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  1. The look of things
    poetry and vision around 1900
    Author: Strathausen, Carsten
    Published: 2003
    Publisher:  University of North Carolina Press, Chapel Hill ; JSTOR, New York, NY

    Speaking gaze of modernity --Intuition and language --Aestheticism, romanticism, and the body of language --Hofmannsthal and the voice of language --Rilke's stereoscopic vision --Other as same: the politics of the George Circle. "Examining the... more

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    Speaking gaze of modernity --Intuition and language --Aestheticism, romanticism, and the body of language --Hofmannsthal and the voice of language --Rilke's stereoscopic vision --Other as same: the politics of the George Circle. "Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stefan George focused on the visible gestalt of language as a means of competing aesthetically with the increasing popularity and "reality effect" of photography and film." "Poetry around 1900 self-reflectively celebrated its own words as both transparent signs and material objects, Strathausen says. In Aestheticism, this means that language harbors the potential to literally present the things it signifies. Rather than simply describing or picturing the physical experience of looking, as critics have commonly maintained, modernist poetry claims to enable a more profound kind of perception that grants intuitive insights into the very texture of the natural world."--Jacket...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781469658452; 1469658453
    RVK Categories: GM 1792
    Series: University of North Carolina studies in the Germanic languages and literatures ; no. 126
    Subjects: Deutsch; Lyrik; Fin de siècle; Sehen <Motiv>; German poetry; German poetry; Aestheticism (Literature); Aestheticism (Literature); German poetry; Beeldende kunsten; Esthetica; Letterkunde; Duits; Lyrik; Sehen; Fin de siècle; LITERARY CRITICISM / European / German; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (321 pages), illustrations
    Notes:

    Includes bibliographical references (pages 297-309) and index
  2. The look of things
    poetry and vision around 1900
    Author: Strathausen, Carsten
    Published: 2003
    Publisher:  University of North Carolina Press, Chapel Hill

    Speaking gaze of modernity --Intuition and language --Aestheticism, romanticism, and the body of language --Hofmannsthal and the voice of language --Rilke's stereoscopic vision --Other as same: the politics of the George Circle. "Examining the... more

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    Speaking gaze of modernity --Intuition and language --Aestheticism, romanticism, and the body of language --Hofmannsthal and the voice of language --Rilke's stereoscopic vision --Other as same: the politics of the George Circle. "Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stefan George focused on the visible gestalt of language as a means of competing aesthetically with the increasing popularity and "reality effect" of photography and film." "Poetry around 1900 self-reflectively celebrated its own words as both transparent signs and material objects, Strathausen says. In Aestheticism, this means that language harbors the potential to literally present the things it signifies. Rather than simply describing or picturing the physical experience of looking, as critics have commonly maintained, modernist poetry claims to enable a more profound kind of perception that grants intuitive insights into the very texture of the natural world."--Jacket

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781469658452; 1469658453
    RVK Categories: GM 1792
    Series: University of North Carolina studies in the Germanic languages and literatures ; no. 126
    Subjects: German poetry; German poetry; Aestheticism (Literature); Aestheticism (Literature); German poetry; Beeldende kunsten; Esthetica; Letterkunde; Duits; Lyrik; Sehen; Fin de siècle; LITERARY CRITICISM / European / German; Criticism, interpretation, etc
    Other subjects: Rilke, Rainer Maria (1875-1926); Hofmannsthal, Hugo von (1874-1929); George, Stefan (1868-1933); George, Stefan; Hofmannsthal, Hugo von; Rilke, Rainer Maria
    Scope: 1 Online-Ressource (321 pages), illustrations
    Notes:

    Includes bibliographical references (pages 297-309) and index
  3. The look of things
    poetry and vision around 1900
    Author: Strathausen, Carsten
    Published: 2003
    Publisher:  University of North Carolina Press, Chapel Hill

    Speaking gaze of modernity --Intuition and language --Aestheticism, romanticism, and the body of language --Hofmannsthal and the voice of language --Rilke's stereoscopic vision --Other as same: the politics of the George Circle. "Examining the... more

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    Verlag (kostenfrei)

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Speaking gaze of modernity --Intuition and language --Aestheticism, romanticism, and the body of language --Hofmannsthal and the voice of language --Rilke's stereoscopic vision --Other as same: the politics of the George Circle. "Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stefan George focused on the visible gestalt of language as a means of competing aesthetically with the increasing popularity and "reality effect" of photography and film." "Poetry around 1900 self-reflectively celebrated its own words as both transparent signs and material objects, Strathausen says. In Aestheticism, this means that language harbors the potential to literally present the things it signifies. Rather than simply describing or picturing the physical experience of looking, as critics have commonly maintained, modernist poetry claims to enable a more profound kind of perception that grants intuitive insights into the very texture of the natural world."--Jacket

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781469658452; 1469658453
    RVK Categories: GM 1792
    Series: University of North Carolina studies in the Germanic languages and literatures ; no. 126
    Subjects: German poetry; German poetry; Aestheticism (Literature); Aestheticism (Literature); German poetry; Beeldende kunsten; Esthetica; Letterkunde; Duits; Lyrik; Sehen; Fin de siècle; LITERARY CRITICISM / European / German; Criticism, interpretation, etc
    Other subjects: Rilke, Rainer Maria (1875-1926); Hofmannsthal, Hugo von (1874-1929); George, Stefan (1868-1933); George, Stefan; Hofmannsthal, Hugo von; Rilke, Rainer Maria
    Scope: 1 Online-Ressource (321 pages), illustrations
    Notes:

    Includes bibliographical references (pages 297-309) and index