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  1. Aesthetics of Excess
    the Art and Politics of Black and Latina Embodiment
    Author: Hernandez, Jillian
    Published: [2020]; © 2020
    Publisher:  Duke University Press, Durham

    Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed... more

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls Miami, Florida, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship

     
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  2. Aesthetics of Excess
    the Art and Politics of Black and Latina Embodiment
    Author: Hernandez, Jillian
    Published: [2020]; © 2020
    Publisher:  Duke University Press, Durham

    Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Universitätsbibliothek Passau
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    Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls Miami, Florida, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship

     
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  3. Aesthetics of excess
    the art and politics of Black and Latina embodiment
    Author: Hernandez, Jillian
    Published: 2020
    Publisher:  Duke University Press, Durham

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- INTERLUDE ONE -- ONE. READING BLACK AND LATINA EMBODIMENT IN MIAMI -- TWO. SEXUAL-AESTHETIC EXCESS: Or, How Chonga Girls Make Class Burn -- THREE. “FINE AS HELL”: The Aesthetic Erotics of... more

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
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    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- INTERLUDE ONE -- ONE. READING BLACK AND LATINA EMBODIMENT IN MIAMI -- TWO. SEXUAL-AESTHETIC EXCESS: Or, How Chonga Girls Make Class Burn -- THREE. “FINE AS HELL”: The Aesthetic Erotics of Masculinity -- INTERLUDE TWO -- FOUR. ROCOCO PINK: The Power of Nicki Minaj’s Aesthetics of Fakery -- INTERLUDE THREE -- FIVE. ENCOUNTERS WITH EXCESS: Girls Creating Art, Theory, and Sexual Bodies -- INTERLUDE FOUR -- EPILOGUE -- NOTES -- REFERENCES -- INDEX Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls Miami, Florida, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478012634
    Other identifier:
    Subjects: Aesthetics; African American women in art; Art and race; Body image in art; Body image in girls; Body image in women; Body image; Hispanic American women; Human body in popular culture; SOCIAL SCIENCE / Women's Studies
    Scope: 1 Online-Ressource (xii, 303 Seiten), Illustrationen
  4. Aesthetics of excess
    the art and politics of Black and Latina embodiment
    Author: Hernandez, Jillian
    Published: 2020
    Publisher:  Duke University Press, Durham

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- INTERLUDE ONE -- ONE. READING BLACK AND LATINA EMBODIMENT IN MIAMI -- TWO. SEXUAL-AESTHETIC EXCESS: Or, How Chonga Girls Make Class Burn -- THREE. “FINE AS HELL”: The Aesthetic Erotics of... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Inter-library loan:
    No inter-library loan

     

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- INTERLUDE ONE -- ONE. READING BLACK AND LATINA EMBODIMENT IN MIAMI -- TWO. SEXUAL-AESTHETIC EXCESS: Or, How Chonga Girls Make Class Burn -- THREE. “FINE AS HELL”: The Aesthetic Erotics of Masculinity -- INTERLUDE TWO -- FOUR. ROCOCO PINK: The Power of Nicki Minaj’s Aesthetics of Fakery -- INTERLUDE THREE -- FIVE. ENCOUNTERS WITH EXCESS: Girls Creating Art, Theory, and Sexual Bodies -- INTERLUDE FOUR -- EPILOGUE -- NOTES -- REFERENCES -- INDEX Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls Miami, Florida, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478012634
    Other identifier:
    Subjects: Aesthetics; African American women in art; Art and race; Body image in art; Body image in girls; Body image in women; Body image; Hispanic American women; Human body in popular culture; SOCIAL SCIENCE / Women's Studies
    Scope: 1 Online-Ressource (xii, 303 Seiten), Illustrationen