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  1. Postfeminist whiteness
    problematising melancholic burden in contemporary Hollywood
    Published: [2018]
    Publisher:  Edinburgh University Press, Edinburgh

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous consumption as tragic flaw in Woody Allen's Blue Jasmine --Paranoid attachments to suburban dreams: pathological feminitity in Gone Girl and The Girl on the Train --Aristocratic whiteness, body trauma and the market logic of melancholia in Black Swan --Sofia Coppola's melancholic aesthetic: vanishing femininity in an object-oriented world --Conclusion: melancholic white femininity, cultural resonance and the shifting politics of representation.

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474430319; 9781474430326
    Subjects: Feminism and motion pictures; Women, White, in motion pictures; Melancholy in motion pictures; Race in motion pictures; Feminism and motion pictures; Melancholy in motion pictures; Race in motion pictures; Women, White, in motion pictures; Film; Melancholie; Weibliche Weiße; USA
    Scope: 1 Online-Ressource (ix, 221 pages), illustrations
    Notes:

    Includes bibliographical references (pages 198-209), filmography (pages 210-214), and index

  2. Postfeminist whiteness
    problematising melancholic burden in contemporary Hollywood
    Published: [2018]; © 2018
    Publisher:  Edinburgh University Press, Edinburgh ; OAPEN Foundation, The Hague

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474430319; 9781474430326
    RVK Categories: AP 50300 ; AP 59783
    DDC Categories: 300
    Subjects: Film; Weibliche Weiße <Motiv>; Melancholie <Motiv>
    Scope: 1 Online-Ressource (ix, 221 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis: Seite 198-209

  3. Postfeminist Whiteness
    Problematising Melancholic Burden in Contemporary Hollywood
    Published: [2018]; ©2018
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Addresses postfeminist media culture's emphasis on socioeconomic privilegeIn the first extended study into the politics of whiteness inherent within postfeminist cinema, Kendra Marston interrogates representations of melancholic white femininity in... more

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    Addresses postfeminist media culture's emphasis on socioeconomic privilegeIn the first extended study into the politics of whiteness inherent within postfeminist cinema, Kendra Marston interrogates representations of melancholic white femininity in contemporary Hollywood cinema, arguing that the 'melancholic white woman' serves as a vehicle through which to explore the excesses of late capitalism and a crisis of faith in the American dream. This figure may be idealised or scapegoated within these films, yet strategic performances of gendered melancholia may produce benefits for white female directors and stars disadvantaged within a patriarchal industry. Examining film genres including the tourist romance, the fantasy film and the psychological thriller, the book also contains case studies of films like The Virgin Suicides, Blue Jasmine, Gone Girl and The Girl on the Train.Case studies include:Gone Girl (David Fincher 2014)The Girl on the Train (Tate Taylor 2016)The Virgin Suicides (Sofia Coppola 1999)Marie Antoinette (Sofia Coppola 2006)Lost in Translation (Sofia Coppola 2003)Blue Jasmine (Woody Allen 2013)Black Swan (Darren Aronofsky 2010)Pirates of the Caribbean (Gore Verbinski 2003, 2006, 2007)Alice in Wonderland (Tim Burton 2010)Alice Through the Looking Glass (James Bobin 2016)Eat Pray Love (Ryan Murphy 2010)Under the Tuscan Sun (Audrey Wells 2003)...

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474430319
    RVK Categories: AP 50300 ; AP 59783
    Subjects: Film; Weibliche Weiße <Motiv>; Melancholie <Motiv>
    Scope: 1 Online-Ressource (232 p.), 20 B/W illustrations
  4. Postfeminist whiteness
    problematising melancholic burden in contemporary Hollywood
    Published: [2018]
    Publisher:  Edinburgh University Press, Edinburgh

    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous... more

    Access:
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    The world is her oyster: negotiating contemporary white womanhood in Hollywood's tourist spaces --'Hoist the colours!' Framing feminism through charismatic white leadership in the fantasy blockbuster --Neoliberalism, female agency and conspicuous consumption as tragic flaw in Woody Allen's Blue Jasmine --Paranoid attachments to suburban dreams: pathological feminitity in Gone Girl and The Girl on the Train --Aristocratic whiteness, body trauma and the market logic of melancholia in Black Swan --Sofia Coppola's melancholic aesthetic: vanishing femininity in an object-oriented world --Conclusion: melancholic white femininity, cultural resonance and the shifting politics of representation.

     

    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474430319; 9781474430326
    Subjects: Feminism and motion pictures; Women, White, in motion pictures; Melancholy in motion pictures; Race in motion pictures; Feminism and motion pictures; Melancholy in motion pictures; Race in motion pictures; Women, White, in motion pictures; Film; Melancholie; Weibliche Weiße; USA
    Scope: 1 Online-Ressource (ix, 221 pages), illustrations
    Notes:

    Includes bibliographical references (pages 198-209), filmography (pages 210-214), and index