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  1. The artistic links between William Shakespeare and Sir Thomas More
    radically different Richards
    Published: 2011
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Universitätsbibliothek Bielefeld
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    Universitätsbibliothek Paderborn
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  2. The artistic links between William Shakespeare and Sir Thomas More
    radically different Richards
    Published: 2011
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
    ango86943.h186
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  3. The revenger's madness
    a study of revenge tragedy motifs
    Published: 1980
    Publisher:  Univ. of Nebraska Press, Lincoln [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    11.697.79
    Unlimited inter-library loan, copies and loan
    Universität Mainz, Zentralbibliothek
    087.272
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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    L/III/3 H 15 I
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    Universität Marburg, Universitätsbibliothek
    001 HI 1254 H186
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    Source: Union catalogues
    Contributor: Hallett, Elaine S.
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0803223099
    RVK Categories: HI 1254
    Subjects: Rachetragödie; Englisch
    Scope: XI, 349 S.
  4. Analyzing Shakespeare's action
    scene versus sequence
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    /HI 3390 H186
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    Source: Union catalogues
    Contributor: Hallett, Elaine S.
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521030374; 9780521030373
    RVK Categories: HI 3375 ; HI 3381 ; HI 3390
    Edition: 1. paperback version
    Subjects: Drama; Szene; Struktur
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XI, 230 S., graph. Darst.
  5. Analyzing Shakespeare's action
    scene versus sequence
    Published: 1991
    Publisher:  Cambridge University Press, Cambridge

    In this book, Charles and Elaine Hallett invite the reader to follow the actions of Shakespeare's plays. They show that the conventional division of the plays into scenes does not help the reader or play goer to discover how the narrative works. They... more

    Universität Frankfurt, Elektronische Ressourcen
    /
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    In this book, Charles and Elaine Hallett invite the reader to follow the actions of Shakespeare's plays. They show that the conventional division of the plays into scenes does not help the reader or play goer to discover how the narrative works. They offer instead a division into smaller units which they define as beats, sequences and frames. Detailed analysis of the unfolding action reveals that Shakespeare's scenes frequently consist of a series of sequences, each with its own individual climax, and these sequences are regularly built up of a succession of smaller units, or beats. Several sequences usually work together to create a still larger action, or frame. Study of these components yields valuable information about Shakespeare's playwriting techniques. The book will be of interest to students and scholars of Shakespeare and theatre studies as well as to actors and directors.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511518911
    RVK Categories: HI 3381 ; HI 3390 ; HI 3375
    Subjects: Drama; Dramentechnik; Struktur; Szene
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xi, 230 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  6. The artistic links between William Shakespeare and Sir Thomas More
    radically different Richards
    Published: 2011
    Publisher:  Palgrave Macmillan, New York [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    89.829.09
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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    SL A 35 I
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    Universität Marburg, Universitätsbibliothek
    001 HI 3375 H186
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    Source: Union catalogues
    Contributor: Hallett, Elaine S.
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230113671; 0230113672
    Edition: 1. ed.
    Subjects: Englisch; Rachetragödie; Motiv
    Other subjects: Shakespeare, William (1564-1616): King Richard III; More, Thomas (1478-1535): The history of King Richard the Third
    Scope: X, 293 S., 22x15x2 cm
    Notes:

    Literaturverz. S. [275] - 280

  7. Analyzing Shakespeare's action
    scene versus sequence
    Published: 1991
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521392039
    RVK Categories: HI 3375 ; HI 3381 ; HI 3390
    Edition: 1. publ.
    Subjects: Analyse (algemeen); Teatro Ingles; Toneelstukken; Drama; Drama; Dramentechnik; Szene; Handlung <Literatur>; Drama
    Other subjects: Shakespeare, William <1564-1616>; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: XI, 230 S., graph. Darst.
  8. Analyzing Shakespeare's action
    scene versus sequence
    Published: 1991
    Publisher:  Cambridge Univ. Pr., Cambridge [u.a.]

    Universitätsbibliothek der RWTH Aachen
    NH7081
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    Universitätsbibliothek Bielefeld
    WE795 H186
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    ango86670.h186
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    DYA2075
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    411/S21a/1991/1
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    3D 78082
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    11DYA2172
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    E.SH17.2/np38463
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    DXW1619
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521392039
    Subjects: Drama; Analyse; Handlung <Literatur>
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XI, 230 S.
  9. <<The>> revenger's Madness
    a study of revenge tragedy motifs
    Published: 1980
    Publisher:  Univ. of Nebraska Pr., Lincoln [u.a.]

  10. Analyzing Shakespeare's action
    scene versus sequence
    Published: 1991
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    HI 3381 H186
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Greifswald
    310/HI 3390 H186
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    91 A 5703
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    A 1992/12676
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    92/5084
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    Thüringer Universitäts- und Landesbibliothek
    ANG:Y16::S527/20:Hal:1991
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    Universitätsbibliothek Osnabrück
    ELA S 5278 4525-833 8
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Sh 49
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521392039
    Subjects: Drama
    Other subjects: Shakespeare, William
    Scope: XI, 230 S., 23 cm
    Notes:

    Includes bibliographical references (p. 209 - 219) and indexes

  11. Analyzing Shakespeare's action
    scene versus sequence
    Published: 1991
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    12.418.36
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Sh 63.40
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    Universität Mainz, Zentralbibliothek
    156.570
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    Content information
    Source: Union catalogues
    Contributor: Hallett, Elaine S.
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521392039
    RVK Categories: HI 3381 ; HI 3390 ; HI 3375
    Subjects: Drama; Dramentechnik; Struktur; Szene
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XI, 230 S., graph. Darst.
  12. Analyzing Shakespeare's action
    scene versus sequence
    Published: 1991
    Publisher:  Cambridge University Press, Cambridge

    In this book, Charles and Elaine Hallett invite the reader to follow the actions of Shakespeare's plays. They show that the conventional division of the plays into scenes does not help the reader or play goer to discover how the narrative works. They... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    In this book, Charles and Elaine Hallett invite the reader to follow the actions of Shakespeare's plays. They show that the conventional division of the plays into scenes does not help the reader or play goer to discover how the narrative works. They offer instead a division into smaller units which they define as beats, sequences and frames. Detailed analysis of the unfolding action reveals that Shakespeare's scenes frequently consist of a series of sequences, each with its own individual climax, and these sequences are regularly built up of a succession of smaller units, or beats. Several sequences usually work together to create a still larger action, or frame. Study of these components yields valuable information about Shakespeare's playwriting techniques. The book will be of interest to students and scholars of Shakespeare and theatre studies as well as to actors and directors

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511518911
    Other identifier:
    Subjects: Drama; Shakespeare, William ; 1564-1616 ; Technique; Drama ; Technique
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xi, 230 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  13. The artistic links between William Shakespeare and Sir Thomas More
    radically different Richards
    Published: 2011
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    "The Halletts' investigation differs from anything that has been written about the relationship between Thomas More and William Shakespeare in that it approaches the subject from a dramaturgical point of view. What was Shakespeare the artist looking... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "The Halletts' investigation differs from anything that has been written about the relationship between Thomas More and William Shakespeare in that it approaches the subject from a dramaturgical point of view. What was Shakespeare the artist looking for that made him seize upon More's History per se and base Richard III entirely on the brief four-month period covered in More's book, compressing time rather than telescoping it? What did Shakespeare find in More that resulted in his amazing new ability to create dramatic scenes of the sort that one finds in Richard's wooing of the Citizens at Baynard's Castle, which More himself did not dramatize but harshly denigrated? What was the imaginative process that enabled Shakespeare to create the scenes in which Richard woos first Lady Anne and later Queen Elizabeth (neither of which are in More) on the model of what he learned from writing the Baynard's Castle scene? How was Shakespeare able to separate out More's negative and disparaging view of Richard's thespian abilities (which, More assures his readers, everyone instantly saw through) from the buoyant and positive view that Shakespeare's Richard offers of his own powers as dramatist, presenter, actor, and would-be king? All of these questions need to be answered. No book has yet attempted to define in specific terms either what Shakespeare learned from his study of More's History or how he learned it. This book, we hope, is unique. Shakespeare's newly discovered dramatic techniques are explicated in the various chapters with clarity and strength in a way that can benefit future generations of artists"--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230113671
    Other identifier:
    9780230113671
    RVK Categories: HI 2915 ; HI 3451
    Edition: 1. ed.
    Subjects: Englisch; Rachetragödie; Motiv; ; More, Thomas; Shakespeare, William;
    Other subjects: Shakespeare, William (1564-1616): King Richard III; More, Thomas Saint (1478-1535): History of King Richard the Third; Shakespeare, William (1564-1616): King Richard III; Richard King of England (1452-1485); Shakespeare, William (1564-1616)
    Scope: X, 293 S., 22 cm
  14. The revenger's madness
    a study of revenge tragedy motifs
    Published: 1980
    Publisher:  Univ. of Nebraska Pr., Lincoln, Neb. [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    478938
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Freiburg
    GE 81/4815
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    Bibliothek im KG IV, Bereich Anglistik und Amerikanistik
    Frei 24: EL IV a 196
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    81 A 3262
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    84 A 955
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    Anglistisches Seminar der Universität, Bibliothek
    F RA 1216
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    eng 582:r12/h15
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    83-99
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    32/7029
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    NJ 250.043
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    Herzog August Bibliothek Wolfenbüttel
    33.3120
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0803223099
    RVK Categories: HI 1254
    Subjects: Englisch; Rachetragödie; Motiv;
    Scope: XI, 349 S
    Notes:

    Literaturverz. S. 323 - 341

  15. Analyzing Shakespeare's action
    scene versus sequence
    Published: 1991
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0521392039
    RVK Categories: HI 3375 ; HI 3381 ; HI 3390
    Edition: 1. publ.
    Subjects: Analyse (algemeen); Teatro Ingles; Toneelstukken; Drama; Drama; Dramentechnik; Szene; Handlung <Literatur>; Drama
    Other subjects: Shakespeare, William <1564-1616>; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: XI, 230 S., graph. Darst.
  16. The artistic links between William Shakespeare and Sir Thomas More
    radically different Richards
    Published: 2011
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    "The Halletts' investigation differs from anything that has been written about the relationship between Thomas More and William Shakespeare in that it approaches the subject from a dramaturgical point of view. What was Shakespeare the artist looking... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 852214
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Freiburg
    GE 2012/4548
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2011 A 18623
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    Universitätsbibliothek Heidelberg
    2011 A 11119
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    Universitätsbibliothek Kiel, Zentralbibliothek
    Br 6011
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    Württembergische Landesbibliothek
    62/13692
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    Herzog August Bibliothek Wolfenbüttel
    65.1335
    Unlimited inter-library loan, copies and loan

     

    "The Halletts' investigation differs from anything that has been written about the relationship between Thomas More and William Shakespeare in that it approaches the subject from a dramaturgical point of view. What was Shakespeare the artist looking for that made him seize upon More's History per se and base Richard III entirely on the brief four-month period covered in More's book, compressing time rather than telescoping it? What did Shakespeare find in More that resulted in his amazing new ability to create dramatic scenes of the sort that one finds in Richard's wooing of the Citizens at Baynard's Castle, which More himself did not dramatize but harshly denigrated? What was the imaginative process that enabled Shakespeare to create the scenes in which Richard woos first Lady Anne and later Queen Elizabeth (neither of which are in More) on the model of what he learned from writing the Baynard's Castle scene? How was Shakespeare able to separate out More's negative and disparaging view of Richard's thespian abilities (which, More assures his readers, everyone instantly saw through) from the buoyant and positive view that Shakespeare's Richard offers of his own powers as dramatist, presenter, actor, and would-be king? All of these questions need to be answered. No book has yet attempted to define in specific terms either what Shakespeare learned from his study of More's History or how he learned it. This book, we hope, is unique. Shakespeare's newly discovered dramatic techniques are explicated in the various chapters with clarity and strength in a way that can benefit future generations of artists"--

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230113671
    Other identifier:
    9780230113671
    RVK Categories: HI 2915 ; HI 3451
    Edition: 1. ed.
    Subjects: Englisch; Rachetragödie; Motiv; ; More, Thomas; Shakespeare, William;
    Other subjects: Shakespeare, William (1564-1616): King Richard III; More, Thomas Saint (1478-1535): History of King Richard the Third; Shakespeare, William (1564-1616): King Richard III; Richard King of England (1452-1485); Shakespeare, William (1564-1616)
    Scope: X, 293 S., 22 cm
  17. Analyzing Shakespeare's action
    scene versus sequence
    Published: 1991
    Publisher:  Cambridge University Press, Cambridge

    In this book, Charles and Elaine Hallett invite the reader to follow the actions of Shakespeare's plays. They show that the conventional division of the plays into scenes does not help the reader or play goer to discover how the narrative works. They... more

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    E-Book CUP HSFK
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    eBook Cambridge
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    No loan of volumes, only paper copies will be sent

     

    In this book, Charles and Elaine Hallett invite the reader to follow the actions of Shakespeare's plays. They show that the conventional division of the plays into scenes does not help the reader or play goer to discover how the narrative works. They offer instead a division into smaller units which they define as beats, sequences and frames. Detailed analysis of the unfolding action reveals that Shakespeare's scenes frequently consist of a series of sequences, each with its own individual climax, and these sequences are regularly built up of a succession of smaller units, or beats. Several sequences usually work together to create a still larger action, or frame. Study of these components yields valuable information about Shakespeare's playwriting techniques. The book will be of interest to students and scholars of Shakespeare and theatre studies as well as to actors and directors

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511518911
    Other identifier:
    Subjects: Drama; Shakespeare, William ; 1564-1616 ; Technique; Drama ; Technique
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xi, 230 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  18. Analyzing Shakespeare's action
    scene versus sequence
    Published: 1991
    Publisher:  Cambridge University Press [u.a.], Cambridge

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 142127
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    93 8 05693
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    HI 3381 H186
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    Universitätsbibliothek Freiburg
    GE 91/4632
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    Bibliothek im KG IV, Bereich Anglistik und Amerikanistik
    Frei 24: XVI Shak 3562
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    Universitätsbibliothek Greifswald
    310/HI 3390 H186
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    91 A 5703
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    A 1992/12676
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    92/5084
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    91 A 4499
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    Anglistisches Seminar der Universität, Bibliothek
    SHA FD 1434
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    ANG:Y16::S527/20:Hal:1991
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    eng 879:s527:q/h15d
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    ELA S 5278 4525-833 8
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    SH 680 39
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    37 A 8784
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Sh 49
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521392039
    RVK Categories: HI 3381 ; HI 3390 ; HI 3375
    Edition: 1. publ.
    Subjects: Drama; Drama in English. Shakespeare, William,++1564-1616; Shakespeare++William++1564-1616; Drama
    Other subjects: Shakespeare, William; Shakespeare, William *1564-1616*
    Scope: XI, 230 S., graph. Darst.
    Notes:

    Includes bibliographical references (p. 209 - 219) and indexes