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Displaying results 1 to 2 of 2.

  1. The reactivation of time
    Author: Baldacci, Cristina; Nicastro, Clio; Sforzini, Arianna
    Published: 07.04.2022

    Reappropriating, restaging, revisioning, remediating: at the crossroad of the new millennium, reenactment has undoubtedly emerged as a key issue in the field of artistic production, in theoretical discourse, and in the socio-political sphere. Taking... more

     

    Reappropriating, restaging, revisioning, remediating: at the crossroad of the new millennium, reenactment has undoubtedly emerged as a key issue in the field of artistic production, in theoretical discourse, and in the socio-political sphere. Taking an ever larger distance from notions of historical revival and 'Living History', current reenactments call into question whether the present can unpack, embody, or disentangle the past. Accordingly, to reenact is to experience the past by reactivating either a particular cultural heritage or unexplored utopias. If to reenact means not to restore but to challenge the past, history is thus turned into a possible and perpetual becoming, a site for invention and renewal.

     
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    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Categories: 700; 800
    Collection: ICI Berlin
    Subjects: Reenactment; Geschichte; Künste
    Rights:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  2. Unintentional reenactments : "Yella" by Christian Petzold
    Author: Nicastro, Clio
    Published: 14.04.2022

    What is the relationship between reenactment and repetition compulsion? By shedding light upon the different levels of reenactment at stake in "Yella" by Christian Petzold, I analyse the 'transitional spaces' where the German filmmaker places his... more

     

    What is the relationship between reenactment and repetition compulsion? By shedding light upon the different levels of reenactment at stake in "Yella" by Christian Petzold, I analyse the 'transitional spaces' where the German filmmaker places his wandering characters who have 'slipped out of history'. In "Yella" Petzold mixes up past, present, future, and oneiric re-elaboration to question the memory of the past of GDR, which in his view has never really been constituted as history. The characters that populate this movie move in a setting constructed at the crossroad between a protected environment where the reenacted events are sheltered by the time and the space of the plot and a place weathered by the unpredictable atmospheric agents of the present. How and to which extent can the clash between different temporalities produce a minimal variation?

     
    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Categories: 791; 800
    Collection: ICI Berlin
    Subjects: Petzold, Christian; Yella; Reenaction; Wiederholungszwang; Zeit
    Rights:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess