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  1. Infinite variety
    literary invention, theology, and the disorder of kinds, 1688-1730
    Author: Schmidgen, Wolfram
    Published: [2021]; © 2021
    Publisher:  University of Pennsylvania Press, Philadelphia

    Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were... more

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    Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were drawn to voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty. Voluntarism, Wolfram Schmidgen contends, provided both theological framework and aesthetic license. In Infinite Variety, he reconstructs this voluntarist tradition of literary invention.Once one accepted that creation was willful and order arbitrary, Schmidgen argues, existing hierarchies of kind lost their normative value. Literary invention could be radicalized as a result. Acknowledging that the will drives creation, such writers as Blackmore and Locke inverted the rules of composition and let energy dominate structure, matter create form, and parts be valued over the whole. In literary, religious, and philosophical works, voluntarism authorized the move beyond the natural toward the deformed, the infinite, and the counterfactual.In reclaiming ontology as an explanatory context for literary invention, Infinite Variety offers a brilliantly learned analysis of an aesthetic framed not by the rise of secularism, but by its opposite. It is a book that articulates how religious belief shaped modern literary practices, including novelistic realism, and one that will be of interest to anyone who thinks seriously about the relationship between literature, religion, and philosophy

     
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  2. Infinite variety
    literary invention, theology, and the disorder of kinds, 1688-1730
    Author: Schmidgen, Wolfram
    Published: [2021]; © 2021
    Publisher:  University of Pennsylvania Press, Philadelphia

    Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were... more

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    Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were drawn to voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty. Voluntarism, Wolfram Schmidgen contends, provided both theological framework and aesthetic license. In Infinite Variety, he reconstructs this voluntarist tradition of literary invention.Once one accepted that creation was willful and order arbitrary, Schmidgen argues, existing hierarchies of kind lost their normative value. Literary invention could be radicalized as a result. Acknowledging that the will drives creation, such writers as Blackmore and Locke inverted the rules of composition and let energy dominate structure, matter create form, and parts be valued over the whole. In literary, religious, and philosophical works, voluntarism authorized the move beyond the natural toward the deformed, the infinite, and the counterfactual.In reclaiming ontology as an explanatory context for literary invention, Infinite Variety offers a brilliantly learned analysis of an aesthetic framed not by the rise of secularism, but by its opposite. It is a book that articulates how religious belief shaped modern literary practices, including novelistic realism, and one that will be of interest to anyone who thinks seriously about the relationship between literature, religion, and philosophy

     
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  3. Infinite Variety
    Literary Invention, Theology, and the Disorder of Kinds, 1688-1730
    Author: Schmidgen, Wolfram
    Published: [2021]; ©2021
    Publisher:  University of Pennsylvania Press, Philadelphia ; Walter de Gruyter GmbH, Berlin

    Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were... more

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    Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were drawn to voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty. Voluntarism, Wolfram Schmidgen contends, provided both theological framework and aesthetic license. In Infinite Variety, he reconstructs this voluntarist tradition of literary invention.Once one accepted that creation was willful and order arbitrary, Schmidgen argues, existing hierarchies of kind lost their normative value. Literary invention could be radicalized as a result. Acknowledging that the will drives creation, such writers as Blackmore and Locke inverted the rules of composition and let energy dominate structure, matter create form, and parts be valued over the whole. In literary, religious, and philosophical works, voluntarism authorized the move beyond the natural toward the deformed, the infinite, and the counterfactual.In reclaiming ontology as an explanatory context for literary invention, Infinite Variety offers a brilliantly learned analysis of an aesthetic framed not by the rise of secularism, but by its opposite. It is a book that articulates how religious belief shaped modern literary practices, including novelistic realism, and one that will be of interest to anyone who thinks seriously about the relationship between literature, religion, and philosophy.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812299908
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    Subjects: English literature; Literary form; Order (Philosophy) in literature; Religion and literature; Voluntarism; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Other subjects: Alexander Pope; British literature; Daniel Defoe; Eighteenth-century; Empiricism; John Locke; Jonathan Swift; Literary history; Nominalism; Richard Blackmore; Rise of the novel; Robert Boyle; Secularization; Thomas Hobbes; Voluntarism
    Scope: 1 Online-Ressource (288 p.) 0
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)
  4. Infinite Variety
    Literary Invention, Theology, and the Disorder of Kinds, 1688-1730
    Author: Schmidgen, Wolfram
    Published: 2021
    Publisher:  University of Pennsylvania Press, Philadelphia ; ProQuest, Ann Arbor, Michigan

    Infinite Variety offers a brilliantly learned analysis of a seventeenth-century aesthetic framed not by the rise of secularism, but by its opposite, and embraced by English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan... more

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    Infinite Variety offers a brilliantly learned analysis of a seventeenth-century aesthetic framed not by the rise of secularism, but by its opposite, and embraced by English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812299908
    Scope: 1 Online-Ressource (273 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  5. Infinite variety
    literary invention, theology, and the disorder of kinds, 1688-1730
    Author: Schmidgen, Wolfram
    Published: 2021
    Publisher:  University of Pennsylvania Press, Philadelphia

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812299908; 0812299906
    Edition: 1st edition
    Subjects: English literature; Literary form; Order (Philosophy) in literature; Voluntarism; Religion and literature
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index
  6. Infinite variety
    literary invention, theology, and the disorder of kinds, 1688-1730
    Author: Schmidgen, Wolfram
    Published: [2021]; © 2021
    Publisher:  University of Pennsylvania Press, Philadelphia

    Frontmatter -- Contents -- Introduction -- Chapter 1. Toward a Voluntarist Aesthetic -- Chapter 2. Glorious Arbitrariness: Science, Religion, and the Imagination of Infinite Variety -- Chapter 3. Energy and Structure: Remaking the Given in Blackmore... more

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    Frontmatter -- Contents -- Introduction -- Chapter 1. Toward a Voluntarist Aesthetic -- Chapter 2. Glorious Arbitrariness: Science, Religion, and the Imagination of Infinite Variety -- Chapter 3. Energy and Structure: Remaking the Given in Blackmore and Pope -- Chapter 4. Embarrassed Invention: Stillingfleet, Locke, and the Style of Voluntarism -- Chapter 5. The Constructive Swift: Between the Hope and Fear of Decomposition -- Chapter 6. The Providence of Gathering and Scattering: Dynamic Variety in Defoe -- Conclusion -- Notes -- Index -- Acknowledgments Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were drawn to voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty. Voluntarism, Wolfram Schmidgen contends, provided both theological framework and aesthetic license. In Infinite Variety, he reconstructs this voluntarist tradition of literary invention.Once one accepted that creation was willful and order arbitrary, Schmidgen argues, existing hierarchies of kind lost their normative value. Literary invention could be radicalized as a result. Acknowledging that the will drives creation, such writers as Blackmore and Locke inverted the rules of composition and let energy dominate structure, matter create form, and parts be valued over the whole. In literary, religious, and philosophical works, voluntarism authorized the move beyond the natural toward the deformed, the infinite, and the counterfactual.In reclaiming ontology as an explanatory context for literary invention, Infinite Variety offers a brilliantly learned analysis of an aesthetic framed not by the rise of secularism, but by its opposite. It is a book that articulates how religious belief shaped modern literary practices, including novelistic realism, and one that will be of interest to anyone who thinks seriously about the relationship between literature, religion, and philosophy

     
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  7. Infinite Variety
    Literary Invention, Theology, and the Disorder of Kinds, 1688-1730
    Author: Schmidgen, Wolfram
    Published: 2021; ©2021
    Publisher:  University of Pennsylvania Press, Philadelphia

    Infinite Variety offers a brilliantly learned analysis of a seventeenth-century aesthetic framed not by the rise of secularism, but by its opposite, and embraced by English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan... more

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    Infinite Variety offers a brilliantly learned analysis of a seventeenth-century aesthetic framed not by the rise of secularism, but by its opposite, and embraced by English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812299908
    RVK Categories: HK 1091
    Subjects: Electronic books
    Scope: 1 online resource (273 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  8. Infinite Variety :
    Literary Invention, Theology, and the Disorder of Kinds, 1688-1730 /
    Author: Schmidgen, Wolfram,
    Published: [2021]; ©2021
    Publisher:  University of Pennsylvania Press,, Philadelphia :

    Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were... more

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    Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were drawn to voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty. Voluntarism, Wolfram Schmidgen contends, provided both theological framework and aesthetic license. In Infinite Variety, he reconstructs this voluntarist tradition of literary invention.Once one accepted that creation was willful and order arbitrary, Schmidgen argues, existing hierarchies of kind lost their normative value. Literary invention could be radicalized as a result. Acknowledging that the will drives creation, such writers as Blackmore and Locke inverted the rules of composition and let energy dominate structure, matter create form, and parts be valued over the whole. In literary, religious, and philosophical works, voluntarism authorized the move beyond the natural toward the deformed, the infinite, and the counterfactual.In reclaiming ontology as an explanatory context for literary invention, Infinite Variety offers a brilliantly learned analysis of an aesthetic framed not by the rise of secularism, but by its opposite. It is a book that articulates how religious belief shaped modern literary practices, including novelistic realism, and one that will be of interest to anyone who thinks seriously about the relationship between literature, religion, and philosophy.

     
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  9. Infinite Variety
    Literary Invention, Theology, and the Disorder of Kinds, 1688-1730
    Author: Schmidgen, Wolfram
    Published: 2021; ©2021
    Publisher:  University of Pennsylvania Press, Philadelphia

    Infinite Variety offers a brilliantly learned analysis of a seventeenth-century aesthetic framed not by the rise of secularism, but by its opposite, and embraced by English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    Infinite Variety offers a brilliantly learned analysis of a seventeenth-century aesthetic framed not by the rise of secularism, but by its opposite, and embraced by English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812299908
    RVK Categories: HK 1091
    Subjects: Electronic books
    Scope: 1 online resource (273 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  10. Infinite variety
    literary invention, theology, and the disorder of kinds, 1688-1730
    Author: Schmidgen, Wolfram
    Published: [2021]; © 2021
    Publisher:  University of Pennsylvania Press, Philadelphia

    Frontmatter -- Contents -- Introduction -- Chapter 1. Toward a Voluntarist Aesthetic -- Chapter 2. Glorious Arbitrariness: Science, Religion, and the Imagination of Infinite Variety -- Chapter 3. Energy and Structure: Remaking the Given in Blackmore... more

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    Frontmatter -- Contents -- Introduction -- Chapter 1. Toward a Voluntarist Aesthetic -- Chapter 2. Glorious Arbitrariness: Science, Religion, and the Imagination of Infinite Variety -- Chapter 3. Energy and Structure: Remaking the Given in Blackmore and Pope -- Chapter 4. Embarrassed Invention: Stillingfleet, Locke, and the Style of Voluntarism -- Chapter 5. The Constructive Swift: Between the Hope and Fear of Decomposition -- Chapter 6. The Providence of Gathering and Scattering: Dynamic Variety in Defoe -- Conclusion -- Notes -- Index -- Acknowledgments Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were drawn to voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty. Voluntarism, Wolfram Schmidgen contends, provided both theological framework and aesthetic license. In Infinite Variety, he reconstructs this voluntarist tradition of literary invention.Once one accepted that creation was willful and order arbitrary, Schmidgen argues, existing hierarchies of kind lost their normative value. Literary invention could be radicalized as a result. Acknowledging that the will drives creation, such writers as Blackmore and Locke inverted the rules of composition and let energy dominate structure, matter create form, and parts be valued over the whole. In literary, religious, and philosophical works, voluntarism authorized the move beyond the natural toward the deformed, the infinite, and the counterfactual.In reclaiming ontology as an explanatory context for literary invention, Infinite Variety offers a brilliantly learned analysis of an aesthetic framed not by the rise of secularism, but by its opposite. It is a book that articulates how religious belief shaped modern literary practices, including novelistic realism, and one that will be of interest to anyone who thinks seriously about the relationship between literature, religion, and philosophy

     
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