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Displaying results 1 to 25 of 297.

  1. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: [2019]
    Publisher:  Bloomsbury Academic, New York, NY ; London

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"-- more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781501344480; 9781501344473
    Subjects: Geräusch; Künste; Philosophie; Klang; Literatur; Ästhetik; Kultur
    Other subjects: Sound in literature; Poetics; Sound in art; Sound (Philosophy)
    Scope: 296 Seiten
    Notes:

    Charms -- Returns -- Rattles -- Sirens -- Echoes -- Recordings -- Voices -- Callings

  2. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: [2019]
    Publisher:  Bloomsbury Academic, New York, NY ; London

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"-- more

    Universitäts- und Landesbibliothek Bonn
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    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501344480; 9781501344473
    Subjects: Klang; Geräusch; Künste; Literatur; Kultur; Philosophie; Ästhetik; Geschichte
    Scope: 296 Seiten
    Notes:

    Charms -- Returns -- Rattles -- Sirens -- Echoes -- Recordings -- Voices -- Callings

  3. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: [2019]
    Publisher:  Bloomsbury Academic, New York, NY ; London

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"-- more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501344503; 9781501344510
    Other identifier:
    Subjects: Künste; Kultur; Geräusch; Literatur; Philosophie; Klang; Ästhetik
    Other subjects: Sound in literature; Poetics; Sound in art; Sound (Philosophy)
    Scope: 1 Online-Ressource (290 Seiten)
    Notes:

    Charms -- Returns -- Rattles -- Sirens -- Echoes -- Recordings -- Voices -- Callings

  4. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: [2019]
    Publisher:  Bloomsbury Academic, New York, NY ; London

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"-- more

    Universität Bonn, Institut für Sprach-, Medien- und Musikwissenschaft, Bibliothek für Medien- und Musikwissenschaft
    LR 56660 C323
    No inter-library loan

     

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781501344480; 9781501344473
    Subjects: Künste; Klang; Literatur; Geräusch; Ästhetik; Philosophie; Kultur
    Scope: 296 Seiten
    Notes:

    Charms -- Returns -- Rattles -- Sirens -- Echoes -- Recordings -- Voices -- Callings

  5. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: 2019
    Publisher:  Bloomsbury Academic, New York, NY

    "Written by one of the most prominent thinkers in sound studies, Amplifications presents a perspective on sound narrated through the experiences of a sound artist and writer. A work of reflective philosophy, Amplifications sits at the intersection of... more

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    "Written by one of the most prominent thinkers in sound studies, Amplifications presents a perspective on sound narrated through the experiences of a sound artist and writer. A work of reflective philosophy, Amplifications sits at the intersection of history, creative practice, and sound studies, recounting this narrative through a series of themes (rattles, echoes, recordings, etc.). Carter offers a unique perspective on migratory poetics, bringing together his own compositions and life's works while using his personal narrative to frame larger theoretical questions about sound and migration"--Bloomsbury Publishing Prolude -- 1. Charms -- 2. Returns -- 3. Rattles -- 4. Sirens -- 5. Echoes -- 6. Recordings -- 7. Voices -- 8. Callings -- Collect.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501344510; 9781501344497; 9781501344503
    Other identifier:
    Subjects: Sound in literature; Poetics
    Scope: 1 Online-Ressource (v, 296 pages)
  6. Was sind Sounds?
    eine Ontologie des Klangs
    Published: [2019]; © 2019
    Publisher:  transcript, Bielefeld

    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche Eigenschaften haben diese Dinge? In diesem Grundlagenwerk für Sound Studies und Musikwissenschaft, für das Kartographieren von Geräuschen sowie für Klangfetischisten, entwickelt Rainer Bayreuther in einer klaren ontologischen Systematik die Individualität sowie die Eigenschaften von Klängen. Die philosophische Arbeit wird anhand zahlreicher Fallbeispiele veranschaulicht

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839447079
    Other identifier:
    RVK Categories: AP 14900 ; LR 56660
    Series: Musik und Klangkultur ; Band 36
    Subjects: Aesthetics; Fundamental Work; Geräusch; Grundlagenwerk; Music; Musicology; Musik; Musikwissenschaft; Noise; Ontologie; Ontology; Sound Studies; Ästhetik; MUSIC / History & Criticism; Musik; Sound Studies; Klang; Geräusch
    Scope: 1 Online-Ressource (248 Seiten), Diagramme, Notenbeispiele
  7. Was sind Sounds?
    eine Ontologie des Klangs
    Published: [2019]; © 2019
    Publisher:  transcript, Bielefeld

    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche... more

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    Verlag (lizenzpflichtig)
    Freie Universität Berlin, Universitätsbibliothek
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    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche Eigenschaften haben diese Dinge? In diesem Grundlagenwerk für Sound Studies und Musikwissenschaft, für das Kartographieren von Geräuschen sowie für Klangfetischisten, entwickelt Rainer Bayreuther in einer klaren ontologischen Systematik die Individualität sowie die Eigenschaften von Klängen. Die philosophische Arbeit wird anhand zahlreicher Fallbeispiele veranschaulicht

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839447079
    Other identifier:
    RVK Categories: AP 14900 ; LR 56660
    Series: Musik und Klangkultur ; Band 36
    Subjects: Aesthetics; Fundamental Work; Geräusch; Grundlagenwerk; Music; Musicology; Musik; Musikwissenschaft; Noise; Ontologie; Ontology; Sound Studies; Ästhetik; MUSIC / History & Criticism; Musik; Sound Studies; Klang; Geräusch
    Scope: 1 Online-Ressource (248 Seiten), Diagramme, Notenbeispiele
  8. Was sind Sounds?
    Eine Ontologie des Klangs
    Published: [2019]; ©2019
    Publisher:  transcript-Verlag, Bielefeld

    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche... more

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    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche Eigenschaften haben diese Dinge? In diesem Grundlagenwerk für Sound Studies und Musikwissenschaft, für das Kartographieren von Geräuschen sowie für Klangfetischisten, entwickelt Rainer Bayreuther in einer klaren ontologischen Systematik die Individualität sowie die Eigenschaften von Klängen. Die philosophische Arbeit wird anhand zahlreicher Fallbeispiele veranschaulicht

     

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839447079
    Other identifier:
    Series: Musik und Klangkultur ; 36
    Other subjects: Aesthetics; Fundamental Work; Geräusch; Grundlagenwerk; Music; Musicology; Musik; Musikwissenschaft; Noise; Ontologie; Ontology; Sound Studies; Ästhetik; MUSIC / History & Criticism
    Scope: 1 online resource (250 p.)
  9. Was sind Sounds?
    Eine Ontologie des Klangs
    Published: [2019]
    Publisher:  transcript-Verlag, Bielefeld ; Walter de Gruyter GmbH, Berlin

    A fundamental work for sound studies and musicology on the ontology and individuality of sounds. Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche... more

    Universitätsbibliothek Gießen
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    A fundamental work for sound studies and musicology on the ontology and individuality of sounds. Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche Eigenschaften haben diese Dinge? In diesem Grundlagenwerk für Sound Studies und Musikwissenschaft, für das Kartographieren von Geräuschen sowie für Klangfetischisten, entwickelt Rainer Bayreuther in einer klaren ontologischen Systematik die Individualität sowie die Eigenschaften von Klängen. Die philosophische Arbeit wird anhand zahlreicher Fallbeispiele veranschaulicht.

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839447079
    Other identifier:
    DDC Categories: 780
    Series: Musik und Klangkultur ; 36
    Subjects: Musik; Geräusch; Klang; Sound; Sound Studies; Aesthetics; Fundamental Work; Geräusch; Grundlagenwerk; Music; Musicology; Musik; Musikwissenschaft; Noise; Ontologie; Ontology; Sound Studies; Ästhetik; MUSIC / History & Criticism
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)

  10. Was sind Sounds?
    eine Ontologie des Klangs
    Published: [2019]; © 2019
    Publisher:  transcript-Verlag, Bielefeld

    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche... more

     

    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche Eigenschaften haben diese Dinge? In diesem Grundlagenwerk für Sound Studies und Musikwissenschaft, für das Kartographieren von Geräuschen sowie für Klangfetischisten, entwickelt Rainer Bayreuther in einer klaren ontologischen Systematik die Individualität sowie die Eigenschaften von Klängen. Die philosophische Arbeit wird anhand zahlreicher Fallbeispiele veranschaulicht

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839447079
    Other identifier:
    Series: Musik und Klangkultur ; 36
    Subjects: Aesthetics; Fundamental Work; Geräusch; Grundlagenwerk; Music; Musicology; Musik; Musikwissenschaft; Noise; Ontologie; Ontology; Sound Studies; Ästhetik; MUSIC / History & Criticism
    Scope: 1 Online-Ressource (250 Seiten)
  11. Matera soundscapes
    Design Research Workshop
    Contributor: Schröder, Jörg (Herausgeber); Cappeller, Riccarda (Herausgeber)
    Published: 2019
    Publisher:  Leibniz Universität Hannover Regionales Bauen + Siedlungsplanung, Hannover

    The international workshop Matera Soundscapes explores sound as a new tool of urban design and a platform for urban visions. Matera Soundscapes aims to extend articulated acoustic perceptions of a city into devices of design and to conceive... more

    Universitätsbibliothek Dortmund
    X 15871
    No loan of volumes, only paper copies will be sent

     

    The international workshop Matera Soundscapes explores sound as a new tool of urban design and a platform for urban visions. Matera Soundscapes aims to extend articulated acoustic perceptions of a city into devices of design and to conceive soundscapes as stages of urban performativity that encompass new ways of interaction and involvement: to think about and engage with architecture and space through sound. The workshop is part of the "Sounds of the Remote Future", a cross-disciplinary project coproduced by Onyx Jazz Club Matera and MateraBasilicata2019 Foundation. DiCem University of Basilicata and Leibniz Universität Hannover are the academic partners. Through merging urban design, performance studies, approaches of visual sociology, anthropology, and acoustic arts, the workshop aims at tangilble and intangible interaction of sound, form, space, and body. In a design research approach, Matera Soundscapes extends material-virtual cultural and artistic creativity towards dynamics of urban transformation.

     

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    Source: Union catalogues
    Contributor: Schröder, Jörg (Herausgeber); Cappeller, Riccarda (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9783946296263
    Other identifier:
    9783946296263
    Other subjects: Zeitschrift, Loseblatt-Ausgabe / Sachbücher/Kunst, Literatur/Architektur; Artistic research; European Capital of Culture; Matera; Sound installation; Urban perception
    Scope: 48 Seiten, 29.7
  12. Matera soundscapes
    Design Research Workshop
    Contributor: Schröder, Jörg (Herausgeber); Cappeller, Riccarda (Herausgeber)
    Published: 2019
    Publisher:  Leibniz Universität Hannover Regionales Bauen + Siedlungsplanung, Hannover

    The international workshop Matera Soundscapes explores sound as a new tool of urban design and a platform for urban visions. Matera Soundscapes aims to extend articulated acoustic perceptions of a city into devices of design and to conceive... more

    Universitätsbibliothek Dortmund
    Unlimited inter-library loan, copies and loan

     

    The international workshop Matera Soundscapes explores sound as a new tool of urban design and a platform for urban visions. Matera Soundscapes aims to extend articulated acoustic perceptions of a city into devices of design and to conceive soundscapes as stages of urban performativity that encompass new ways of interaction and involvement: to think about and engage with architecture and space through sound. The workshop is part of the "Sounds of the Remote Future", a cross-disciplinary project coproduced by Onyx Jazz Club Matera and MateraBasilicata2019 Foundation. DiCem University of Basilicata and Leibniz Universität Hannover are the academic partners. Through merging urban design, performance studies, approaches of visual sociology, anthropology, and acoustic arts, the workshop aims at tangilble and intangible interaction of sound, form, space, and body. In a design research approach, Matera Soundscapes extends material-virtual cultural and artistic creativity towards dynamics of urban transformation

     

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    Source: Union catalogues
    Contributor: Schröder, Jörg (Herausgeber); Cappeller, Riccarda (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9783946296263
    Other identifier:
    9783946296263
    Subjects: Artistic research; European Capital of Culture; Matera; Sound installation; Urban perception
    Other subjects: Zeitschrift, Loseblatt-Ausgabe / Sachbücher/Kunst, Literatur/Architektur
    Scope: 48 Seiten, 29.7
  13. Kafka and noise
    the discovery of cinematic sound in literary modernism
    Published: [2019]
    Publisher:  Northwestern University Press, Evanston, Illinois

    Kafka and Noise applies concepts from film theory and sound studies to explore noises in Kafka's writings--from Gregor Samsa's squeaking and Josefine the mouse singer's whistling to the terror of spoken Yiddish and the thrill of literary... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Kafka and Noise applies concepts from film theory and sound studies to explore noises in Kafka's writings--from Gregor Samsa's squeaking and Josefine the mouse singer's whistling to the terror of spoken Yiddish and the thrill of literary recitation.--Provided by publisher

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780810138933; 9780810138940
    Other identifier:
    9780810138933
    RVK Categories: GM 4004
    Subjects: Noise in literature; Sound in motion pictures
    Other subjects: Kafka, Franz 1883-1924
    Scope: xi, 250 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  14. Kafka and noise
    the discovery of cinematic sound in literary modernism
    Published: 2019
    Publisher:  Northwestern University Press, Evanston, Illinois

    Kafka and Noise applies concepts from film theory and sound studies to explore noises in Kafka's writings--from Gregor Samsa's squeaking and Josefine the mouse singer's whistling to the terror of spoken Yiddish and the thrill of literary... more

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    91.098.19
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    Herder-Institut für historische Ostmitteleuropaforschung, Bibliothek / Bibliographieportal
    /
    No inter-library loan

     

    Kafka and Noise applies concepts from film theory and sound studies to explore noises in Kafka's writings--from Gregor Samsa's squeaking and Josefine the mouse singer's whistling to the terror of spoken Yiddish and the thrill of literary recitation.--Provided by publisher

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780810138933; 9780810138940
    RVK Categories: GM 4004
    Subjects: Geräusch <Motiv>; Tonfilm; Literatur; Film; Geräusch; Intermedialität
    Other subjects: Kafka, Franz (1883-1924)
    Scope: xi, 250 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 237-246

  15. Kafka and noise
    the discovery of cinematic sound in literary modernism
    Published: [2019]; © 2019
    Publisher:  Northwestern University Press, Evanston, Illinois

    Kafka and Noise applies concepts from film theory and sound studies to explore noises in Kafka's writings--from Gregor Samsa's squeaking and Josefine the mouse singer's whistling to the terror of spoken Yiddish and the thrill of literary... more

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    69/13818
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    Kafka and Noise applies concepts from film theory and sound studies to explore noises in Kafka's writings--from Gregor Samsa's squeaking and Josefine the mouse singer's whistling to the terror of spoken Yiddish and the thrill of literary recitation.--Provided by publisher

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780810138933; 9780810138940
    Other identifier:
    9780810138933
    RVK Categories: GM 4004
    Subjects: Noise in literature; Sound in motion pictures
    Other subjects: Kafka, Franz 1883-1924
    Scope: xi, 250 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references and index

  16. Eardrums
    literary modernism as sonic warfare
    Published: [2019]
    Publisher:  Northwestern University Press, Evanston, Illinois

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions from the battlefield to Fin-de-siecle Vienna -- Drumming literature into the ground: Dada's tympanic regime -- Toward a modernist ear: Robert Musil and the poetics of acoustic space -- Into the inaudible: sound and imperception in Kafka's late writings -- Conclusion: Nazi soundscapes and their reverberation in postwar culture. "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780810140219; 9780810140226
    Subjects: German literature; German literature; Modernism (Literature); Sound in literature
    Scope: x, 219 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  17. Eardrums
    literary modernism as sonic warfare
    Published: [2019]
    Publisher:  Northwestern University Press, Evanston, Illinois

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 79816
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2020 A 2891
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    Deutsches Literaturarchiv Marbach, Bibliothek
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    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions from the battlefield to Fin-de-siecle Vienna -- Drumming literature into the ground: Dada's tympanic regime -- Toward a modernist ear: Robert Musil and the poetics of acoustic space -- Into the inaudible: sound and imperception in Kafka's late writings -- Conclusion: Nazi soundscapes and their reverberation in postwar culture. "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780810140219; 9780810140226
    Subjects: German literature; German literature; Modernism (Literature); Sound in literature
    Scope: x, 219 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  18. Eardrums
    literary modernism as sonic warfare
    Published: 2019
    Publisher:  Northwestern University Press, Evanston, Illinois

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
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    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780810140219; 9780810140226
    Subjects: Moderne; Deutsch; Literatur; Klang <Motiv>; Geräusch <Motiv>
    Other subjects: German literature / 19th century / History and criticism; German literature / 20th century / History and criticism; Modernism (Literature) / Germany / History and criticism; Sound in literature; German literature; Modernism (Literature); Sound in literature; Germany; 1800-1999; Criticism, interpretation, etc
    Scope: x, 219 Seiten, Illustrationen, 23 cm
    Notes:

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions from the battlefield to Fin-de-siècle Vienna -- Drumming literature into the ground: Dada's tympanic regime -- Toward a modernist ear: Robert Musil and the poetics of acoustic space -- Into the inaudible: sound and imperception in Kafka's late writings -- Conclusion: Nazi soundscapes and their reverberation in postwar culture

  19. Eardrums
    literary modernism as sonic warfare
    Published: 2019
    Publisher:  Northwestern University Press, Evanston, Illinois

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780810140219; 9780810140226
    Subjects: Moderne; Deutsch; Literatur; Klang <Motiv>; Geräusch <Motiv>
    Other subjects: German literature / 19th century / History and criticism; German literature / 20th century / History and criticism; Modernism (Literature) / Germany / History and criticism; Sound in literature; German literature; Modernism (Literature); Sound in literature; Germany; 1800-1999; Criticism, interpretation, etc
    Scope: x, 219 Seiten, Illustrationen, 23 cm
    Notes:

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions from the battlefield to Fin-de-siècle Vienna -- Drumming literature into the ground: Dada's tympanic regime -- Toward a modernist ear: Robert Musil and the poetics of acoustic space -- Into the inaudible: sound and imperception in Kafka's late writings -- Conclusion: Nazi soundscapes and their reverberation in postwar culture

  20. Eardrums
    literary modernism as sonic warfare
    Published: 2019
    Publisher:  Northwestern University Press, Evanston, Illinois

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both... more

     

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     

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  21. Eardrums
    literary modernism as sonic warfare
    Published: [2019]
    Publisher:  Northwestern University Press, Evanston, Illinois

    Zusammenfassung: "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the... more

     

    Zusammenfassung: "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher.

     

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  22. The shapes of early English poetry
    style, form, history
    Contributor: Dumitrescu, Irina (Publisher); Weiskott, Eric (Publisher)
    Published: [2019]; © 2019
    Publisher:  De Gruyter, Berlin ; Boston

    This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual... more

    Universitätsbibliothek Eichstätt-Ingolstadt
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    This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they consider: turning an ordinary word into something strange and new, or demonstrating texture, difference, and horizontality where previous eyes had perceived only smoothness, sameness, and verticality

     

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    Source: Union catalogues
    Contributor: Dumitrescu, Irina (Publisher); Weiskott, Eric (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781580443593
    RVK Categories: HH 1190
    Series: Studies in Medieval and early modern culture ; [64]
    Subjects: Altenglisch; Dichtung; Medieval Studies; Mediävistik; Middle English; Mittelenglisch; Old English; Poetics; Poetik; poetry; Altenglisch; Versdichtung
    Scope: xix, 281 Seiten
  23. The shapes of early English poetry
    style, form, history
    Contributor: Dumitrescu, Irina (Publisher); Weiskott, Eric (Publisher)
    Published: [2019]; © 2019
    Publisher:  Medieval Institute Publications, Western Michigan University, Kalamazoo

    This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they consider: turning an ordinary word into something strange and new, or demonstrating texture, difference, and horizontality where previous eyes had perceived only smoothness, sameness, and verticality

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Dumitrescu, Irina (Publisher); Weiskott, Eric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781580443609
    Other identifier:
    RVK Categories: HH 1190
    Series: Studies in medieval and early modern culture ; [64]
    Subjects: Altenglisch; Dichtung; Medieval Studies; Mediävistik; Middle English; Mittelenglisch; Old English; Poetics; Poetik; poetry; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Altenglisch; Versdichtung
    Scope: 1 Online-Ressource (xix, 281 Seiten), Illustrationen
    Notes:

    Fälschlicherweise als Band 51 der Reihe bezeichnet.

  24. The Shapes of Early English Poetry
    Style, Form, History
    Contributor: Dumitrescu, Irina (Herausgeber); Weiskott, Eric (Herausgeber)
    Published: [2019]; ©2019
    Publisher:  Medieval Institute Publications, Kalamazoo, MI

    This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual... more

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    This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they consider: turning an ordinary word into something strange and new, or demonstrating texture, difference, and horizontality where previous eyes had perceived only smoothness, sameness, and verticality

     

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    Content information
    Source: Union catalogues
    Contributor: Dumitrescu, Irina (Herausgeber); Weiskott, Eric (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781580443609
    Other identifier:
    Series: Studies in Medieval and Early Modern Culture ; 64
    Subjects: Altenglisch; Dichtung; Medieval Studies; Mediävistik; Middle English; Mittelenglisch; Old English; Poetics; Poetik; poetry; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: 1 online resource (400 p.)
  25. The shapes of early English poetry
    style, form, history
    Contributor: Dumitrescu, Irina (Publisher); Weiskott, Eric (Publisher)
    Published: [2019]; © 2019
    Publisher:  Medieval Institute Publications, Western Michigan University, Kalamazoo

    This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual... more

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    This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they consider: turning an ordinary word into something strange and new, or demonstrating texture, difference, and horizontality where previous eyes had perceived only smoothness, sameness, and verticality

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Contributor: Dumitrescu, Irina (Publisher); Weiskott, Eric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781580443609
    Other identifier:
    RVK Categories: HH 1190
    Series: Studies in medieval and early modern culture ; [64]
    Subjects: Altenglisch; Dichtung; Medieval Studies; Mediävistik; Middle English; Mittelenglisch; Old English; Poetics; Poetik; poetry; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Altenglisch; Versdichtung
    Scope: 1 Online-Ressource (xix, 281 Seiten), Illustrationen
    Notes:

    Fälschlicherweise als Band 51 der Reihe bezeichnet.