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Displaying results 1 to 3 of 3.

  1. Jean-Luc Godard's political filmmaking
    Author: Emmelhainz, Irmgard
    Published: [2019]; © 2019
    Publisher:  Palgrave Macmillan, Cham, Switzerland

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
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  2. Jean-Luc Godard's political filmmaking
    Author: Emmelhainz, Irmgard
    Published: [2019]
    Publisher:  Palgrave Macmillan, Cham, Switzerland

    This book offers an exam ination of the political dimensions of a number of Jean-Luc Godard?s films from the 1960s to the present. The author seeks to dispel the myth that Godard?s work abandoned political questions after the 1970s and was limited to... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 67539
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KMW:KX:4000:Goda::2019
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    Unlimited inter-library loan, copies and loan

    Location:
    Württembergische Landesbibliothek
    Signature:
    69/11171
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This book offers an exam ination of the political dimensions of a number of Jean-Luc Godard?s films from the 1960s to the present. The author seeks to dispel the myth that Godard?s work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard?s little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard?s investigations on the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director?s oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard?s work as experiments in dialectical materialist filmmaking, from 'Le Petit soldat' (1963) to 'Adieu au langage' (2014), the author brings attention to Godard?s ongoing inquiry on the role filmmakers can have in progressive political engagement

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 3319720945; 9783319720944
    Subjects: Politics in motion pictures; Godard, Jean-Luc ; 1930- ; fast ; (OCoLC)fst00035647; Politics in motion pictures ; fast ; (OCoLC)fst01896085; Criticism, interpretation, etc ; fast ; (OCoLC)fst01411635
    Other subjects: Godard, Jean-Luc (1930-)
    Scope: ix, 327 Seiten, 22 cm
    Notes:

    Includes bibliographical references and index
  3. Jean-Luc Godard's political filmmaking
    Author: Emmelhainz, Irmgard
    Published: [2019]
    Publisher:  Palgrave Macmillan, Cham, Switzerland

    This book offers an exam ination of the political dimensions of a number of Jean-Luc Godard?s films from the 1960s to the present. The author seeks to dispel the myth that Godard?s work abandoned political questions after the 1970s and was limited to... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This book offers an exam ination of the political dimensions of a number of Jean-Luc Godard?s films from the 1960s to the present. The author seeks to dispel the myth that Godard?s work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard?s little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard?s investigations on the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director?s oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard?s work as experiments in dialectical materialist filmmaking, from 'Le Petit soldat' (1963) to 'Adieu au langage' (2014), the author brings attention to Godard?s ongoing inquiry on the role filmmakers can have in progressive political engagement

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 3319720945; 9783319720944
    Subjects: Politics in motion pictures; Godard, Jean-Luc ; 1930- ; fast ; (OCoLC)fst00035647; Politics in motion pictures ; fast ; (OCoLC)fst01896085; Criticism, interpretation, etc ; fast ; (OCoLC)fst01411635
    Other subjects: Godard, Jean-Luc (1930-)
    Scope: ix, 327 Seiten, 22 cm
    Notes:

    Includes bibliographical references and index