Ergebnisse für %22Angela%20Sanmann-Graf%22

Zeige Ergebnisse 1 bis 5 von 5.

  1. White rebels in black
    German appropriation of black popular culture
    Erschienen: [2018]; © 2018
    Verlag:  University of Michigan Press, Ann Arbor

    "Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and... mehr

    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell."...Provided by publisher

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780472123834
    RVK Klassifikation: AP 44910 ; AP 50300 ; GN 1701
    Schriftenreihe: Social history, popular culture, and politics in Germany
    Schlagworte: German literature; German literature; Blacks in literature; Masculinity in literature; Blacks in popular culture; Motion pictures; Blacks in motion pictures; Masculinity in motion pictures; Blacks; Whites; Film; Schwarze; Schwarze <Motiv>; Kulturleben; Ethnische Identität <Motiv>; Volkskultur <Motiv>; Deutsch; Rezeption; Literatur; Unterhaltungsmusik <Motiv>; Massenkultur <Motiv>
    Umfang: 1 Online-Ressource (xii, 260 Seiten), Illustrationen
    Bemerkung(en):

    Includes filmography. - Includes bibliographical references and index

  2. White rebels in Black
    German appropriation of Black popular culture
    Erschienen: [2018]; © 2018
    Verlag:  University of Michigan Press, Ann Arbor

    "Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and... mehr

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell."...Provided by publisher

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780472130801
    RVK Klassifikation: AP 44910 ; GN 1701
    Schriftenreihe: Social history, popular culture, and politics in Germany
    Schlagworte: German literature; German literature; Blacks in literature; Masculinity in literature; Blacks in popular culture; Motion pictures; Blacks in motion pictures; Masculinity in motion pictures; Blacks; Whites; Schwarze; Rezeption; Literatur; Kulturleben; Massenkultur <Motiv>; Schwarze <Motiv>; Deutsch; Ethnische Identität <Motiv>; Film; Volkskultur <Motiv>; Unterhaltungsmusik <Motiv>
    Umfang: ix, 259 Seiten, Illustrationen
    Bemerkung(en):

    Includes filmography. - Includes bibliographical references and index

  3. White rebels in black
    German appropriation of black popular culture
    Erschienen: [2018]; © 2018
    Verlag:  University of Michigan Press, Ann Arbor

    Zusammenfassung: "Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany,... mehr

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    91.048.13
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kassel, Standort Holländischer Platz
    25 Ger SA 6040
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Mainz, Zentralbibliothek
    288.841
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Zusammenfassung: "Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell."--Provided by publisher.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780472130801; 0472130803
    RVK Klassifikation: AP 44910 ; GN 1701
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830); Öffentliche Darbietungen, Film, Rundfunk (791)
    Schriftenreihe: Social history, popular culture, and politics in Germany
    Schlagworte: Deutsch; Literatur; Film; Rezeption; Schwarze; Kulturleben; Ethnische Identität <Motiv>; Volkskultur <Motiv>; Schwarze <Motiv>; Unterhaltungsmusik <Motiv>; Massenkultur <Motiv>; Pop-Kultur
    Umfang: ix, 259 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Literaturverzeichnis Seiten 235-246

  4. White rebels in Black
    German appropriation of Black popular culture
    Erschienen: [2018]; © 2018
    Verlag:  University of Michigan Press, Ann Arbor

    "Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell."...Provided by publisher

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780472130801
    RVK Klassifikation: AP 44910 ; GN 1701
    Schriftenreihe: Social history, popular culture, and politics in Germany
    Schlagworte: German literature; German literature; Blacks in literature; Masculinity in literature; Blacks in popular culture; Motion pictures; Blacks in motion pictures; Masculinity in motion pictures; Blacks; Whites; Schwarze; Rezeption; Literatur; Kulturleben; Massenkultur <Motiv>; Schwarze <Motiv>; Deutsch; Ethnische Identität <Motiv>; Film; Volkskultur <Motiv>; Unterhaltungsmusik <Motiv>
    Umfang: ix, 259 Seiten, Illustrationen
    Bemerkung(en):

    Includes filmography. - Includes bibliographical references and index

  5. White rebels in black
    German appropriation of black popular culture
    Erschienen: [2018]; © 2018
    Verlag:  University of Michigan Press, Ann Arbor

    "Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and... mehr

    Alice Salomon Hochschule Berlin, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell."...Provided by publisher

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780472123834
    RVK Klassifikation: AP 44910 ; AP 50300 ; GN 1701
    Schriftenreihe: Social history, popular culture, and politics in Germany
    Schlagworte: German literature; German literature; Blacks in literature; Masculinity in literature; Blacks in popular culture; Motion pictures; Blacks in motion pictures; Masculinity in motion pictures; Blacks; Whites; Film; Schwarze; Schwarze <Motiv>; Kulturleben; Ethnische Identität <Motiv>; Volkskultur <Motiv>; Deutsch; Rezeption; Literatur; Unterhaltungsmusik <Motiv>; Massenkultur <Motiv>
    Umfang: 1 Online-Ressource (xii, 260 Seiten), Illustrationen
    Bemerkung(en):

    Includes filmography. - Includes bibliographical references and index