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  1. Tainted souls and painted faces
    the rhetoric of fallenness in Victorian culture
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca

    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy:... more

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    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy: Gaskell's Mary Barton and Ruth -- Dramatic monologue in crisis: agency and exchange in G.G. Rossetti's "Jenny" -- Reproduced in finer motions: encouraging the fallen in Barrett Browning's Aurora Leigh -- Afterword: intersubjectivity and the politics of poststructuralism

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801427817; 1501722670
    Other identifier:
    Series: Reading women writing
    Other subjects: Prostitutes in literature; Sex role in literature; English literature; Moral conditions in literature; Women and literature; Prostitution
    Scope: 1 Online-Ressource (x, 250 pages)
    Notes:

    Includes bibliographical references (pages 235-236) and index. - Use copy Restrictions unspecified star MiAaHDL.
  2. Tainted Souls and Painted Faces
    The Rhetoric of Fallenness in Victorian Culture
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca

    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman... more

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    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility

     
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    Source: Staatsbibliothek zu Berlin
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    ISBN: 9781501722677; 9781501727733; 9781501722684; 9780801427817
    Other identifier:
    hdl: 20.500.12854/99364
    RVK Categories: HL 1101
    Series: Reading Women Writing
    Subjects: Literary studies: c 1800 to c 1900; Gender studies: women
    Scope: 1 Online-Ressource (264 p.)
  3. Tainted souls and painted faces
    the rhetoric of fallenness in Victorian culture
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca ; London

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  4. Tainted souls and painted faces
    the rhetoric of fallenness in Victorian culture
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca

    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy:... more

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    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy: Gaskell's Mary Barton and Ruth -- Dramatic monologue in crisis: agency and exchange in G.G. Rossetti's "Jenny" -- Reproduced in finer motions: encouraging the fallen in Barrett Browning's Aurora Leigh -- Afterword: intersubjectivity and the politics of poststructuralism

     
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    Content information
    Volltext (Kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801427817; 1501722670
    Other identifier:
    Series: Reading women writing
    Subjects: Prostitutes in literature; Sex role in literature; English literature; Moral conditions in literature; Women and literature; Prostitution
    Scope: 1 Online-Ressource (x, 250 pages)
    Notes:

    Includes bibliographical references (pages 235-236) and index. - Use copy Restrictions unspecified star MiAaHDL
  5. Tainted Souls and Painted Faces
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca ; OAPEN FOUNDATION, The Hague

    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman... more

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    Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction—the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501722677; 9781501727733; 9781501722684; 9780801427817
    RVK Categories: HL 1101
    Series: Reading Women Writing
    Subjects: Englisch; Prostituierte <Motiv>; Gefallenes Mädchen; Moral <Motiv>; Literatur; Literary studies: c 1800 to c 1900; Gender studies: women
    Other subjects: Literature: history and criticism; Sex and sexuality, social aspects
    Scope: 1 Online-Ressource (264 p.)
  6. Tainted souls and painted faces
    the rhetoric of fallenness in Victorian culture
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca

    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy:... more

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    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy: Gaskell's Mary Barton and Ruth -- Dramatic monologue in crisis: agency and exchange in G.G. Rossetti's "Jenny" -- Reproduced in finer motions: encouraging the fallen in Barrett Browning's Aurora Leigh -- Afterword: intersubjectivity and the politics of poststructuralism

     
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  7. Tainted souls and painted faces
    the rhetoric of fallenness in Victorian culture
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca ; London

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  8. Tainted souls and painted faces
    the rhetoric of fallenness in Victorian culture
    Author: Anderson, Amanda
    Published: 1993
    Publisher:  Cornell University Press, Ithaca

    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy:... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy: Gaskell's Mary Barton and Ruth -- Dramatic monologue in crisis: agency and exchange in G.G. Rossetti's "Jenny" -- Reproduced in finer motions: encouraging the fallen in Barrett Browning's Aurora Leigh -- Afterword: intersubjectivity and the politics of poststructuralism

     
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