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  1. Troubadours and irony
    Author: Gaunt, Simon
    Published: 1989
    Publisher:  Cambridge University Press, Cambridge

    From Petrarch and Dante to Pound and Eliot, the influence of the troubadours on European poetry has been profound. They have rightly stimulated a vast amount of critical writing, but the majority of modern critics see the troubadour tradition as a... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    From Petrarch and Dante to Pound and Eliot, the influence of the troubadours on European poetry has been profound. They have rightly stimulated a vast amount of critical writing, but the majority of modern critics see the troubadour tradition as a corpus of earnestly serious and confessional love poetry, with little or no humour. Troubadours and Irony re-examines the work of five early troubadours, namely Marcabru, Bernart Marti, Peire d'Alvernha, Raimbaut d'Aurenga and Giraut de Borneil, to argue that the courtly poetry of southern France in the twelfth century was permeated with irony and that many troubadour songs were playful, laced with humorous sexual innuendo and far from serious; attention is also drawn to the large corpus of texts that are not love poems, but comic or satirical songs

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553912
    Other identifier:
    RVK Categories: IK 6610 ; LR 53972
    Series: Cambridge studies in medieval literature ; 3
    Subjects: Provençal poetry / History and criticism; Civilization, Medieval, in literature; Courtly love in literature; Irony in literature; Sex in literature; Troubadours; Troubadourlyrik; Ironie
    Scope: 1 online resource (x, 232 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. Troubadours and irony
    Author: Gaunt, Simon
    Published: 1989
    Publisher:  Cambridge University Press, Cambridge

    From Petrarch and Dante to Pound and Eliot, the influence of the troubadours on European poetry has been profound. They have rightly stimulated a vast amount of critical writing, but the majority of modern critics see the troubadour tradition as a... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    From Petrarch and Dante to Pound and Eliot, the influence of the troubadours on European poetry has been profound. They have rightly stimulated a vast amount of critical writing, but the majority of modern critics see the troubadour tradition as a corpus of earnestly serious and confessional love poetry, with little or no humour. Troubadours and Irony re-examines the work of five early troubadours, namely Marcabru, Bernart Marti, Peire d'Alvernha, Raimbaut d'Aurenga and Giraut de Borneil, to argue that the courtly poetry of southern France in the twelfth century was permeated with irony and that many troubadour songs were playful, laced with humorous sexual innuendo and far from serious; attention is also drawn to the large corpus of texts that are not love poems, but comic or satirical songs

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553912
    Other identifier:
    Series: Cambridge studies in medieval literature ; 3
    Subjects: Courtly love in literature; Irony in literature; Sex in literature; Troubadours; Civilization, Medieval, in literature; Provençal poetry; Provençal poetry ; History and criticism; Civilization, Medieval, in literature; Courtly love in literature; Irony in literature; Sex in literature; Troubadours
    Scope: 1 Online-Ressource (x, 232 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. Troubadours and irony
    Author: Gaunt, Simon
    Published: 1989
    Publisher:  Cambridge University Press, Cambridge

    From Petrarch and Dante to Pound and Eliot, the influence of the troubadours on European poetry has been profound. They have rightly stimulated a vast amount of critical writing, but the majority of modern critics see the troubadour tradition as a... more

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    From Petrarch and Dante to Pound and Eliot, the influence of the troubadours on European poetry has been profound. They have rightly stimulated a vast amount of critical writing, but the majority of modern critics see the troubadour tradition as a corpus of earnestly serious and confessional love poetry, with little or no humour. Troubadours and Irony re-examines the work of five early troubadours, namely Marcabru, Bernart Marti, Peire d'Alvernha, Raimbaut d'Aurenga and Giraut de Borneil, to argue that the courtly poetry of southern France in the twelfth century was permeated with irony and that many troubadour songs were playful, laced with humorous sexual innuendo and far from serious; attention is also drawn to the large corpus of texts that are not love poems, but comic or satirical songs.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553912
    RVK Categories: IK 6610
    Series: Cambridge studies in medieval literature ; 3
    Subjects: Troubadourlyrik; Ironie
    Scope: 1 Online-Ressource (x, 232 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. Troubadours and irony
    Author: Gaunt, Simon
    Published: 1989
    Publisher:  Cambridge University Press, Cambridge

    From Petrarch and Dante to Pound and Eliot, the influence of the troubadours on European poetry has been profound. They have rightly stimulated a vast amount of critical writing, but the majority of modern critics see the troubadour tradition as a... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Peace Research Institute Frankfurt, Bibliothek
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    From Petrarch and Dante to Pound and Eliot, the influence of the troubadours on European poetry has been profound. They have rightly stimulated a vast amount of critical writing, but the majority of modern critics see the troubadour tradition as a corpus of earnestly serious and confessional love poetry, with little or no humour. Troubadours and Irony re-examines the work of five early troubadours, namely Marcabru, Bernart Marti, Peire d'Alvernha, Raimbaut d'Aurenga and Giraut de Borneil, to argue that the courtly poetry of southern France in the twelfth century was permeated with irony and that many troubadour songs were playful, laced with humorous sexual innuendo and far from serious; attention is also drawn to the large corpus of texts that are not love poems, but comic or satirical songs

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553912
    Other identifier:
    Series: Cambridge studies in medieval literature ; 3
    Subjects: Courtly love in literature; Irony in literature; Sex in literature; Troubadours; Civilization, Medieval, in literature; Provençal poetry; Provençal poetry ; History and criticism; Civilization, Medieval, in literature; Courtly love in literature; Irony in literature; Sex in literature; Troubadours
    Scope: 1 Online-Ressource (x, 232 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)