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  1. Marginal Modernity
    The Aesthetics of Dependency from Kierkegaard to Joyce
    Author: Lisi, Leonardo F.
    Published: [2012]; © 2012
    Publisher:  Fordham University Press, New York, NY

    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art,... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by the avant-gardes. In this revisionary study, Leonardo Lisi argues that these models rest on assumptions about the nature of truth and existence that cannot be treated as exhaustive of modernist form.Lisi traces an alternative aesthetics of dependency that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe's Scandinavian periphery as his point of departure, Lisi examines how Søren Kierkegaard and Henrik Ibsen imagined a response to the changing conditions of modernity different from those at the European core, one that subsequently influenced Henry James, Hugo von Hofmannsthal, Rainer Maria Rilke, and James Joyce.Combining close readings with a broader revision of the nature and genealogy of modernism, Marginal Modernity challenges what we understand by modernist aesthetics, their origins, and their implications for how we conceive of our relation to the modern world

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823245352
    Other identifier:
    Subjects: Aesthetics; Henrik Ibsen; Henry James; Hugo von Hofmannsthal; J.L. Heiberg; James Joyce; Modernism; Philosophy and Literature; Rainer Maria Rilke; Søren Kierkegaard; LITERARY CRITICISM / Semiotics & Theory; Aesthetics in literature; Dependency (Psychology) in literature; Modernism (Literature); Philosophy in literature
    Scope: 1 online resource (352 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  2. Marginal Modernity
    The Aesthetics of Dependency from Kierkegaard to Joyce
    Author: Lisi, Leonardo F.
    Published: [2012]
    Publisher:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art,... more

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    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by the avant-gardes. In this revisionary study, Leonardo Lisi argues that these models rest on assumptions about the nature of truth and existence that cannot be treated as exhaustive of modernist form.Lisi traces an alternative aesthetics of dependency that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe's Scandinavian periphery as his point of departure, Lisi examines how Søren Kierkegaard and Henrik Ibsen imagined a response to the changing conditions of modernity different from those at the European core, one that subsequently influenced Henry James, Hugo von Hofmannsthal, Rainer Maria Rilke, and James Joyce.Combining close readings with a broader revision of the nature and genealogy of modernism, Marginal Modernity challenges what we understand by modernist aesthetics, their origins, and their implications for how we conceive of our relation to the modern world.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823245352
    Other identifier:
    Scope: 1 Online-Ressource (352 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  3. Marginal Modernity
    The Aesthetics of Dependency from Kierkegaard to Joyce
    Author: Lisi, Leonardo F.
    Published: [2012]; © 2012
    Publisher:  Fordham University Press, New York, NY

    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art,... more

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    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by the avant-gardes. In this revisionary study, Leonardo Lisi argues that these models rest on assumptions about the nature of truth and existence that cannot be treated as exhaustive of modernist form.Lisi traces an alternative aesthetics of dependency that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe's Scandinavian periphery as his point of departure, Lisi examines how Søren Kierkegaard and Henrik Ibsen imagined a response to the changing conditions of modernity different from those at the European core, one that subsequently influenced Henry James, Hugo von Hofmannsthal, Rainer Maria Rilke, and James Joyce.Combining close readings with a broader revision of the nature and genealogy of modernism, Marginal Modernity challenges what we understand by modernist aesthetics, their origins, and their implications for how we conceive of our relation to the modern world

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823245352
    Other identifier:
    Subjects: Aesthetics; Henrik Ibsen; Henry James; Hugo von Hofmannsthal; J.L. Heiberg; James Joyce; Modernism; Philosophy and Literature; Rainer Maria Rilke; Søren Kierkegaard; LITERARY CRITICISM / Semiotics & Theory; Aesthetics in literature; Dependency (Psychology) in literature; Modernism (Literature); Philosophy in literature
    Scope: 1 online resource (352 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  4. Marginal Modernity
    The Aesthetics of Dependency from Kierkegaard to Joyce
    Author: Lisi, Leonardo F
    Published: [2012]
    Publisher:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Acknowledgments -- Note on Citations -- Introduction -- 1. Presuppositions and Varieties of Aesthetic Experience -- 2. Johan Ludvig Heiberg and the Autonomy of Art -- 3. Aesthetics of Fragmentation in Henrik Ibsen’s Peer... more

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    Frontmatter -- Contents -- Acknowledgments -- Note on Citations -- Introduction -- 1. Presuppositions and Varieties of Aesthetic Experience -- 2. Johan Ludvig Heiberg and the Autonomy of Art -- 3. Aesthetics of Fragmentation in Henrik Ibsen’s Peer Gynt -- 4. Nora’s Departure and the Aesthetics of Dependency -- 5. Henry James and the Emergence of the Major Phase -- 6. Hugo von Hofmannsthal and the Language of the Future -- 7. Conflict and Mediation in James Joyce’s “The Dead” -- 8. Intransitive Love in Rainer Maria Rilke’s The Notebooks of Malte Laurids Brigge -- Conclusion -- Notes -- Bibliography -- Index Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by the avant-gardes. In this revisionary study, Leonardo Lisi argues that these models rest on assumptions about the nature of truth and existence that cannot be treated as exhaustive of modernist form.Lisi traces an alternative aesthetics of dependency that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe's Scandinavian periphery as his point of departure, Lisi examines how Søren Kierkegaard and Henrik Ibsen imagined a response to the changing conditions of modernity different from those at the European core, one that subsequently influenced Henry James, Hugo von Hofmannsthal, Rainer Maria Rilke, and James Joyce.Combining close readings with a broader revision of the nature and genealogy of modernism, Marginal Modernity challenges what we understand by modernist aesthetics, their origins, and their implications for how we conceive of our relation to the modern world

     
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  5. Marginal Modernity :
    The Aesthetics of Dependency from Kierkegaard to Joyce /
    Author: Lisi, Leonardo F.,
    Published: [2012]; ©2012
    Publisher:  Fordham University Press,, New York, NY :

    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art,... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by the avant-gardes. In this revisionary study, Leonardo Lisi argues that these models rest on assumptions about the nature of truth and existence that cannot be treated as exhaustive of modernist form.Lisi traces an alternative aesthetics of dependency that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe's Scandinavian periphery as his point of departure, Lisi examines how Søren Kierkegaard and Henrik Ibsen imagined a response to the changing conditions of modernity different from those at the European core, one that subsequently influenced Henry James, Hugo von Hofmannsthal, Rainer Maria Rilke, and James Joyce.Combining close readings with a broader revision of the nature and genealogy of modernism, Marginal Modernity challenges what we understand by modernist aesthetics, their origins, and their implications for how we conceive of our relation to the modern world.

     
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