of the Russian author-photographer"--

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1501730495; 1501730487; 9781501730481; 9781501730498
    Other identifier:
    Subjects: Literature and photography; Russian literature; Photography in literature; Literature and photography; LITERARY CRITICISM ; Russian & Former Soviet Union; ART ; Russian & Former Soviet Union; Literature and photography; Photography in literature; Russian literature; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (xvi, 300 pages, 16 unnumbered pages of plates)
    Notes:

    "This publication is made possible in part from the Barr Ferree Foundation Fund for Publications, Department of Art and Archaeology, Princeton University."

    Includes bibliographical references and index
  4. Photographic literacy
    cameras in the hands of Russian authors
    Author: Reischl, Katherine M. H.
    Published: [2018]; © 2018
    Publisher:  Cornell University Press, Ithaca

    Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted... more

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    Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in Photographic Literacy, authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself.For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers — including Sergei Prokudin-Gorsky and Alexander Rodchenko — used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer.

     
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  5. Photographic Literacy
    Cameras in the Hands of Russian Authors
    Author: Reischl, Katherine M. H.
    Published: [2018]
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted... more

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    Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in Photographic Literacy, authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself.For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers — including Sergei Prokudin-Gorsky and Alexander Rodchenko — used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501730481
    Other identifier:
    Scope: 1 Online-Ressource, 20 color photos, 78 b&w halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018)