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  1. Body Texts in the Novels of Angela Carter
    Writing from a Corporeagraphic Point of View
    Author: Kérchy, Anna
    Published: 2008
    Publisher:  Edwin Mellen Press, Lewiston

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0773411607; 9780773411609
    Subjects: Literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Frau; Literatur; Human body in literature; Grotesque in literature; Femininity in literature; Feminism in literature; Körper <Motiv>
    Other subjects: Carter, Angela (1940-1992); Carter, Angela (1940-1992); Carter, Angela (1940-1992): Passion of new Eve; Carter, Angela (1940-1992): Nights at the circus; Carter, Angela (1940-1992): Wise children; Carter, Angela (1940-1992)
    Scope: 1 online resource (363 pages)
    Notes:

    Print version record

    Title Page; Table of Contents; Foreword; Acknowledgements; Introduction; Part 1: Theoretical Background for Body-Texts; 1.1. The Semioticization of the Body and the Somatization of the Text in Carter; 1.2. Carter's Grotesque Bodies: Freaks, Ethics and Fun; 1.3. Corporeagraphic Metafiction; 1.4. Autobiografiction: Re-membering the Body and (Re)Incarnating Identity; Part 2. Narrating the Nervous, Bulimic Body-Text. Grotesque Self-(De)composition in The Passion of New Eve; 2.1. A Confusing Space of Transformation; 2.2. A "Male Impersonator's" Writing

    2.3. A "Feminist Tract About the Social Creation of Femininity"2.4. A Post-Operative Transsexual Autobiography; 2.5. A Pathological Polyphony: Semioticizing Female Body Dysmorphia; 2.6. Shattering the Looking Glass; Part 3. Corporeal and Textual Performance as Comic Confidence Trick in Nights at the Circus; 3.1. Grotesque Bodies and Carnivalesque Discourses; 3.2. Parodic Bodily Performances, Spectacular Gender Trouble; 3.3. The Tender Irony and Sisterly Burlesque of Textual Performance; 3.4. A Narrative of Laughter and Laughing Narratives

    Part 4. Story-telling as Flirtation. Freak Bodies' and Twinned Selves' Vital-Fatal Seductions in Wise Children4.1. Auto-Portraits of a Seductress: (Un)making the Femme Vitale; 4.2. Cosmetic Self-Stylization: Flirting with Signs of Femininity; 4.3. Making Up Our-Selves: Cosmetic Reflections, Communal Identity, and the Ethics of Seduction; 4.4. Spec(tac)ular Seductions and Eyeing Enchantresses; 4.5. The Art of Flirtation: The Allumeuse Body; 4.6. Narrative as Seduction, Story-telling as Flirtation; 4.7. Flirting with the Father, the Bard, and the Empire

    4.8. Bifocal Reconsiderations of the Alluring Names of the Authoress4.9. Narrative Slips: Gaping Garments and Feminist Epistemology; Conclusion; Notes; Bibliography; Index

    This study fills a major gap of Carter's reception and enters into dialogue with current post-semiotical theories of the embodied subject by virtue of focusing on the dynamics of the meaning-in-process concomitant with the subject-in-process (Kristeva 1985) and the body-in-process. Through a corporeal narratological method--a close-reading interfacing of semioticized bodies in the text and of the somatized text on the body--I decipher how the ideologically disciplined, normativized-neutralized, 'cultural' body and its repressed yet haunting transgressive, corporeal, material 'reality' (are) (de)
  2. Body Texts in the Novels of Angela Carter
    Writing from a Corporeagraphic Point of View
    Published: 2008
    Publisher:  Edwin Mellen Press, Lewiston

    This study fills a major gap of Carter's reception and enters into dialogue with current post-semiotical theories of the embodied subject by virtue of focusing on the dynamics of the meaning-in-process concomitant with the subject-in-process... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    This study fills a major gap of Carter's reception and enters into dialogue with current post-semiotical theories of the embodied subject by virtue of focusing on the dynamics of the meaning-in-process concomitant with the subject-in-process (Kristeva 1985) and the body-in-process. Through a corporeal narratological method--a close-reading interfacing of semioticized bodies in the text and of the somatized text on the body--I decipher how the ideologically disciplined, normativized-neutralized, 'cultural' body and its repressed yet haunting transgressive, corporeal, material 'reality' (are) (de)

     
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