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  1. Music video and the politics of representation
    Author: Railton, Diane; Watson, Paul
    Published: 2011
    Publisher:  Edinburgh University Press, Edinburgh

    How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely... more

    Location:
    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century. Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies. Key Features * Provides a framework for how to describe and analyse a music video. * Uses case studies from internationally well-know artists, such as Kylie, Shakira and Beyoncé to explore issues of representation of gender, sexuality and ethnicity. * Draws on classic and contemporary videos from a range of musical styles, from Lady Gaga and Christina Aguilera to Gorillaz and Metallica

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748633241
    RVK Categories: AP 47500 ; EC 2440 ; LR 57255
    Subjects: Gesellschaft; Music videos / Social aspects; Music videos / History and criticism; Feminism and music; Musikvideo; Repräsentation <Soziologie>; Videoclip
    Scope: 1 online resource (vii, 176 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Situating music video: between feminism and popular culture -- Genre and music video: configurations and functions -- Making it real: authorship and authenticity -- Music video in black and white: race and femininity -- That Latin(a) look: performing ethnicity -- Masculinity and the absent presence of the male body -- Afterword: music video goes Gaga
  2. Music video and the politics of representation
    Author: Railton, Diane
    Published: ©2011
    Publisher:  Edinburgh University Press, Edinburgh

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0748633243; 9780748633241
    RVK Categories: AP 47500 ; EC 2440 ; LR 57255
    Series: Music and the moving image
    Subjects: Counterculture; Popular music / Social aspects; Protest movements; Protest songs; Rock music / Political aspects; Rock musicians / Political activity; Social Science; Fine Arts; POLITICAL SCIENCE / Public Policy / Cultural Policy; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Popular Culture; MUSIC / Genres & Styles / Pop Vocal; Feminism and music; Music videos; Music videos / Social aspects; Gesellschaft; Politik; Music videos; Music videos; Feminism and music; Videoclip; Musikvideo; Repräsentation <Soziologie>
    Scope: 1 Online-Ressource (vii, 176 pages)
    Notes:

    Videography: p. 162-165

    Includes bibliographical references (pages 150-162) and index

    "How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century. Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies. Key Features: Provides a framework for how to describe and analyse a music video. Uses case studies from internationally well-know artists, such as Kylie, Shakira and Beyonce to explore issues of representation of gender, sexuality and ethnicity. Draws on classic and contemporary videos from a range of musical styles, from Lady Gaga and Christina Aguilera to Gorillaz and Metallica"--Provided by publisher

    Acknowledgements -- Introduction: The Kleenexes of popular culture? -- Part I Towards a critical vocabulary : 1. Situating music video: between feminism and popular culture -- 2. Genre and music video: configurations and functions -- 3. Making it real: authorship and authenticity -- Part II Sexed, raced and gendered identity in music video : 4. Music video in black and white: race and femininity -- 5. That Latin(a) look: performing ethnicity -- 6. Masculinity and the absent presence of the male body -- Afterword: Music video goes Gaga -- Bibliography -- Index
  3. Music video and the politics of representation
    Author: Railton, Diane; Watson, Paul
    Published: [2011]
    Publisher:  Edinburgh University Press, Edinburgh ; JSTOR, New York, Ny

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    Location:
    Universität Mainz, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748633241
    RVK Categories: AP 47500 ; EC 2440 ; LR 57255
    Series: Music and the moving image
    Subjects: Videoclip; Musikvideo; Repräsentation <Soziologie>
    Scope: 1 Online-Ressource
  4. Music video and the politics of representation
    Author: Railton, Diane; Watson, Paul
    Published: 2011
    Publisher:  Edinburgh Univ. Press, Edinburgh

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Content information
    Volltext (lizenzpflichtig)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748633241; 9781283252706
    RVK Categories: AP 47500 ; EC 2440 ; LR 57255
    Series: Music and the moving image
    Subjects: Videoclip; Musikvideo; Repräsentation <Soziologie>
    Scope: 1 Online-Ressource (VII, 176 S.)
  5. Music video and the politics of representation
    Author: Railton, Diane; Watson, Paul
    Published: 2011
    Publisher:  Edinburgh University Press, Edinburgh ; Cambridge University Press, Cambridge, UK

    How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Universität Marburg, Universitätsbibliothek
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    How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century. Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies. Key Features * Provides a framework for how to describe and analyse a music video. * Uses case studies from internationally well-know artists, such as Kylie, Shakira and Beyoncé to explore issues of representation of gender, sexuality and ethnicity. * Draws on classic and contemporary videos from a range of musical styles, from Lady Gaga and Christina Aguilera to Gorillaz and Metallica.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748633241
    RVK Categories: AP 47500 ; EC 2440 ; LR 57255
    Subjects: Videoclip; Musikvideo; Repräsentation <Soziologie>
    Scope: 1 Online-Ressource (vii, 176 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)