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Displaying results 1 to 9 of 9.

  1. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: 2006
    Publisher:  Routledge, New York, NY [u.a.]

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415700485; 9780415700481; 9780415700498; 9780203413036; 0415700493; 0203413032
    RVK Categories: AP 50300 ; AP 55400 ; AP 55700 ; MS 1750
    Edition: 1. publ.
    Subjects: Cities and towns in motion pictures; City and town life in motion pictures
    Scope: XIII, 256 S., Ill., 25 cm
    Notes:

    Literaturverz. S. [247] - 248
  2. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: [2006]; © 2006
    Publisher:  Routledge, Taylor & Francis Group, New York

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). -- Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism Introduction: the cinematic city and the quest for the modern -- Industrial modernity : the flâneur and the tramp in the early twentieth century city -- Urbanizing modernity : the traditional cinematic small town -- Orwellian modernity : utopia/dystopia and the city of the future past -- Cynical modernity, or the modernity of cynicism -- From postmodern condition to cinematic city -- Voyeuristic modernity : the lens, the screen and the city -- The modernity of the sophisticate and the misfit : the city through different eyes -- An alternative modernity : race, ethnicity and the urban experience -- Exurban postmodernity : utopia, simulacra and hyper-reality

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415700485; 0415700493; 9780415700481; 9780415700498
    Other identifier:
    2006007637
    RVK Categories: AP 50300 ; RB 10627
    Subjects: Cities and towns in motion pictures; City and town life in motion pictures
    Scope: xiii, 256 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 247-248

    Hier auch später erschienene, unveränderte Nachdrucke
  3. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: 2006
    Publisher:  Routledge, New York

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary... more

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0415700485; 0415700493; 9780415700481; 9780415700498; 9780203413036
    RVK Categories: AP 50300 ; AP 55400 ; AP 55700 ; MS 1750
    Subjects: Film; Stadt <Motiv>; Stadtleben <Motiv>; Vie urbaine au cinéma; Villes au cinéma; Cities and towns in motion pictures; City and town life in motion pictures; Architektur; Film; Kino; Städtebau
    Scope: xiii, 256 S., Ill.
    Notes:

    Includes bibliographical references and index
  4. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: [2006]; © 2006
    Publisher:  Routledge, Taylor & Francis Group, New York

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 697319
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a tea 875.5/198
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    HafenCity Universität Hamburg, Bibliothek
    Signature:
    AP 50300 007
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KMW:KG:1000:Alsa::2006
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Bk 6870
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signature:
    tea 875.5 DE 4934
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). -- Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism Introduction: the cinematic city and the quest for the modern -- Industrial modernity : the flâneur and the tramp in the early twentieth century city -- Urbanizing modernity : the traditional cinematic small town -- Orwellian modernity : utopia/dystopia and the city of the future past -- Cynical modernity, or the modernity of cynicism -- From postmodern condition to cinematic city -- Voyeuristic modernity : the lens, the screen and the city -- The modernity of the sophisticate and the misfit : the city through different eyes -- An alternative modernity : race, ethnicity and the urban experience -- Exurban postmodernity : utopia, simulacra and hyper-reality

     
    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415700485; 0415700493; 9780415700481; 9780415700498
    Other identifier:
    2006007637
    RVK Categories: AP 50300 ; RB 10627
    Subjects: Cities and towns in motion pictures; City and town life in motion pictures
    Scope: xiii, 256 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 247-248

    Hier auch später erschienene, unveränderte Nachdrucke
  5. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: [2006]; © 2006
    Publisher:  Routledge, Taylor & Francis Group, New York

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary... more

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). -- Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism Introduction: the cinematic city and the quest for the modern -- Industrial modernity : the flâneur and the tramp in the early twentieth century city -- Urbanizing modernity : the traditional cinematic small town -- Orwellian modernity : utopia/dystopia and the city of the future past -- Cynical modernity, or the modernity of cynicism -- From postmodern condition to cinematic city -- Voyeuristic modernity : the lens, the screen and the city -- The modernity of the sophisticate and the misfit : the city through different eyes -- An alternative modernity : race, ethnicity and the urban experience -- Exurban postmodernity : utopia, simulacra and hyper-reality

     
    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415700485; 0415700493; 9780415700481; 9780415700498; 0203413032; 9780203413036
    Other identifier:
    2006007637
    RVK Categories: AP 50300 ; RB 10627
    Subjects: Cities and towns in motion pictures; City and town life in motion pictures
    Scope: xiii, 256 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 247-248

    Hier auch später erschienene, unveränderte Nachdrucke
  6. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: 2006
    Publisher:  Routledge, New York

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary... more

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TU Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Europa-Universität Viadrina, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism.

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0415700485; 0415700493; 9780415700481; 9780415700498; 9780203413036
    RVK Categories: AP 50300 ; AP 55400 ; AP 55700 ; MS 1750
    Subjects: Film; Stadt <Motiv>; Stadtleben <Motiv>; Vie urbaine au cinéma; Villes au cinéma; Cities and towns in motion pictures; City and town life in motion pictures; Städtebau; Film; Kino; Architektur
    Scope: xiii, 256 S., Ill.
    Notes:

    Includes bibliographical references and index
  7. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: c2006
    Publisher:  Routledge, New York, NY [u.a.]

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Lichtwiese
    Signature:
    /AP 55400 A461
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    88.167.68
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Kassel, Standort Holländischer Platz
    Signature:
    25 Asl 430/04 SAY
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Mainz, Zentralbibliothek
    Signature:
    237.017
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415700493; 9780415700498; 0415700485; 9780415700481; 0203413032; 9780203413036
    RVK Categories: AP 55400 ; AP 55700
    Subjects: Film; Stadt <Motiv>; Stadtleben <Motiv>
    Scope: XIII, 256 S., Ill.
    Notes:

    Includes bibliographical references and index
  8. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: 2009
    Publisher:  Routledge, New York [u.a.]

    Location:
    Universität Leipzig, Universitätsbibliothek, Bibliothek Medizin/Naturwissenschaften
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Mannheim
    Signature:
    500 AP 50300 S777 A461
    Inter-library loan:
    No inter-library loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415700485; 0415700493; 9780415700481; 9780415700498
    RVK Categories: RB 10627 ; AP 50300
    Edition: Transferred to digital print.
    Subjects: Film; Stadt <Motiv>;
    Scope: XIII, 256 S., Ill.
    Notes:

    Includes bibliographical references and index
  9. Cinematic urbanism
    a history of the modern from reel to real
    Author: AlSayyad, Nezar
    Published: [2006]; © 2006
    Publisher:  Routledge, Taylor & Francis Group, New York

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary... more

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signature:
    4.9.6.ALS
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 697319
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a tea 875.5/198
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    HafenCity Universität Hamburg, Bibliothek
    Signature:
    AP 50300 007
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KMW:KG:1000:Alsa::2006
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Bk 6870
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Leipzig, Universitätsbibliothek, Bibliothek Medizin/Naturwissenschaften
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signature:
    tea 875.5 DE 4934
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Stuttgart, Fakultätsbibliothek Architektur und Stadtplanung
    Signature:
    E 2**0056
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). -- Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism Introduction: the cinematic city and the quest for the modern -- Industrial modernity : the flâneur and the tramp in the early twentieth century city -- Urbanizing modernity : the traditional cinematic small town -- Orwellian modernity : utopia/dystopia and the city of the future past -- Cynical modernity, or the modernity of cynicism -- From postmodern condition to cinematic city -- Voyeuristic modernity : the lens, the screen and the city -- The modernity of the sophisticate and the misfit : the city through different eyes -- An alternative modernity : race, ethnicity and the urban experience -- Exurban postmodernity : utopia, simulacra and hyper-reality

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415700485; 0415700493; 9780415700481; 9780415700498; 0203413032; 9780203413036
    Other identifier:
    2006007637
    RVK Categories: AP 50300 ; RB 10627
    Subjects: Cities and towns in motion pictures; City and town life in motion pictures
    Scope: xiii, 256 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 247-248

    Hier auch später erschienene, unveränderte Nachdrucke