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Results for sound studies

Displaying results 1 to 25 of 321.

  1. Digital sound studies
    Published: 2018; ©2018
    Publisher:  Duke University Press, Durham

    'The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital... more

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    Universitätsbibliothek Regensburg
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    'The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines--including rhetoric and composition, performance studies, anthropology, history, and information science--the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary."--Provided by publisher

     
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    Content information
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1478091010; 9781478091011
    RVK Categories: LR 57790
    Edition: [Open access version]
    Subjects: Sciences humaines numériques; Son dans les médias; digital humanities; Digital humanities; Sound in mass media; Sound; Sound; Digital humanities; Sound in mass media; Sound; Sound; Forschung; Sound Studies; Digital Humanities
    Other subjects: Electronic books
    Scope: 1 Online-Ressource
    Notes:

    Array: Array

    Array: Array
  2. Digital sound studies
    Contributor: Lingold, Mary Caton (HerausgeberIn); Mueller, Darren (HerausgeberIn); Trettien, Whitney (HerausgeberIn)
    Published: 2018
    Publisher:  Duke University Press, Durham

    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital... more

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    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines—including rhetoric and composition, performance studies, anthropology, history, and information science—the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary.

     
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    Source: Union catalogues
    Contributor: Lingold, Mary Caton (HerausgeberIn); Mueller, Darren (HerausgeberIn); Trettien, Whitney (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822371991
    Other identifier:
    Subjects: Sound; Digital humanities; Sound; Sound in mass media; Sound
    Scope: 1 Online-Ressource (xii, 298 Seiten)
    Notes:

    Richard Cullen Rath: Ethnodigital sonics and the historical imagination

    Myron M. Beasley: Performing Zora : critical ethnography, digital sound, and not forgetting

    Jonathan W. Stone: Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity

    Aaron Trammell, Jennifer Lynn Stoever, and Liana Silva: The pleasure (is) principle: sounding out! and the digitizing of community

    Regina N. Bradley: Becoming outkasted: archiving contemporary Black Southernness in a digital age

    W. F. Umi Hsu: Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography

    Tanya E. Clement: Word. spoken. articulating the voice for high-performance sound technologies for access and scholarhip (hipstas)

    Michael J. Kramer: "A foreign sound to your ear" : digital image sonification for historical interpretation

    Joanna Swafford: Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes

    Rebecca Dowd Geoffroy-Schwinden: Digital approaches to historical acoustemologies: replication and reenactment

    Steph Ceraso: Sound practices for digital humanities

    Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien: Afterword: demands of duration: the futures of digital sound scholarship
  3. Digital Sound Studies
    Contributor: Trettien, Whitney Anne (HerausgeberIn); Mueller, Darren (HerausgeberIn); Lingold, Mary Caton (HerausgeberIn)
    Published: 2018
    Publisher:  Duke University Press, Durham

    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital... more

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    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines--including rhetoric and composition, performance studies, anthropology, history, and information science--the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary.

     
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  4. Digital Sound Studies
    Contributor: Lingold, Mary Caton (Herausgeber); Mueller, Darren (Herausgeber); Trettien, Whitney (Herausgeber)
    Published: 2018
    Publisher:  Duke University Press, Durham, NC ; OAPEN FOUNDATION, The Hague

    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital... more

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    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines—including rhetoric and composition, performance studies, anthropology, history, and information science—the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive.

     
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    Source: Union catalogues
    Contributor: Lingold, Mary Caton (Herausgeber); Mueller, Darren (Herausgeber); Trettien, Whitney (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822371991
    RVK Categories: LR 57790
    Subjects: Sound Studies; Digital Humanities; Forschung; Graphical & digital media applications
    Other subjects: Music; Sound Studies; Digital Humanities; Digital Pedagogy; Media; Technology
  5. Listening in the field
    recording and the science of birdsong
    Author: Bruyninckx, Joeri
    Published: [2018]; ©2018
    Publisher:  The MIT Press, Cambridge, MA

    The transformation of sound recording into a scientific technique in the study of birdsong, as biologists turned wildlife sounds into scientific objects. more

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    The transformation of sound recording into a scientific technique in the study of birdsong, as biologists turned wildlife sounds into scientific objects.

     
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  6. Sounds of War and Peace : Soundscapes of European Cities in 1945
    Contributor: Tańczuk, Renata (Publisher); Wieczorek, Sławomir (Publisher)
    Published: 2018
    Publisher:  Peter Lang International Academic Publishers, Bern

    This book vividly evokes for the reader the sound world of a number of European cities in the last year of the Second World War. It allows the reader to «hear» elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław... more

     

    This book vividly evokes for the reader the sound world of a number of European cities in the last year of the Second World War. It allows the reader to «hear» elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experiences of violence, threats and death. Exploiting to the full methodologies and research tools developed in the fields of sound and soundscape studies, the authors analyse their reflections on autobiographical texts and art. The studies demonstrate the role urban sounds played in the inhabitants’ forging a sense of identity as they adapted to new living conditions. The chapters also shed light on the ideological forces at work in the creation of urban sound space.

     
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    Source: OAPEN
    Contributor: Tańczuk, Renata (Publisher); Wieczorek, Sławomir (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Social & cultural anthropology, ethnography; Music; General & world history; History: specific events & topics; Cultural studies
    Other subjects: History of music; Popular music; Psychology; Anthropology; Social and cultural anthropology
    Scope: 1 electronic resource (270 p.)
  7. Sounding Islam
    voice, media, and sonic atmospheres in an Indian Ocean world
    Author: Eisenlohr, Patrick
    Published: [2018]; © 2018
    Publisher:  University of California Press, Oakland, California

    "Sounding Islam investigates the sonic dimensions of religion, combining perspectives from the anthropology of media, the anthropology of semiotic mediation, and sound studies. Based on long-term ethnographic research on devotional Islam in... more

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    "Sounding Islam investigates the sonic dimensions of religion, combining perspectives from the anthropology of media, the anthropology of semiotic mediation, and sound studies. Based on long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religion. At the core of Eisenlohr's concern is the interplay of voice, media, affect, and listeners' experience, especially within the context of Mauritian Islamic practices. The work is a contribution to the anthropological study of sound, media, and religious experience and a rich study of Mauritius, diasporic South Asian communities, and global Islam."--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520298712; 0520298713
    Other identifier:
    RVK Categories: LC 29594 ; LC 87594 ; LS 34000
    Subjects: Voice; Sound; Islamic poetry; Islam; Islam; Islamic poetry; Sound; Voice
    Scope: xi, 174 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references and index

    Sounding Islam -- Devotional Islam and sound reproduction -- Aspirations in transnational religious networks -- The materiality of media and the vanishing medium -- The work of transduction: Voice as atmosphere -- Sound as affect? Encorporation and movement in vocal performance
  8. Digital sound studies
    Contributor: Lingold, Mary Caton (HerausgeberIn); Mueller, Darren (HerausgeberIn); Trettien, Whitney (HerausgeberIn)
    Published: 2018
    Publisher:  Duke University Press, Durham

    Introduction /Mary Caton Lingold, Darren Mueller, and Whitney Trettien --I.Theories and Genealogies:1.Ethnodigital sonics and the historical imagination /Richard Cullen Rath ;2.Performing Zora : critical ethnography, digital sound, and not forgetting... more

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    Introduction /Mary Caton Lingold, Darren Mueller, and Whitney Trettien --I.Theories and Genealogies:1.Ethnodigital sonics and the historical imagination /Richard Cullen Rath ;2.Performing Zora : critical ethnography, digital sound, and not forgetting /Myron M. Beasley ;3.Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity /Jonathan W. Stone --II.Digital Communities:4.The pleasure (is) principle: sounding out! and the digitizing of community /Aaron Trammell, Jennifer Lynn Stoever, and Liana Silva ;5.Becoming OutKasted: archiving contemporary Black Southernness in a digital age /Regina N. Bradley ;6.Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography /W.F. Umi Hsu --III.Disciplinary Translations:7.Word. spoken. Articulating the voice for High Performance Sound Technologies for Access and Scholarship (HiPSTAS) /Tanya E. Clement ;8."A foreign sound to your ear" : digital image sonification for historical interpretation /Michael J. Kramer ;9.Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes /Joanna Swafford --IV.Points Forward:10.Digital approaches to historical acoustemologies: replication and reenactment /Rebecca Dowd Geoffroy-Schwinden ;11.Sound practices for digital humanities /Steph Ceraso --Afterword: demands of duration: the futures of digital sound scholarship /Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien. 'The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines--including rhetoric and composition, performance studies, anthropology, history, and information science--the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary."--Provided by publisher

     
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    Source: Union catalogues
    Contributor: Lingold, Mary Caton (HerausgeberIn); Mueller, Darren (HerausgeberIn); Trettien, Whitney (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478091011; 1478091010
    Edition: [Open access version]
    Subjects: Digital humanities; Sound; Sound; Sound in mass media; Digital humanities; Sound; Sound in mass media; Sound ; Recording and reproducing ; Digital techniques
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index
  9. Writing the radio war
    literature, politics and the BBC, 1939-1945
    Author: Whittington, Ian
    Published: 2018
    Publisher:  Edinburgh University Press, Edinburgh

    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting more

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    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474413602
    RVK Categories: HM 1101 ; AP 39330 ; AP 34400 ; NQ 3220 ; AP 33230 ; AP 34150
    Series: Edinburgh critical studies in war and culture
    Subjects: World War, 1939-1945 / Great Britain / Radio broadcasting and the war; World War, 1939-1945 / Social aspects / Great Britain; Literatur; Englisch
    Scope: 1 Online-Ressource (vii, 220 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 27 Apr 2021)
  10. Writing the radio war
    literature, politics and the BBC, 1939-1945
    Author: Whittington, Ian
    Published: 2018
    Publisher:  Edinburgh University Press, Edinburgh

    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting. more

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    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474413602; 9781474413596
    Series: Edinburgh critical studies in war and culture
    Subjects: World War, 1939-1945; World War, 1939-1945; British Broadcasting Corporation ; History; World War, 1939-1945 ; Great Britain ; Radio broadcasting and the war; World War, 1939-1945 ; Social aspects ; Great Britain
    Scope: 1 online resource (vii, 220 pages), digital, PDF file(s).
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    Title from publisher's bibliographic system (viewed on 27 Apr 2021)
  11. Writing the radio war
    literature, politics and the BBC, 1939-1945
    Author: Whittington, Ian
    Published: 2018
    Publisher:  Edinburgh University Press, Edinburgh ; Cambridge University Press, Cambridge, UK

    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting. more

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    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474413602
    Series: Edinburgh critical studies in war and culture
    Subjects: World War, 1939-1945; World War, 1939-1945
    Scope: 1 Online-Ressource (vii, 220 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 27 Apr 2021)
  12. Writing the radio war
    literature, politics and the BBC, 1939-1945
    Author: Whittington, Ian
    Published: 2018
    Publisher:  Edinburgh University Press, Edinburgh

    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting. more

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    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474413602; 9781474413596
    Series: Edinburgh critical studies in war and culture
    Subjects: World War, 1939-1945; World War, 1939-1945; British Broadcasting Corporation ; History; World War, 1939-1945 ; Great Britain ; Radio broadcasting and the war; World War, 1939-1945 ; Social aspects ; Great Britain
    Scope: 1 online resource (vii, 220 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 27 Apr 2021)
  13. Gender and Religion
    Author: Hackett, Rosalind I. J.
    Published: [2018]

    Despite the burgeoning of gender and religion studies over the last few decades, very few works address questions of sound and hearing. Yet acoustic and auditory practices and perceptions can be closely linked to patterns of gender differentiation.... more

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    Despite the burgeoning of gender and religion studies over the last few decades, very few works address questions of sound and hearing. Yet acoustic and auditory practices and perceptions can be closely linked to patterns of gender differentiation. Drawing on recent research in sound studies, with a focus on voice and vocalization, the article discusses what challenges and enhancements a sonically aware approach might afford.

     
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    Other identifier:
    Parent title: Enthalten in: Journal of the British Association for the Study of Religions; Leeds : British Association for the Study of Religions, 2016; 19(2017), Seite 75-82; Online-Ressource

    Subjects: Religionswissenschaft; Geschlechterforschung; Stimme; Vokalisierung;
  14. The sonic persona
    an anthropology of sound
    Author: Schulze, Holger
    Published: 2018
    Publisher:  Bloomsbury Academic, New York

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    "Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences. From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation, this book presents a fundamental critique concerning recent sound theories and their anthropological concepts--and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening. This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses"-- Quantifying sound -- Materializing listening -- Corporealizing the senses -- In auditory dispositives -- The sonic persona -- A sensory corpus -- The precision of sensibility -- Resistance and resonance -- Generativity

     
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  15. The sonic persona
    an anthropology of sound
    Author: Schulze, Holger
    Published: 2018
    Publisher:  Bloomsbury Academic, New York

    "Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with... more

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    "Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences. From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation, this book presents a fundamental critique concerning recent sound theories and their anthropological concepts--and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening. This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses."-- Quantifying sound -- Materializing listening -- Corporealizing the senses -- In auditory dispositives -- The sonic persona -- A sensory corpus -- The precision of sensibility -- Resistance and resonance -- Generativity.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501306839
    Other identifier:
    RVK Categories: LC 59000 ; LC 87000 ; LR 56500 ; EC 2440
    Subjects: Sound; Communication in anthropology; Senses and sensation; Senses and sensation ; Social aspects; Sound; Communication in anthropology
    Scope: Online-Ressource
  16. The sonic persona
    an anthropology of sound
    Author: Schulze, Holger
    Published: 2018
    Publisher:  Bloomsbury Academic, New York

    "Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with... more

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    "Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences. From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation, this book presents a fundamental critique concerning recent sound theories and their anthropological concepts--and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening. This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses."-- Quantifying sound -- Materializing listening -- Corporealizing the senses -- In auditory dispositives -- The sonic persona -- A sensory corpus -- The precision of sensibility -- Resistance and resonance -- Generativity.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501306839
    Other identifier:
    RVK Categories: LC 59000 ; LC 87000 ; LR 56500 ; EC 2440
    Subjects: Sound; Communication in anthropology; Senses and sensation; Senses and sensation ; Social aspects; Sound; Communication in anthropology
    Scope: Online-Ressource
  17. Sounding Islam : Voice, Media, and Sonic Atmospheres in an Indian Ocean World
    Author: Eisenlohr, Patrick
    Published: 2018
    Publisher:  University of California Press, Oakland

    Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term... more

     

    Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr’s concern is the interplay of voice, media, affect, and listeners’ religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520298712; 9780520970762
    Other identifier:
    Subjects: Religion: general; Media studies; Anthropology
    Other subjects: voice; anthropology of media; sound studies; atmospheres; Islam; Mauritius; India; Indian Ocean; media; sound reproduction; Muslims
    Scope: 1 electronic resource (188 p.)
  18. Sounding Islam
    Voice, Media, and Sonic Atmospheres in an Indian Ocean World
    Author: Eisenlohr, Patrick
    Published: [2018]
    Publisher:  University of California Press, Berkeley, CA

    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion,... more

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    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr's concern is the interplay of voice, media, affect, and listeners' religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language Frontmatter -- Contents -- Illustrations -- Audio Clips -- Acknowledgments -- 1. Sounding Islam -- 2. Devotional Islam and Sound Reproduction -- 3. Aspirations in Transnational Religious Networks -- 4. The Materiality of Media and the Vanishing Medium -- 5. The Work of Transduction: Voice as Atmosphere -- 6. Sound as Affect? Encorporation and Movement in Vocal Performance -- Conclusion -- Notes -- References -- Index

     
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  19. Sounding Islam
    Voice, Media, and Sonic Atmospheres in an Indian Ocean World
    Author: Eisenlohr, Patrick
    Published: [2018]
    Publisher:  University of California Press, Berkeley, CA

    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion,... more

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    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr's concern is the interplay of voice, media, affect, and listeners' religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language Frontmatter -- Contents -- Illustrations -- Audio Clips -- Acknowledgments -- 1. Sounding Islam -- 2. Devotional Islam and Sound Reproduction -- 3. Aspirations in Transnational Religious Networks -- 4. The Materiality of Media and the Vanishing Medium -- 5. The Work of Transduction: Voice as Atmosphere -- 6. Sound as Affect? Encorporation and Movement in Vocal Performance -- Conclusion -- Notes -- References -- Index

     
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  20. Financial inclusion and bank competition in Sub-Saharan Africa
    Author: Mengistu, Azanaw; Perez-Saiz, Hector
    Published: 2018
    Publisher:  International Monetary Fund, [Washington, D.C.]

    In this paper we study how competition and financial soundness affect financial inclusion in Sub-Saharan Africa (SSA). We use detailed individual-level survey data, combined with key country-level indicators of bank competition and financial... more

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    In this paper we study how competition and financial soundness affect financial inclusion in Sub-Saharan Africa (SSA). We use detailed individual-level survey data, combined with key country-level indicators of bank competition and financial soundness, to study the effect on the adoption of several financial products (bank accounts, credit and debit cards, and bank loans). We find that more competition tends to increase the probability of access to these financial products. On the contrary, we do not find strong evidence of the effect of bank-balance sheet variables (i.e. capital adequacy or liquidity) on borrowing by individuals. Our results may help policy makers design regulations that could improve financial inclusion, which could potentially impact economic growth and long-term economic development

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
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    ISBN: 9781484386163
    Other identifier:
    Series: IMF working paper ; WP/18, 256
    Scope: 1 Online-Ressource (circa 30 Seiten), Illustrationen
  21. Financial inclusion and bank competition in Sub-Saharan Africa
    Author: Mengistu, Azanaw; Perez-Saiz, Hector
    Published: 2018
    Publisher:  International Monetary Fund, [Washington, D.C.]

    In this paper we study how competition and financial soundness affect financial inclusion in Sub-Saharan Africa (SSA). We use detailed individual-level survey data, combined with key country-level indicators of bank competition and financial... more

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    In this paper we study how competition and financial soundness affect financial inclusion in Sub-Saharan Africa (SSA). We use detailed individual-level survey data, combined with key country-level indicators of bank competition and financial soundness, to study the effect on the adoption of several financial products (bank accounts, credit and debit cards, and bank loans). We find that more competition tends to increase the probability of access to these financial products. On the contrary, we do not find strong evidence of the effect of bank-balance sheet variables (i.e. capital adequacy or liquidity) on borrowing by individuals. Our results may help policy makers design regulations that could improve financial inclusion, which could potentially impact economic growth and long-term economic development

     
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    ISBN: 9781484386163
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    Series: IMF working paper ; WP/18, 256
    Scope: 1 Online-Ressource (circa 30 Seiten), Illustrationen
  22. Digital Sound Studies
    Author: Lingold, Mary Caton
    Published: 2018
    Publisher:  Duke University Press, New Brunswick ; ProQuest, Ann Arbor, Michigan

    This volume's contributors explore the transformative potential of digital sound studies to create rich, multisensory experiences within scholarship, building on the work of digital humanists to evaluate and historicize new technologies and forms of... more

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    This volume's contributors explore the transformative potential of digital sound studies to create rich, multisensory experiences within scholarship, building on the work of digital humanists to evaluate and historicize new technologies and forms of knowledge.

     
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    Source: Union catalogues
    Contributor: Mueller, Darren; Trettien, Whitney
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822371991
    RVK Categories: LR 57790
    Edition: 1st ed.
    Subjects: Sound Studies; Digital Humanities; Forschung
    Scope: 1 Online-Ressource (313 pages)
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  23. Digital Sound Studies
    Author: Lingold, Mary Caton
    Published: 2018
    Publisher:  Duke University Press, Durham

    This volume's contributors explore the transformative potential of digital sound studies to create rich, multisensory experiences within scholarship, building on the work of digital humanists to evaluate and historicize new technologies and forms of... more

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    This volume's contributors explore the transformative potential of digital sound studies to create rich, multisensory experiences within scholarship, building on the work of digital humanists to evaluate and historicize new technologies and forms of knowledge Cover -- Contents -- Preface -- Acknowledgments -- Introduction -- I. Theories and Genealogies -- 1. Ethnodigital Sonics and the Historical Imagination -- 2. Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting -- 3. Rhetorical Folkness: Reanimating Walter J. Ong in the Pursuit of Digital Humanity -- II. Digital Communities -- 4. The Pleasure (Is) Principle: Sounding Out! and the Digitizing of Community -- 5. Becoming OutKasted: Archiving Contemporary Black Southernness in a Digital Age -- 6. Reprogramming Sounds of Learning: Pedagogical Experiments with Critical Making and Community-Based Ethnography -- III. Disciplinary Translations -- 7. Word. Spoken. Articulating the Voice for High Performance Sound Technologies for Access and Scholarhip (HiPSTAS) -- 8. "A Foreign Sound to Your Ear": Digital Image Sonification for Historical Interpretation -- 9. Augmenting Musical Arguments: Interdisciplinary Publishing Platforms and Augmented Notes -- IV. Points Forward -- 10. Digital Approaches to Historical Acoustemologies: Replication and Reenactment -- 11. Sound Practices for Digital Humanities -- Afterword. Demands of Duration: The Futures of Digital Sound Scholarship -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- H -- I -- J -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822371991
    Subjects: Digital humanities; Sound-Recording and reproducing-Digital techniques; Sound; Sound in mass media; Digital humanities; Sound; Sound; Sound in mass media; Electronic books
    Scope: 1 Online-Ressource (313 pages)
  24. Digital Sound Studies
    Author: Lingold, Mary Caton
    Published: 2018
    Publisher:  Duke University Press, Durham

    This volume's contributors explore the transformative potential of digital sound studies to create rich, multisensory experiences within scholarship, building on the work of digital humanists to evaluate and historicize new technologies and forms of... more

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    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    This volume's contributors explore the transformative potential of digital sound studies to create rich, multisensory experiences within scholarship, building on the work of digital humanists to evaluate and historicize new technologies and forms of knowledge Cover -- Contents -- Preface -- Acknowledgments -- Introduction -- I. Theories and Genealogies -- 1. Ethnodigital Sonics and the Historical Imagination -- 2. Performing Zora: Critical Ethnography, Digital Sound, and Not Forgetting -- 3. Rhetorical Folkness: Reanimating Walter J. Ong in the Pursuit of Digital Humanity -- II. Digital Communities -- 4. The Pleasure (Is) Principle: Sounding Out! and the Digitizing of Community -- 5. Becoming OutKasted: Archiving Contemporary Black Southernness in a Digital Age -- 6. Reprogramming Sounds of Learning: Pedagogical Experiments with Critical Making and Community-Based Ethnography -- III. Disciplinary Translations -- 7. Word. Spoken. Articulating the Voice for High Performance Sound Technologies for Access and Scholarhip (HiPSTAS) -- 8. "A Foreign Sound to Your Ear": Digital Image Sonification for Historical Interpretation -- 9. Augmenting Musical Arguments: Interdisciplinary Publishing Platforms and Augmented Notes -- IV. Points Forward -- 10. Digital Approaches to Historical Acoustemologies: Replication and Reenactment -- 11. Sound Practices for Digital Humanities -- Afterword. Demands of Duration: The Futures of Digital Sound Scholarship -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- H -- I -- J -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822371991
    Subjects: Digital humanities; Sound-Recording and reproducing-Digital techniques; Sound; Sound in mass media; Digital humanities; Sound; Sound; Sound in mass media; Electronic books
    Scope: 1 Online-Ressource (313 pages)
  25. Fire and Ice
    The Poetry of Xavier Villaurrutia
    Author: Forster, Merlin M.
    Published: 2018
    Publisher:  University of North Carolina Press, Chapel Hill

    Cover; FIRE AND ICE: THE POETRY OF XAVIER VILLAURRUTIA; Title; Copyright; CONTENTS; PREFACE; CHAPTER I: INTRODUCTION; The Man; Survey of Previous Criticism on Villaurrutia; Critical Method; CHAPTER II: LEXICON AND SYNTAX; General; Noun; Verb;... more

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    Cover; FIRE AND ICE: THE POETRY OF XAVIER VILLAURRUTIA; Title; Copyright; CONTENTS; PREFACE; CHAPTER I: INTRODUCTION; The Man; Survey of Previous Criticism on Villaurrutia; Critical Method; CHAPTER II: LEXICON AND SYNTAX; General; Noun; Verb; Adjective; Other Patterns; CHAPTER III: SOUND AND FORM; Conventional Forms; Non-Conventional Forms; Sound and Meaning; Summary; CHAPTER IV: IMAGERY AND SYMBOL; The Collections; Image Patterns, Motifs, and Symbols; CHAPTER V: THEMES; General; Major Themes; Minor Themes; CHAPTER VI: EVALUATIONS AND CONCLUSIONS; General; Influence and Originality EvaluationXavier Villaurrutia and Mexican Literature; Villaurrutia Outside Mexico; INDEX TO POEMS STUDIED; INDEX OF NAMES; Back Cover

     
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    Language: English
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    ISBN: 1469645971; 9781469645971
    Series: University of North Carolina at Chapel Hill Department of Romance studies ; number 169
    Subjects: Mexican poetry; Mexican literature; POETRY ; Continental European; LITERARY CRITICISM ; Caribbean & Latin American; Mexican literature; Mexican poetry
    Other subjects: Villaurrutia, Xavier (1903-1950); Villaurrutia, Xavier
    Scope: 1 Online-Ressource