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Displaying results 46 to 50 of 279.

  1. Blendungsmetaphysik und mechanische Objektivität : Walter Benjamin und die Epistemologie des Indexikalischen
    Published: 08.03.2021

    Der Medienwissenschaftler und Philosoph Markus Rautzenberg untersucht in seinem Beitrag die Denkfigur des Indexikalischen. Er vergleicht dazu Benjamins Überlegungen zur Bildlichkeit mit Hans Blumenbergs Reflexionen über die Vergleichbarkeit von... more

     

    Der Medienwissenschaftler und Philosoph Markus Rautzenberg untersucht in seinem Beitrag die Denkfigur des Indexikalischen. Er vergleicht dazu Benjamins Überlegungen zur Bildlichkeit mit Hans Blumenbergs Reflexionen über die Vergleichbarkeit von fotografischer Belichtung und Begriffsbildung, Charles Sanders Peirce Semiotik und Ernst Jüngers Essays "Über den Schmerz". Benjamins theoretische Aussagen zur Fotografie oszillieren nach Rautzenberg zwischen dem Ideal einer mechanischen Objektivität und einer neuplatonischen Blendungsmetaphysik. Anhand von Benjamins Texten historisiert Rautzenberg den Gegensatz von 'Magie' versus 'Technik', um zu zeigen, dass diese Unterscheidung erst mit dem Aufkommen der Fotografie denkbar wird.

     

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    Source: CompaRe
    Language: German
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-879-0
    DDC Categories: 800
    Collection: ICI Berlin
    Subjects: Benjamin, Walter; Fotografie; Index <Semiotik>; Metaphysik
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  2. But you don't get used to anything : Derrida on the preciousness of the singular
    Published: 08.09.2023

    This chapter argues against the view that Derrida's emphasis on change makes him complicit in the neoliberal requirement of flexibility that results both in precarity and in the dominance of English. To the contrary, the essay argues that Derrida's... more

     

    This chapter argues against the view that Derrida's emphasis on change makes him complicit in the neoliberal requirement of flexibility that results both in precarity and in the dominance of English. To the contrary, the essay argues that Derrida's idea of 'différance' includes the view that openness both involves loss and is always partial (since incision involves excision), that the singular is precious, and that deconstruction is justice since it is alert to what is excluded even by efforts at inclusiveness. Examples of the preciousness and loss of the singular are circumcision (where incision is excision), hospitality (in which unconditional hospitality has material limitations and conditions), subjectivity (which is never based on full presence), language (which both is my own and comes from an other), and neighbourhoods (since they continue only by incorporating new people). Deconstruction, the essay concludes, need not be complicit in neoliberal dominance but, properly understood, makes us aware of the power dynamics by which the openness of plurilingualism can lead to the dominance of English.

     

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    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-96558-050-3; 978-3-96558-051-0; 978-3-96558-049-7
    DDC Categories: 800
    Collection: ICI Berlin
    Subjects: Derrida, Jacques; Dekonstruktion; Wandel; Verlust; Muttersprache; Sprache
    Rights:

    creativecommons.org/licenses/by-sa/4.0/deed.de

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    info:eu-repo/semantics/openAccess

  3. Camera fog or The pendulum of austerity in contemporary Portugal
    Published: 10.10.2022

    This essay analyzes the semantics of fog in the context of neoliberal austerity in Portugal. Drawing on portraits of young Portuguese in the style of vignettes, the essay historicizes the political and epistemological uses of fog as a medium.... more

     

    This essay analyzes the semantics of fog in the context of neoliberal austerity in Portugal. Drawing on portraits of young Portuguese in the style of vignettes, the essay historicizes the political and epistemological uses of fog as a medium. Attending to the materiality of fog - a blurring through which visibility occurs - the argument unearths the logical structure of recurrence in and as crisis as it affects the powers of decision-making. The goal is to push the limits of this recurring structure into the present, in order to better expose how two seemingly opposite historical eras - authoritarianism and neoliberalism - share, in fact, the enduring structure of potentiation in language and governance.

     

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    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-96558-037-4; 978-3-96558-038-1
    DDC Categories: 800
    Collection: ICI Berlin
    Subjects: Portugal; Sparpolitik; Neoliberalismus; Estado Novo; Nebel <Motiv>; Sebastianismus
    Rights:

    creativecommons.org/licenses/by-sa/4.0/deed.de

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    info:eu-repo/semantics/openAccess

  4. Cinematographic aesthetics as subversion of moral reason in Pasolini's "Medea"
    Published: 11.12.2019

    Astrid Deuber-Mankowsky's paper 'Cinematographic Aesthetics as Subversion of Moral Reason in Pasolini's Medea' explores the 1969 film "Medea". Pasolini's Medea, masterfully played by Maria Callas, betrays her homeland and her origin, stabs both her... more

     

    Astrid Deuber-Mankowsky's paper 'Cinematographic Aesthetics as Subversion of Moral Reason in Pasolini's Medea' explores the 1969 film "Medea". Pasolini's Medea, masterfully played by Maria Callas, betrays her homeland and her origin, stabs both her children, sets her house on fire, and dispossesses Jason of his sons' corpses. But Deuber-Mankowsky argues that it is ultimately not these acts that render the film particularly disturbing and disconcerting, but, rather, the fact that the spectator is left behind in suspension precisely because Medea cannot be easily condemned for her acts. Pasolini's film and its cinematographic aesthetics thereby not only subvert the projection of Medea into the prehistorical world of madness and perversion, but also undermine belief in the validity of the kind of moral rationality developed and constituted in an exemplary way by Immanuel Kant in his "Critique of Practical Reason". In particular, Pasolini seems to relate conceptually to Nietzsche's artistic-philosophical transfiguration of Dionysus and to accuse belief in a world of reasons of failing to grasp the groundlessness, irrationality, or even a-rationality of reason itself.

     

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    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-681-9
    DDC Categories: 791; 800
    Collection: ICI Berlin
    Subjects: Pasolini, Pier Paolo; Medea (Film, 1969); Film; Filmtechnik; Callas, Maria; Kant, Immanuel; Kritik der praktischen Vernunft; Mythos; Griechenland (Altertum); Dionysos; Das Dionysische; Nietzsche, Friedrich
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  5. Claims of existence between biopolitics and thanatopolitics

    Eirini Avramopoulou asks the following questions in her essay 'Claims of Existence between Biopolitics and Thanatopolitics': How is the desire for existence implicated in the experience of identity as wound? Under which conditions does the demand for... more

     

    Eirini Avramopoulou asks the following questions in her essay 'Claims of Existence between Biopolitics and Thanatopolitics': How is the desire for existence implicated in the experience of identity as wound? Under which conditions does the demand for desire appear to confront the repetition of trauma? Or else, what echoes in the last breath of someone dying? In Istanbul, a city built upon neoliberal structures of governance and cosmopolitan aesthetics, and defined by severe policing and local histories of ethnic and gender violence, these questions reflect upon a particular historical and political period through a personal story. The essay focuses on a transgender activist named Ali, his fight against transphobia, his illness and death, while reflecting on the 2013 public uprising in Istanbul following attempts by the Turkish government to demolish Gezi park. By exploring the notion of spectral survival as a political praxis, it argues that this notion, rather than acceding to claims over a fuller subjectivity, mobilizes an aporia of de-subjectivation. De-constituting the 'I' here attests to an attempt neither to reconfigure its parts nor to merely perceive life as dismantled, but rather to speak of a loss that no familiar language can yet describe. The spectrality of this 'I' troubles and repoliticizes, then, the very notion of haunting, as it lays claims to its own differing and deferral from the constitution of a proper name, or of a 'self'-acclaimed existence, especially when the fight for existence here is also a performative assertion of loss and death connected to processes of resisting sexist, neoliberal, heteronormative, and phallogocentric representations of possession and belonging.

     

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    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-854-7
    DDC Categories: 100; 800
    Collection: ICI Berlin
    Subjects: Gezi-Park (Istanbul); Protestbewegung; Geschichte 2013; Transgender; Transsexueller; LGBT; Aktivismus; Tod; Trauma
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess