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  1. Empathy and the psychology of literary modernism
    Author: Hammond, Meghan Marie
    Published: 2014
    Publisher:  Edinburgh University Press, Edinburgh

    Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung - empathy - is a specifically twentieth-century concept of fellow feeling. Empathy... more

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    Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung - empathy - is a specifically twentieth-century concept of fellow feeling. Empathy and the Psychology of Literary Modernism looks into the little-known history of empathy, revealing how this multi-faceted concept had a profound effect on literary modernism. Meghan Marie Hammond shows how five exemplary writers (Henry James, Dorothy Richardson, Katherine Mansfield, Ford Madox Ford, and Virginia Woolf) tackle the so-called 'problem of other minds' in ways that reflect and enrich early twentieth-century discourses of fellow feeling. Hammond argues that these authors reconfigure notions of intersubjective experience; their writings mark a key shift away from sympathetic forms of literary representation toward empathic forms that strive to provide an immediate sense of another's thoughts and feelings. But while literary modernism values empathic experience as an ideal, it is also teeming with voices that recognize potential for danger, even violence, in acts of empathy. These voices illuminate our culture's ongoing concern with empathy's limits. Key Features: * Recovers early psychology, a discipline that has often been neglected in favor of psychoanalysis, as a framework for literary modernism *Provides a conceptual history of empathy that expands our understanding of the modernist world *Grants new insight into modernist technique by explaining how it relates to contemporaneous psychological and aesthetic theories on empathy *Prompts a rethinking of empathy, a capacity that is as widely misunderstood as it is celebrated

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748690992
    RVK Categories: HM 1011 ; HM 1101
    Subjects: Empathy in literature; Literature, Modern / 20th century / History and criticism; Psychologie; Einfühlung; Einfühlung <Motiv>; Literatur; Englisch; Moderne
    Other subjects: Ford, Ford Madox (1873-1939); James, William (1842-1910); Woolf, Virginia (1882-1941); Mansfield, Katherine (1888-1923); James, Henry (1828-1911); Richardson, Dorothy Miller (1873-1957)
    Scope: 1 online resource (203 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 08 Aug 2016)

    Introduction: The problem of other minds and the Fin de Siècle world -- Into other minds: William and Henry James -- Dorothy Richardson's modernist innovation -- Communities of feeling in Katherine Mansfield's fiction -- Empathy and violence in the works of Ford Madox Ford -- Virginia Woolf and the limits of empathy -- Coda: New structures of fellow feeling
  2. Empathy and the psychology of literary modernism
    Author: Hammond, Meghan Marie
    Published: 2014
    Publisher:  Edinburgh University Press, Edinburgh

    Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung - empathy - is a specifically twentieth-century concept of fellow feeling. Empathy... more

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    Bayerische Staatsbibliothek
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    Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung - empathy - is a specifically twentieth-century concept of fellow feeling. Empathy and the Psychology of Literary Modernism looks into the little-known history of empathy, revealing how this multi-faceted concept had a profound effect on literary modernism. Meghan Marie Hammond shows how five exemplary writers (Henry James, Dorothy Richardson, Katherine Mansfield, Ford Madox Ford, and Virginia Woolf) tackle the so-called 'problem of other minds' in ways that reflect and enrich early twentieth-century discourses of fellow feeling. Hammond argues that these authors reconfigure notions of intersubjective experience; their writings mark a key shift away from sympathetic forms of literary representation toward empathic forms that strive to provide an immediate sense of another's thoughts and feelings. But while literary modernism values empathic experience as an ideal, it is also teeming with voices that recognize potential for danger, even violence, in acts of empathy. These voices illuminate our culture's ongoing concern with empathy's limits. Key Features: * Recovers early psychology, a discipline that has often been neglected in favor of psychoanalysis, as a framework for literary modernism *Provides a conceptual history of empathy that expands our understanding of the modernist world *Grants new insight into modernist technique by explaining how it relates to contemporaneous psychological and aesthetic theories on empathy *Prompts a rethinking of empathy, a capacity that is as widely misunderstood as it is celebrated

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748690992
    RVK Categories: HM 1011 ; HM 1101
    Subjects: Empathy in literature; Literature, Modern / 20th century / History and criticism; Psychologie; Englisch; Literatur; Einfühlung; Einfühlung <Motiv>; Moderne
    Other subjects: James, William (1842-1910); Ford, Ford Madox (1873-1939); Woolf, Virginia (1882-1941); James, Henry (1828-1911); Richardson, Dorothy Miller (1873-1957); Mansfield, Katherine (1888-1923)
    Scope: 1 online resource (203 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 08 Aug 2016)

    Introduction: The problem of other minds and the Fin de Siècle world -- Into other minds: William and Henry James -- Dorothy Richardson's modernist innovation -- Communities of feeling in Katherine Mansfield's fiction -- Empathy and violence in the works of Ford Madox Ford -- Virginia Woolf and the limits of empathy -- Coda: New structures of fellow feeling
  3. Empathy and the Psychology of Literary Modernism
    Author: Hammond, Meghan Marie
    Published: [2022]; © 2014
    Publisher:  Edinburgh University Press, Edinburgh

    Shows how fin de siècle conceptions of empathy are woven into the fabric of literary modernismGBS_insertPreviewButtonPopup(['ISBN:9780748690985','ISBN:9780748690992','ISBN:9780748698547']);Empathy is a cognitive and affective structure of feeling, a... more

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    Shows how fin de siècle conceptions of empathy are woven into the fabric of literary modernismGBS_insertPreviewButtonPopup(['ISBN:9780748690985','ISBN:9780748690992','ISBN:9780748698547']);Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung,' 'empathy' is a specifically twentieth-century concept of fellow feeling. Empathy and the Psychology of Literary Modernism looks into the little-known history of empathy, revealing how this multi-faceted concept had a profound effect on literary modernism.Meghan Marie Hammond shows how five exemplary writers (Henry James, Dorothy Richardson, Katherine Mansfield, Ford Madox Ford, and Virginia Woolf) tackle the so-called 'problem of other minds' in ways that reflect and enrich early twentieth-century discourses of fellow feeling. Hammond argues that these authors reconfigure notions of intersubjective experience; their writings mark a key shift away from sympathetic forms of literary representation toward empathic forms that strive to provide an immediate sense of another's thoughts and feelings. But while literary modernism values empathic experience as an ideal, it is also teeming with voices that recognize potential for danger, even violence, in acts of empathy. These voices illuminate our culture's ongoing concern with empathy's limits. Key Features:Recovers early psychology, a discipline that has often been neglected in favor of psychoanalysis, as a framework for literary modernismProvides a conceptual history of empathy that expands our understanding of the modernist worldGrants new insight into modernist technique by explaining how it relates to contemporaneous psychological and aesthetic theories on empathyPrompts a rethinking of empathy, a capacity that is as widely misunderstood as it is celebrated

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748690992
    Other identifier:
    Subjects: Literary Studies; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Empathy in literature; Literature, Modern
    Scope: 1 Online-Ressource (216 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022)
  4. Empathy and the Psychology of Literary Modernism
    Author: Hammond, Meghan Marie
    Published: [2014]; ©2014
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Shows how fin de siècle conceptions of empathy are woven into the fabric of literary modernismGBS_insertPreviewButtonPopup(['ISBN:9780748690985','ISBN:9780748690992','ISBN:9780748698547']);Empathy is a cognitive and affective structure of feeling, a... more

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    Shows how fin de siècle conceptions of empathy are woven into the fabric of literary modernismGBS_insertPreviewButtonPopup(['ISBN:9780748690985','ISBN:9780748690992','ISBN:9780748698547']);Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung,' 'empathy' is a specifically twentieth-century concept of fellow feeling. Empathy and the Psychology of Literary Modernism looks into the little-known history of empathy, revealing how this multi-faceted concept had a profound effect on literary modernism.Meghan Marie Hammond shows how five exemplary writers (Henry James, Dorothy Richardson, Katherine Mansfield, Ford Madox Ford, and Virginia Woolf) tackle the so-called 'problem of other minds' in ways that reflect and enrich early twentieth-century discourses of fellow feeling. Hammond argues that these authors reconfigure notions of intersubjective experience; their writings mark a key shift away from sympathetic forms of literary representation toward empathic forms that strive to provide an immediate sense of another's thoughts and feelings. But while literary modernism values empathic experience as an ideal, it is also teeming with voices that recognize potential for danger, even violence, in acts of empathy. These voices illuminate our culture's ongoing concern with empathy's limits. Key Features:Recovers early psychology, a discipline that has often been neglected in favor of psychoanalysis, as a framework for literary modernismProvides a conceptual history of empathy that expands our understanding of the modernist worldGrants new insight into modernist technique by explaining how it relates to contemporaneous psychological and aesthetic theories on empathyPrompts a rethinking of empathy, a capacity that is as widely misunderstood as it is celebrated"...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748690992
    Other identifier:
    Scope: 1 Online-Ressource (216 p.)
  5. Empathy and the psychology of literary modernism
    Published: [2014]; ©2014
    Publisher:  Edinburgh University Press, Edinburgh

    Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung', 'empathy' is a specifically 20th century concept of fellow feeling. This title... more

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    Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung', 'empathy' is a specifically 20th century concept of fellow feeling. This title looks at the intertwined histories of empathy and modernist narrative in order to advance new portraits of both through an examination of the work of Henry James, Dorothy Richardson, Katherine Mansfield, Ford Madox Ford, and Virginia Woolf

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474406376; 1474406378; 9780748690992; 0748690999
    Subjects: Fiction; Empathy; Empathy in literature; Fiction; Empathy; Empathy in literature; Fiction; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Empathy; Empathy in literature; Fiction ; Psychological aspects; Criticism, interpretation, etc
    Scope: Online Ressource (203 pages)
    Notes:

    Includes bibliographical references and index. - Description based on print version record
  6. Empathy and the Psychology of Literary Modernism
    Author: Hammond, Meghan Marie
    Published: [2022]; ©2014
    Publisher:  Edinburgh University Press, Edinburgh

    Shows how fin de siècle conceptions of empathy are woven into the fabric of literary modernismGBS_insertPreviewButtonPopup(['ISBN:9780748690985','ISBN:9780748690992','ISBN:9780748698547']);Empathy is a cognitive and affective structure of feeling, a... more

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    Shows how fin de siècle conceptions of empathy are woven into the fabric of literary modernismGBS_insertPreviewButtonPopup(['ISBN:9780748690985','ISBN:9780748690992','ISBN:9780748698547']);Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English ‘sympathy’ and German ‘Einfühlung,’ ‘empathy’ is a specifically twentieth-century concept of fellow feeling. Empathy and the Psychology of Literary Modernism looks into the little-known history of empathy, revealing how this multi-faceted concept had a profound effect on literary modernism.Meghan Marie Hammond shows how five exemplary writers (Henry James, Dorothy Richardson, Katherine Mansfield, Ford Madox Ford, and Virginia Woolf) tackle the so-called ‘problem of other minds’ in ways that reflect and enrich early twentieth-century discourses of fellow feeling. Hammond argues that these authors reconfigure notions of intersubjective experience; their writings mark a key shift away from sympathetic forms of literary representation toward empathic forms that strive to provide an immediate sense of another’s thoughts and feelings. But while literary modernism values empathic experience as an ideal, it is also teeming with voices that recognize potential for danger, even violence, in acts of empathy. These voices illuminate our culture’s ongoing concern with empathy’s limits. Key Features:Recovers early psychology, a discipline that has often been neglected in favor of psychoanalysis, as a framework for literary modernismProvides a conceptual history of empathy that expands our understanding of the modernist worldGrants new insight into modernist technique by explaining how it relates to contemporaneous psychological and aesthetic theories on empathyPrompts a rethinking of empathy, a capacity that is as widely misunderstood as it is celebrated"

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748690992
    Other identifier:
    RVK Categories: HM 1011
    Subjects: Empathy in literature; Literature, Modern; Literary Studies; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource (216 p.)
  7. Empathy and the Psychology of Literary Modernism /
    Author: Hammond, Meghan Marie,
    Published: [2022]; ©2014
    Publisher:  Edinburgh University Press,, Edinburgh :

    Shows how fin de siècle conceptions of empathy are woven into the fabric of literary modernismGBS_insertPreviewButtonPopup(['ISBN:9780748690985','ISBN:9780748690992','ISBN:9780748698547']);Empathy is a cognitive and affective structure of feeling, a... more

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    Shows how fin de siècle conceptions of empathy are woven into the fabric of literary modernismGBS_insertPreviewButtonPopup(['ISBN:9780748690985','ISBN:9780748690992','ISBN:9780748698547']);Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English ‘sympathy’ and German ‘Einfühlung,’ ‘empathy’ is a specifically twentieth-century concept of fellow feeling. Empathy and the Psychology of Literary Modernism looks into the little-known history of empathy, revealing how this multi-faceted concept had a profound effect on literary modernism.Meghan Marie Hammond shows how five exemplary writers (Henry James, Dorothy Richardson, Katherine Mansfield, Ford Madox Ford, and Virginia Woolf) tackle the so-called ‘problem of other minds’ in ways that reflect and enrich early twentieth-century discourses of fellow feeling. Hammond argues that these authors reconfigure notions of intersubjective experience; their writings mark a key shift away from sympathetic forms of literary representation toward empathic forms that strive to provide an immediate sense of another’s thoughts and feelings. But while literary modernism values empathic experience as an ideal, it is also teeming with voices that recognize potential for danger, even violence, in acts of empathy. These voices illuminate our culture’s ongoing concern with empathy’s limits. Key Features:Recovers early psychology, a discipline that has often been neglected in favor of psychoanalysis, as a framework for literary modernismProvides a conceptual history of empathy that expands our understanding of the modernist worldGrants new insight into modernist technique by explaining how it relates to contemporaneous psychological and aesthetic theories on empathyPrompts a rethinking of empathy, a capacity that is as widely misunderstood as it is celebrated"

     
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748690992
    Other identifier:
    RVK Categories: HM 1011
    Subjects: Empathy in literature.; Literature, Modern; Literary Studies.; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
    Scope: 1 online resource (216 p.)
  8. Empathy and the psychology of literary modernism
    Author: Hammond, Meghan Marie
    Published: 2014
    Publisher:  Edinburgh University Press, Edinburgh

    Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung - empathy - is a specifically twentieth-century concept of fellow feeling. Empathy... more

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    Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung - empathy - is a specifically twentieth-century concept of fellow feeling. Empathy and the Psychology of Literary Modernism looks into the little-known history of empathy, revealing how this multi-faceted concept had a profound effect on literary modernism. Meghan Marie Hammond shows how five exemplary writers (Henry James, Dorothy Richardson, Katherine Mansfield, Ford Madox Ford, and Virginia Woolf) tackle the so-called 'problem of other minds' in ways that reflect and enrich early twentieth-century discourses of fellow feeling. Hammond argues that these authors reconfigure notions of intersubjective experience; their writings mark a key shift away from sympathetic forms of literary representation toward empathic forms that strive to provide an immediate sense of another's thoughts and feelings. But while literary modernism values empathic experience as an ideal, it is also teeming with voices that recognize potential for danger, even violence, in acts of empathy. These voices illuminate our culture's ongoing concern with empathy's limits. Key Features: * Recovers early psychology, a discipline that has often been neglected in favor of psychoanalysis, as a framework for literary modernism *Provides a conceptual history of empathy that expands our understanding of the modernist world *Grants new insight into modernist technique by explaining how it relates to contemporaneous psychological and aesthetic theories on empathy *Prompts a rethinking of empathy, a capacity that is as widely misunderstood as it is celebrated Introduction: The problem of other minds and the Fin de Siècle world -- Into other minds: William and Henry James -- Dorothy Richardson's modernist innovation -- Communities of feeling in Katherine Mansfield's fiction -- Empathy and violence in the works of Ford Madox Ford -- Virginia Woolf and the limits of empathy -- Coda: New structures of fellow feeling

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748690992
    RVK Categories: HM 1011 ; HM 1101
    Subjects: Literature, Modern; Empathy in literature; Empathy in literature; Literature, Modern ; 20th century ; History and criticism
    Scope: 1 Online-Ressource (203 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 08 Aug 2016)
  9. Empathy and the psychology of literary modernism
    Author: Hammond, Meghan Marie
    Published: 2014
    Publisher:  Edinburgh University Press, Edinburgh ; Cambridge University Press, Cambridge, UK

    Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung - empathy - is a specifically twentieth-century concept of fellow feeling. Empathy... more

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    Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung - empathy - is a specifically twentieth-century concept of fellow feeling. Empathy and the Psychology of Literary Modernism looks into the little-known history of empathy, revealing how this multi-faceted concept had a profound effect on literary modernism. Meghan Marie Hammond shows how five exemplary writers (Henry James, Dorothy Richardson, Katherine Mansfield, Ford Madox Ford, and Virginia Woolf) tackle the so-called 'problem of other minds' in ways that reflect and enrich early twentieth-century discourses of fellow feeling. Hammond argues that these authors reconfigure notions of intersubjective experience; their writings mark a key shift away from sympathetic forms of literary representation toward empathic forms that strive to provide an immediate sense of another's thoughts and feelings. But while literary modernism values empathic experience as an ideal, it is also teeming with voices that recognize potential for danger, even violence, in acts of empathy. These voices illuminate our culture's ongoing concern with empathy's limits. Key Features: * Recovers early psychology, a discipline that has often been neglected in favor of psychoanalysis, as a framework for literary modernism *Provides a conceptual history of empathy that expands our understanding of the modernist world *Grants new insight into modernist technique by explaining how it relates to contemporaneous psychological and aesthetic theories on empathy *Prompts a rethinking of empathy, a capacity that is as widely misunderstood as it is celebrated...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748690992
    RVK Categories: HM 1011
    Scope: 1 Online-Ressource (203 pages)
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    Title from publisher's bibliographic system (viewed on 08 Aug 2016)
  10. Empathy and the psychology of literary modernism
    Author: Hammond, Meghan Marie
    Published: 2014
    Publisher:  Edinburgh University Press, Edinburgh

    Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung - empathy - is a specifically twentieth-century concept of fellow feeling. Empathy... more

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    Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English 'sympathy' and German 'Einfühlung - empathy - is a specifically twentieth-century concept of fellow feeling. Empathy and the Psychology of Literary Modernism looks into the little-known history of empathy, revealing how this multi-faceted concept had a profound effect on literary modernism. Meghan Marie Hammond shows how five exemplary writers (Henry James, Dorothy Richardson, Katherine Mansfield, Ford Madox Ford, and Virginia Woolf) tackle the so-called 'problem of other minds' in ways that reflect and enrich early twentieth-century discourses of fellow feeling. Hammond argues that these authors reconfigure notions of intersubjective experience; their writings mark a key shift away from sympathetic forms of literary representation toward empathic forms that strive to provide an immediate sense of another's thoughts and feelings. But while literary modernism values empathic experience as an ideal, it is also teeming with voices that recognize potential for danger, even violence, in acts of empathy. These voices illuminate our culture's ongoing concern with empathy's limits. Key Features: * Recovers early psychology, a discipline that has often been neglected in favor of psychoanalysis, as a framework for literary modernism *Provides a conceptual history of empathy that expands our understanding of the modernist world *Grants new insight into modernist technique by explaining how it relates to contemporaneous psychological and aesthetic theories on empathy *Prompts a rethinking of empathy, a capacity that is as widely misunderstood as it is celebrated Introduction: The problem of other minds and the Fin de Siècle world -- Into other minds: William and Henry James -- Dorothy Richardson's modernist innovation -- Communities of feeling in Katherine Mansfield's fiction -- Empathy and violence in the works of Ford Madox Ford -- Virginia Woolf and the limits of empathy -- Coda: New structures of fellow feeling

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748690992
    RVK Categories: HM 1011 ; HM 1101
    Subjects: Literature, Modern; Empathy in literature; Empathy in literature; Literature, Modern ; 20th century ; History and criticism
    Scope: 1 Online-Ressource (203 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 08 Aug 2016)