Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 5 of 5.

  1. Shakespeare's props
    memory and cognition
    Author: Duncan, Sophie
    Published: 2019
    Publisher:  Routledge, New York, NY

    Introduction: props and cognition -- "Must I remember?": objects, recollection, and grief in Hamlet -- "Washing the Ethiope White": biography of a handkerchief -- "Picture[s] in little": Hamlet the curator -- Babies and corpses -- Broken props and... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction: props and cognition -- "Must I remember?": objects, recollection, and grief in Hamlet -- "Washing the Ethiope White": biography of a handkerchief -- "Picture[s] in little": Hamlet the curator -- Babies and corpses -- Broken props and the battle to forget -- Epilogue: the politics of props.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
  2. Shakespeare's props
    memory and cognition
    Author: Duncan, Sophie
    Published: 2019
    Publisher:  Routledge, New York, NY

    "Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props.... more

     

    "Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props. Departing from the longstanding tendency to conceptualise props as detachable body parts, this monograph argues for props as detachable parts of the mind. Through props, Shakespeare's characters reveal their own cognition and intervene in the cognition of other characters, illuminating and extending their affect. Shakespeare's props are neither static icons nor substitutes for the body, but volatile, malleable, and dangerously exposed extensions of his characters' minds. Recognising them as such offers new readings of the plays, from the way memory becomes a weapon in Hamlet's Elsinore, to the pleasures and perils of Early Modern gift culture in Othello. The book illuminates Shakespeare's exploration of extended cognition, recollection and remembrance at a time when the growth of printing was forcing Renaissance culture to rethink the relationship between memory and the object. Readings in Shakespearean stage history, drawing on much unpublished archival material, reveal how props illuminate cultural priorities: while some props accrue cultural memories, others decay and are forgotten as detritus of the stage"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781351967617; 1351967614; 9781351967600; 1351967606; 9781315265582; 1315265583; 9781351967594; 1351967592
    Other identifier:
    Series: Routledge studies in Shakespeare
    Routledge studies in Shakespeare ; 36
    Subjects: Memory in literature; Object (Aesthetics) in literature; Stage props
    Other subjects: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William / 1564-1616 / Dramatic production
    Scope: 1 online resource
  3. Shakespeare's props
    memory and cognition
    Author: Duncan, Sophie
    Published: 2019
    Publisher:  Routledge, New York, NY ; Taylor & Francis Group, London

    "Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props.... more

    Access:

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Inter-library loan:
    No inter-library loan

     

    "Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props. Departing from the longstanding tendency to conceptualise props as detachable body parts, this monograph argues for props as detachable parts of the mind. Through props, Shakespeare's characters reveal their own cognition and intervene in the cognition of other characters, illuminating and extending their affect. Shakespeare's props are neither static icons nor substitutes for the body, but volatile, malleable, and dangerously exposed extensions of his characters' minds. Recognising them as such offers new readings of the plays, from the way memory becomes a weapon in Hamlet's Elsinore, to the pleasures and perils of Early Modern gift culture in Othello. The book illuminates Shakespeare's exploration of extended cognition, recollection and remembrance at a time when the growth of printing was forcing Renaissance culture to rethink the relationship between memory and the object. Readings in Shakespearean stage history, drawing on much unpublished archival material, reveal how props illuminate cultural priorities: while some props accrue cultural memories, others decay and are forgotten as detritus of the stage"--...

     
    Export to reference management software   RIS file
      BibTeX file
  4. Shakespeare's props
    memory and cognition
    Author: Duncan, Sophie
    Published: 2019
    Publisher:  Routledge, New York, NY

    Introduction: props and cognition -- "Must I remember?": objects, recollection, and grief in Hamlet -- "Washing the Ethiope White": biography of a handkerchief -- "Picture[s] in little": Hamlet the curator -- Babies and corpses -- Broken props and... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Palucca-Hochschule für Tanz Dresden, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

     

    Introduction: props and cognition -- "Must I remember?": objects, recollection, and grief in Hamlet -- "Washing the Ethiope White": biography of a handkerchief -- "Picture[s] in little": Hamlet the curator -- Babies and corpses -- Broken props and the battle to forget -- Epilogue: the politics of props.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
  5. Shakespeare's props :
    memory and cognition /
    Author: Duncan, Sophie,
    Published: 2019.
    Publisher:  Routledge,, New York, NY :

    "Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props.... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props. Departing from the longstanding tendency to conceptualise props as detachable body parts, this monograph argues for props as detachable parts of the mind. Through props, Shakespeare's characters reveal their own cognition and intervene in the cognition of other characters, illuminating and extending their affect. Shakespeare's props are neither static icons nor substitutes for the body, but volatile, malleable, and dangerously exposed extensions of his characters' minds. Recognising them as such offers new readings of the plays, from the way memory becomes a weapon in Hamlet's Elsinore, to the pleasures and perils of Early Modern gift culture in Othello. The book illuminates Shakespeare's exploration of extended cognition, recollection and remembrance at a time when the growth of printing was forcing Renaissance culture to rethink the relationship between memory and the object. Readings in Shakespearean stage history, drawing on much unpublished archival material, reveal how props illuminate cultural priorities: while some props accrue cultural memories, others decay and are forgotten as detritus of the stage"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Media type: Ebook
    Format: Online
    ISBN: 9781351967617; 1351967614; 9781351967600; 1351967606; 9781315265582; 1315265583; 9781351967594; 1351967592
    Other identifier:
    RVK Categories: HI 3390
    Series: Routledge studies in Shakespeare ; ; 36
    Subjects: Memory in literature.; Object (Aesthetics) in literature.; Stage props.; Mémoire dans la littérature.; Objet (Esthétique) dans la littérature.; Accessoires (Cinéma, etc.); DRAMA; LITERARY CRITICISM; DRAMA; Memory in literature.; Object (Aesthetics) in literature.; Stage props.; Theater.
    Other subjects: Shakespeare, William, (1564-1616); Shakespeare, William, (1564-1616); Shakespeare, William, (1564-1616)
    Scope: 1 online resource
    Notes:

    Includes bibliographical references and index.

    Introduction: props and cognition -- "Must I remember?": objects, recollection, and grief in Hamlet -- "Washing the Ethiope White": biography of a handkerchief -- "Picture[s] in little": Hamlet the curator -- Babies and corpses -- Broken props and the battle to forget -- Epilogue: the politics of props.