Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 5 of 5.

  1. The living death of antiquity
    neoclassical aesthetics
    Author: Fitzgerald, William
    Published: 2022
    Publisher:  Oxford University Press, Oxford

    The Living Death of Antiquity' examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Living Death of Antiquity' examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as manifested in a range of work in different media and periods, focusing on the late eighteenth and early nineteenth centuries. In the aftermath of Winckelmann's writing, John Flaxman's engraved scenes from the0Iliad and the sculptors Antonio Canova and Bertel Thorvaldsen reinterpreted ancient prototypes or invented new ones. Earlier and later versions of this aesthetic in the ancient Greek Anacreontea, the French Parnassian poets and Erik Satie's Socrate, manifest its character in different media and periods. Looking with a0sympathetic eye on the original aspirations of the neoclassical aesthetic and its forward-looking potential, Fitzgerald describes how it can tip over into the vacancy or kitsch through which a 'remaindered' antiquity lingers in our minds and environments. This book asks how the neoclassical value of simplicity serves to conjure up an epiphanic antiquity, and how whiteness, in both its literal and its metaphorical forms, acts as the 'logo' of neoclassical antiquity, and functions aesthetically0in a variety of media. In the context of the waning of a neoclassically idealized antiquity, Fitzgerald describes the new contents produced by its asymptotic approach to meaninglessness, and how the antiquity that it imagined both is and is not with us.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780192893963
    RVK Categories: LH 65780 ; LH 61040
    Edition: First edition
    Series: Classical presences
    Subjects: Rezeption; Ästhetik; Antike; Klassizismus
    Other subjects: Satie, Erik (1866-1925): Socrate; Canova, Antonio (1757-1822); Thorvaldsen, Bertel (1770-1844); Flaxman, John (1755-1826); Leconte de Lisle (1818-1894); Pope, Alexander (1688-1744); Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical; Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical
    Scope: xii, 272 Seiten, Illustrationen, Notenbeispiele
  2. <<The>> living death of antiquity
    neoclassical aesthetics
    Author: Fitzgerald, Willliam
    Published: 2022
    Publisher:  Oxford University press, Oxford

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780192893963; 0192893963
    Series: Classical presences
    Subjects: Klassizismus; Plastik; Ästhetik; Geschichte 1770-1830; ; Antike; Rezeption; Leconte de Lisle; Satie, Erik; ; Homerus; Rezeption; Flaxman, John; Pope, Alexander; Thorvaldsen, Bertel; Canova, Antonio;
    Other subjects: Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical; Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical
    Scope: xii, 272 Seiten, Illustrationen, Notenbeispiele, 24 cm
    Notes:

    Literaturverzeichnis: Seite [253]-266
  3. The living death of antiquity
    neoclassical aesthetics
    Author: Fitzgerald, William
    Published: 2022
    Publisher:  Oxford University Press, Oxford

    The Living Death of Antiquity' examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Living Death of Antiquity' examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as manifested in a range of work in different media and periods, focusing on the late eighteenth and early nineteenth centuries. In the aftermath of Winckelmann's writing, John Flaxman's engraved scenes from the Iliad and the sculptors Antonio Canova and Bertel Thorvaldsen reinterpreted ancient prototypes or invented new ones. Earlier and later versions of this aesthetic in the ancient Greek Anacreontea, the French Parnassian poets and Erik Satie's Socrate, manifest its character in different media and periods. Looking with a sympathetic eye on the original aspirations of the neoclassical aesthetic and its forward-looking potential, Fitzgerald describes how it can tip over into the vacancy or kitsch through which a 'remaindered' antiquity lingers in our minds and environments. This book asks how the neoclassical value of simplicity serves to conjure up an epiphanic antiquity, and how whiteness, in both its literal and its metaphorical forms, acts as the 'logo' of neoclassical antiquity, and functions aesthetically in a variety of media. In the context of the waning of a neoclassically idealized antiquity, Fitzgerald describes the new contents produced by its asymptotic approach to meaninglessness, and how the antiquity that it imagined both is and is not with us

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780192893963; 0192893963
    Edition: First edition
    Series: Classical presences
    Subjects: Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical; Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical
    Scope: xii, 272 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (pages 253-266) and index
  4. The living death of antiquity
    neoclassical aesthetics
    Author: Fitzgerald, William
    Published: 2022
    Publisher:  Oxford University Press, Oxford

    The Living Death of Antiquity' examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Living Death of Antiquity' examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as manifested in a range of work in different media and periods, focusing on the late eighteenth and early nineteenth centuries. In the aftermath of Winckelmann's writing, John Flaxman's engraved scenes from the0Iliad and the sculptors Antonio Canova and Bertel Thorvaldsen reinterpreted ancient prototypes or invented new ones. Earlier and later versions of this aesthetic in the ancient Greek Anacreontea, the French Parnassian poets and Erik Satie's Socrate, manifest its character in different media and periods. Looking with a0sympathetic eye on the original aspirations of the neoclassical aesthetic and its forward-looking potential, Fitzgerald describes how it can tip over into the vacancy or kitsch through which a 'remaindered' antiquity lingers in our minds and environments. This book asks how the neoclassical value of simplicity serves to conjure up an epiphanic antiquity, and how whiteness, in both its literal and its metaphorical forms, acts as the 'logo' of neoclassical antiquity, and functions aesthetically0in a variety of media. In the context of the waning of a neoclassically idealized antiquity, Fitzgerald describes the new contents produced by its asymptotic approach to meaninglessness, and how the antiquity that it imagined both is and is not with us.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780192893963
    RVK Categories: LH 65780 ; LH 61040
    Edition: First edition
    Series: Classical presences
    Subjects: Rezeption; Ästhetik; Antike; Klassizismus
    Other subjects: Satie, Erik (1866-1925): Socrate; Canova, Antonio (1757-1822); Thorvaldsen, Bertel (1770-1844); Flaxman, John (1755-1826); Leconte de Lisle (1818-1894); Pope, Alexander (1688-1744); Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical; Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical
    Scope: xii, 272 Seiten, Illustrationen, Notenbeispiele
  5. The living death of antiquity
    neoclassical aesthetics
    Author: Fitzgerald, William
    Published: 2022
    Publisher:  Oxford University Press, Oxford

    The Living Death of Antiquity' examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2022:1487:
    Inter-library loan:
    No inter-library loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signature:
    2024/5137
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2022 C 909
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Bereich Klassische Archäologie
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Germanisches Nationalmuseum, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    73.951
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Living Death of Antiquity' examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as manifested in a range of work in different media and periods, focusing on the late eighteenth and early nineteenth centuries. In the aftermath of Winckelmann's writing, John Flaxman's engraved scenes from the Iliad and the sculptors Antonio Canova and Bertel Thorvaldsen reinterpreted ancient prototypes or invented new ones. Earlier and later versions of this aesthetic in the ancient Greek Anacreontea, the French Parnassian poets and Erik Satie's Socrate, manifest its character in different media and periods. Looking with a sympathetic eye on the original aspirations of the neoclassical aesthetic and its forward-looking potential, Fitzgerald describes how it can tip over into the vacancy or kitsch through which a 'remaindered' antiquity lingers in our minds and environments. This book asks how the neoclassical value of simplicity serves to conjure up an epiphanic antiquity, and how whiteness, in both its literal and its metaphorical forms, acts as the 'logo' of neoclassical antiquity, and functions aesthetically in a variety of media. In the context of the waning of a neoclassically idealized antiquity, Fitzgerald describes the new contents produced by its asymptotic approach to meaninglessness, and how the antiquity that it imagined both is and is not with us

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780192893963; 0192893963
    Edition: First edition
    Series: Classical presences
    Subjects: Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical; Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical
    Scope: xii, 272 Seiten, Illustrationen, Notenbeispiele, 24 cm
    Notes:

    Literaturverzeichnis: Seite 253-266