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  1. Shakespeare's Big Men
    tragedy and the problem of resentment
    Published: [2016]; ©2016
    Publisher:  University of Toronto Press, Toronto

    Shakespeare's Big Men examines five Shakespearean tragedies--Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus--through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the... more

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan

     

    Shakespeare's Big Men examines five Shakespearean tragedies--Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus--through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the origins of human society explains the social function of tragedy: to defer our resentment against the "big men" who dominate society by letting us first identify with the tragic protagonist and his resentment, then allowing us to repudiate the protagonist's resentful rage and achieve theatrical catharsis. Drawing on this hypothesis, Richard van Oort offers inspired readings of Shakespeare's plays and their representations of desire, resentment, guilt, and evil. His analysis revives the universal spirit in Shakespearean criticism, illustrating how the plays can serve as a way to understand the ethical dilemma of resentment and discover within ourselves the nature of the human experience."--

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442622166; 1442622164
    RVK Categories: HI 3421
    Subjects: Men in literature; Resentment in literature; Desire in literature; Guilt in literature; Good and evil in literature; Protagonists (Persons) in literature; Anthropology in literature; Literature and anthropology; Hommes dans la littérature; Ressentiment dans la littérature; Désir dans la littérature; Culpabilité dans la littérature; Protagonistes (Littérature); Anthropologie dans la littérature; Littérature et anthropologie; DRAMA - English, Irish, Scottish, Welsh; LITERARY CRITICISM - General; Anthropology in literature; Desire in literature; Good and evil in literature; Guilt in literature; Literature and anthropology; Men in literature; Protagonists (Persons) in literature; Resentment in literature
    Other subjects: Shakespeare, William (1564-1616): Julius Caesar; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616): Othello; Shakespeare, William (1564-1616): Macbeth; Shakespeare, William (1564-1616): Coriolanus
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index

    Chapter 1 -- Why Shakespeare and Generative Anthropology? -- Chapter 2 -- The Originary Hypothesis: Hierarchy, Resentment, and Tragedy -- Chapter 3 -- Brutus's Neoclassical Irony -- Chapter 4 -- Hamlet's Filthy Imagination -- Chapter 5 -- Iago Our Co-Conspirator Chapter 6 -- Macbeth Unseamed -- Chapter 7 -- Coriolanus's Impotence -- Chapter 8 -- Coda: Rene Girard's Shakespeare.

  2. Shakespeare's big men
    tragedy and the problem of resentment
    Published: 2016
    Publisher:  University of Toronto Press, Toronto

    Shakespeare's Big Men examines five Shakespearean tragedies--Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus--through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the... more

    Access:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    Shakespeare's Big Men examines five Shakespearean tragedies--Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus--through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the origins of human society explains the social function of tragedy: to defer our resentment against the "big men" who dominate society by letting us first identify with the tragic protagonist and his resentment, then allowing us to repudiate the protagonist's resentful rage and achieve theatrical catharsis. Drawing on this hypothesis, Richard van Oort offers inspired readings of Shakespeare's plays and their representations of desire, resentment, guilt, and evil. His analysis revives the universal spirit in Shakespearean criticism, illustrating how the plays can serve as a way to understand the ethical dilemma of resentment and discover within ourselves the nature of the human experience."--

     

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