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Displaying results 1 to 3 of 3.

  1. Guilty creatures
    Renaissance poetry and the ethics of authorship
    Author: Kezar, Dennis
    Published: 2001
    Publisher:  Oxford University Press, Oxford

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195142950; 1280531290; 1423762231; 9780195142952; 9781280531293; 9781423762232
    Subjects: POETRY / English, Irish, Scottish, Welsh; Psychologie; English literature; Death in literature; English drama (Tragedy); Poetry; Renaissance; Violence in literature; Guilt in literature; Literatur; Mord; Schuld; Englisch
    Other subjects: Milton, John (1608-1674): Samson Agonistes; Spenser, Edmund (1552-1599): The faerie queene; Shakespeare, William (1564-1616): Julius Caesar; Skelton, John (1460-1529)
    Scope: 1 Online-Ressource (viii, 268 pages)
    Notes:

    Includes bibliographical references and index

    Courting heresy and taking the subject: John Skelton's precedent -- Spenser and the poetics of indiscretion -- The properties of Shakespeare's Globe -- The witch of Edmonton and the guilt of possession -- Samson's death by theater and Milton's art of dying -- Guilt and the constitution of authorship in Henry V and the antitheatrical elegies of W.S. and Milton

    This is a study of how poets treat the theme of killing and various other depravities and immoralities in Renaissance poetry. The book explores the self-consciousness of the poet that accompanies literary killing, and explores fundamental moments in particular writings in which Renaissance poets admit themselves accountable and to a degree guilty of a process whereby the literary subject is brought to some kind of destruction. Included among the many poems Kezar uses to explore the concept of authorial guilt raised by violent representations are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, and Milton's Samson Agonistes
  2. Guilty creatures
    Renaissance poetry and the ethics of authorship
    Published: 2001
    Publisher:  Oxford University Press, Oxford

    This is a study of how poets treat the theme of killing and various other depravities and immoralities in Renaissance poetry. The book explores the self-consciousness of the poet that accompanies literary killing, and explores fundamental moments in... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    This is a study of how poets treat the theme of killing and various other depravities and immoralities in Renaissance poetry. The book explores the self-consciousness of the poet that accompanies literary killing, and explores fundamental moments in particular writings in which Renaissance poets admit themselves accountable and to a degree guilty of a process whereby the literary subject is brought to some kind of destruction. Included among the many poems Kezar uses to explore the concept of authorial guilt raised by violent representations are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, and Milton's Samson Agonistes

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1280531290; 9781280531293; 1423762231; 9781423762232
    Subjects: English literature; English drama (Tragedy); Poetry; Renaissance; Guilt in literature; Death in literature; Violence in literature; Poetry; Renaissance; English drama (Tragedy); Guilt in literature; English literature; Renaissance; Violence in literature; Guilt in literature; English literature; Poetry; Death in literature; English drama (Tragedy); POETRY ; English, Irish, Scottish, Welsh; Death in literature; English drama (Tragedy); English literature ; Early modern; Guilt in literature; Poetry ; Authorship ; Psychological aspects; Renaissance; Violence in literature; Criticism, interpretation, etc
    Scope: Online Ressource (viii, 268 p.)
    Notes:

    Includes bibliographical references and index. - Description based on print version record

    Courting heresy and taking the subject: John Skelton's precedentSpenser and the poetics of indiscretion -- The properties of Shakespeare's Globe -- The witch of Edmonton and the guilt of possession -- Samson's death by theater and Milton's art of dying -- Guilt and the constitution of authorship in Henry V and the antitheatrical elegies of W.S. and Milton.
  3. Guilty creatures
    Renaissance poetry and the ethics of authorship
    Author: Kezar, Dennis
    Published: 2001
    Publisher:  Oxford University Press, Oxford [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    This is a study of how poets treat the theme of killing and various other depravities and immoralities in Renaissance poetry. The book explores the self-consciousness of the poet that accompanies literary killing, and explores fundamental moments in... more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan

     

    This is a study of how poets treat the theme of killing and various other depravities and immoralities in Renaissance poetry. The book explores the self-consciousness of the poet that accompanies literary killing, and explores fundamental moments in particular writings in which Renaissance poets admit themselves accountable and to a degree guilty of a process whereby the literary subject is brought to some kind of destruction. Included among the many poems Kezar uses to explore the concept of authorial guilt raised by violent representations are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, and Milton's Samson Agonistes.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423762231; 9781423762232; 1280531290; 9781280531293
    RVK Categories: HI 1249
    Subjects: Englisch; Literatur; Schuld <Motiv>; Mord <Motiv>; Tötung <Motiv>
    Scope: 1 Online-Ressource (viii, 268 pages)
    Notes:

    Includes bibliographical references and index