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  1. Feeling Time
    Duration, the Novel, and Eighteenth-Century Sensibility
    Author: Yahav, Amit S.
    Published: [2018]; © 2018
    Publisher:  University of Pennsylvania Press, Philadelphia

    Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story goes, inevitably results in modernity's time-keeper societies and the characterization of modern experience as qualitatively diminished.In Feeling Time, Amit Yahav challenges this narrative of the triumph of chronometry and the consequent impoverishment of individual experience. She explores the fascination eighteenth-century writers had with the mental and affective processes through which human beings come not only to know that time has passed but also to feel the durations they inhabit. Yahav begins by elucidating discussions by Locke and Hume that examine how humans come to know time, noting how these philosophers often consider not only knowledge but also experience. She then turns to novels by Richardson, Sterne, and Radcliffe, attending to the material dimensions of literary language to show how novelists shape the temporal experience of readers through their formal choices. Along the way, she considers a wide range of eighteenth-century aesthetic and moral treatises, finding that these identify the subjective experience of duration as the crux of pleasure and judgment, described more as patterned durational activity than as static state.Feeling Time highlights the temporal underpinnings of the eighteenth century's culture of sensibility, arguing that novelists have often drawn on the logic of musical composition to make their writing an especially effective tool for exploring time and for shaping durational experience

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812295030
    Other identifier:
    Subjects: Cultural Studies; Literature; English fiction; Time in literature; Time perception in literature; Time; Zeitbewusstsein <Motiv>; Englisch; Zeitwahrnehmung <Motiv>; Literatur
    Scope: 1 online resource, 1 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)
  2. Feeling Time :
    Duration, the Novel, and Eighteenth-Century Sensibility /
    Author: Yahav, Amit S.,
    Published: [2018]; ©2018
    Publisher:  University of Pennsylvania Press,, Philadelphia :

    Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story goes, inevitably results in modernity's time-keeper societies and the characterization of modern experience as qualitatively diminished.In Feeling Time, Amit Yahav challenges this narrative of the triumph of chronometry and the consequent impoverishment of individual experience. She explores the fascination eighteenth-century writers had with the mental and affective processes through which human beings come not only to know that time has passed but also to feel the durations they inhabit. Yahav begins by elucidating discussions by Locke and Hume that examine how humans come to know time, noting how these philosophers often consider not only knowledge but also experience. She then turns to novels by Richardson, Sterne, and Radcliffe, attending to the material dimensions of literary language to show how novelists shape the temporal experience of readers through their formal choices. Along the way, she considers a wide range of eighteenth-century aesthetic and moral treatises, finding that these identify the subjective experience of duration as the crux of pleasure and judgment, described more as patterned durational activity than as static state.Feeling Time highlights the temporal underpinnings of the eighteenth century's culture of sensibility, arguing that novelists have often drawn on the logic of musical composition to make their writing an especially effective tool for exploring time and for shaping durational experience.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812295030
    Other identifier:
    Subjects: English fiction; Time in literature.; Time perception in literature.; Time; Cultural Studies.; Literature.
    Scope: 1 online resource :, 1 illus.
  3. Feeling Time
    Duration, the Novel, and Eighteenth-Century Sensibility
    Author: Yahav, Amit S.
    Published: [2018]
    Publisher:  University of Pennsylvania Press, Philadelphia ; Walter de Gruyter GmbH, Berlin

    Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story... more

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    Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story goes, inevitably results in modernity's time-keeper societies and the characterization of modern experience as qualitatively diminished.In Feeling Time, Amit Yahav challenges this narrative of the triumph of chronometry and the consequent impoverishment of individual experience. She explores the fascination eighteenth-century writers had with the mental and affective processes through which human beings come not only to know that time has passed but also to feel the durations they inhabit. Yahav begins by elucidating discussions by Locke and Hume that examine how humans come to know time, noting how these philosophers often consider not only knowledge but also experience. She then turns to novels by Richardson, Sterne, and Radcliffe, attending to the material dimensions of literary language to show how novelists shape the temporal experience of readers through their formal choices. Along the way, she considers a wide range of eighteenth-century aesthetic and moral treatises, finding that these identify the subjective experience of duration as the crux of pleasure and judgment, described more as patterned durational activity than as static state.Feeling Time highlights the temporal underpinnings of the eighteenth century's culture of sensibility, arguing that novelists have often drawn on the logic of musical composition to make their writing an especially effective tool for exploring time and for shaping durational experience.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812295030
    Other identifier:
    Scope: 1 Online-Ressource, 1 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)
  4. Feeling Time
    Duration, the Novel, and Eighteenth-Century Sensibility
    Author: Yahav, Amit S.
    Published: [2018]; © 2018
    Publisher:  University of Pennsylvania Press, Philadelphia

    Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story... more

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    Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story goes, inevitably results in modernity's time-keeper societies and the characterization of modern experience as qualitatively diminished.In Feeling Time, Amit Yahav challenges this narrative of the triumph of chronometry and the consequent impoverishment of individual experience. She explores the fascination eighteenth-century writers had with the mental and affective processes through which human beings come not only to know that time has passed but also to feel the durations they inhabit. Yahav begins by elucidating discussions by Locke and Hume that examine how humans come to know time, noting how these philosophers often consider not only knowledge but also experience. She then turns to novels by Richardson, Sterne, and Radcliffe, attending to the material dimensions of literary language to show how novelists shape the temporal experience of readers through their formal choices. Along the way, she considers a wide range of eighteenth-century aesthetic and moral treatises, finding that these identify the subjective experience of duration as the crux of pleasure and judgment, described more as patterned durational activity than as static state.Feeling Time highlights the temporal underpinnings of the eighteenth century's culture of sensibility, arguing that novelists have often drawn on the logic of musical composition to make their writing an especially effective tool for exploring time and for shaping durational experience

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812295030
    Other identifier:
    Subjects: Cultural Studies; Literature; English fiction; Time in literature; Time perception in literature; Time; Zeitbewusstsein <Motiv>; Englisch; Zeitwahrnehmung <Motiv>; Literatur
    Scope: 1 online resource, 1 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018)
  5. Feeling time
    duration, the novel, and eighteenth-century sensibility
    Author: Yahav, Amit S.
    Published: 2018
    Publisher:  University of Pennsylvania Press, Philadelphia

    Introduction : The sensibility chronotope -- Composing human time : Locke, Hume, Addison, and Diderot -- Temporal moralities and momentums of plot : Richardson and Hutcheson -- Sympathetic moments and rhythmic narration : Sterne, early musicology,... more

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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Introduction : The sensibility chronotope -- Composing human time : Locke, Hume, Addison, and Diderot -- Temporal moralities and momentums of plot : Richardson and Hutcheson -- Sympathetic moments and rhythmic narration : Sterne, early musicology, and the Elocutionists -- Durational aesthetics and the logic of character : Radcliffe, Burke, and Smith -- Coda : The end of human time? Cover -- Contents -- Introduction. The Sensibility Chronotope -- Chapter 1. Composing Human Time: Locke, Hume, Addison, and Diderot -- Chapter 2. Temporal Moralities and Momentums of Plot: Richardson and Hutcheson -- Chapter 3. Sympathetic Moments and Rhythmic Narration: Sterne, Early Musicology, and the Elocutionists -- Chapter 4. Durational Aesthetics and the Logic of Character: Radcliffe, Burke, and Smith -- Coda. The End of Human Time? -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- P -- Q -- R -- S -- T -- U -- V -- W -- Z -- Acknowledgments

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812295030
    Subjects: English fiction ; 18th century ; History and criticism; Time in literature; Time ; Philosophy; Time perception in literature; Literature and society ; England ; History ; 18th century; Electronic books
    Scope: 1 online resource (208 pages)
    Notes:

    Includes bibliographical references and index. Description based on print version record
  6. Feeling time
    duration, the novel, and eighteenth-century sensibility
    Author: Yahav, Amit S.
    Published: [2018]; © 2018
    Publisher:  University of Pennsylvania Press, Philadelphia

    Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story... more

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    Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story goes, inevitably results in modernity's time-keeper societies and the characterization of modern experience as qualitatively diminished.In Feeling Time, Amit Yahav challenges this narrative of the triumph of chronometry and the consequent impoverishment of individual experience. She explores the fascination eighteenth-century writers had with the mental and affective processes through which human beings come not only to know that time has passed but also to feel the durations they inhabit. Yahav begins by elucidating discussions by Locke and Hume that examine how humans come to know time, noting how these philosophers often consider not only knowledge but also experience. She then turns to novels by Richardson, Sterne, and Radcliffe, attending to the material dimensions of literary language to show how novelists shape the temporal experience of readers through their formal choices. Along the way, she considers a wide range of eighteenth-century aesthetic and moral treatises, finding that these identify the subjective experience of duration as the crux of pleasure and judgment, described more as patterned durational activity than as static state.Feeling Time highlights the temporal underpinnings of the eighteenth century's culture of sensibility, arguing that novelists have often drawn on the logic of musical composition to make their writing an especially effective tool for exploring time and for shaping durational experience.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812295030
    Other identifier:
    Subjects: English fiction; Time in literature; Time perception in literature; Time; Time; English fiction; Time in literature; Time perception in literature; Literature and society; English fiction.; Time in literature.; Time perception in literature.; Time.; Cultural Studies.; Literature.; LITERARY CRITICISM / Modern / 18th Century
    Scope: 1 Online-Ressource (199 Seiten)
    Notes:

    Frontmatter -- -- Contents -- -- Introduction. The Sensibility Chronotope -- -- Chapter 1. Composing Human Time: Locke, Hume, Addison, and Diderot -- -- Chapter 2. Temporal Moralities and Momentums of Plot: Richardson and Hutcheson -- -- Chapter 3. Sympathetic Moments and Rhythmic Narration: Sterne, Early Musicology, and the Elocutionists -- -- Chapter 4. Durational Aesthetics and the Logic of Character: Radcliffe, Burke, and Smith -- -- Coda. The End of Human Time? -- -- Notes -- -- Bibliography -- -- Index -- -- Acknowledgments