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  1. The Medieval Theater of Cruelty
    Rhetoric, Memory, Violence
    Author: Enders, Jody
    Published: [2002]
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle... more

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    Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle Ages. Theories of rhetoric and law of the time reveal, she points out, that the ideology of torture was a widely accepted means for exploiting such essential elements of the stage and stagecraft as dramatic verisimilitude, pity, fear, and catharsis to fabricate truth. Analyzing the consequences of torture for the history of aesthetics in general and of drama in particular, Enders shows that if the violence embedded in the history of rhetoric is acknowledged, we are better able to understand not only the enduring "theater of cruelty" identified by theorists from Isidore of Seville to Antonin Artaud, but also the continuing modern devotion to the spectacle of pain.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501720857
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    Scope: 1 Online-Ressource, 3 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  2. The Medieval Theater of Cruelty
    Rhetoric, Memory, Violence
    Author: Enders, Jody
    Published: [2018]; © 2002
    Publisher:  Cornell University Press, Ithaca, NY

    Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle... more

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    Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle Ages. Theories of rhetoric and law of the time reveal, she points out, that the ideology of torture was a widely accepted means for exploiting such essential elements of the stage and stagecraft as dramatic verisimilitude, pity, fear, and catharsis to fabricate truth. Analyzing the consequences of torture for the history of aesthetics in general and of drama in particular, Enders shows that if the violence embedded in the history of rhetoric is acknowledged, we are better able to understand not only the enduring "theater of cruelty" identified by theorists from Isidore of Seville to Antonin Artaud, but also the continuing modern devotion to the spectacle of pain

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501720857
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    Subjects: LITERARY CRITICISM / Medieval; Drama, Medieval; Theater; Violence in literature; Violence in the theater; Mittelfranzösisch; Gewalt <Motiv>; Altfranzösisch; Drama; Theater
    Scope: 1 online resource, 3 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  3. The Medieval Theater of Cruelty
    Rhetoric, Memory, Violence
    Author: Enders, Jody
    Published: [2018]
    Publisher:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Illustrations -- Preface -- Abbreviations -- A Polemical Introduction -- Chapter 1. The Dramatic Violence of Invention -- Chapter 2. The Memory of Pain -- Chapter 3. The Performance of Violence -- Conclusion: Vicious Cycles... more

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    Frontmatter -- Contents -- Illustrations -- Preface -- Abbreviations -- A Polemical Introduction -- Chapter 1. The Dramatic Violence of Invention -- Chapter 2. The Memory of Pain -- Chapter 3. The Performance of Violence -- Conclusion: Vicious Cycles -- Works Cited -- Index Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle Ages. Theories of rhetoric and law of the time reveal, she points out, that the ideology of torture was a widely accepted means for exploiting such essential elements of the stage and stagecraft as dramatic verisimilitude, pity, fear, and catharsis to fabricate truth. Analyzing the consequences of torture for the history of aesthetics in general and of drama in particular, Enders shows that if the violence embedded in the history of rhetoric is acknowledged, we are better able to understand not only the enduring "theater of cruelty" identified by theorists from Isidore of Seville to Antonin Artaud, but also the continuing modern devotion to the spectacle of pain

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501720857
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    Subjects: Violence in the theater; Violence in literature; Drama, Medieval; Theater; LITERARY CRITICISM / Medieval
    Scope: 1 Online-Ressource, 3 halftones
  4. The Medieval Theater of Cruelty
    Rhetoric, Memory, Violence
    Author: Enders, Jody
    Published: [2018]; © 2002
    Publisher:  Cornell University Press, Ithaca, NY

    Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle... more

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    Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle Ages. Theories of rhetoric and law of the time reveal, she points out, that the ideology of torture was a widely accepted means for exploiting such essential elements of the stage and stagecraft as dramatic verisimilitude, pity, fear, and catharsis to fabricate truth. Analyzing the consequences of torture for the history of aesthetics in general and of drama in particular, Enders shows that if the violence embedded in the history of rhetoric is acknowledged, we are better able to understand not only the enduring "theater of cruelty" identified by theorists from Isidore of Seville to Antonin Artaud, but also the continuing modern devotion to the spectacle of pain

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501720857
    Other identifier:
    Subjects: LITERARY CRITICISM / Medieval; Drama, Medieval; Theater; Violence in literature; Violence in the theater; Mittelfranzösisch; Gewalt <Motiv>; Altfranzösisch; Drama; Theater
    Scope: 1 online resource, 3 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  5. The Medieval Theater of Cruelty
    Rhetoric, Memory, Violence
    Author: Enders, Jody
    Published: [2018]
    Publisher:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Illustrations -- Preface -- Abbreviations -- A Polemical Introduction -- Chapter 1. The Dramatic Violence of Invention -- Chapter 2. The Memory of Pain -- Chapter 3. The Performance of Violence -- Conclusion: Vicious Cycles... more

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    Frontmatter -- Contents -- Illustrations -- Preface -- Abbreviations -- A Polemical Introduction -- Chapter 1. The Dramatic Violence of Invention -- Chapter 2. The Memory of Pain -- Chapter 3. The Performance of Violence -- Conclusion: Vicious Cycles -- Works Cited -- Index Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle Ages. Theories of rhetoric and law of the time reveal, she points out, that the ideology of torture was a widely accepted means for exploiting such essential elements of the stage and stagecraft as dramatic verisimilitude, pity, fear, and catharsis to fabricate truth. Analyzing the consequences of torture for the history of aesthetics in general and of drama in particular, Enders shows that if the violence embedded in the history of rhetoric is acknowledged, we are better able to understand not only the enduring "theater of cruelty" identified by theorists from Isidore of Seville to Antonin Artaud, but also the continuing modern devotion to the spectacle of pain

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501720857
    Other identifier:
    Subjects: Violence in the theater; Violence in literature; Drama, Medieval; Theater; LITERARY CRITICISM / Medieval
    Scope: 1 Online-Ressource, 3 halftones
  6. The Medieval Theater of Cruelty
    Rhetoric, Memory, Violence
    Author: Enders, Jody
    Published: 1998; ©2002
    Publisher:  Cornell University Press, Ithaca

    Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the... more

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    Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501720857
    Edition: 1st ed.
    Scope: 1 online resource (293 pages)
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    Description based on publisher supplied metadata and other sources
  7. The Medieval Theater of Cruelty :
    Rhetoric, Memory, Violence /
    Author: Enders, Jody,
    Published: [2018]; ©2002
    Publisher:  Cornell University Press,, Ithaca, NY :

    Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle Ages. Theories of rhetoric and law of the time reveal, she points out, that the ideology of torture was a widely accepted means for exploiting such essential elements of the stage and stagecraft as dramatic verisimilitude, pity, fear, and catharsis to fabricate truth. Analyzing the consequences of torture for the history of aesthetics in general and of drama in particular, Enders shows that if the violence embedded in the history of rhetoric is acknowledged, we are better able to understand not only the enduring "theater of cruelty" identified by theorists from Isidore of Seville to Antonin Artaud, but also the continuing modern devotion to the spectacle of pain.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501720857
    Other identifier:
    Subjects: Drama, Medieval; Theater; Violence in literature.; Violence in the theater.; LITERARY CRITICISM / Medieval.
    Scope: 1 online resource :, 3 halftones
  8. The medieval theater of cruelty
    rhetoric, memory, violence
    Author: Enders, Jody
    Published: 1999
    Publisher:  Cornell University Press, Ithaca

    Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle... more

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle Ages. Theories of rhetoric and law of the time reveal, she points out, that the ideology of torture was a widely accepted means for exploiting such essential elements of the stage and stagecraft as dramatic verisimilitude, pity, fear, and catharsis to fabricate truth. Analyzing the consequences of torture for the history of aesthetics in general and of drama in particular, Enders shows that if the violence embedded in the history of rhetoric is acknowledged, we are better able to understand not only the enduring "theater of cruelty" identified by theorists from Isidore of Seville to Antonin Artaud, but also the continuing modern devotion to the spectacle of pain

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0801433347; 1501720856; 9780801433344; 9781501720857
    Subjects: Violence in literature; Violence in the theater; Drama, Medieval; Theater; Théâtre médiéval - Histoire et critique; Violence dans la littérature; Violence au théâtre; Théâtre - Histoire - 500-1500 (Moyen Âge); LITERARY CRITICISM - Drama; Drama, Medieval; Theater - Medieval; Violence in literature; Violence in the theater; Toneel; Geweld; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (xvii, 268 pages), illustrations
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    Includes bibliographical references (pages 239-260) and index

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