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  1. Quixotic frescoes
    Cervantes and Italian Renaissance art
    Published: ©2006
    Publisher:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802090745; 1442678968; 1442686308; 9780802090744; 9781442678965; 9781442686304
    Subjects: Ekphrasis; Art dans la littérature; LITERARY CRITICISM/European/Spanish & Portuguese; ART / History / Renaissance; Beeldende kunsten; Renaissance; Beïnvloeding; El ingenioso hidalgo don Quijote de La Mancha (Cervantes); Don Quixote (Cervantes Saavedra, Miguel de); Art; Art in literature; Ekphrasis; Technique; Geschichte; Kunst; Wissen; Ekphrasis; Art in literature; Freskomalerei; Literatur; Kunst; Rezeption
    Other subjects: Cervantes Saavedra, Miguel de / 1547-1616 / Don Quichotte; Cervantes Saavedra, Miguel de / 1547-1616 / Oeuvres d'art; Cervantes Saavedra, Miguel de / 1547-1616 / Et l'Italie; Cervantes Saavedra, Miguel de / 1547-1616 / Technique; Cervantes Saavedra, Miguel de / 1547-1616; Cervantes Saavedra, Miguel de / 1547-1616; Cervantes Saavedra, Miguel de (1547-1616): Don Quixote; Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616): Don Quijote
    Scope: 1 Online-Ressource (xvii, 285 pages, [38] pages of plates)
    Notes:

    Includes bibliographical references (pages 253-275) and index

    "Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes' text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today by formulating the link between Cervantes and the Renaissance through an interdisciplinary dialogue that establishes a new set of models and predecessors. This dialogue is used to explore a variety of issues in Cervantes including the absence of a single guiding pictorial program, the doubling of archaeological reconstruction, and the use of ekphrasis as allusion, interpolation, and an integral component of the action. Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes' work. This detailed and exhaustive study is an invaluable contribution to both Hispanic and Renaissance studies."--Jacket

    The exhilaration of Italy -- A museum of memories : from Numancia to La Galatea -- At school with the ancients : Raphael -- The fourfold way : Raphael -- Textual terribilitá : Michelangelo -- The merchants of Trebizond : Luca Cambiaso -- Drawing decorum : Titian -- Dancing with giants : Philostratus -- A mannerist theophany, a cruel Teichoskopia : Pontormo and Parmigianino -- Dulcinea and the five maidens : Zeuxis -- Love's architecture : Giulio Romano -- The last enchantment

  2. Quixotic frescoes
    Cervantes and Italian Renaissance art
    Published: 2006
    Publisher:  University of Toronto Press, Toronto ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes' text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    "Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes' text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today by formulating the link between Cervantes and the Renaissance through an interdisciplinary dialogue that establishes a new set of models and predecessors. This dialogue is used to explore a variety of issues in Cervantes including the absence of a single guiding pictorial program, the doubling of archaeological reconstruction, and the use of ekphrasis as allusion, interpolation, and an integral component of the action. Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes' work. This detailed and exhaustive study is an invaluable contribution to both Hispanic and Renaissance studies"--Provided by publisher.

     

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442678965; 1442678968; 9781442686304; 1442686308
    Scope: 1 Online-Ressource (xvii, 285 pages, [38] pages of plates), Illustrations, portraits
    Notes:

    Includes bibliographical references (pages 253-275) and index

  3. Quixotic frescoes
    Cervantes and Italian Renaissance art
    Published: (c)2006
    Publisher:  University of Toronto Press, Toronto

    "Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes' text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today... more

    Access:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    "Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes' text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today by formulating the link between Cervantes and the Renaissance through an interdisciplinary dialogue that establishes a new set of models and predecessors. This dialogue is used to explore a variety of issues in Cervantes including the absence of a single guiding pictorial program, the doubling of archaeological reconstruction, and the use of ekphrasis as allusion, interpolation, and an integral component of the action. Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes' work. This detailed and exhaustive study is an invaluable contribution to both Hispanic and Renaissance studies."--Jacket

     

    Export to reference management software   RIS file
      BibTeX file