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Displaying results 1 to 5 of 5.

  1. Borrowed forms
    the music and ethics of transnational fiction
    Author: Lachman, Kathryn
    Published: 2014
    Publisher:  Liverpool University Press, Liverpool

    A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations From Mikhail Bakhit to Maryse Condé : the problems of literary polyphony -- Edward... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations From Mikhail Bakhit to Maryse Condé : the problems of literary polyphony -- Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature -- Glenn Gould and the birth of the author : variation and performance in Nancy Huston's Les variations Goldberg -- Opera and the limits of representation in J.M. Coetzee's Disgrace.

     
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  2. Borrowed forms
    the music and ethics of transnational fiction
    Author: Lachman, Kathryn
    Published: 2014
    Publisher:  Liverpool University Press, Liverpool

    From Mikhail Bakhit to Maryse Condé : the problems of literary polyphony -- Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature -- Glenn Gould and the birth of the author : variation and performance in Nancy... more

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Technische Universität Hamburg, Universitätsbibliothek
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    Universitätsbibliothek Hildesheim
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Hochschule Mannheim, Hochschulbibliothek
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    Hochschule Albstadt-Sigmaringen, Bibliothek Sigmaringen
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    From Mikhail Bakhit to Maryse Condé : the problems of literary polyphony -- Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature -- Glenn Gould and the birth of the author : variation and performance in Nancy Huston's Les variations Goldberg -- Opera and the limits of representation in J.M. Coetzee's Disgrace. A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781781387290; 178138729X
    Subjects: Fiction; Music and literature; Literature and transnationalism; Music and transnationalism; Literary studies: post-colonial literature; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Literature and transnationalism; Music and literature; Music and transnationalism; Roman; Transnationalisierung; Erzähltechnik; Musik; History; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (1 electronic resource (viii, 206 pages)))
    Notes:

    Includes bibliographical references (pages 175-206) and index
  3. Borrowed forms
    the music and ethics of transnational fiction
    Author: Lachman, Kathryn
    Published: 2014
    Publisher:  Liverpool University Press, Liverpool

    A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations From Mikhail Bakhit to Maryse Condé : the problems of literary polyphony -- Edward... more

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    Hochschule Aalen, Bibliothek
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    Orient-Institut Beirut
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek Clausthal
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    Hochschule für Bildende Künste Dresden, Bibliothek
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    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Mannheim
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    A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations From Mikhail Bakhit to Maryse Condé : the problems of literary polyphony -- Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature -- Glenn Gould and the birth of the author : variation and performance in Nancy Huston's Les variations Goldberg -- Opera and the limits of representation in J.M. Coetzee's Disgrace.

     
    Export to reference management software   RIS file
      BibTeX file
  4. Borrowed forms
    the music and ethics of transnational fiction
    Author: Lachman, Kathryn
    Published: 2014
    Publisher:  Liverpool University Press, Liverpool ; JSTOR, New York

    A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations. more

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    Verlag (kostenfrei)

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations.

     
    Export to reference management software   RIS file
      BibTeX file
  5. Borrowed forms :
    the music and ethics of transnational fiction /
    Author: Lachman, Kathryn,
    Published: 2014.
    Publisher:  Liverpool University Press,, Liverpool :

    A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations. more

    Access:

    Location:
    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9781781385968; 1781385963; 9781781387290; 178138729X
    Subjects: Fiction; Music and literature; Literature and transnationalism.; Music and transnationalism.; Literary studies: post-colonial literature.; BIOGRAPHY & AUTOBIOGRAPHY; Literature and transnationalism.; Music and literature.; Music and transnationalism.; Roman.; Transnationalisierung; Erzähltechnik; Musik
    Other subjects: Music
    Scope: 1 online resource (1 electronic resource (viii, 206 pages))
    Notes:

    Includes bibliographical references (pages 175-206) and index.

    From Mikhail Bakhit to Maryse Condé : the problems of literary polyphony -- Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature -- Glenn Gould and the birth of the author : variation and performance in Nancy Huston's Les variations Goldberg -- Opera and the limits of representation in J.M. Coetzee's Disgrace.