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Displaying results 1 to 5 of 5.

  1. Picturing animals in early modern Europe
    art and soul
    Author: Cohen, Sarah R.
    Published: 2021
    Publisher:  Harvey Miller Publishers, London ; Turnhout

    Do animals other than humans have consciousness? Do they knowingly feel and think, rather than simply respond to stimuli? Can they be said to have their own subjectivity? These questions, which are still debated today, arose forcefully in Europe... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Do animals other than humans have consciousness? Do they knowingly feel and think, rather than simply respond to stimuli? Can they be said to have their own subjectivity? These questions, which are still debated today, arose forcefully in Europe during the sixteenth and seventeenth centuries, when empirical approaches to defining and studying the natural world were coming to the fore. Philosophers, physicians and moralists debated the question of whether the immaterial "soul" - which in the early modern era encompassed all forms of thought and subjective experience - belonged to the human mind alone, or whether it could also exist in the material bodies of nonhuman animals. This book argues that early modern visual art offers uniquely probing and nuanced demonstrations of animal consciousness and agency. The questions that impelled the early modern debates over animal soul are used as a guide to examine a range of works produced in different media by artists in Germany, the Netherlands, northern Italy, and France. Manipulating the matter of their respective mediums, artists emphasized animals? substantial existence, and a number of them explicitly connected their own role as painters, sculptors, or graphic artists with the life force of animal matter. As nature?s protagonists, the animals in these artworks assume many different kinds of roles, often quite subtle and hard to construe. When studied as a group, they offer striking insight into how early moderns struggled to define and depict the animal "soul".

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781912554324; 1912554321
    RVK Categories: LH 84550
    Series: Harvey Miller studies in baroque art
    Subjects: Tiere <Motiv>; Bewusstsein; Seele; Malerei; Tierseele; Tierdarstellung
    Other subjects: Montaigne, Michel Eyquem de (1533-1592); Vecellio, Tiziano (1490-1576)
    Scope: 296 Seiten, Illustrationen
  2. Picturing animals in early modern Europe
    art and soul
    Author: Cohen, Sarah R.
    Published: [2021]
    Publisher:  Harvey Miller Publishers, London

    Do animals other than humans have consciousness? Do they knowingly feel and think, rather than simply respond to stimuli? Can they be said to have their own subjectivity? These questions, which are still debated today, arose forcefully in Europe... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Do animals other than humans have consciousness? Do they knowingly feel and think, rather than simply respond to stimuli? Can they be said to have their own subjectivity? These questions, which are still debated today, arose forcefully in Europe during the sixteenth and seventeenth centuries, when empirical approaches to defining and studying the natural world were coming to the fore. Philosophers, physicians and moralists debated the question of whether the immaterial "soul" - which in the early modern era encompassed all forms of thought and subjective experience - belonged to the human mind alone, or whether it could also exist in the material bodies of nonhuman animals. 0This book argues that early modern visual art offers uniquely probing and nuanced demonstrations of animal consciousness and agency. The questions that impelled the early modern debates over animal soul are used as a guide to examine a range of works produced in different media by artists in Germany, the Netherlands, northern Italy, and France. Manipulating the matter of their respective mediums, artists emphasized animals? substantial existence, and a number of them explicitly connected their own role as painters, sculptors, or graphic artists with the life force of animal matter. As nature?s protagonists, the animals in these artworks assume many different kinds of roles, often quite subtle and hard to construe. When studied as a group, they offer striking insight into how early moderns struggled to define and depict the animal "soul"

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781912554324; 1912554321
    Series: Harvey Miller studies in baroque art
    Subjects: Tierdarstellung; Kunst; Geschichte 1450-1700; ; Tiere; Bewusstsein; Wissenschaft; Geschichte 1450-1700;
    Scope: 296 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 271 - 285
  3. Picturing animals in early modern Europe
    art and soul
    Author: Cohen, Sarah R.
    Published: [2021]
    Publisher:  Harvey Miller Publishers, London

    Do animals other than humans have consciousness? Do they knowingly feel and think, rather than simply respond to stimuli? Can they be said to have their own subjectivity? These questions, which are still debated today, arose forcefully in Europe... more

    Location:
    Städel Museum, Bibliothek
    Signature:
    I/25F/2021a
    Inter-library loan:
    No inter-library loan

    Location:
    Hessen Kassel Heritage, Bibliothek
    Signature:
    I PR/Cohen
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Marburg, Bibliothek Kunst und Kulturwissenschaften, Kunstgeschichte
    Signature:
    H XI 3478
    Inter-library loan:
    No inter-library loan

     

    Do animals other than humans have consciousness? Do they knowingly feel and think, rather than simply respond to stimuli? Can they be said to have their own subjectivity? These questions, which are still debated today, arose forcefully in Europe during the sixteenth and seventeenth centuries, when empirical approaches to defining and studying the natural world were coming to the fore. Philosophers, physicians and moralists debated the question of whether the immaterial "soul" - which in the early modern era encompassed all forms of thought and subjective experience - belonged to the human mind alone, or whether it could also exist in the material bodies of nonhuman animals. 0This book argues that early modern visual art offers uniquely probing and nuanced demonstrations of animal consciousness and agency. The questions that impelled the early modern debates over animal soul are used as a guide to examine a range of works produced in different media by artists in Germany, the Netherlands, northern Italy, and France. Manipulating the matter of their respective mediums, artists emphasized animals? substantial existence, and a number of them explicitly connected their own role as painters, sculptors, or graphic artists with the life force of animal matter. As nature?s protagonists, the animals in these artworks assume many different kinds of roles, often quite subtle and hard to construe. When studied as a group, they offer striking insight into how early moderns struggled to define and depict the animal "soul"

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781912554324; 1912554321
    Series: Harvey Miller studies in baroque art
    Subjects: Tierdarstellung; Kunst; Tiere; Bewusstsein; Wissenschaft
    Scope: 296 Seiten, Illustrationen
  4. Picturing animals in early modern Europe
    art and soul
    Author: Cohen, Sarah R.
    Published: 2021
    Publisher:  Harvey Miller Publishers, London ; Turnhout

    Do animals other than humans have consciousness? Do they knowingly feel and think, rather than simply respond to stimuli? Can they be said to have their own subjectivity? These questions, which are still debated today, arose forcefully in Europe... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Do animals other than humans have consciousness? Do they knowingly feel and think, rather than simply respond to stimuli? Can they be said to have their own subjectivity? These questions, which are still debated today, arose forcefully in Europe during the sixteenth and seventeenth centuries, when empirical approaches to defining and studying the natural world were coming to the fore. Philosophers, physicians and moralists debated the question of whether the immaterial "soul" - which in the early modern era encompassed all forms of thought and subjective experience - belonged to the human mind alone, or whether it could also exist in the material bodies of nonhuman animals. This book argues that early modern visual art offers uniquely probing and nuanced demonstrations of animal consciousness and agency. The questions that impelled the early modern debates over animal soul are used as a guide to examine a range of works produced in different media by artists in Germany, the Netherlands, northern Italy, and France. Manipulating the matter of their respective mediums, artists emphasized animals? substantial existence, and a number of them explicitly connected their own role as painters, sculptors, or graphic artists with the life force of animal matter. As nature?s protagonists, the animals in these artworks assume many different kinds of roles, often quite subtle and hard to construe. When studied as a group, they offer striking insight into how early moderns struggled to define and depict the animal "soul".

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781912554324; 1912554321
    RVK Categories: LH 84550
    Series: Harvey Miller studies in baroque art
    Subjects: Tiere <Motiv>; Bewusstsein; Seele; Malerei; Tierseele; Tierdarstellung
    Other subjects: Montaigne, Michel Eyquem de (1533-1592); Vecellio, Tiziano (1490-1576)
    Scope: 296 Seiten, Illustrationen
  5. Picturing animals in early modern Europe
    art and soul
    Author: Cohen, Sarah R.
    Published: [2021]
    Publisher:  Harvey Miller Publishers, London

    Do animals other than humans have consciousness? Do they knowingly feel and think, rather than simply respond to stimuli? Can they be said to have their own subjectivity? These questions, which are still debated today, arose forcefully in Europe... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2022:4447:
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 203344
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    Forschungsbibliothek Gotha
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    B/222931
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signature:
    2022/21562
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2022 D 1538
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Diözesanbibliothek Münster
    Signature:
    SLG 32636
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    LWL Museum für Kunst und Kultur, Westfälisches Landesmuseum, Bibliothek
    Signature:
    E B 02624
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Germanisches Nationalmuseum, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    73.2° 10
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Do animals other than humans have consciousness? Do they knowingly feel and think, rather than simply respond to stimuli? Can they be said to have their own subjectivity? These questions, which are still debated today, arose forcefully in Europe during the sixteenth and seventeenth centuries, when empirical approaches to defining and studying the natural world were coming to the fore. Philosophers, physicians and moralists debated the question of whether the immaterial "soul" - which in the early modern era encompassed all forms of thought and subjective experience - belonged to the human mind alone, or whether it could also exist in the material bodies of nonhuman animals. 0This book argues that early modern visual art offers uniquely probing and nuanced demonstrations of animal consciousness and agency. The questions that impelled the early modern debates over animal soul are used as a guide to examine a range of works produced in different media by artists in Germany, the Netherlands, northern Italy, and France. Manipulating the matter of their respective mediums, artists emphasized animals? substantial existence, and a number of them explicitly connected their own role as painters, sculptors, or graphic artists with the life force of animal matter. As nature?s protagonists, the animals in these artworks assume many different kinds of roles, often quite subtle and hard to construe. When studied as a group, they offer striking insight into how early moderns struggled to define and depict the animal "soul"

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781912554324; 1912554321
    Series: Harvey Miller studies in baroque art
    Subjects: Tierdarstellung; Kunst; Geschichte 1450-1700; ; Tiere; Bewusstsein; Wissenschaft; Geschichte 1450-1700;
    Scope: 296 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 271 - 285