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  1. The politics of Irish drama
    plays in context from Boucicault to Friel
    Author: Grene, Nicholas
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  2. The politics of Irish drama
    plays in context from Boucicault to Friel
    Author: Grene, Nicholas
    Published: 2004
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521660513; 0521665361; 9780511486029; 9780521660518; 9780521665360
    Other identifier:
    RVK Categories: HG 290 ; HG 570 ; HM 1220 ; HM 1261
    Edition: 1. publ.
    Series: Cambridge studies in modern theatre
    Subjects: Literatura irlandesa (história e crítica); Politieke aspecten; Toneelstukken; Drama; Geschichte; Politik; English drama; Political plays, English; Politics and literature; Politics and literature; Theater; Englisch; Geschichte; Irisch; Drama
    Other subjects: Boucicault, Dion <1820-1890>; Friel, Brian
    Scope: 1 Online-Ressource (XVII, 312 S.)
  3. The politics of Irish drama
    plays in context from Boucicault to Friel
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    In this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national... more

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    Location:
    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    In this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national self-expression. Here it is argued that Irish plays, in their self-conscious representation of the otherness of Ireland, are outwardly directed towards audiences both at home and abroad. The political dynamics of such relations between plays and audiences is the book's multiple subject: the stage interpretation of Ireland from The Shaughraun to Translations; the contentious stage images of Yeats, Gregory and Synge; reactions to revolution from O'Casey to Behan; the post-colonial worlds of Purgatory and All that Fall; the imagined Irelands of Friel and Murphy, McGuinness and Barry. With its fundamental reconception of the politics of Irish drama, this book represents an alternative view of the phenomenon of Irish drama itself Stage interpreters -- Strangers in the house -- Shifts in perspective -- Class and space in O'Casey -- Reactions to revolution -- Living on -- Versions of pastoral -- Murphy's Ireland -- Imagining the other -- Conclusion: a world elsewhere.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521665361; 9780521660518; 0521660513; 0511150474; 9780511150470; 9780521665360; 051100947X; 9780511486029; 0511486022; 9780511009471; 051103329X; 9780511033292; 0511117906; 9780511117909
    Series: Cambridge studies in modern theatre
    Subjects: English drama; Politics and literature; Politics and literature; Political plays, English; Theater; Politics and literature; Politics and literature; Political plays, English; Theater; English drama; English drama; Politics and literature; Politics and literature; Political plays, English; Theater; Political and social views; Political plays, English; Politics and literature; Theater ; Political aspects; Politik; Drama; Toneelstukken; Politieke aspecten; Literatura irlandesa (história e crítica); Politique et littérature ; Irlande ; 19e siècle; Politique et littérature ; Irlande ; 20e siècle; Théâtre ; Aspect politique ; Irlande; Théâtre irlandais de langue anglaise ; Histoire et critique; DRAMA ; English, Irish, Scottish, Welsh; English drama ; Irish authors; Criticism, interpretation, etc; History
    Other subjects: Boucicault, Dion 1820-1890; Friel, Brian; Boucicault, Dion (1820-1890); Friel, Brian; Friel, Brian; Boucicault, Dion (1820-1890); Boucicault, Dion; Friel, Brian
    Scope: Online Ressource (xvii, 312 pages)
    Notes:

    Includes bibliographical references (p. 290-300) and index. - Description based on print version record

    Stage interpretersStrangers in the house -- Shifts in perspective -- Class and space in O'Casey -- Reactions to revolution -- Living on -- Versions of pastoral -- Murphy's Ireland -- Imagining the other -- Conclusion: a world elsewhere.
  4. The politics of Irish drama
    plays in context from Boucicault to Friel
    Author: Grene, Nicholas
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 051100947X; 9780511009471; 051103329X; 9780511033292; 0511150474; 9780511150470; 0511117906; 9780511117909; 9780521665360; 0521665361; 9780521660518; 0521660513; 9780511486029; 0511486022
    RVK Categories: HG 290 ; HG 570 ; HM 1220 ; HM 1261
    Series: Cambridge studies in modern theatre
    Subjects: Englisch; Drama; Politik <Motiv>
    Scope: 1 Online-Ressource (xvii, 312 pages)
    Notes:

    Includes bibliographical references (pages 290-300) and index
  5. The politics of Irish drama
    plays in context from Boucicault to Friel
    Author: Grene, Nicholas
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    In this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    In this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national self-expression. Here it is argued that Irish plays, in their self-conscious representation of the otherness of Ireland, are outwardly directed towards audiences both at home and abroad. The political dynamics of such relations between plays and audiences is the book's multiple subject: the stage interpretation of Ireland from The Shaughraun to Translations; the contentious stage images of Yeats, Gregory and Synge; reactions to revolution from O'Casey to Behan; the post-colonial worlds of Purgatory and All that Fall; the imagined Irelands of Friel and Murphy, McGuinness and Barry. With its fundamental reconception of the politics of Irish drama, this book represents an alternative view of the phenomenon of Irish drama itself 1. Stage interpreters -- 2. Strangers in the house -- 3. Shifts in perspective -- 4. Class and space in O'Casey -- 5. Reactions to revolution -- 6. Living on -- 7. Versions of pastoral -- 8. Murphy's Ireland -- 9. Imagining the other -- Conclusion: a world elsewhere

     
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  6. The politics of Irish drama
    plays in context from Boucicault to Friel
    Author: Grene, Nicholas
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    In this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Universität Marburg, Universitätsbibliothek
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    In this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national self-expression. Here it is argued that Irish plays, in their self-conscious representation of the otherness of Ireland, are outwardly directed towards audiences both at home and abroad. The political dynamics of such relations between plays and audiences is the book's multiple subject: the stage interpretation of Ireland from The Shaughraun to Translations; the contentious stage images of Yeats, Gregory and Synge; reactions to revolution from O'Casey to Behan; the post-colonial worlds of Purgatory and All that Fall; the imagined Irelands of Friel and Murphy, McGuinness and Barry. With its fundamental reconception of the politics of Irish drama, this book represents an alternative view of the phenomenon of Irish drama itself.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511486029
    RVK Categories: HG 290 ; HG 570 ; HM 1220 ; HM 1261
    Series: Cambridge studies in modern theatre
    Subjects: Englisch; Drama; Politik <Motiv>
    Scope: 1 Online-Ressource (xvii, 312 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  7. The politics of Irish drama
    plays in context from Boucicault to Friel
    Author: Grene, Nicholas
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    In this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Zentrale Hochschulbibliothek Flensburg
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    In this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national self-expression. Here it is argued that Irish plays, in their self-conscious representation of the otherness of Ireland, are outwardly directed towards audiences both at home and abroad. The political dynamics of such relations between plays and audiences is the book's multiple subject: the stage interpretation of Ireland from The Shaughraun to Translations; the contentious stage images of Yeats, Gregory and Synge; reactions to revolution from O'Casey to Behan; the post-colonial worlds of Purgatory and All that Fall; the imagined Irelands of Friel and Murphy, McGuinness and Barry. With its fundamental reconception of the politics of Irish drama, this book represents an alternative view of the phenomenon of Irish drama itself 1. Stage interpreters -- 2. Strangers in the house -- 3. Shifts in perspective -- 4. Class and space in O'Casey -- 5. Reactions to revolution -- 6. Living on -- 7. Versions of pastoral -- 8. Murphy's Ireland -- 9. Imagining the other -- Conclusion: a world elsewhere

     
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    Volltext (lizenzpflichtig)