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  1. Was sind Sounds?
    eine Ontologie des Klangs
    Author: Bayreuther, Rainer
    Published: [2019]; © 2019
    Publisher:  transcript, Bielefeld

    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche... more

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    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche Eigenschaften haben diese Dinge? In diesem Grundlagenwerk für Sound Studies und Musikwissenschaft, für das Kartographieren von Geräuschen sowie für Klangfetischisten, entwickelt Rainer Bayreuther in einer klaren ontologischen Systematik die Individualität sowie die Eigenschaften von Klängen. Die philosophische Arbeit wird anhand zahlreicher Fallbeispiele veranschaulicht

     
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839447079
    Other identifier:
    RVK Categories: AP 14900 ; LR 56660
    Series: Musik und Klangkultur ; Band 36
    Subjects: Aesthetics; Fundamental Work; Geräusch; Grundlagenwerk; Music; Musicology; Musik; Musikwissenschaft; Noise; Ontologie; Ontology; Sound Studies; Ästhetik; MUSIC / History & Criticism; Musik; Sound Studies; Klang; Geräusch
    Scope: 1 Online-Ressource (248 Seiten), Diagramme, Notenbeispiele
  2. Was sind Sounds?
    Eine Ontologie des Klangs
    Author: Bayreuther, Rainer
    Published: [2019]; ©2019
    Publisher:  transcript-Verlag, Bielefeld

    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche... more

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    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche Eigenschaften haben diese Dinge? In diesem Grundlagenwerk für Sound Studies und Musikwissenschaft, für das Kartographieren von Geräuschen sowie für Klangfetischisten, entwickelt Rainer Bayreuther in einer klaren ontologischen Systematik die Individualität sowie die Eigenschaften von Klängen. Die philosophische Arbeit wird anhand zahlreicher Fallbeispiele veranschaulicht

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839447079
    Other identifier:
    Series: Musik und Klangkultur ; 36
    Other subjects: Aesthetics; Fundamental Work; Geräusch; Grundlagenwerk; Music; Musicology; Musik; Musikwissenschaft; Noise; Ontologie; Ontology; Sound Studies; Ästhetik; MUSIC / History & Criticism
    Scope: 1 online resource (250 p.)
  3. Was sind Sounds?
    Eine Ontologie des Klangs
    Author: Bayreuther, Rainer
    Published: [2019]
    Publisher:  transcript-Verlag, Bielefeld ; Walter de Gruyter GmbH, Berlin

    A fundamental work for sound studies and musicology on the ontology and individuality of sounds. Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche... more

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    Universitätsbibliothek Gießen
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    A fundamental work for sound studies and musicology on the ontology and individuality of sounds. Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche Eigenschaften haben diese Dinge? In diesem Grundlagenwerk für Sound Studies und Musikwissenschaft, für das Kartographieren von Geräuschen sowie für Klangfetischisten, entwickelt Rainer Bayreuther in einer klaren ontologischen Systematik die Individualität sowie die Eigenschaften von Klängen. Die philosophische Arbeit wird anhand zahlreicher Fallbeispiele veranschaulicht.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839447079
    Other identifier:
    DDC Categories: 780
    Series: Musik und Klangkultur ; 36
    Subjects: Musik; Geräusch; Klang; Sound; Sound Studies; Aesthetics; Fundamental Work; Geräusch; Grundlagenwerk; Music; Musicology; Musik; Musikwissenschaft; Noise; Ontologie; Ontology; Sound Studies; Ästhetik; MUSIC / History & Criticism
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  4. Was sind Sounds?
    eine Ontologie des Klangs
    Author: Bayreuther, Rainer
    Published: [2019]; © 2019
    Publisher:  transcript-Verlag, Bielefeld

    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche... more

     

    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche Eigenschaften haben diese Dinge? In diesem Grundlagenwerk für Sound Studies und Musikwissenschaft, für das Kartographieren von Geräuschen sowie für Klangfetischisten, entwickelt Rainer Bayreuther in einer klaren ontologischen Systematik die Individualität sowie die Eigenschaften von Klängen. Die philosophische Arbeit wird anhand zahlreicher Fallbeispiele veranschaulicht

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839447079
    Other identifier:
    Series: Musik und Klangkultur ; 36
    Subjects: Aesthetics; Fundamental Work; Geräusch; Grundlagenwerk; Music; Musicology; Musik; Musikwissenschaft; Noise; Ontologie; Ontology; Sound Studies; Ästhetik; MUSIC / History & Criticism
    Scope: 1 Online-Ressource (250 Seiten)
  5. Resonant Alterities
    Sound, Desire and Anxiety in Non-Realist Fiction
    Author: Mieszkowski, Sylvia
    Published: [2014]
    Publisher:  Transcript, Bielefeld

    Cover Resonant Alterities; Contents; Acknowledgements; Introduction; Sound Studies -- An Interdisciplinary Field; Literary Sound Studies; Resonant Alterities; Haunted by Sound:Vernon Lee, "A Wicked Voice"; Introduction; Resonant Texts; Literary... more

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    Cover Resonant Alterities; Contents; Acknowledgements; Introduction; Sound Studies -- An Interdisciplinary Field; Literary Sound Studies; Resonant Alterities; Haunted by Sound:Vernon Lee, "A Wicked Voice"; Introduction; Resonant Texts; Literary Soundscapes; Implied Sound; Discursive Echo Chamber; Idolatrous Sounds; Scandalously Effeminate -- Meltingly Foreign; Sedimented Anxieties; Desiring the Vocal Phallus; Sound is Power:Algernon Blackwood, The Human Chord; Introduction; Fin de Siècle Occultism; On Vibration: Sound in Occultism; On Vibration: Sound in Occult Fiction. Occultist Science -- Scientific OccultismDissolved Division; First Identity Experiment: Voice; Second Identity Experiment: Pattern; Partial Evocation; Names as Words of Power; First Scene of Uttering: the Dangers of Calling; Vocal Technique Between Occultism & Science; Second Scene of Uttering: the Bliss of Being Called; The Name of God; Noise, Silence and Oedipus: J.G. Ballard, "The Sound Sweep"; Introduction; Sonic Waste & Sonic Weapons; Noise, the Avant-Garde & Ultrasonic Music; Noise; Technology; Playing With Tradition; Ultrasonic Music & Muzak; Ultrasonic Music & Silence. Cruel Mothers, Cruel CrowdsHate Speech; The Voice as Ambivalent Object; Auditory Hallucination & Vocal Jouissance; Air To Sounds, Sounds To Words: Don DeLillo, The Body Artist; Introduction; First Failure of comNmuOnicIatiSonE: What?; Second Failure of comNmuOnicIatiSonE: The Noise; Noise -- Voice -- Chant; The Visual & The Aural -- Legacies of Modernism; Second Person Narration & Self-Awareness; Voice -- Gender -- Loss; Sonic Symptom; Aural Fort/Da; Gender -- De-Gendering -- Empowerment; Conclusion; Bibliography. "Resonant Alterities" bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a post-traumatic short novel by Don DeLillo are its primary objects of analysis. Each is explored within the context of its contemporary cultural debates on sound. Meanwhile, all four theory-enriched readings focus on intersecting and desire-laden processes of meaning making, knowledge production and subject formation. Focal points are aurally/audio-visually stru

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    RVK Categories: EC 2440
    Series: Culture and media studies
    Subjects: Literature, Modern; Literature, Modern; Modernism (Literature); LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Literature, Modern; Modernism (Literature); Geräusch; Klang; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (402 pages)
    Notes:

    Includes bibliographical references (pages 369-402)
  6. The sound of poetry, the poetry of sound
    Published: 2009
    Publisher:  University of Chicago Press, Chicago

    Sound--one of the central elements of poetry--finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkin break that critical silence to readdress some of the fundamental... more

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    Sound--one of the central elements of poetry--finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkin break that critical silence to readdress some of the fundamental connections between poetry and sound--connections that go far beyond traditional metrical studies. Ranging from medieval Latin lyrics to a cyborg opera, sixteenth-century France to twentieth-century Brazil, romantic ballads to the contemporary avant-garde, the contributors to The Sound of Poetry/The Poetry of Sound explore such subjects as the translatabil

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226657448; 0226657442
    Subjects: Sound poetry; TRAVEL ; Special Interest ; Literary; LITERARY CRITICISM ; General; Sound poetry
    Scope: Online Ressource (344 p.), ill.
    Notes:

    Includes bibliographical references and index. - Description based on print version record
  7. The sound of poetry, the poetry of sound
    Contributor: Perloff, Marjorie; Dworkin, Craig
    Published: 2009
    Publisher:  University of Chicago Press, Chicago ; EBSCO Industries, Inc., Birmingham, AL, USA

    Sound--one of the central elements of poetry--finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkin break that critical silence to readdress some of the fundamental... more

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    Sound--one of the central elements of poetry--finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkin break that critical silence to readdress some of the fundamental connections between poetry and sound--connections that go far beyond traditional metrical studies. Ranging from medieval Latin lyrics to a cyborg opera, sixteenth-century France to twentieth-century Brazil, romantic ballads to the contemporary avant-garde, the contributors to The Sound of Poetry/The Poetry of Sound explore such subjects as the translatabil.

     
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    Source: Union catalogues
    Contributor: Perloff, Marjorie; Dworkin, Craig
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226657448; 0226657442; 1282426796; 9781282426795
    RVK Categories: HN 1191
    Subjects: Lyrik; Klang
    Scope: 1 Online-Ressource (344 pages), Illustrations
    Notes:

    Includes bibliographical references and index
  8. The sound of poetry, the poetry of sound
    Published: 2009
    Publisher:  University of Chicago Press, Chicago

    Sound-one of the central elements of poetry-finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkin break that critical silence to readdress some of the fundamental... more

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    Sound-one of the central elements of poetry-finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkin break that critical silence to readdress some of the fundamental connections between poetry and sound-connections that go far beyond traditional metrical studies.Ranging from medieval Latin lyrics to a cyborg opera, sixteenth-century France to twentieth-century Brazil, romantic ballads to the contemporary avant-garde, the contributors to The Sound of Poetry/The Poetry of Sound explore such subjects as the translatabili

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0226657426; 0226657434; 9780226657424; 9780226657431
    Subjects: Poetry; Sound poetry
    Scope: Online-Ressource (344 p)
    Notes:

    Includes index

    Electronic reproduction; Available via World Wide Web

    Contents ; Introduction: The Sound of Poetry / The Poetry of Sound (Marjorie Perloff and Craig Dworkin) ; Prelude: Poetry and Orality (Jacques Roubaud; Translated by Jean-Jacques Poucel) ; Part I: Translating Sound ; Rhyme and Freedom (Susan Stewart) ; In the Beginning Was Translation (Leevi Lehto) ; Chinese Whispers (Yunte Huang) ; Translating the Sound in Poetry: Six Propositions (Rosmarie Waldrop) ; Ensemble discords": Translating the Music of Maurice Scève's Délie (Richard Sieburth); The Poetry of Prose, the Unyielding of Sound (Gordana P. Crnkovic); Part II: Performing Sound

    Sound Poetry and the Musical Avant-Garde: A Musicologist's Perspective (Nancy Perloff) Cacophony, Abstraction, and Potentiality: The Fate of Dada Sound Poem (Steve McCaffery) ; When Cyborgs Versify (Christian Bök); Hearing Voices (Charles Bernstein) ; Impossible Reversibilities: Jackson Mac Low (Hélène Aji); The Stutter of Form (Craig Dworkin); The Art of Being Nonsynchronous (Yoko Tawada; Translated by Susan Bernofsky); Part III: Souding the Visual ; Writing Articulation of Sound Forms in Time (Susan Howe) ; Jean Cocteau's Radio Poetry (Rubén Gallo)

    Sound as Subject: Augusto de Campos's Poetamenos / Antonio Sergio Bessa)Not Sound (Johanna Drucker) ; The Sound Shape of the Visual: Toward a Phenomenology of an Interface (Ming-Qian Ma) ; Visual Experiment and Oral Performance (Brian M. Reed) ; Postlude: I Love Speech (Kenneth Goldsmith) ; Notes ; List of Contributors ; Index
  9. dis/cord : Thinking Sound through Agential Realism
    Author: Toksöz Fairbairn, Kevin
    Published: 2022
    Publisher:  punctum books, Brooklyn, NY

    dis/cord is an experiment in reading sound. Embarking from Karen Barad’s early work on agential realism, it diffracts quantum physics through sound art, finding the sympathetic resonances that allow them to speak together. dis/cord believes in the... more

     

    dis/cord is an experiment in reading sound. Embarking from Karen Barad’s early work on agential realism, it diffracts quantum physics through sound art, finding the sympathetic resonances that allow them to speak together. dis/cord believes in the materialism of sound, and strives not to understand it, but to become entangled with it. It asserts that impartial observation is impossible and understands immersion as a participatory and collaborative act. Sound art pieces provide the backdrop for a series of reflections on space, time, and matter. They trace the “marks on bodies” that sound leaves behind in its ephemeral vibration, finding new forms of sensation and interpretation through the pain and hearing loss that a life devoted to sound can cause.

     

    Drifting between sound studies, artistic research, musicology, and craftsmanship, dis/cord uses agential realism as a platform to approach thinking with, through, and about sound. Following Barad’s commitment to diffraction as a form of critique, it superposes a variety of sounds and ideas in the hope that their consonances and dissonances can provoke new ways of engaging with sound as a cultural and material agent. It is neither an appeal to scientist positivism nor a mystical immersion in listening. Rather, it builds from the intertwined physical and metaphysical curiosities that characterize Barad’s work, proposing a corporeal engagement with the disjointed temporal and spacial (dis)continuities that sonic materialism helps to build, understand, and create.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781685710460
    Other identifier:
    Subjects: Theory of music & musicology; Philosophy: aesthetics
    Other subjects: agential realism;artistic research;embodiment;Karen Barad;new materialism;noise;sound studies
    Scope: 1 electronic resource (146 p.)
  10. Sonophilia / Sonophobia: Sonic Others in the Poetry of Edward Sapir
    Author: Reichel, A. Elisabeth
    Published: 2015

    One of the key findings in early visual culture studies is a profound ambivalence toward images, which is intricately tied up with hegemonic conceptions of cultural, racial, and sexual Others. Starting from W. J. T. Mitchell’s diagnosis of... more

     

    One of the key findings in early visual culture studies is a profound ambivalence toward images, which is intricately tied up with hegemonic conceptions of cultural, racial, and sexual Others. Starting from W. J. T. Mitchell’s diagnosis of iconophilia and iconophobia for visual culture, Iargue that recent sound studies yield parallel conclusions with regard to sonic culture, as scholars such as Jonathan Sterne point to a long tradition of writing on sound that is also characterized by attraction to and repulsion of media and sign systems other than written language. On the basis of a theoretical conception of what I term sonophilia and sonophobia, then, this essay asserts that it is precisely the ambivalence toward sound that is at the center of the poetry of anthropologist and linguist Edward Sapir. In their treatment of auditory sense perceptions as the Other of written language, Sapir’s poems “Music” and “Zuni” attest to the fact that not only images but notions of sound, too, are shaped by ideological associations embedded in semiotic and sensory oppositions.

     
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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (edited volume)
    Format: Online
    DDC Categories: 810
    Subjects: Lyrik; Anthropologie; Edward Sapir; Sound
    Rights:

    rightsstatements.org/vocab/InC/1.0/
  11. Writing the radio war
    literature, politics and the BBC, 1939-1945
    Author: Whittington, Ian
    Published: 2018
    Publisher:  Edinburgh University Press, Edinburgh

    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting more

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    Universitätsbibliothek Bamberg
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    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474413602
    RVK Categories: HM 1101 ; AP 39330 ; AP 34400 ; NQ 3220 ; AP 33230 ; AP 34150
    Series: Edinburgh critical studies in war and culture
    Subjects: World War, 1939-1945 / Great Britain / Radio broadcasting and the war; World War, 1939-1945 / Social aspects / Great Britain; Literatur; Englisch
    Scope: 1 Online-Ressource (vii, 220 Seiten)
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    Title from publisher's bibliographic system (viewed on 27 Apr 2021)
  12. Writing the radio war
    literature, politics and the BBC, 1939-1945
    Author: Whittington, Ian
    Published: 2018
    Publisher:  Edinburgh University Press, Edinburgh

    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting. more

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    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474413602; 9781474413596
    Series: Edinburgh critical studies in war and culture
    Subjects: World War, 1939-1945; World War, 1939-1945; British Broadcasting Corporation ; History; World War, 1939-1945 ; Great Britain ; Radio broadcasting and the war; World War, 1939-1945 ; Social aspects ; Great Britain
    Scope: 1 online resource (vii, 220 pages), digital, PDF file(s).
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    Title from publisher's bibliographic system (viewed on 27 Apr 2021)
  13. Writing the radio war
    literature, politics and the BBC, 1939-1945
    Author: Whittington, Ian
    Published: 2018
    Publisher:  Edinburgh University Press, Edinburgh ; Cambridge University Press, Cambridge, UK

    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting. more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474413602
    Series: Edinburgh critical studies in war and culture
    Subjects: World War, 1939-1945; World War, 1939-1945
    Scope: 1 Online-Ressource (vii, 220 pages)
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    Title from publisher's bibliographic system (viewed on 27 Apr 2021)
  14. Writing the radio war
    literature, politics and the BBC, 1939-1945
    Author: Whittington, Ian
    Published: 2018
    Publisher:  Edinburgh University Press, Edinburgh

    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting. more

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    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474413602; 9781474413596
    Series: Edinburgh critical studies in war and culture
    Subjects: World War, 1939-1945; World War, 1939-1945; British Broadcasting Corporation ; History; World War, 1939-1945 ; Great Britain ; Radio broadcasting and the war; World War, 1939-1945 ; Social aspects ; Great Britain
    Scope: 1 online resource (vii, 220 pages), digital, PDF file(s).
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    Title from publisher's bibliographic system (viewed on 27 Apr 2021)
  15. Eco-sonic media
    Author: Smith, Jacob
    Published: [2015]
    Publisher:  University of California Press, Oakland, California

    Green discs -- Birdland melodies -- Subterranean signals -- Radio's dark ecology -- The run-out groove "The negative environmental effects of media culture are not often acknowledged: the fuel required to keep huge server farms in operation,... more

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    Green discs -- Birdland melodies -- Subterranean signals -- Radio's dark ecology -- The run-out groove "The negative environmental effects of media culture are not often acknowledged: the fuel required to keep huge server farms in operation, landfills full of high tech junk, and the extraction of rare minerals for devices reliant on them are just some of the hidden costs of the contemporary mediascape. Eco-Sonic Media brings an ecological critique to the history of sound media technologies in order to amplify the environmental undertones in sound studies and turn up the audio in discussions of greening the media. By looking at early and neglected forms of sound technology, Jacob Smith seeks to create a revisionist, ecologically aware history of sound media. Delving into the history of pre-electronic media like hand-cranked gramophones, comparatively eco-friendly media artifacts such as the shellac discs that preceded the use of petroleum-based vinyl, early forms of portable technology like divining rods, and even the use of songbirds as domestic music machines, Smith builds a scaffolding of historical case studies to demonstrate how 'green media archaeology' can make sound studies vibrate at an ecological frequency while opening the ears of eco-criticism. Throughout this eye-opening and timely book he makes readers more aware of the costs and consequences of their personal media consumption by prompting comparisons with non-digital, non-electronic technologies and by offering different ways in which sound media can become eco-sonic media. In the process, he forges interdisciplinary connections, opens new avenues of research, and poses fresh theoretical questions for scholars and students of media, sound studies, and contemporary environmental history"--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520286139; 0520286138; 9780520286146; 0520286146
    RVK Categories: LR 57790 ; EC 2440
    Subjects: Sound recordings; Sound; Audio equipment industry; Sound; Sound in mass media
    Scope: 254 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  16. Germany in the loud twentieth century
    an introduction
    Contributor: Feiereisen, Florence; Hill, Alexandra Merley
    Published: 2011
    Publisher:  Oxford University Press, New York

    This book introduces German Sound Studies using a transdisciplinary approach. It invites readers to auralize space by describing characteristically German soundscapes in the long twentieth century, including the noisy city of the early 1900s the... more

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    This book introduces German Sound Studies using a transdisciplinary approach. It invites readers to auralize space by describing characteristically German soundscapes in the long twentieth century, including the noisy city of the early 1900s the sounds of East and West Germany, and hip-hop soundscapes of the millennium.

     
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    Source: Union catalogues
    Contributor: Feiereisen, Florence; Hill, Alexandra Merley
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199918911
    Other identifier:
    DDC Categories: 780; 300; 943
    Subjects: Literatur; Kulturelle Identität; Geräusch; Lärm; Lärmbelastung; Klangkunst; Sound; Loudness; Space; Music; German literature; Sound in literature; National characteristics, German
    Scope: 1 Online-Ressource (xiii, 184 p.), Ill.
    Notes:

    Includes bibliographical references and index
  17. Sound and Modernity in the Literature of London, 1880-1918
    Author: Pye, Patricia
    Published: 2017
    Publisher:  Palgrave Macmillan, London

    This book explores the literary representation of late Victorian and early Edwardian London from an auditory perspective, arguing that readers should ‘listen’ to impressions of the city, as described by writers such as Conrad, Doyle, Ford and... more

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    This book explores the literary representation of late Victorian and early Edwardian London from an auditory perspective, arguing that readers should ‘listen’ to impressions of the city, as described by writers such as Conrad, Doyle, Ford and Gissing. It was in this period that London began to ‘sound modern’ and, through a closer hearing of its literature, writers’ wider responses to modernity are revealed. The book is structured into familiar modernist themes, revisiting time and space, social progress and popular culture through an exploration of the sound impressions of some key works. Each chapter is contextualized by these themes, revealing how the sound of the news, social protest, music hall and suburbanization impacted on writers’ literary imaginations. Suitable for students of modernist literature and specialists in sound studies, this book will also appeal to readers with a wider interest in London’s history and popular culture between 1880-1918 Acknowledgements -- Introduction -- 1. Sound and Time: Waiting for the sound: noise, time, and the news -- 2. Sound and Social Progress: Speakers, listeners, and the power of the platform -- 3. Sound and Popular Culture: 'Can't it be stopped?': London and the popular tone -- 4. Sound and Space: Silence, the suburbs, and life 'beyond the City' -- Conclusion -- Works Cited.-

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137540171
    Other identifier:
    RVK Categories: HG 315
    Series: Array
    Array
    Subjects: Literature; Literature, Modern; Literature, Modern; British literature; English literature; English literature
    Scope: Online-Ressource (XXXI, 179 p, online resource)
  18. The sculpted ear
    aurality and statuary in the West
    Author: McCormack, Ryan
    Published: [2020]; © 2020
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue-a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make-The Sculpted... more

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    Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue-a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make-The Sculpted Ear rethinks this relationship in light of discourses on aurality emerging within the field of sound studies. Ryan McCormack argues that the sounding statue is best thought of not as an aesthetic object but as an event heard by people and subsequently conceptualized into being through acts of writing and performance. Constructing a history in which hearing plays an integral role in ideas about anthropocentric statuary, McCormack begins with the ancient sculpture of Laocooen, before moving to a discussion of the early modern automaton known as Tipu's Tiger and the statue of the Commendatore in Mozart's Don Giovanni. Finally, he examines statues of people from the present and the past, including the singer Josephine Baker, the violinist Aleksandar Nikolov, and the actor Bob Newhart-with each case touching on some of the issues that have historically plagued the aesthetic viability of the sounding statue. McCormack convincingly demonstrates how sounding statues served as important precursors and continuing contributors to modern ideas about the ontology of sound, technologies of sound reproduction, and performance practices blurring traditional divides between music, sculpture, and the other arts. A compelling narrative that illuminates the stories of individual sculptural objects and the audiences that hear them, this book will appeal to anyone interested in the connections between aurality and statues in the Western world, in particular scholars and students of sound studies and sensory history

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780271086927; 0271086920
    RVK Categories: LR 56660
    Series: Perspectives on sensory history
    Subjects: Sprache; Plastik; Klangkunst; Klang; Ästhetik
    Other subjects: Sound sculpture; Sound in art; Statues
    Scope: x, 214 Seiten
    Notes:

    Introduction : Elvis leaves the building -- Animation introduces animation -- Breathing voice into Laocoön's mouth -- Imperial possessions -- Hearing a stone man -- Aural skins -- Now you have to go, comrade -- Museums of resonance -- Conclusion : I now present Sergei Rachmaninoff
  19. The sculpted ear
    aurality and statuary in the West
    Author: McCormack, Ryan
    Published: [2020]; © 2020
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue-a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make-The Sculpted... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue-a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make-The Sculpted Ear rethinks this relationship in light of discourses on aurality emerging within the field of sound studies. Ryan McCormack argues that the sounding statue is best thought of not as an aesthetic object but as an event heard by people and subsequently conceptualized into being through acts of writing and performance. Constructing a history in which hearing plays an integral role in ideas about anthropocentric statuary, McCormack begins with the ancient sculpture of Laocooen, before moving to a discussion of the early modern automaton known as Tipu's Tiger and the statue of the Commendatore in Mozart's Don Giovanni. Finally, he examines statues of people from the present and the past, including the singer Josephine Baker, the violinist Aleksandar Nikolov, and the actor Bob Newhart-with each case touching on some of the issues that have historically plagued the aesthetic viability of the sounding statue. McCormack convincingly demonstrates how sounding statues served as important precursors and continuing contributors to modern ideas about the ontology of sound, technologies of sound reproduction, and performance practices blurring traditional divides between music, sculpture, and the other arts. A compelling narrative that illuminates the stories of individual sculptural objects and the audiences that hear them, this book will appeal to anyone interested in the connections between aurality and statues in the Western world, in particular scholars and students of sound studies and sensory history

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780271086927; 0271086920
    RVK Categories: LR 56660
    Series: Perspectives on sensory history
    Subjects: Sprache; Plastik; Klangkunst; Klang; Ästhetik
    Other subjects: Sound sculpture; Sound in art; Statues
    Scope: x, 214 Seiten
    Notes:

    Introduction : Elvis leaves the building -- Animation introduces animation -- Breathing voice into Laocoön's mouth -- Imperial possessions -- Hearing a stone man -- Aural skins -- Now you have to go, comrade -- Museums of resonance -- Conclusion : I now present Sergei Rachmaninoff
  20. Dhvani sampradāya aura usake siddhānta
    Author: Vyas, Bholashankar
    Published: saṃ. 2013-
    Publisher:  Nāgarīpracāriṇī Sabhā, Kāśī

    Study of the concept of sound in Sanskrit poetics more

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    Universität Bonn, Institut für Orient- und Asienwissenschaften, Bibliothek
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    Study of the concept of sound in Sanskrit poetics

     
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    Source: Union catalogues
    Language: Hindi
    Media type: Dissertation
    Edition: Prathama saṃskaraṇa
    Series: Sūryakumārī Pustakamālā ; ...
    Subjects: Sanskrit poetry; Dhvani (Poetics); Poetics
    Notes:

    Zusatz auf dem Haupttitel des ersten Bandes: "Rājapūtānā Viśvavidyālaya kī Pī.-Eca. Ḍī upādhi ke lie svīkr̥ta."

    Erscheinungsjahr der Vorlage nach dem indischen Vikrama-Kalender: saṃ. 2013 = 1956 n.Chr.

    Dissertation, Rajputana University,
  21. Dhvani sampradāya aura usake siddhānta
    Author: Vyas, Bholashankar
    Published: saṃ. 2013-
    Publisher:  Nāgarīpracāriṇī Sabhā, Kāśī

    Study of the concept of sound in Sanskrit poetics more

     

    Study of the concept of sound in Sanskrit poetics

     
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    Source: Union catalogues
    Language: Hindi
    Media type: Dissertation
    Format: Print
    Edition: Prathama saṃskaraṇa
    Series: Sūryakumārī Pustakamālā ; ...
    Subjects: Sanskrit poetry; Dhvani (Poetics); Poetics
    Notes:

    Zusatz auf dem Haupttitel des ersten Bandes: "Rājapūtānā Viśvavidyālaya kī Pī.-Eca. Ḍī upādhi ke lie svīkr̥ta."

    Erscheinungsjahr der Vorlage nach dem indischen Vikrama-Kalender: saṃ. 2013 = 1956 n.Chr

    Dissertation, Rajputana University,
  22. Music and Sound in the Life and Literature of James Joyce
    Joyces Noyces
    Author: Smyth, Gerry
    Published: 2020
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Music and Sound in the Life and Literature of James Joyce: Joyces Noyces offers a fresh perspective on the Irish writer James Joyce’s much-noted obsession with music. This book provides an overview of a century-old critical tradition focused on Joyce... more

     

    Music and Sound in the Life and Literature of James Joyce: Joyces Noyces offers a fresh perspective on the Irish writer James Joyce’s much-noted obsession with music. This book provides an overview of a century-old critical tradition focused on Joyce and music, as well as six in-depth case studies which revisit material from the writer’s career in the light of new and emerging theories. Considering both Irish cultural history and the European art music tradition, the book combines approaches from cultural musicology, critical theory, sound studies and Irish studies. Chapters explore Joyce’s use of repetition, his response to literary Wagnerism, the role and status of music in the aesthetic and political debates of the fin de siècle, music and cultural nationalism, ubiquitous urban sound and ‘shanty aesthetics’. Gerry Smyth revitalizes Joyce’s work in relation to the ‘noisy’ world in which the author wrote (and his audience read) his work

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook; Data medium
    Format: Online
    ISBN: 9783030612061
    Other identifier:
    Edition: 1st ed. 2020
    Series: Palgrave Studies in Music and Literature
    Subjects: British literature; Music; Literature, Modern—19th century; British and Irish Literature; Music; Nineteenth-Century Literature
    Scope: 1 Online-Ressource (XVI, 268 Seiten), 3 Illustrationen
    Notes:

    Chapter 1 Joyce and Music: A Critical Fantasia -- Chapter 2 Here Comes Everybody! Remembering Joyce’s Music -- Chapter 3 ‘Not about something … that something itself’: Musical Joyce and the Critics -- Chapter 4 Echo and Repetition in Chamber Music -- Chapter 5 Joyce, George Moore and the Irish Wagnerian Novel -- Chapter 6 Listening for the Music of What Happens: The Education of Stephen Dedalus -- Chapter 7 Another Listen to the Music in ‘A Mother’ -- Chapter 8 A Shout in the Street: Listening to the City in ‘Wandering Rocks’ -- Chapter 9 Joyce and the Irish Atlantic: Shanty Aesthetics in the Later Fiction
  23. Gender and Religion
    Author: Hackett, Rosalind I. J.
    Published: [2018]

    Despite the burgeoning of gender and religion studies over the last few decades, very few works address questions of sound and hearing. Yet acoustic and auditory practices and perceptions can be closely linked to patterns of gender differentiation.... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    Despite the burgeoning of gender and religion studies over the last few decades, very few works address questions of sound and hearing. Yet acoustic and auditory practices and perceptions can be closely linked to patterns of gender differentiation. Drawing on recent research in sound studies, with a focus on voice and vocalization, the article discusses what challenges and enhancements a sonically aware approach might afford.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Journal of the British Association for the Study of Religions; Leeds : British Association for the Study of Religions, 2016; 19(2017), Seite 75-82; Online-Ressource

    Subjects: Religionswissenschaft; Geschlechterforschung; Stimme; Vokalisierung;
  24. The sonic persona
    an anthropology of sound
    Author: Schulze, Holger
    Published: 2018
    Publisher:  Bloomsbury Academic, New York

    "Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with... more

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    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
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    534 S391s
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    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    Weltkulturen Museum, Bibliothek
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    LC 59000 Schu 2018
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    "Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences. From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation, this book presents a fundamental critique concerning recent sound theories and their anthropological concepts--and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening. This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses"-- Quantifying sound -- Materializing listening -- Corporealizing the senses -- In auditory dispositives -- The sonic persona -- A sensory corpus -- The precision of sensibility -- Resistance and resonance -- Generativity

     
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  25. The sonic persona
    an anthropology of sound
    Author: Schulze, Holger
    Published: 2018
    Publisher:  Bloomsbury Academic, New York

    "Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences. From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation, this book presents a fundamental critique concerning recent sound theories and their anthropological concepts--and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening. This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses."-- Quantifying sound -- Materializing listening -- Corporealizing the senses -- In auditory dispositives -- The sonic persona -- A sensory corpus -- The precision of sensibility -- Resistance and resonance -- Generativity.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501306839
    Other identifier:
    RVK Categories: LC 59000 ; LC 87000 ; LR 56500 ; EC 2440
    Subjects: Sound; Communication in anthropology; Senses and sensation; Senses and sensation ; Social aspects; Sound; Communication in anthropology
    Scope: Online-Ressource