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  1. Awful parenthesis
    suspension and the sublime in romantic and victorian poetry
    Author: McCarthy, Anne C.
    Published: [2018]; © 2018
    Publisher:  University of Toronto Press, Toronto

    Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487516284
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    Subjects: English poetry; Sublime, The, in literature; Lyrik; Verschiebung <Motiv>; Englisch; Das Erhabene; Scheintod <Motiv>
    Scope: 1 Online-Ressource (x, 218 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
  2. Awful Parenthesis
    Suspension and the Sublime in Romantic and Victorian Poetry
    Author: McCarthy, Anne C.
    Published: [2018]
    Publisher:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in... more

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    Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487516284
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    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
  3. Awful parenthesis
    suspension and the sublime in romantic and Victorian poetry/
    Author: McCarthy, Anne C.
    Published: 2018
    Publisher:  ProQuest, Toronto

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487516284
    Scope: 1 Online-Ressource (229 pages)
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    Description based on print version record
  4. Awful Parenthesis :
    Suspension and the Sublime in Romantic and Victorian Poetry /
    Author: McCarthy, Anne C.,
    Published: [2018]; ©2018
    Publisher:  University of Toronto Press,, Toronto :

    Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in... more

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    Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487516284
    Other identifier:
    Subjects: English poetry; Sublime, The, in literature.
    Scope: 1 online resource
  5. Awful parenthesis
    suspension and the sublime in romantic and Victorian poetry
    Author: McCarthy, Anne C.
    Published: [2018]; © 2018
    Publisher:  University of Toronto Press, Toronto

    Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in... more

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    Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487516284
    Other identifier:
    Subjects: Sublime, The, in literature; English poetry; Sublime, The, in literature; English poetry; English poetry.; Sublime, The, in literature.; LITERARY CRITICISM / Modern / 19th Century
    Scope: 1 Online-Ressource (x, 218 Seiten)
    Notes:

    Frontmatter -- -- Contents -- -- Abbreviations -- -- Acknowledgments -- -- Introduction: Approaching Suspension -- -- 1. Coleridge, Suspension, and the Sublime -- -- 2. Semblances of Truth in “Christabel” and Aids to Refl ection -- -- 3. Ecstatic Suspension in Shelley’s “Universe of Things” -- -- 4. Tennyson and the Rhetoric of Suspended Animation -- -- 5. Christina Rossetti’s Poetic Faith -- -- Conclusion: Over, Again -- -- Notes -- -- Bibliography -- -- Index
  6. Awful parenthesis
    suspension and the sublime in romantic and victorian poetry
    Author: McCarthy, Anne C.
    Published: [2018]; © 2018
    Publisher:  University of Toronto Press, Toronto

    Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in... more

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    Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487516284
    Other identifier:
    Subjects: English poetry; Sublime, The, in literature; Lyrik; Verschiebung <Motiv>; Englisch; Das Erhabene; Scheintod <Motiv>
    Scope: 1 Online-Ressource (x, 218 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
  7. Awful parenthesis
    suspension and the sublime in romantic and Victorian poetry
    Author: McCarthy, Anne C.
    Published: [2018]
    Publisher:  University of Toronto Press, Toronto

    Cover; Copyright; Contents; Abbreviations; Acknowledgments; Introduction: Approaching Suspension; 1 Coleridge, Suspension, and the Sublime; 2 Semblances of Truth in "Christabel" and Aids to Reflection; 3 Ecstatic Suspension in Shelley's "Universe of... more

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    Cover; Copyright; Contents; Abbreviations; Acknowledgments; Introduction: Approaching Suspension; 1 Coleridge, Suspension, and the Sublime; 2 Semblances of Truth in "Christabel" and Aids to Reflection; 3 Ecstatic Suspension in Shelley's "Universe of Things"; 4 Tennyson and the Rhetoric of Suspended Animation; 5 Christina Rossetti's Poetic Faith; Conclusion: Over, Again; Notes; Bibliography; Index

    Examining various aesthetics of suspension in the works of nineteenth-century poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, Anne C. McCarthy shares important insights into the cultural fascination with the sublime.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1487516282; 9781487516284
    Subjects: Sublime, The, in literature; English poetry; English poetry; Sublime, The, in literature; POETRY ; English, Irish, Scottish, Welsh; Criticism, interpretation, etc
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index
  8. Awful parenthesis
    suspension and the sublime in romantic and Victorian poetry
    Author: McCarthy, Anne C.
    Published: 2018; ©2018
    Publisher:  University of Toronto Press, Toronto ;

    Examining various aesthetics of suspension in the works of nineteenth-century poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, Anne C. McCarthy shares important insights into the cultural fascination with the sublime Cover --... more

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    Examining various aesthetics of suspension in the works of nineteenth-century poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, Anne C. McCarthy shares important insights into the cultural fascination with the sublime Cover -- Copyright -- Contents -- Abbreviations -- Acknowledgments -- Introduction: Approaching Suspension -- 1 Coleridge, Suspension, and the Sublime -- 2 Semblances of Truth in "Christabel" and Aids to Reflection -- 3 Ecstatic Suspension in Shelley's "Universe of Things" -- 4 Tennyson and the Rhetoric of Suspended Animation -- 5 Christina Rossetti's Poetic Faith -- Conclusion: Over, Again -- Notes -- Bibliography -- Index

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487516284
    Subjects: English poetry ; 19th century ; History and criticism; Sublime, The, in literature; Electronic books
    Scope: 1 online resource (229 pages)
    Notes:

    Description based on print version record