Narrow Search
Last searches

Results for *

Displaying results 1 to 3 of 3.

  1. Birth figures
    early modern prints and the pregnant body
    Published: [2023]; © 2023
    Publisher:  The University of Chicago Press, Chicago

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments;... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments; Visualizing touch and defining a professional persona -- Part III: The birth figure persists (1751-1774). Challenging the Hunterian hegemony -- Conclusion. "The first full study of "birth figures," a set of illustrations which were widely reproduced in early modern books on childbirth and midwifery. Birth figures are printed images of the pregnant uterus, always shown in series, that depict the variety of ways in which a fetus can present for birth. Historian Rebecca Whiteley coined the term and here offers the first systematic analysis of the images' creation, use, and impact. Whiteley reveals their origins in ancient medicine and explores their inclusion in many medieval gynecological manuscripts, focusing on their explosion in printed midwifery and surgical books from the mid-sixteenth to the mid-eighteenth century in Western Europe. During this period, birth figures formed a key part of the visual culture of medicine and midwifery and were widely produced. They reflected and shaped how the pregnant body was known and treated. And by providing crucial bodily knowledge to midwives and surgeons, birth figures were also deeply entangled with wider cultural preoccupations with generation and creativity, female power and agency, knowledge and its dissemination, and even the condition of the human in the universe. Birth Figures studies how different kinds of people understood childbirth and engaged with midwifery manuals, from learned physicians to midwives to illiterate listeners. Rich and detailed, this vital history reveals the importance of birth figures in how midwifery was practiced and in how people, both medical professionals and lay readers, envisioned and understood the mysterious state of pregnancy. "--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226823126
    Subjects: Obstetrics; Midwifery; Childbirth in art; Pregnancy in art; Fetus in art; Medical illustration; Illustration of books; Illustration of books; Illustration of books; Medicine and art; SCIENCE / History; ART / Subjects & Themes / Human Figure
    Scope: xiv, 288 Seiten, 4 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 259-280

  2. Birth figures
    early modern prints and the pregnant body
    Published: [2023]; © 2023
    Publisher:  The University of Chicago Press, Chicago ; London

    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Staatliche Bibliothek Regensburg
    Unlimited inter-library loan, copies and loan
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226823126
    Subjects: Bauch <Motiv>; Druckgrafik; Säugling <Motiv>; Schwangerschaft <Motiv>; Anatomie <Motiv>
    Scope: xiv, 288 Seiten, Illustrationen
  3. Birth figures
    early modern prints and the pregnant body
    Published: [2023]; © 2023
    Publisher:  The University of Chicago Press, Chicago

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments;... more

    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    618 W594b
    No inter-library loan
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2023:3180:
    No inter-library loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Gyn.32.2023
    No inter-library loan
    Deutsche Akademie der Naturforscher Leopoldina, Bibliothek
    20/8 23.404
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2023 C 1967
    Unlimited inter-library loan, copies and loan
    Zentrale Hochschulbibliothek Lübeck
    Gyn Y 26
    No inter-library loan
    Germanisches Nationalmuseum, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Osnabrück
    6270-589 3
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Eberhard Karls Universität
    64 A 1747
    Unlimited inter-library loan, copies and loan
    Herzog August Bibliothek Wolfenbüttel
    73.1787
    Unlimited inter-library loan, copies and loan

     

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments; Visualizing touch and defining a professional persona -- Part III: The birth figure persists (1751-1774). Challenging the Hunterian hegemony -- Conclusion. "The first full study of "birth figures," a set of illustrations which were widely reproduced in early modern books on childbirth and midwifery. Birth figures are printed images of the pregnant uterus, always shown in series, that depict the variety of ways in which a fetus can present for birth. Historian Rebecca Whiteley coined the term and here offers the first systematic analysis of the images' creation, use, and impact. Whiteley reveals their origins in ancient medicine and explores their inclusion in many medieval gynecological manuscripts, focusing on their explosion in printed midwifery and surgical books from the mid-sixteenth to the mid-eighteenth century in Western Europe. During this period, birth figures formed a key part of the visual culture of medicine and midwifery and were widely produced. They reflected and shaped how the pregnant body was known and treated. And by providing crucial bodily knowledge to midwives and surgeons, birth figures were also deeply entangled with wider cultural preoccupations with generation and creativity, female power and agency, knowledge and its dissemination, and even the condition of the human in the universe. Birth Figures studies how different kinds of people understood childbirth and engaged with midwifery manuals, from learned physicians to midwives to illiterate listeners. Rich and detailed, this vital history reveals the importance of birth figures in how midwifery was practiced and in how people, both medical professionals and lay readers, envisioned and understood the mysterious state of pregnancy. "--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226823126
    Subjects: Obstetrics; Midwifery; Childbirth in art; Pregnancy in art; Fetus in art; Medical illustration; Illustration of books; Illustration of books; Illustration of books; Medicine and art; SCIENCE / History; ART / Subjects & Themes / Human Figure
    Scope: xiv, 288 Seiten, 4 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 259-280