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Results for sound studies

Displaying results 101 to 125 of 4645.

  1. Sounding Islam : Voice, Media, and Sonic Atmospheres in an Indian Ocean World
    Author: Eisenlohr, Patrick
    Published: 2018
    Publisher:  University of California Press, Oakland

    Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term... more

     

    Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr’s concern is the interplay of voice, media, affect, and listeners’ religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520298712; 9780520970762
    Other identifier:
    Subjects: Religion: general; Media studies; Anthropology
    Other subjects: voice; anthropology of media; sound studies; atmospheres; Islam; Mauritius; India; Indian Ocean; media; sound reproduction; Muslims
    Scope: 1 electronic resource (188 p.)
  2. Writing anthropologists, sounding primitives
    the poetry and scholarship of Edward Sapir, Margaret Mead, and Ruth Benedict
    Author: Reichel, A. Elisabeth
    Published: 2021
    Publisher:  University of Nebraska Press, Lincoln ; Project MUSE, Baltimore, Md

    Introduction : poets, anthropologists, primitives -- Of mumbling melody, soft singing, and slow speech : constructions of sonic otherness in the poetry of Edward Sapir -- On alternating sounds : musical alterities in Sapir's poetry and critical... more

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    Introduction : poets, anthropologists, primitives -- Of mumbling melody, soft singing, and slow speech : constructions of sonic otherness in the poetry of Edward Sapir -- On alternating sounds : musical alterities in Sapir's poetry and critical writings -- Interlude : French-Canadian folk songs in translation -- "For you have given me speech!" : gifted literates, illiterate primitives, and Margaret Mead -- Toward unnerving the us : the poetry and scholarship of Ruth Benedict -- Conclusion : cultural and media evolutionism in Boasian anthropology and beyond -- Appendix: The Complete Poetry of Edward Sapir, Margaret Mead, and Ruth Benedict. "Writing Anthropologists, Sounding Primitives" offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultural anthropologists"--

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781496227546; 1496227549; 9781496227522; 1496227522
    Series: Critical studies in the history of anthropology
    Subjects: American poetry; Anthropologists' writings, American; Anthropologists' writings, American; American poetry; Criticism, interpretation, etc
    Other subjects: Mead, Margaret (1901-1978); Benedict, Ruth (1887-1948); Sapir, Edward; Mead, Margaret; Benedict, Ruth
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index
  3. Writing anthropologists, sounding primitives
    the poetry and scholarship of Edward Sapir, Margaret Mead, and Ruth Benedict
    Author: Reichel, A. Elisabeth
    Published: 2021; © 2021
    Publisher:  University of Nebraska Press, Lincoln

    Introduction : poets, anthropologists, primitives -- Of mumbling melody, soft singing, and slow speech : constructions of sonic otherness in the poetry of Edward Sapir -- On alternating sounds : musical alterities in Sapir's poetry and critical... more

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    Introduction : poets, anthropologists, primitives -- Of mumbling melody, soft singing, and slow speech : constructions of sonic otherness in the poetry of Edward Sapir -- On alternating sounds : musical alterities in Sapir's poetry and critical writings -- Interlude : French-Canadian folk songs in translation -- "For you have given me speech!" : gifted literates, illiterate primitives, and Margaret Mead -- Toward unnerving the us : the poetry and scholarship of Ruth Benedict -- Conclusion : cultural and media evolutionism in Boasian anthropology and beyond -- Appendix: The Complete Poetry of Edward Sapir, Margaret Mead, and Ruth Benedict. "Writing Anthropologists, Sounding Primitives" offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultural anthropologists"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781496226082
    RVK Categories: HU 1769 ; LB 27610
    Series: Critical studies in the history of anthropology
    Subjects: Anthropologists' writings, American; American poetry
    Other subjects: Sapir, Edward (1884-1939); Mead, Margaret (1901-1978); Benedict, Ruth (1887-1948)
    Scope: xvii, 406 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis: Seite 345-384

    Index: Seite 385-406
  4. Keywords in sound
    Contributor: Novak, David (HerausgeberIn); Sakakeeny, Matt (HerausgeberIn)
    Published: [2015]
    Publisher:  Duke University Press, Durham

    Frontmatter -- contents -- introduction -- [1] acoustemology -- [2] acoustics -- [3] body -- [4] deafness -- [5] echo -- [6] hearing -- [7] image -- [8] language -- [9] listening -- [10] music -- [11] noise -- [12] phonography -- [13] radio -- [14]... more

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    Frontmatter -- contents -- introduction -- [1] acoustemology -- [2] acoustics -- [3] body -- [4] deafness -- [5] echo -- [6] hearing -- [7] image -- [8] language -- [9] listening -- [10] music -- [11] noise -- [12] phonography -- [13] radio -- [14] religion -- [15] resonance -- [16] silence -- [17] space -- [18] synthesis -- [19] transduction -- [20] voice -- contributors -- index In twenty essays on subjects such as noise, acoustics, music, and silence, Keywords in Sound presents a definitive resource for sound studies, and a compelling argument for why studying sound matters. Each contributor details their keyword's intellectual history, outlines its role in cultural, social and political discourses, and suggests possibilities for further research. Keywords in Sound charts the philosophical debates and core problems in defining, classifying and conceptualizing sound, and sets new challenges for the development of sound studies.Contributors. Andrew Eisenberg, Veit Erlmann, Patrick Feaster, Steven Feld, Daniel Fisher, Stefan Helmreich, Charles Hirschkind, Deborah Kapchan, Mara Mills, John Mowitt, David Novak, Ana Maria Ochoa Gautier, Thomas Porcello, Tom Rice, Tara Rodgers, Matt Sakakeeny, David Samuels, Mark M. Smith, Benjamin Steege, Jonathan Sterne, Amanda Weidman

     
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    Source: Union catalogues
    Contributor: Novak, David (HerausgeberIn); Sakakeeny, Matt (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822375494
    Other identifier:
    RVK Categories: LR 56660 ; LR 56820 ; EC 2440
    Subjects: Sound; MUSIC / General
    Scope: 1 Online-Ressource (272 p)
  5. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An... more

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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology. "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"--

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780197533932
    Subjects: Sound recordings; Sound recordings
    Scope: 1 Online-Ressource (viii, 144 Seiten), Illustrationen, Diagramme
    Notes:

    Includes bibliographical references and index
  6. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An... more

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    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology. "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780197533901; 9780197533918
    Subjects: Sound recordings; Sound recordings
    Scope: viii, 144 Seiten, Illustrationen, Diagramme
    Notes:

    Includes bibliographical references and index
  7. Making sense of recordings
    how cognitive processing of recorded sound works
    Author: Walther-Hansen, Mads
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York

    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An... more

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    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    Foundations and Theory. Discourses of Recorded Sound : Technologies, Production, Listening, and Conceptualization ; The Ontology of Recorded Sound ; Sound Quality : Reasoning, Action, and Language -- Encyclopedia. Conceptualizing Sound Quality : An Encyclopedia of Selected Sound Terminology. "The sonic qualities that emerge from aesthetic and technological decisions in the recording studio have a major impact on how music sounds, yet our ability to describe this impact on the listening experience is limited. Listeners often use very elaborate metaphors when describing sound quality, such as timbral and spatial characteristics. There is, however, a prevalent belief that metaphors are vague and highly subjective, and therefore unsuitable for academic and more exacting discussions of sound. Making Sense of Recordings challenges this assumption by showing how these metaphors are closely connected to our sonic experience and that they make sense within a larger historical context of technological developments and changing discourses of recorded sound. Part 1 of the book starts by tracing written discourses of recorded sound, discussing how everyday listeners and audio professionals describe their experiences of sound in recorded music. The concept of the listener, as it is theorized here, relates both to the production and reception side of recorded music and assumes some sort of conscious evaluative process where people give meaning to their experiences. Listening is approached from a quality-oriented mode of listening concerned with embodied cognition and is conditioned by the specific listening situation and the specific purpose of listening. Building on cognitive sciences, ideas of embodied cognition, and recent studies in discourse analysis, the book then provides new theoretical and methodological approaches to sound perception and conceptualization with particular relevance to recorded music. The aim is not only to expand on existing histories of studio music technologies, from production to reproduction to reception, but also to provide analytical and practical tools to aid in the understanding and communication of sound discourse in the studio and beyond"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780197533901; 9780197533918
    Subjects: Sound recordings; Sound recordings
    Scope: viii, 144 Seiten, Illustrationen, Diagramme
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    Includes bibliographical references and index
  8. Die Materialität des Klangs und die Medienpraxis der Musikkultur
    Ein verspäteter Gegenstand der Musikwissenschaft?
    Author: Großmann, Rolf
    Published: 2013
    Publisher:  transcript Verlag für Kommunikation, Kultur und soziale Praxis, Bielefeld

    With the notation on phonographic disk or tape we have sound literally at hand, just before it is vanishing in the digital resolution of bits and bytes. Musique concrète, hiphop, dub, soundscapes and sonic art are only some keywords that follow the... more

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    With the notation on phonographic disk or tape we have sound literally at hand, just before it is vanishing in the digital resolution of bits and bytes. Musique concrète, hiphop, dub, soundscapes and sonic art are only some keywords that follow the media change from traditional notation of music to the notation of sound itself. An important step for the understanding of new strategies of composing, producing and performing music could be to consider the new materialization of sound not only as a technical process but also as the formation of musical material. In musicology the view of media as 'neutral' technical means of transmission is not very helpful to reflect this topic and has to be combined with a humanities orientated media research and reflection. Labels like "Sound Studies", "Sound Culture", "Auditory Culture" etc. are indicating the demand for transgressing the borders of academic disciplines and a new position between musicology and mediaculture that should be discussed. Die Schriftlichkeit der Phonographie lässt akustisches Material als Schall-Platte (!) oder Magnetbandschnipsel buchstäblich greifbar werden, bevor es sich in den Rastern der digitalen Medien auflöst. Musique concrète, Hiphop, Dub, Soundscapes und Klangkunst sind nur einige Stichworte dieses medienmusikalischen Wandels von der Notation der Tonhöhen zur Notation des Schalls. Betroffen ist jedoch die gesamte auditive Kultur des Hörens und Gestaltens akustischer Phänomene. Ein wichtiger Schritt zum Verständnis der Veränderungen in der Musik könnte die Neubestimmung nicht nur ihrer Medialität und Materialität, sondern auch der Konzeption musikalischen Materials sein. Bisherige Materialdiskurse der Musik verhandeln technische Medien als reine Vermittlungsinstanzen, die im Hinblick auf von ihnen vermittelten Gegenstände neutral bleiben. Hier sind medienwissenschaftliche Positionen fruchtbar zu machen. Bezeichnungen wie "Sound Studies", "Sound Culture", "Auditive Medienkultur" etc. sind in diesem Sinne Label neuer, noch wenig disziplinierter wissenschaftlicher Zwischenbereiche, deren alte und neue Heimat zu klären wäre.

     
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Parent title: In: Auditive Medienkulturen; (2013), Seite 61-78

    Subjects: Medien- und Kommunikationswissenschaft; Schriftlichkeit; Musik
    Scope: 17 S
  9. Sounding Islam
    Voice, Media, and Sonic Atmospheres in an Indian Ocean World
    Author: Eisenlohr, Patrick
    Published: [2018]
    Publisher:  University of California Press, Berkeley, CA

    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion,... more

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    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr's concern is the interplay of voice, media, affect, and listeners' religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language Frontmatter -- Contents -- Illustrations -- Audio Clips -- Acknowledgments -- 1. Sounding Islam -- 2. Devotional Islam and Sound Reproduction -- 3. Aspirations in Transnational Religious Networks -- 4. The Materiality of Media and the Vanishing Medium -- 5. The Work of Transduction: Voice as Atmosphere -- 6. Sound as Affect? Encorporation and Movement in Vocal Performance -- Conclusion -- Notes -- References -- Index

     
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  10. Sounding Islam
    Voice, Media, and Sonic Atmospheres in an Indian Ocean World
    Author: Eisenlohr, Patrick
    Published: [2018]
    Publisher:  University of California Press, Berkeley, CA

    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion,... more

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    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr's concern is the interplay of voice, media, affect, and listeners' religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language Frontmatter -- Contents -- Illustrations -- Audio Clips -- Acknowledgments -- 1. Sounding Islam -- 2. Devotional Islam and Sound Reproduction -- 3. Aspirations in Transnational Religious Networks -- 4. The Materiality of Media and the Vanishing Medium -- 5. The Work of Transduction: Voice as Atmosphere -- 6. Sound as Affect? Encorporation and Movement in Vocal Performance -- Conclusion -- Notes -- References -- Index

     
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  11. Groove
    a phenomenology of rhythmic nuance
    Author: Roholt, Tiger C.
    Published: 2014
    Publisher:  Bloomsbury, New York, NY [u.a.]

    "A highly original work in the philosophy of music and sound, offering an in-depth study of the nature and purpose of rhythm"-- more

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    Bayerische Staatsbibliothek
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    "A highly original work in the philosophy of music and sound, offering an in-depth study of the nature and purpose of rhythm"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781441104182
    RVK Categories: CC 6900 ; LR 56820
    Edition: 1. publ.
    Subjects: Musical meter and rhythm; Music / Philosophy and aesthetics; MUSIC / History & Criticism; PHILOSOPHY / Aesthetics; PHILOSOPHY / Movements / Phenomenology; Music / Philosophy and aesthetics; Musical meter and rhythm; Musik; Ästhetik; Metrum; Musikphilosophie; Rhythmus; Musik
    Scope: IX, 175 S.
    Notes:

    "Written by an experienced drummer and philosopher, Groove is a vivid and exciting study of one of music's most central and relatively unexplored aspects. Tiger C. Roholt explains why grooves, which are forged in music's rhythmic nuances, remain hidden to some listeners. He argues that grooves are not graspable through the intellect nor through mere listening; rather, grooves are disclosed through our bodily engagement with music. We grasp a groove bodily by moving with music's pulsations. By invoking the French philosopher Maurice Merleau-Ponty's notion of "motor intentionality," Roholt shows that the "feel" of a groove, and the understanding of it, are two sides of a coin: to "get" a groove just is to comprehend it bodily and to feel that embodied comprehension"-- Provided by publisher

    Includes bibliographical references and index

    Machine generated contents note: -- Chapter 1. Musical NuanceChapter 2. PerceivingChapter 3. The BodyChapter 4. Groove in Music
  12. Groove
    a phenomenology of rhythmic nuance
    Author: Roholt, Tiger C.
    Published: 2014
    Publisher:  Bloomsbury, New York, NY [u.a.]

    "A highly original work in the philosophy of music and sound, offering an in-depth study of the nature and purpose of rhythm"-- more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "A highly original work in the philosophy of music and sound, offering an in-depth study of the nature and purpose of rhythm"--

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781441104182
    RVK Categories: CC 6900 ; LR 56820
    Edition: 1. publ.
    Subjects: Musical meter and rhythm; Music / Philosophy and aesthetics; MUSIC / History & Criticism; PHILOSOPHY / Aesthetics; PHILOSOPHY / Movements / Phenomenology; Music / Philosophy and aesthetics; Musical meter and rhythm; Musik; Ästhetik; Metrum; Musikphilosophie; Rhythmus; Musik
    Scope: IX, 175 S.
    Notes:

    "Written by an experienced drummer and philosopher, Groove is a vivid and exciting study of one of music's most central and relatively unexplored aspects. Tiger C. Roholt explains why grooves, which are forged in music's rhythmic nuances, remain hidden to some listeners. He argues that grooves are not graspable through the intellect nor through mere listening; rather, grooves are disclosed through our bodily engagement with music. We grasp a groove bodily by moving with music's pulsations. By invoking the French philosopher Maurice Merleau-Ponty's notion of "motor intentionality," Roholt shows that the "feel" of a groove, and the understanding of it, are two sides of a coin: to "get" a groove just is to comprehend it bodily and to feel that embodied comprehension"-- Provided by publisher

    Includes bibliographical references and index

    Machine generated contents note: -- Chapter 1. Musical NuanceChapter 2. PerceivingChapter 3. The BodyChapter 4. Groove in Music
  13. Resonant Alterities
    Sound, Desire and Anxiety in Non-Realist Fiction
    Author: Mieszkowski, Sylvia
    Published: 2014
    Publisher:  transcript Verlag, Bielefeld

    »Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a... more

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    »Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a post-traumatic short novel by Don DeLillo are its primary objects of analysis. Each is explored within the context of its contemporary cultural debates on sound. Meanwhile, all four theory-enriched readings focus on intersecting and desire-laden processes of meaning making, knowledge production and subject formation. Focal points are aurally/audio-visually structured phenomena expressive of both collective and individual anxieties. »Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a post-traumatic short novel by Don DeLillo are its primary objects of analysis. Each is explored within the context of its contemporary cultural debates on sound. Meanwhile, all four theory-enriched readings focus on intersecting and desire-laden processes of meaning making, knowledge production and subject formation. Focal points are aurally/audio-visually structured phenomena expressive of both collective and individual anxieties. Sylvia Mieszkowski is visiting professor in English literature at Vienna University (Austria).

     
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  14. Understanding sound tracks through film theory
    Author: Walker, Elsie
    Published: [2015]
    Publisher:  Oxford University Press, New York, NY

    Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical... more

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    Universitätsbibliothek Bayreuth
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    Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out. Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts. - Elsie Walker is Associate Professor of Film Studies at Salisbury University, Maryland. She has taught film in three countries (New Zealand and England, as well as the United States) and she has published many articles on film, sound tracks, and adaptations of Shakespeare. She co-edited Conversations With Directors (2008), and she is coeditor-in-chief of Literature/Film Quarterly.

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190217433
    Other identifier:
    RVK Categories: LR 53509
    Subjects: Film; Ästhetik; Sound in motion pictures; Sound motion pictures; Motion pictures; Motion pictures; Filmmusik; Ästhetik; Interdisziplinarität; Filmtheorie
    Scope: 1 Online-Ressource (IX, 435 Seiten), Illustrationen, Notenbeispiele
    Notes:

    General Introduction ; Part One: Genre Studies ; Part Two: Postcolonialism ; Part Three: Feminism ; Part Four: Psychoanalysis ; Part Five: Queer Theory ; Coda ; Select Filmography ; Further Perceiving ; Select Glossary ; Index
  15. Understanding sound tracks through film theory
    Author: Walker, Elsie
    Published: 2015
    Publisher:  Oxford University Press, New York, NY

    Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical... more

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out. Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts. - Elsie Walker is Associate Professor of Film Studies at Salisbury University, Maryland. She has taught film in three countries (New Zealand and England, as well as the United States) and she has published many articles on film, sound tracks, and adaptations of Shakespeare. She co-edited Conversations With Directors (2008), and she is coeditor-in-chief of Literature/Film Quarterly.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780199896301; 9780199896325
    RVK Categories: LR 53509
    Subjects: Film; Ästhetik; Sound in motion pictures; Sound motion pictures; Motion pictures; Motion pictures; Filmmusik; Ästhetik; Interdisziplinarität; Filmtheorie
    Scope: IX, 435 Seiten, Illustrationen, Notenbeispiele
    Notes:

    General Introduction ; Part One: Genre Studies ; Part Two: Postcolonialism ; Part Three: Feminism ; Part Four: Psychoanalysis ; Part Five: Queer Theory ; Coda ; Select Filmography ; Further Perceiving ; Select Glossary ; Index
  16. Understanding sound tracks through film theory
    Author: Walker, Elsie
    Published: 2015
    Publisher:  Oxford University Press, New York, NY

    Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical... more

     

    Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out. Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts. - Elsie Walker is Associate Professor of Film Studies at Salisbury University, Maryland. She has taught film in three countries (New Zealand and England, as well as the United States) and she has published many articles on film, sound tracks, and adaptations of Shakespeare. She co-edited Conversations With Directors (2008), and she is coeditor-in-chief of Literature/Film Quarterly.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199896301; 9780199896325
    RVK Categories: LR 53509
    Subjects: Sound in motion pictures; Sound motion pictures; Motion pictures; Motion pictures
    Scope: IX, 435 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Enthält Literaturangaben
  17. Sonic ethnography : Identity, heritage and creative research practice in Basilicata, southern Italy
    Author: Ferrarini, Lorenzo; Scaldaferri, Nicola
    Published: 2020
    Publisher:  Manchester University Press, Manchester

    Sonic ethnography explores the role of sound-making and listening practices in the formation of local identities in the southern Italian region of Basilicata. The book uses a combination of text, photography and sound recording to investigate... more

     

    Sonic ethnography explores the role of sound-making and listening practices in the formation of local identities in the southern Italian region of Basilicata. The book uses a combination of text, photography and sound recording to investigate soundful cultural performances such as tree rituals, carnivals, pilgrimages, events promoting cultural heritage and more informal musical performances. Its approach demonstrates how in the acoustic domain tradition is made and disrupted, power struggles take place and acoustic communities are momentarily brought together in shared temporality and space. This book underlines how an attention to sound-making, recording and listening practices can bring innovative contributions to the ethnography of an area that has been studied by Italian and foreign scholars since the 1950s. The approaches of the classic anthropological scholarship on the region have become one of the forces at play in a complex field where discourses on a traditional past, politics of heritage and transnational diasporic communities interact. The book’s argument is carried forward not just by textual means, but also through the inclusion of six ‘sound-chapters’, that is, compositions of sound recordings themed so as to interact with the topic of the corresponding textual chapter, and through a large number of colour photographs. Two methodological chapters, respectively about doing research in sound and on photo-ethnography, explain the authors’ approach to field research and to the making of the book.

     
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  18. Śṛṅgāraprakāśe śabdārthatattvavivecanam
    Author: Āryā, Aruṇā
    Published: 2014
    Publisher:  Abhiṣeka Prakāśana, Dillī, Bhārata

    Study of theory of Dhvani (sound) in Śṛṅgāraprakāśa, treatise on Sanskrit poetics by Bhojarāja, King of Malwa, 11th century more

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    Centre for Asian and Transcultural Studies (CATS), Abteilung Südasien
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    ind 54 D 15/4586
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    Study of theory of Dhvani (sound) in Śṛṅgāraprakāśa, treatise on Sanskrit poetics by Bhojarāja, King of Malwa, 11th century

     
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    Source: Union catalogues
    Language: Sanskrit
    Media type: Book
    Format: Print
    ISBN: 9788183901055
    Edition: Prathama saṃskaraṇa
    Subjects: Sanskrit poetry; Dhvani (Poetics)
    Other subjects: Bhojarāja active 11th century
    Scope: 364 Seiten, 22 cm
    Notes:

    Includes bibliographical references (pages 361-364)
  19. Sounding modernism
    rhythm and sonic mediation in modern literature and film
    Published: 2017
    Publisher:  Edinburgh University Press, Edinburgh

    This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by... more

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    This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474416375
    RVK Categories: HM 1031
    Corporations / Congresses:
    Australasian Association for Literature, Conference < 2013, University of New South Wales> (Verfasser)
    Subjects: Sound (Philosophy); Sound in literature; Sound in motion pictures; Sound; Englisch; Ästhetik; Literatur; Moderne; Film
    Scope: 1 online resource (vii, 254 pages)
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    Title from publisher's bibliographic system (viewed on 05 Jan 2018)
  20. Sounding modernism
    rhythm and sonic mediation in modern literature and film
    Contributor: Murphet, Julian (Herausgeber); Groth, Helen (Herausgeber); Hone, Penelope (Herausgeber)
    Published: 2017
    Publisher:  Edinburgh University Press, Edinburgh ; Cambridge University Press, Cambridge, UK

    This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by... more

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    This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.

     
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    Contributor: Murphet, Julian (Herausgeber); Groth, Helen (Herausgeber); Hone, Penelope (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474416375
    Corporations / Congresses:
    Australasian Association for Literature
    Subjects: Englisch; Literatur; Moderne; Sound; Ästhetik; Film
    Scope: 1 Online-Ressource (vii, 254 pages)
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    Title from publisher's bibliographic system (viewed on 05 Jan 2018)
  21. Sounding Modernism
    Rhythm and Sonic Mediation in Modern Literature and Film
    Author: Murphet, Julian
    Published: 2017
    Publisher:  Edinburgh University Press, Edinburgh

    This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. Intro -- Sounding Modernism -- Copyright -- Contents -- Acknowledgements -- Chapter 1... more

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    This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. Intro -- Sounding Modernism -- Copyright -- Contents -- Acknowledgements -- Chapter 1 Introduction: Sounding Modernism 1890-1950 -- Part One Writing Modern Sound -- Chapter 2 On Not Listening to Modernism -- Chapter 3 Advocating Auricularisation: Virginia Woolf's 'In The Orchard' -- Part Two Mediated Voices -- Chapter 4 Bottled Bands: Automatic Music and American Media Publics -- Chapter 5 How to Listen to Joyce: Gramophones, Voice and the Limits of Mediation -- Chapter 6 Sounding Region, Writing Accent: A. G. Street and the BBC -- Chapter 7 Partial to Opera: Sounding Willa Cather's Empty Rooms -- Chapter 8 Elliptical Sound: Audibility and the Space of Reading -- Part Three Difficult Voices -- Chapter 9 Harsh Sounds: George Gissing's Penetrating Literary Voice -- Chapter 10 Body and Soul: Modernism, Metaphysics, Rhyme -- Chapter 11 Listening to the Late Cantos -- Part Four Modern Rhythm: Writing, Sound, Cinema -- Chapter 12 The Rhythms of Character in Katherine Mansfield's 'Miss Brill' -- Chapter 13 The Rhythm of the Rails: Sound and Locomotion -- Chapter 14 Two-step, Nerve-tap, Tanglefoot: Tapdance Typologies in Cinema -- Contributors -- Bibliography -- Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474416382
    Subjects: Sound (Philosophy)-Congresses; Electronic books
    Scope: 1 Online-Ressource (194 pages)
  22. Sound and Modernity in the Literature of London, 1880-1918
    Author: Pye, Patricia
    Published: 2017
    Publisher:  Palgrave Macmillan UK, London

    This book explores the literary representation of late Victorian and early Edwardian London from an auditory perspective, arguing that readers should ‘listen’ to impressions of the city, as described by writers such as Conrad, Doyle, Ford and... more

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    This book explores the literary representation of late Victorian and early Edwardian London from an auditory perspective, arguing that readers should ‘listen’ to impressions of the city, as described by writers such as Conrad, Doyle, Ford and Gissing. It was in this period that London began to ‘sound modern’ and, through a closer hearing of its literature, writers’ wider responses to modernity are revealed.The book is structured into familiar modernist themes, revisiting time and space, social progress and popular culture through an exploration of the sound impressions of some key works. Each chapter is contextualized by these themes, revealing how the sound of the news, social protest, music hall and suburbanization impacted on writers’ literary imaginations.Suitable for students of modernist literature and specialists in sound studies, this book will also appeal to readers with a wider interest in London’s history and popular culture between 1880-1918 "Acknowledgements" -- "Contents" -- "Introduction" -- "Part I Sound and Time" -- "Chapter 1 Waiting for the Sound: Noise, Time, and the News" -- "Individual and Communal Experience of Time" -- "Hearing the News in Conrad’s The Secret Agent" -- "Signalling the Moment in Ford’s A Man Could Stand up" -- "Part II Sound and Social Progress" -- "Chapter 2 Speakers, Listeners, and the Power of the Platform" -- "Some Platform Performers in Besant, James, Conrad, and Harkness" -- "Speakers and the Sound of Social Class" -- "Listeners and the â€Wild Beast Roar’ of the Crowd" -- "Part III Sound and Popular Culture" -- "Chapter 3 â€Can’t It Be Stopped?’—London and the Popular Tone" -- "The Clang of Triviality: Perceptions of the Popular" -- "Music of the Streets and Suburbs" -- "Music Hall and the Comic Tone" -- "Part IV Sound and Space" -- "Chapter 4 Silence, the Suburbs, and Lifeâ€Beyond the City’" -- "Jefferies and the End of London" -- "Chesterton and the â€Horrible Silence of Modernity’" -- "Travelling Beyond the City" -- "Conclusion" -- "Bibliography

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137540171
    Subjects: British literature
    Scope: 1 Online-Ressource (202 pages)
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    Includes bibliographical references and index
  23. Always already new
    media, history and the data of culture
    Author: Gitelman, Lisa
    Published: 2006
    Publisher:  MIT Press, Cambridge, Mass.

    An analysis of the ways that new media are experienced and studied as the subjects of history, using the examples of early recorded sound and digital networks. more

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    An analysis of the ways that new media are experienced and studied as the subjects of history, using the examples of early recorded sound and digital networks.

     
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  24. Financial inclusion and bank competition in Sub-Saharan Africa
    Author: Mengistu, Azanaw; Perez-Saiz, Hector
    Published: 2018
    Publisher:  International Monetary Fund, [Washington, D.C.]

    In this paper we study how competition and financial soundness affect financial inclusion in Sub-Saharan Africa (SSA). We use detailed individual-level survey data, combined with key country-level indicators of bank competition and financial... more

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    In this paper we study how competition and financial soundness affect financial inclusion in Sub-Saharan Africa (SSA). We use detailed individual-level survey data, combined with key country-level indicators of bank competition and financial soundness, to study the effect on the adoption of several financial products (bank accounts, credit and debit cards, and bank loans). We find that more competition tends to increase the probability of access to these financial products. On the contrary, we do not find strong evidence of the effect of bank-balance sheet variables (i.e. capital adequacy or liquidity) on borrowing by individuals. Our results may help policy makers design regulations that could improve financial inclusion, which could potentially impact economic growth and long-term economic development

     
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    Source: Staatsbibliothek zu Berlin
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    ISBN: 9781484386163
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    Series: IMF working paper ; WP/18, 256
    Scope: 1 Online-Ressource (circa 30 Seiten), Illustrationen
  25. Financial inclusion and bank competition in Sub-Saharan Africa
    Author: Mengistu, Azanaw; Perez-Saiz, Hector
    Published: 2018
    Publisher:  International Monetary Fund, [Washington, D.C.]

    In this paper we study how competition and financial soundness affect financial inclusion in Sub-Saharan Africa (SSA). We use detailed individual-level survey data, combined with key country-level indicators of bank competition and financial... more

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    In this paper we study how competition and financial soundness affect financial inclusion in Sub-Saharan Africa (SSA). We use detailed individual-level survey data, combined with key country-level indicators of bank competition and financial soundness, to study the effect on the adoption of several financial products (bank accounts, credit and debit cards, and bank loans). We find that more competition tends to increase the probability of access to these financial products. On the contrary, we do not find strong evidence of the effect of bank-balance sheet variables (i.e. capital adequacy or liquidity) on borrowing by individuals. Our results may help policy makers design regulations that could improve financial inclusion, which could potentially impact economic growth and long-term economic development

     
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    Source: Staatsbibliothek zu Berlin
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    ISBN: 9781484386163
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    Series: IMF working paper ; WP/18, 256
    Scope: 1 Online-Ressource (circa 30 Seiten), Illustrationen