Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Last searches

Results for sound studies

Displaying results 76 to 100 of 4644.

  1. The sonic persona
    an anthropology of sound
    Author: Schulze, Holger
    Published: 2018
    Publisher:  Bloomsbury Academic, New York

    "Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    "Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences. From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation, this book presents a fundamental critique concerning recent sound theories and their anthropological concepts--and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening. This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses."-- Quantifying sound -- Materializing listening -- Corporealizing the senses -- In auditory dispositives -- The sonic persona -- A sensory corpus -- The precision of sensibility -- Resistance and resonance -- Generativity.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501306839
    Other identifier:
    RVK Categories: LC 59000 ; LC 87000 ; LR 56500 ; EC 2440
    Subjects: Sound; Communication in anthropology; Senses and sensation; Senses and sensation ; Social aspects; Sound; Communication in anthropology
    Scope: Online-Ressource
  2. Chitram
    Author: Balasubramanaym, V.
    Published: 2006
    Publisher:  Rashtriya Sanskrit Sansthan, New Delhi

    Critical study of Sanskrit visual and sound poetry more

    Location:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Südasien
    Signature:
    ind 54 D 07/4020
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Critical study of Sanskrit visual and sound poetry

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English; Sanskrit
    Media type: Book
    Format: Print
    ISBN: 818611131X
    Series: Golden jubilee of India's independence series ; 44
    Subjects: Visual poetry, Sanskrit; Sanskrit poetry
    Scope: 25 cm
    Notes:

    Includes indexes. - Includes bibliographical references. - English and Sanskrit (Devanagari)
  3. Category: Workshops, seminars
    Beginning: 18.03.2019
    Voice and Environment
    Submitted by: Redaktion avldigital.de

    This workshop will bring artists and scholars together for a sustained conversation on the theme of voice and environment. It will explore physical, cultural, sonic, and social interactions between voice and environment, as well as issues relating to...

    Fields of research Ecocriticism,  Literature and music/sound studies
    Created on: 20.02.2019
  4. Playing with sound
    a theory of interacting with sound and music in video games
    Published: 2013
    Publisher:  The MIT Press, Cambridge, Massachusetts

    "In Playing with Sound, Karen Collins examines video game sound from the player's perspective. She explores the many ways that players interact with a game's sonic aspects, ambient sound, dialogue, and interface sounds -- both within and outside of... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    "In Playing with Sound, Karen Collins examines video game sound from the player's perspective. She explores the many ways that players interact with a game's sonic aspects, ambient sound, dialogue, and interface sounds -- both within and outside of the game. She investigates the ways that meaning is found, embodied, created, evoked, hacked, remixed, negotiated, and renegotiated by players in the space of interactive sound in games. Drawing on disciplines that range from film studies and philosophy to psychology and computer science, Collins develops a theory of interactive sound experience that distinguishes between interacting with sound and simply listening without interacting. Her conceptual approach combines practice theory (which focuses on productive and consumptive practices around media) and embodied cognition (which holds that our understanding of the world is in part shaped by our physical interaction with it). Collins investigates the multimodal experience of sound, image, and touch in games; the role of interactive sound in creating an emotional experience through immersion and identification with the game character; the ways in which sound acts as a mediator for a variety of performative activities; and embodied interactions with sound beyond the game, including machinima, chip-tunes, circuit bending, and other practices that use elements from games in sonic performances."--Jacket Introduction -- Interacting with sound: a theory of action, image, and sound -- Being in the game: a sonic approach -- Sound at the borders: enacting game sound -- Embodying game sound in performance: the real and the virtual -- The second life of game sound: playing with the game -- Conclusions.

     
    Export to reference management software   RIS file
      BibTeX file
  5. Sound, Music, and Motion
    10th International Symposium, CMMR 2013, Marseille, France, October 15-18, 2013. Revised Selected Papers
    Author: Aramaki, Mitsuko
    Published: 2014
    Publisher:  Springer, Cham [u.a.]

    This book constitutes the thoroughly refereed post-conference proceedings of the 10th International Symposium on Computer Music Modeling and Retrieval, CMMR 2013, held in Marseille, France, in October 2013. The 38 conference papers presented were... more

    Location:
    Universitätsbibliothek Braunschweig
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Freiburg
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Furtwangen University. Informatik, Technik, Wirtschaft, Medien. Campus Furtwangen, Bibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek LIV HN Sontheim
    Signature:
    Springer E-Book
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Ilmenau
    Signature:
    Online-Ressource
    Inter-library loan:
    No inter-library loan

    Location:
    Karlsruher Institut für Technologie, KIT-Bibliothek
    Inter-library loan:
    No inter-library loan
    Location:
    Karlsruher Institut für Technologie, KIT-Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    HTWG Hochschule Konstanz Technik, Wirtschaft und Gestaltung, Bibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan
    Location:
    Duale Hochschule Baden-Württemberg Lörrach, Zweigbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrale Hochschulbibliothek Lübeck
    Signature:
    KaufEBook202103
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Mannheim, Hochschulbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Offenburg, University of Applied Sciences, Bibliothek Campus Offenburg
    Signature:
    E-Book Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan
    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Osnabrück, Bibliothek Campus Westerberg
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Osnabrück
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Reutlingen (Lernzentrum)
    Signature:
    eBook
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Rostock
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Hochschule Ulm, Bibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Ulm, Kommunikations- und Informationszentrum, Bibliotheksservices
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    This book constitutes the thoroughly refereed post-conference proceedings of the 10th International Symposium on Computer Music Modeling and Retrieval, CMMR 2013, held in Marseille, France, in October 2013. The 38 conference papers presented were carefully reviewed and selected from 94 submissions. The chapters reflect the interdisciplinary nature of this conference with following topics: augmented musical instruments and gesture recognition, music and emotions: representation, recognition, and audience/performers studies, the art of sonification, when auditory cues shape human sensorimotor performance, music and sound data mining, interactive sound synthesis, non-stationarity, dynamics and mathematical modeling, image-sound interaction, auditory perception and cognitive inspiration, and modeling of sound and music computational musicology

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Derrien, Olivier (Hrsg.); Kronland-Martinet, Richard (Hrsg.); Ystad, Sølvi (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783319129761
    Other identifier:
    Series: Lecture Notes in Computer Science ; 8905
    Array
    Subjects: Computer science; Software engineering; Information systems; Computer Science; Computer science; Software engineering; Information storage and retrieval systems; Multimedia systems; Information systems; Music; Information storage and retrieval systems; Multimedia systems; Music; Digital humanities.; User interfaces (Computer systems).; Human-computer interaction.; Computers, Special purpose.
    Scope: Online-Ressource (XIV, 684 p. 287 illus, online resource)
    Notes:

    Literaturangaben

    Augmented Musical Instruments and Gesture RecognitionInvestigation of the Harpist/Harp Interaction -- Sonically Augmented Artifacts: Design Methodology Through Participatory Workshops -- Vibrotactile Feedback for an Open Air Music Controller -- Automatic Classification of Guitar Playing Modes -- Extracting Commands From Gestures: Gesture Spotting and Recognition for Real-time Music Performance -- Music and Emotions: Representation, Recognition, and Audience/Performers Studies -- Making Explicit the Formalism Underlying Evaluation in Music Information Retrieval Research: A Look at the MIREX Automatic Mood Classification Task -- On the Perception of Affect in the Singing Voice: a Study of Acoustic Cues -- Novel Methods in Facilitating Audience and Performer Interaction using the Mood Conductor Framework -- The Art of Sonification -- Making Data Sing: Embodied Approaches to Sonification -- Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic Space -- Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis -- When Auditory Cues Shape Human Sensorimotor Performance -- Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performance -- Moving with Beats and Loops: the Structure of Auditory Events and Sensorimotor Timing -- Learning Movement Kinematics with a Targeted Sound -- Audio-motor Synchronization: the Effect of Mapping Between -- Kinematics and Acoustic Cues on Geometric Motor Features -- Movement Sonification for the Diagnosis and the Rehabilitation of Graphomotor Disorders -- Music and Sound Data Mining -- MidiFind: Fast and Effective Similarity Searching in Large MIDI Databases -- Finding Repeated Patterns in Music: State of Knowledge, Challenges, Perspectives -- Fragmentations with Pitch, Rhythm and Parallelism Constraints for Variation Matching -- Predicting Agreement and Disagreement in the Perception of Tempo -- Interactive Sound Synthesis -- Music: Ars Bene Movandi -- A Virtual Reality Platform for Musical Creation: GENESIS-RT -- Interactive Sound Texture Synthesis through Semi-Automatic User Annotations -- Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound -- Non-stationarity, Dynamics and Mathematical Modeling -- The Large Time-Frequency Analysis Toolbox 2.0 -- Sparse Gabor Multiplier Estimation for Identification of Sound Objects in Texture Sound -- Waveform-Aligned Adaptive Windows for Spectral Component Tracking and Noise Rejection -- Image-Sound Interaction -- Sound and Gesture -- Changing the Interval Content of Algorithmically Generated Music Changes the Emotional Interpretation of Visual Images -- The Perception of Sound Movements as Expressive Gestures -- Musical Sonification of Avatar Physiologies, Virtual Flight and Gesture -- IX - Auditory Perception and Cognitive Inspiration Understanding Coarticulation in Musical Experience -- Symbolic Segmentation: A Corpus-Based Analysis of Melodic Phrases -- Non-Verbal Imitations as a Sketching Tool for Sound Design -- Influence of Rehearsal in an Auditory Memory Model for Audio Feature Estimation -- X - Modeling of Sound and Music - Computational Musicology -- Cognitive Similarity Grounded by Tree Distance from the Analysis of K.265/300e -- Group Delay Function from All-Pole Models for Musical Instrument Recognition -- A Multiple-Expert Framework for Instrument Recognition -- Syncopation as Transformation -- Cent Filter-banks and its Relevance to Identifying the Main Song in Carnatic Music.
  6. Sound of Shakespeare
    Author: Folkerth, Wes
    Published: 2014
    Publisher:  Taylor and Francis, Florence

    The 'Sound of Shakespeare' reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture. In this engaging study, Wes Folkerth... more

    Location:
    Universität Frankfurt, Elektronische Ressourcen
    Signature:
    /
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan

     

    The 'Sound of Shakespeare' reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture. In this engaging study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatr...

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780415253765; 9781317797210 (Sekundärausgabe)
    RVK Categories: HI 3381 ; HI 3560
    Series: Accents on Shakespeare
    Subjects: Laut
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 160 p.
    Notes:

    Description based upon print version of record

    Online-Ausg.:
  7. The Sound of Shakespeare
    Author: Folkerth, Wes
    Published: 2014
    Publisher:  Taylor and Francis, Hoboken

    The 'Sound of Shakespeare' reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture. In this engaging study, Wes Folkerth... more

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    Signature:
    e-Book Academic Complete
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek LIV HN Sontheim
    Signature:
    ProQuest Academic Complete
    Inter-library loan:
    No inter-library loan
    Location:
    Bibliothek LIV HN Sontheim
    Signature:
    ProQuest Academic Complete
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
    Signature:
    eBook ProQuest
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    Signature:
    eBook ProQuest
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    Signature:
    ProQuest
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
    Signature:
    E-Books ProQuest Academic
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
    Signature:
    E-Book Proquest
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
    Signature:
    eBook ProQuest
    Inter-library loan:
    No inter-library loan

    Location:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
    Signature:
    EBS ProQuest
    Inter-library loan:
    No inter-library loan

     

    The 'Sound of Shakespeare' reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture. In this engaging study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatr

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780415253765
    Series: Accents on Shakespeare
    Accents on Shakespeare Ser.
    Subjects: Sound in literature; Electronic books
    Scope: Online-Ressource (160 p)
    Notes:

    Description based upon print version of record

    Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; General editor's preface; Acknowledgements; Introduction; Something of the ripe old sounds; The Shakespearean soundscape; 1 Shakespearience; Culture and sound | soundscape; Reading the soundscape: early modern playtextuality; Sounding out deep subjectivity; 2 The public ear; The public ear in Antony and Cleopatra; The doctrine is sound; One of the subtilest pieces of nature; 'An explication of certaine hard Problemes about the Eares'; 'And this is the true manner of hearing'; 3 Receptivity

    Hearing in Shakespearean cognitionThe receptive ear in Coriolanus; 4 Transformation and continuity; Woordes within the ground; A reasonable good ear in A Midsummer Night's Dream; The grotesque ear; Sound economics: excess, surfeit, stealing, giving; 5 Shakespearean acoustemologies; The greedy ear in Othello; The willing ear in Measure for Measure; Then play on; Notes; References; Index
  8. Soundworks
    race, sound, and poetry in production
    Author: Reed, Anthony
    Published: 2021
    Publisher:  Duke University Press, Durham ; London

    In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958-1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958-1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478012795
    Other identifier:
    RVK Categories: LO 94036
    Series: Refiguring American music
    Subjects: MUSIC / Genres & Styles / Jazz; African Americans; American poetry; Jazz; Music and literature; Klang; Schwarze; Musiker
    Scope: 1 Online-Ressource (xii, 268 Seiten)
  9. Soundworks
    race, sound, and poetry in production
    Author: Reed, Anthony
    Published: 2021
    Publisher:  Duke University Press, Durham ; London

    In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958-1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958-1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Cover (lizenzpflichtig)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478012795
    Other identifier:
    RVK Categories: LO 94036
    Series: Refiguring American music
    Subjects: MUSIC / Genres & Styles / Jazz; African Americans; American poetry; Jazz; Music and literature; Klang; Schwarze; Musiker
    Scope: 1 Online-Ressource (xii, 268 Seiten)
  10. Soundworks
    Race, Sound, and Poetry in Production
    Author: Reed, Anthony
    Published: 2021; ©2021
    Publisher:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958-1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through... more

    Access:

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Mainz, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Marburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958-1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478012795
    Series: Refiguring American Music : 25
    Scope: 1 Online-Ressource (280 p.)
  11. Sounding modernism
    rhythm and sonic mediation in modern literature and film
    Contributor: Murphet, Julian (Herausgeber); Groth, Helen (Herausgeber); Hone, Penelope (Herausgeber)
    Published: 2020
    Publisher:  Oxford University Press, Oxford

    This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. more

    Access:

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan

     

    This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Murphet, Julian (Herausgeber); Groth, Helen (Herausgeber); Hone, Penelope (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474434591
    Other identifier:
    Series: Edinburgh scholarship online
    Subjects: Englisch; Literatur; Moderne; Sound; Ästhetik; Film; Sound (Philosophy); Sound in literature; Sound in motion pictures
    Scope: 1 Online-Ressource (vi, 254 pages).
    Notes:

    Previously issued in print: Edinburgh: Edinburgh University Press, 2017

    Includes bibliographical references and index
  12. The Sound of Salvation
    Voice, Gender, and the Sufi Mediascape in China
    Author: Ha, Guangtian
    Published: [2022]; ©2022
    Publisher:  Columbia University Press, New York, NY

    The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

     

    The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants.The first ethnography of this order in any language, The Sound of Salvation draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals.Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231552486
    Other identifier:
    Series: Studies of the Weatherhead East Asian Institute, Columbia University
    Subjects: Communication; Islam; Mass media in religion; Mass media; Muslims; Sufism; RELIGION / Islam / Rituals & Practice
    Scope: 1 Online-Ressource (xiv, 293 pages)
  13. The Sound of Salvation
    Voice, Gender, and the Sufi Mediascape in China
    Author: Ha, Guangtian
    Published: [2022]; ©2022
    Publisher:  Columbia University Press, New York, NY

    The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants.The first ethnography of this order in any language, The Sound of Salvation draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals.Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231552486
    Other identifier:
    Series: Studies of the Weatherhead East Asian Institute, Columbia University
    Subjects: Communication; Islam; Mass media in religion; Mass media; Muslims; Sufism; RELIGION / Islam / Rituals & Practice
    Scope: 1 Online-Ressource (xiv, 293 pages)
  14. Sound and sense in British Romanticism
    Contributor: Grande, James (HerausgeberIn); Raz, Carmel (HerausgeberIn)
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge

    "This unparalleled exploration reveals how understandings of sound shifted and multiplied in late eighteenth- and early nineteenth-century Britain. Drawing on literary studies, musicology and history, and interrogating how writers of this period... more

    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2023/5621
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signature:
    EQ/205/1305
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2023 A 9144
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Mannheim
    Signature:
    500 HL 1131 G751
    Inter-library loan:
    No inter-library loan

     

    "This unparalleled exploration reveals how understandings of sound shifted and multiplied in late eighteenth- and early nineteenth-century Britain. Drawing on literary studies, musicology and history, and interrogating how writers of this period thought with and through sound, this book opens up a new chapter in the history of the senses"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Grande, James (HerausgeberIn); Raz, Carmel (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781009277846; 9781009277815
    Other identifier:
    9781009277846
    RVK Categories: HL 1131
    Series: Cambridge studies in romanticism ; 144
    Subjects: Music; English literature; Romanticism
    Scope: xiv, 277 Seiten, Illustrationen, Notenbeispiele, 24 cm
    Notes:

    Includes bibliographical references and index
  15. Noise - Klang zwischen Musik und Lärm
    zu einer Praxeologie des Auditiven
    Author: Ginkel, Kai
    Published: [2017]; © 2017
    Publisher:  transcript-Verlag, Bielefeld

    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter? »Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür,... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter? »Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür, musikalische Sinnstiftung zu untersuchen. Kai Ginkel ergründet diese, indem er Soziologie, Ethnografie und Sound Studies miteinander in Dialog bringt. Schwerpunkte seiner Studie sind Verkörperung, Raum, Konflikt sowie Wissen und Kompetenz. What does it take to perceive sound as music? This ethnographic study explores auditory meaning by taking the noise culture as an example.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839439289
    Other identifier:
    RVK Categories: EC 2440
    Series: Kulturen der Gesellschaft ; Band 27
    De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Subjects: Musik; Kultursoziologie; Raum; Musiksoziologie; Klang; Feldforschung; Klang; Noise; Lärm; SOCIAL SCIENCE / Popular Culture
    Scope: 1 Online-Ressource (267 Seiten)
    Notes:

    Dissertation, Katholische Universität Eichstädt-Ingolstadt, 2016

    Frontmatter -- -- Inhalt -- -- Vorbemerkungen und Danksagung -- -- 1. Einleitende Worte -- -- 2. Theoretische Fundierung -- -- 3. Methode -- -- 4. Noise als Gegenstandsbereich -- -- 5. Hörkompetenz und Distinktion -- -- 6. Klang-Raum-Körper -- -- 7. Kollektivität zwischen Dynamik und Routine -- -- 8. Praktisches Wissen und Transformationsleistungen -- -- 9. Zu einer Soziologie des Auditiven -- -- Literatur -- -- Nichtwissenschaftliche Internetquellen -- -- Medienquellen -- -- Kurzzusammenfassung
  16. Noise - Klang zwischen Musik und Lärm
    Zu einer Praxeologie des Auditiven
    Author: Ginkel, Kai
    Published: [2017]; ©2017
    Publisher:  transcript-Verlag, Bielefeld

    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter?»Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür, musikalische... more

    Access:

    Location:
    Hochschulbibliothek der Fachhochschule Aachen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der RWTH Aachen
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Bielefeld – University of Applied Sciences and Arts, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Bielefeld
    Inter-library loan:
    No inter-library loan

    Location:
    Evangelische Hochschule Rheinland-Westfalen-Lippe, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Bochum, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Gesundheit, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Hochschule Georg Agricola, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    No inter-library loan

    Location:
    Fachhochschule Dortmund, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Dortmund
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek der Hochschule Düsseldorf
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Duisburg-Essen
    Inter-library loan:
    No inter-library loan

    Location:
    Westfälische Hochschule Gelsenkirchen Bocholt Recklinghausen, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Fachhochschule Südwestfalen, Fachbibliothek Hagen, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Fernuniversität
    Inter-library loan:
    No inter-library loan

    Location:
    SRH Hochschule für Logistik und Wirtschaft Hamm, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Kunsthochschule für Medien, Bibliothek / Mediathek
    Inter-library loan:
    No inter-library loan

    Location:
    Rheinische Fachhochschule Köln gGmbH, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Hochschule Köln, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Inter-library loan:
    No inter-library loan

    Location:
    Zentralbibliothek der Sportwissenschaften der Deutschen Sporthochschule Köln
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Hochschule Ostwestfalen-Lippe, Service Kommunikation Information Medien
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Niederrhein, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Ruhr West, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    FH Münster, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Paderborn
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Siegen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Trier
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Wuppertal
    Inter-library loan:
    No inter-library loan

     

    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter?»Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür, musikalische Sinnstiftung zu untersuchen. Kai Ginkel ergründet diese, indem er Soziologie, Ethnografie und Sound Studies miteinander in Dialog bringt. Schwerpunkte seiner Studie sind Verkörperung, Raum, Konflikt sowie Wissen und Kompetenz What does it take to perceive sound as music? This ethnographic study explores auditory meaning by taking the noise culture as an example

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
  17. Noise - Klang zwischen Musik und Lärm
    zu einer Praxeologie des Auditiven
    Author: Ginkel, Kai
    Published: [2017]; © 2017
    Publisher:  transcript-Verlag, Bielefeld

    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter? »Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür,... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Bildende Künste Braunschweig, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Braunschweig
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrale Hochschulbibliothek Flensburg
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Greifswald
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

    Location:
    HafenCity Universität Hamburg, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Inter-library loan:
    No inter-library loan
    Location:
    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität Hamburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Hildesheim
    Inter-library loan:
    No inter-library loan

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, Bibliothek und Archiv
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Magdeburg-Stendal, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    Signature:
    eBook de Gruyter
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Merseburg, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan
    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
    Inter-library loan:
    No inter-library loan
    Location:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Osnabrück
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
    Signature:
    eBook de Gruyter
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Magdeburg-Stendal, Standort Stendal, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

    Location:
    Württembergische Landesbibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

    Location:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Zittau / Görlitz, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

     

    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter? »Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür, musikalische Sinnstiftung zu untersuchen. Kai Ginkel ergründet diese, indem er Soziologie, Ethnografie und Sound Studies miteinander in Dialog bringt. Schwerpunkte seiner Studie sind Verkörperung, Raum, Konflikt sowie Wissen und Kompetenz. What does it take to perceive sound as music? This ethnographic study explores auditory meaning by taking the noise culture as an example.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839439289
    Other identifier:
    RVK Categories: EC 2440
    Series: Kulturen der Gesellschaft ; Band 27
    De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Subjects: Musik; Kultursoziologie; Raum; Musiksoziologie; Klang; Feldforschung; Klang; Noise; Lärm; SOCIAL SCIENCE / Popular Culture
    Scope: 1 Online-Ressource (267 Seiten)
    Notes:

    Dissertation, Katholische Universität Eichstädt-Ingolstadt, 2016

    Frontmatter -- -- Inhalt -- -- Vorbemerkungen und Danksagung -- -- 1. Einleitende Worte -- -- 2. Theoretische Fundierung -- -- 3. Methode -- -- 4. Noise als Gegenstandsbereich -- -- 5. Hörkompetenz und Distinktion -- -- 6. Klang-Raum-Körper -- -- 7. Kollektivität zwischen Dynamik und Routine -- -- 8. Praktisches Wissen und Transformationsleistungen -- -- 9. Zu einer Soziologie des Auditiven -- -- Literatur -- -- Nichtwissenschaftliche Internetquellen -- -- Medienquellen -- -- Kurzzusammenfassung
  18. Noise - Klang zwischen Musik und Lärm
    zu einer Praxeologie des Auditiven
    Author: Ginkel, Kai
    Published: [2017]; © 2017
    Publisher:  transcript, Bielefeld

    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter?»Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür, musikalische... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universitätsbibliothek Braunschweig
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Bildende Künste Dresden, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrale Hochschulbibliothek Flensburg
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek der Pädagogischen Hochschule Freiburg/Breisgau
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek der Hochschule Hannover
    Inter-library loan:
    No inter-library loan
    Location:
    Bibliothek im Kurt-Schwitters-Forum
    Inter-library loan:
    No inter-library loan

    Location:
    Badische Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Karlsruhe (PH)
    Signature:
    eBook UTB scholars
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, Bibliothek und Archiv
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Mannheim, Hochschulbibliothek
    Signature:
    eBook transcript
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter?»Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür, musikalische Sinnstiftung zu untersuchen. Kai Ginkel ergründet diese, indem er Soziologie, Ethnografie und Sound Studies miteinander in Dialog bringt. Schwerpunkte seiner Studie sind Verkörperung, Raum, Konflikt sowie Wissen und Kompetenz. What does it take to perceive sound as music? This ethnographic study explores auditory meaning by taking the noise culture as an example.

     
    Export to reference management software   RIS file
      BibTeX file
  19. Noise - Klang zwischen Musik und Lärm
    Zu einer Praxeologie des Auditiven
    Author: Ginkel, Kai
    Published: [2017]; ©2017
    Publisher:  transcript-Verlag, Bielefeld

    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter?»Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür, musikalische... more

    Access:

    Location:
    Hochschulbibliothek der Fachhochschule Aachen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der RWTH Aachen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Fachhochschule Bielefeld, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bielefeld
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Bochum, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Fachhochschule Dortmund, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Dortmund
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Duisburg-Essen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Westfälische Hochschule Gelsenkirchen Bocholt Recklinghausen, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Fachhochschule Südwestfalen, Elektronische Ressourcen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der Fernuniversität
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Köln, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralbibliothek der Sportwissenschaften der Deutschen Sporthochschule Köln
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Niederrhein, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Ruhr West, Hochschulbibliothek, Zweigbibliothek Bottrop
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Location:
    Hochschule Ruhr West, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Münster
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Paderborn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschul- und Kreisbibliothek Bonn-Rhein-Sieg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Siegen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Wuppertal
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter?»Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür, musikalische Sinnstiftung zu untersuchen. Kai Ginkel ergründet diese, indem er Soziologie, Ethnografie und Sound Studies miteinander in Dialog bringt. Schwerpunkte seiner Studie sind Verkörperung, Raum, Konflikt sowie Wissen und Kompetenz What does it take to perceive sound as music? This ethnographic study explores auditory meaning by taking the noise culture as an example

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839439289
    Other identifier:
    RVK Categories: EC 2440
    Series: Kulturen der Gesellschaft ; 27
    Other subjects: Culture; Ethnografie; Ethnography; Klang; Knowledge; Kultur; Kultursoziologie; Lärm; Musicology; Musikwissenschaft; Noise; Raum; Sociology of Culture; Sociology of Technology; Sociology; Sound Studies; Sound; Soziologie; Space; Techniksoziologie; Wissen; Musik; Kultursoziologie; Raum; Musiksoziologie; Klang; Feldforschung; Klang / Motiv; Noise; Lärm / Motiv; SOCIAL SCIENCE / Popular Culture
    Scope: 1 online resource
  20. The Spanish quinqui film
    delinquency, sound, sensation
    Author: Whittaker, Tom
    Published: 2020
    Publisher:  Manchester University Press, Manchester [UK]

    "This is the first major study in English of cine quinqui, a cycle of popular Spanish films from the late 1970s and early 1980s that starred real-life juvenile delinquents. The book provides a close analysis of key quinqui films by directors such as... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This is the first major study in English of cine quinqui, a cycle of popular Spanish films from the late 1970s and early 1980s that starred real-life juvenile delinquents. The book provides a close analysis of key quinqui films by directors such as Eloy de la Iglesia, José Antonio de la Loma and Carlos, as well as the moral panics, public fears and media debates that surrounded their controversial production and reception. In paying particular attention to the soundtrack of the films, the book shows how marginal youth cultures during Spain's transition to democracy were shaped by sound. It will be of interest to scholars and students of Spanish film, history and cultural studies, and those working in sound studies and youth subcultures more broadly."--

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781526131775
    RVK Categories: AP 59437
    Subjects: Film; Jugendkriminalität <Motiv>; Spanisch
    Other subjects: Juvenile delinquency films; Motion pictures, Spanish / 20th century / History and criticism; Motion pictures / Spain; Juvenile delinquency films; Motion pictures; Motion pictures, Spanish; Spain; 1900-1999; Criticism, interpretation, etc
    Scope: ix, 233 Seiten, Illustrationen, Portraits, 23 cm
    Notes:

    Unruly speed and sensation in the Perros callejeros cycle -- Soundscapes of anxiety: civil insecurity, democracy and the home -- Sound and skin in the quinqui films of Eloy de la Iglesia -- Listening to the delinquent voice -- The place of the rumba in cine quinqui
  21. The Spanish quinqui film
    delinquency, sound, sensation
    Author: Whittaker, Tom
    Published: 2020
    Publisher:  Manchester University Press, Manchester [UK]

    "This is the first major study in English of cine quinqui, a cycle of popular Spanish films from the late 1970s and early 1980s that starred real-life juvenile delinquents. The book provides a close analysis of key quinqui films by directors such as... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This is the first major study in English of cine quinqui, a cycle of popular Spanish films from the late 1970s and early 1980s that starred real-life juvenile delinquents. The book provides a close analysis of key quinqui films by directors such as Eloy de la Iglesia, José Antonio de la Loma and Carlos, as well as the moral panics, public fears and media debates that surrounded their controversial production and reception. In paying particular attention to the soundtrack of the films, the book shows how marginal youth cultures during Spain's transition to democracy were shaped by sound. It will be of interest to scholars and students of Spanish film, history and cultural studies, and those working in sound studies and youth subcultures more broadly."--

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781526131775
    RVK Categories: AP 59437
    Subjects: Film; Jugendkriminalität <Motiv>; Spanisch
    Other subjects: Juvenile delinquency films; Motion pictures, Spanish / 20th century / History and criticism; Motion pictures / Spain; Juvenile delinquency films; Motion pictures; Motion pictures, Spanish; Spain; 1900-1999; Criticism, interpretation, etc
    Scope: ix, 233 Seiten, Illustrationen, Portraits, 23 cm
    Notes:

    Unruly speed and sensation in the Perros callejeros cycle -- Soundscapes of anxiety: civil insecurity, democracy and the home -- Sound and skin in the quinqui films of Eloy de la Iglesia -- Listening to the delinquent voice -- The place of the rumba in cine quinqui
  22. Sound and affect
    voice, music, world
    Contributor: Lochhead, Judith Irene (Publisher); Mendieta, Eduardo (Publisher); Smith, Stephen Decatur (Publisher)
    Published: [2021]; ©2021
    Publisher:  University of Chicago Press, Chicago ; London

    "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Lochhead, Judith Irene (Publisher); Mendieta, Eduardo (Publisher); Smith, Stephen Decatur (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780226758015; 9780226751832
    RVK Categories: LR 56800 ; LR 56650
    Subjects: Ästhetik; Affekt; Musik; Philosophie
    Other subjects: Music / Psychological aspects; Affect (Psychology); Music / Philosophy and aesthetics; Music / Political aspects; Emotions in music; Affect (Psychology); Emotions in music; Music / Philosophy and aesthetics; Music / Political aspects; Music / Psychological aspects
    Scope: ix, 405 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Waves of modernation: the sound of sophrosyne in ancient Greek and neoliberal times / Robin James -- The politics of silence: Heidegger's Black notebooks / Adam Knowles -- Sign, affect, and musicking before the human / Gary Tomlinson -- Human beginnings and music: technology and embodiment roles / Don Ihde -- The life and death of Daniel Barenboim / James Currie -- The philosopher's voice: the prosody of logos / Eduardo Mendieta -- Late capitalism, affect, and the algorithmic self in music streaming platforms / Michael Birenbaum Quintero -- Music, labor, and technologies of desire / Martin Scherzinger -- Musical affect, autobiographical memory, and collective individuation in Thomas Bernhard's Correction / Christopher Haworth -- The "sound" of music: sonic agency and the dialectic of freedom and constraint in jazz improvisation / Lorenzo C. Simpson -- Merleau-Ponty on consciousness and affect through the temporal movement of music / Jessica Wiskus -- A.N. Whitehead, feeling, and music: on some potential modifications to affect theory / Ryan Dohoney -- Delivering affect: Mersenne, voice, and the background of Jesuit rhetorical theory / André de Oliveira Redwood -- Mimesis and the affective ground of Baroque representation / Daniel Villegas Vélez -- Affect and the recording devices of seventeenth-century Italy / Emily Wilbourne -- Immanuel Kant and the downfall of the Affektenlehre / Tomás McAuley
  23. Sound and affect
    voice, music, world
    Contributor: Lochhead, Judith Irene (Herausgeber); Mendieta, Eduardo (Herausgeber); Smith, Stephen Decatur (Herausgeber)
    Published: [2021]; ©2021
    Publisher:  University of Chicago Press, Chicago ; London

    "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Lochhead, Judith Irene (Herausgeber); Mendieta, Eduardo (Herausgeber); Smith, Stephen Decatur (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226758015; 9780226751832
    RVK Categories: LR 56800 ; LR 56650
    Subjects: Musik; Affekt; Philosophie; Ästhetik
    Scope: ix, 405 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Waves of modernation: the sound of sophrosyne in ancient Greek and neoliberal times / Robin James -- The politics of silence: Heidegger's Black notebooks / Adam Knowles -- Sign, affect, and musicking before the human / Gary Tomlinson -- Human beginnings and music: technology and embodiment roles / Don Ihde -- The life and death of Daniel Barenboim / James Currie -- The philosopher's voice: the prosody of logos / Eduardo Mendieta -- Late capitalism, affect, and the algorithmic self in music streaming platforms / Michael Birenbaum Quintero -- Music, labor, and technologies of desire / Martin Scherzinger -- Musical affect, autobiographical memory, and collective individuation in Thomas Bernhard's Correction / Christopher Haworth -- The "sound" of music: sonic agency and the dialectic of freedom and constraint in jazz improvisation / Lorenzo C. Simpson -- Merleau-Ponty on consciousness and affect through the temporal movement of music / Jessica Wiskus -- A.N. Whitehead, feeling, and music: on some potential modifications to affect theory / Ryan Dohoney -- Delivering affect: Mersenne, voice, and the background of Jesuit rhetorical theory / André de Oliveira Redwood -- Mimesis and the affective ground of Baroque representation / Daniel Villegas Vélez -- Affect and the recording devices of seventeenth-century Italy / Emily Wilbourne -- Immanuel Kant and the downfall of the Affektenlehre / Tomás McAuley
  24. Sound and affect
    voice, music, world
    Contributor: Lochhead, Judith Irene (Publisher); Mendieta, Eduardo (Publisher); Smith, Stephen Decatur (Publisher)
    Published: [2021]; ©2021
    Publisher:  University of Chicago Press, Chicago ; London

    "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Philologische Bibliothek, FU Berlin
    Contributor: Lochhead, Judith Irene (Publisher); Mendieta, Eduardo (Publisher); Smith, Stephen Decatur (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780226758015; 9780226751832
    RVK Categories: LR 56800 ; LR 56650
    Subjects: Ästhetik; Affekt; Musik; Philosophie
    Other subjects: Music / Psychological aspects; Affect (Psychology); Music / Philosophy and aesthetics; Music / Political aspects; Emotions in music; Affect (Psychology); Emotions in music; Music / Philosophy and aesthetics; Music / Political aspects; Music / Psychological aspects
    Scope: ix, 405 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Waves of modernation: the sound of sophrosyne in ancient Greek and neoliberal times / Robin James -- The politics of silence: Heidegger's Black notebooks / Adam Knowles -- Sign, affect, and musicking before the human / Gary Tomlinson -- Human beginnings and music: technology and embodiment roles / Don Ihde -- The life and death of Daniel Barenboim / James Currie -- The philosopher's voice: the prosody of logos / Eduardo Mendieta -- Late capitalism, affect, and the algorithmic self in music streaming platforms / Michael Birenbaum Quintero -- Music, labor, and technologies of desire / Martin Scherzinger -- Musical affect, autobiographical memory, and collective individuation in Thomas Bernhard's Correction / Christopher Haworth -- The "sound" of music: sonic agency and the dialectic of freedom and constraint in jazz improvisation / Lorenzo C. Simpson -- Merleau-Ponty on consciousness and affect through the temporal movement of music / Jessica Wiskus -- A.N. Whitehead, feeling, and music: on some potential modifications to affect theory / Ryan Dohoney -- Delivering affect: Mersenne, voice, and the background of Jesuit rhetorical theory / André de Oliveira Redwood -- Mimesis and the affective ground of Baroque representation / Daniel Villegas Vélez -- Affect and the recording devices of seventeenth-century Italy / Emily Wilbourne -- Immanuel Kant and the downfall of the Affektenlehre / Tomás McAuley
  25. Sound and affect
    voice, music, world
    Contributor: Lochhead, Judith Irene (HerausgeberIn); Mendieta, Eduardo (HerausgeberIn); Smith, Stephen Decatur (HerausgeberIn)
    Published: 2022
    Publisher:  University of Chicago Press, Chicago

    "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have... more

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    SD - 2021/2
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Signature:
    Me 4016
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Lochhead, Judith Irene (HerausgeberIn); Mendieta, Eduardo (HerausgeberIn); Smith, Stephen Decatur (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226751832; 9780226758015; 022675801X
    Subjects: Music; Affect (Psychology); Music; Music; Emotions in music
    Scope: x, 405 Seiten, Notenbeispiele
    Notes:

    Includes bibliographical references and index