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  1. Earthquakes and Explorations
    Language and Painting from Cubism to Concrete Poetry
    Published: [2016]; © 1997
    Publisher:  University of Toronto Press, Toronto

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442664869
    Other identifier:
    Subjects: Art and literature; Concrete poetry; Cubism and literature; Painting, Modern; Kubismus; Konkrete Poesie; Literatur; Malerei; Sprache; Kunst
    Other subjects: Stein, Gertrude (1874-1946); Finlay, Ian Hamilton (1925-2006); Braque, Georges (1882-1963); Apollinaire, Guillaume (1880-1918)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :

  2. Earthquakes and explorations
    language and painting from cubism to concrete poetry
    Published: 1997; © 1997
    Publisher:  University of Toronto Press, Toronto, [Ontario] ; Buffalo, [New York] ; London, [England]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442664869
    Series: Theory / Culture
    Subjects: Cubism and literature; Art and literature; Painting, Modern; Concrete poetry; Kubismus; Konkrete Poesie; Literatur; Malerei; Sprache; Kunst
    Other subjects: Stein, Gertrude (1874-1946); Finlay, Ian Hamilton (1925-2006); Braque, Georges (1882-1963); Apollinaire, Guillaume (1880-1918)
    Scope: 1 online resource (250 pages), illustrations
    Notes:

    Description based on print version record

  3. Earthquakes and explorations
    language and painting from cubism to concrete poetry
    Published: c1997
    Publisher:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802041418; 1442613203; 144266486X; 9780802041418; 9781442613201; 9781442664869
    Series: Theory/culture series
    Subjects: Cubisme et littérature; Art et littérature; Peinture moderne / 20e siècle; Poésie concrète / Histoire et critique; Art et littérature; Poésie concrète / Histoire et critique; Cubisme et littérature; Peinture moderne / 20e siècle; Kubismus; Konkrete Poesie; Malerei; Sprache; ART / History / General; LITERARY CRITICISM / Poetry; Art and literature; Concrete poetry; Cubism and literature; Painting, Modern; Geschichte; Cubism and literature; Art and literature; Painting, Modern; Concrete poetry; Kubismus; Konkrete Poesie; Sprache; Kunst; Malerei; Literatur
    Other subjects: Finlay, Ian Hamilton (1925-2006); Apollinaire, Guillaume (1880-1918); Braque, Georges (1882-1963); Stein, Gertrude (1874-1946)
    Scope: 1 Online-Ressource (xiv, 235 p.)
    Notes:

    Includes bibliographical references (p. [219]-227) and index

    The supplement of language -- 'We are a man': the narrativization of painting -- Apollinaire and the naming of Cubism -- The gospel according to Kahnweiler -- The semiotics of Cubism -- Metaphor and metonymy in Cubism and Gertrude Stein -- The window frame: Delaunay and Apollinaire -- Signs of the times -- Gadji Beri Bimba: abstraction in poetry -- Models of order: Ian Hamilton Finlay

    The author's concern is both with a general theoretical question - the relationship between painting and poetry, between the visual and the verbal - and with a specific period of artistic history - the early years of the twentieth century, when Cubism flourished. Rather than seeing any conflict or irreconcilable division between painting and poetry, Scobie proposes, as a model for their relation, the Derridean notion of 'the supplement.' This relation is grounded in the pervasiveness of language, in the ways in which language surrounds, imbues, structures, and supplements both verbal and nonverbal images

  4. Earthquakes and Explorations
    Language and Painting from Cubism to Concrete Poetry
    Published: [2016]; © 1997
    Publisher:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442664869
    Other identifier:
    Subjects: Art and literature; Concrete poetry; Cubism and literature; Painting, Modern; Kubismus; Konkrete Poesie; Literatur; Malerei; Sprache; Kunst
    Other subjects: Stein, Gertrude (1874-1946); Finlay, Ian Hamilton (1925-2006); Braque, Georges (1882-1963); Apollinaire, Guillaume (1880-1918)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    A study of the interactions between poetry and painting in the 20th century, particularly the Cubist painters and the writers who were associated with them, and the later movement of Concrete Poetry

  5. Earthquakes and explorations
    language and painting from cubism to concrete poetry
    Published: c1997
    Publisher:  University of Toronto Press, Toronto

    A study of the interactions between poetry and painting in the 20th century, particularly the Cubist painters and the writers who were associated with them, and the later movement of Concrete Poetry The author's concern is both with a general... more

    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Universitätsbibliothek Hildesheim
    No inter-library loan
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    No inter-library loan
    Hochschule Merseburg, Bibliothek
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
    No inter-library loan
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
    No inter-library loan
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
    No inter-library loan

     

    A study of the interactions between poetry and painting in the 20th century, particularly the Cubist painters and the writers who were associated with them, and the later movement of Concrete Poetry The author's concern is both with a general theoretical question - the relationship between painting and poetry, between the visual and the verbal - and with a specific period of artistic history - the early years of the twentieth century, when Cubism flourished. Rather than seeing any conflict or irreconcilable division between painting and poetry, Scobie proposes, as a model for their relation, the Derridean notion of 'the supplement.' This relation is grounded in the pervasiveness of language, in the ways in which language surrounds, imbues, structures, and supplements both verbal and nonverbal images

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 144266486X; 9781442664869
    Other identifier:
    RVK Categories: EC 2440
    Series: Theory / culture
    Subjects: Concrete poetry; Cubism and literature; Painting, Modern; Art and literature
    Scope: Online-Ressource (xiv, 235 p), ill
    Notes:

    Includes bibliographical references (p. [219]-227) and index

    The supplement of language'We are a man': the narrativization of painting -- Apollinaire and the naming of Cubism -- The gospel according to Kahnweiler -- The semiotics of Cubism -- Metaphor and metonymy in Cubism and Gertrude Stein -- The window frame: Delaunay and Apollinaire -- Signs of the times -- Gadji Beri Bimba: abstraction in poetry -- Models of order: Ian Hamilton Finlay.