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Displaying results 1 to 5 of 5.

  1. The portrait's subject
    inventing inner life in the nineteenth-century United States
    Author: Blackwood, Sarah
    Published: [2019]
    Publisher:  The University of North Carolina Press, Chapel Hill

    "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth... more

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signature:
    KMB/EPZ 22 2019 B
    Inter-library loan:
    No inter-library loan

     

    "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology."

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781469652580; 9781469652597
    Series: Studies in United States culture
    Subjects: Literatur; Kunst; Identität <Motiv>; Psychologie; Bildnis; Charakterisierung
    Scope: xi, 201 Seiten, Illustrationen, 24 cm
  2. <<The>> portrait's subject
    inventing inner life in the nineteenth-century United States
    Author: Blackwood, Sarah
    Published: [2019]
    Publisher:  The University of North Carolina Press, Chapel Hill

    "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology."

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781469652580; 9781469652597
    Series: Studies in United States culture
    Subjects: USA; Kunst; Literatur; Bildnis; Charakterisierung; Psychologie; Identität <Motiv>; Geschichte 1839-1900
    Scope: xi, 201 Seiten, Illustrationen, 24 cm
  3. The portrait's subject
    inventing inner life in the nineteenth-century United States
    Author: Blackwood, Sarah
    Published: [2019]; © 2019
    Publisher:  The University of North Carolina Press, Chapel Hill

    "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth... more

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Regensburg
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
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    Unlimited inter-library loan, copies and loan

     

    "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology." Klappentext

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781469652580; 9781469652597
    RVK Categories: HT 1121
    Series: Studies in United States culture
    Subjects: Psychologie; Charakterisierung; Literatur; Bildnis; Identität <Motiv>; Kunst
    Other subjects: Portraits, American; Identity (Psychology) in art; Identity (Psychology) in literature; Psychology and art; Identity (Psychology) in art; Identity (Psychology) in literature; Portraits, American; Psychology and art
    Scope: xi, 201 Seiten, Illustrationen, 24 cm
    Notes:

    In the portrait gallery of American literature -- Face: Hepzibah's scowl -- Head: writing the African American portrait -- Limbs: postbellum portraiture and the mind-body problem -- Mind/brain: the physiognomy of consciousness -- Bones: the x-ray and the inert body -- Selfie nation
  4. The portrait's subject
    inventing inner life in the nineteenth-century United States
    Author: Blackwood, Sarah
    Published: [2019]
    Publisher:  University of North Carolina Press, Chapel Hill

    In the portrait gallery of American literature -- Face: Hepzibah's scowl -- Head: writing the African American portrait -- Limbs: postbellum portraiture and the mind-body problem -- Mind/brain: the physiognomy of consciousness -- Bones: the x-ray and... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2021:4472:
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 90153
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2021 C 2949
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    AMK:MC:340:Bla::2019
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In the portrait gallery of American literature -- Face: Hepzibah's scowl -- Head: writing the African American portrait -- Limbs: postbellum portraiture and the mind-body problem -- Mind/brain: the physiognomy of consciousness -- Bones: the x-ray and the inert body -- Selfie nation. "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781469652597; 9781469652580
    Series: Studies in United States culture
    Subjects: Portraits, American; Identity (Psychology) in art; Identity (Psychology) in literature; Psychology and art
    Scope: xi, 201 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 179-192
  5. The portrait's subject
    inventing inner life in the nineteenth-century United States
    Author: Blackwood, Sarah
    Published: [2019]
    Publisher:  University of North Carolina Press, Chapel Hill

    In the portrait gallery of American literature -- Face: Hepzibah's scowl -- Head: writing the African American portrait -- Limbs: postbellum portraiture and the mind-body problem -- Mind/brain: the physiognomy of consciousness -- Bones: the x-ray and... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In the portrait gallery of American literature -- Face: Hepzibah's scowl -- Head: writing the African American portrait -- Limbs: postbellum portraiture and the mind-body problem -- Mind/brain: the physiognomy of consciousness -- Bones: the x-ray and the inert body -- Selfie nation. "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781469652597; 9781469652580
    Series: Studies in United States culture
    Subjects: Portraits, American; Identity (Psychology) in art; Identity (Psychology) in literature; Psychology and art
    Scope: xi, 201 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 179-192