Echo and Meaning on Early Modern English Stages
"Acknowledgements" -- "Contents" -- "List of Figures" -- "Chapter 1 Introduction: Echo and Meaning" -- "Abstract " -- "Poetic Echo" -- "Echoing Ovid: Golding, T.H. and Caxton" -- "Echo and Pastoral: Sidney, Longus and Day" -- "References" --...
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"Acknowledgements" -- "Contents" -- "List of Figures" -- "Chapter 1 Introduction: Echo and Meaning" -- "Abstract " -- "Poetic Echo" -- "Echoing Ovid: Golding, T.H. and Caxton" -- "Echo and Pastoral: Sidney, Longus and Day" -- "References" -- "Chapter 2 Sound and Precedent in Elizabethan Progress Entertainments" -- "Abstract " -- "Welcoming the Queen" -- "Textual Representations" -- "Elvetham and Amplification" -- "References" -- "Chapter 3 Echo and Drama: Cynthiaâs Revels (1601)" -- "Abstract " -- "Music and Sense" -- "Music, Satire and Sincerity" -- "References" -- "Chapter 4 Echo, Dance and Song in Jacobean Masques" -- "Abstract " -- "Campionâs Musical Amplifications" -- "Dance and Music as Discipline" -- "Revels Dancing" -- "References" -- "Chapter 5 Conclusion: Disenchanted Echoes in The Duchess of Malfi and The Countess of Montgomeryâs Urania" -- "Abstract " -- "Echo and Paranoia" -- "Corporeality and Echo" -- "Echo and Gender in Urania" -- "Conclusion: That Strain Again?" -- "References
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