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Results for sound studies

Displaying results 1 to 25 of 288.

  1. Sonophilia / Sonophobia: Sonic Others in the Poetry of Edward Sapir
    Author: Reichel, A. Elisabeth
    Published: 2015

    One of the key findings in early visual culture studies is a profound ambivalence toward images, which is intricately tied up with hegemonic conceptions of cultural, racial, and sexual Others. Starting from W. J. T. Mitchell’s diagnosis of... more

     

    One of the key findings in early visual culture studies is a profound ambivalence toward images, which is intricately tied up with hegemonic conceptions of cultural, racial, and sexual Others. Starting from W. J. T. Mitchell’s diagnosis of iconophilia and iconophobia for visual culture, Iargue that recent sound studies yield parallel conclusions with regard to sonic culture, as scholars such as Jonathan Sterne point to a long tradition of writing on sound that is also characterized by attraction to and repulsion of media and sign systems other than written language. On the basis of a theoretical conception of what I term sonophilia and sonophobia, then, this essay asserts that it is precisely the ambivalence toward sound that is at the center of the poetry of anthropologist and linguist Edward Sapir. In their treatment of auditory sense perceptions as the Other of written language, Sapir’s poems “Music” and “Zuni” attest to the fact that not only images but notions of sound, too, are shaped by ideological associations embedded in semiotic and sensory oppositions.

     
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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (edited volume)
    Format: Online
    DDC Categories: 810
    Subjects: Lyrik; Anthropologie; Edward Sapir; Sound
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    rightsstatements.org/vocab/InC/1.0/
  2. Eco-sonic media
    Author: Smith, Jacob
    Published: [2015]
    Publisher:  University of California Press, Oakland, California

    Green discs -- Birdland melodies -- Subterranean signals -- Radio's dark ecology -- The run-out groove "The negative environmental effects of media culture are not often acknowledged: the fuel required to keep huge server farms in operation,... more

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    780 | SMI | Eco
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    Universitätsbibliothek Mannheim
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    LR 57790 011 2015
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    Green discs -- Birdland melodies -- Subterranean signals -- Radio's dark ecology -- The run-out groove "The negative environmental effects of media culture are not often acknowledged: the fuel required to keep huge server farms in operation, landfills full of high tech junk, and the extraction of rare minerals for devices reliant on them are just some of the hidden costs of the contemporary mediascape. Eco-Sonic Media brings an ecological critique to the history of sound media technologies in order to amplify the environmental undertones in sound studies and turn up the audio in discussions of greening the media. By looking at early and neglected forms of sound technology, Jacob Smith seeks to create a revisionist, ecologically aware history of sound media. Delving into the history of pre-electronic media like hand-cranked gramophones, comparatively eco-friendly media artifacts such as the shellac discs that preceded the use of petroleum-based vinyl, early forms of portable technology like divining rods, and even the use of songbirds as domestic music machines, Smith builds a scaffolding of historical case studies to demonstrate how 'green media archaeology' can make sound studies vibrate at an ecological frequency while opening the ears of eco-criticism. Throughout this eye-opening and timely book he makes readers more aware of the costs and consequences of their personal media consumption by prompting comparisons with non-digital, non-electronic technologies and by offering different ways in which sound media can become eco-sonic media. In the process, he forges interdisciplinary connections, opens new avenues of research, and poses fresh theoretical questions for scholars and students of media, sound studies, and contemporary environmental history"--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520286139; 0520286138; 9780520286146; 0520286146
    RVK Categories: LR 57790 ; EC 2440
    Subjects: Sound recordings; Sound; Audio equipment industry; Sound; Sound in mass media
    Scope: 254 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  3. Keywords in sound
    Contributor: Novak, David (HerausgeberIn); Sakakeeny, Matt (HerausgeberIn)
    Published: [2015]
    Publisher:  Duke University Press, Durham

    Frontmatter -- contents -- introduction -- [1] acoustemology -- [2] acoustics -- [3] body -- [4] deafness -- [5] echo -- [6] hearing -- [7] image -- [8] language -- [9] listening -- [10] music -- [11] noise -- [12] phonography -- [13] radio -- [14]... more

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    Frontmatter -- contents -- introduction -- [1] acoustemology -- [2] acoustics -- [3] body -- [4] deafness -- [5] echo -- [6] hearing -- [7] image -- [8] language -- [9] listening -- [10] music -- [11] noise -- [12] phonography -- [13] radio -- [14] religion -- [15] resonance -- [16] silence -- [17] space -- [18] synthesis -- [19] transduction -- [20] voice -- contributors -- index In twenty essays on subjects such as noise, acoustics, music, and silence, Keywords in Sound presents a definitive resource for sound studies, and a compelling argument for why studying sound matters. Each contributor details their keyword's intellectual history, outlines its role in cultural, social and political discourses, and suggests possibilities for further research. Keywords in Sound charts the philosophical debates and core problems in defining, classifying and conceptualizing sound, and sets new challenges for the development of sound studies.Contributors. Andrew Eisenberg, Veit Erlmann, Patrick Feaster, Steven Feld, Daniel Fisher, Stefan Helmreich, Charles Hirschkind, Deborah Kapchan, Mara Mills, John Mowitt, David Novak, Ana Maria Ochoa Gautier, Thomas Porcello, Tom Rice, Tara Rodgers, Matt Sakakeeny, David Samuels, Mark M. Smith, Benjamin Steege, Jonathan Sterne, Amanda Weidman

     
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    Cover (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Novak, David (HerausgeberIn); Sakakeeny, Matt (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822375494
    Other identifier:
    RVK Categories: LR 56660 ; LR 56820 ; EC 2440
    Subjects: Sound; MUSIC / General
    Scope: 1 Online-Ressource (272 p)
  4. Understanding sound tracks through film theory
    Author: Walker, Elsie
    Published: [2015]
    Publisher:  Oxford University Press, New York, NY

    Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical... more

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out. Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts. - Elsie Walker is Associate Professor of Film Studies at Salisbury University, Maryland. She has taught film in three countries (New Zealand and England, as well as the United States) and she has published many articles on film, sound tracks, and adaptations of Shakespeare. She co-edited Conversations With Directors (2008), and she is coeditor-in-chief of Literature/Film Quarterly.

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190217433
    Other identifier:
    RVK Categories: LR 53509
    Subjects: Film; Ästhetik; Sound in motion pictures; Sound motion pictures; Motion pictures; Motion pictures; Filmmusik; Ästhetik; Interdisziplinarität; Filmtheorie
    Scope: 1 Online-Ressource (IX, 435 Seiten), Illustrationen, Notenbeispiele
    Notes:

    General Introduction ; Part One: Genre Studies ; Part Two: Postcolonialism ; Part Three: Feminism ; Part Four: Psychoanalysis ; Part Five: Queer Theory ; Coda ; Select Filmography ; Further Perceiving ; Select Glossary ; Index
  5. Understanding sound tracks through film theory
    Author: Walker, Elsie
    Published: 2015
    Publisher:  Oxford University Press, New York, NY

    Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical... more

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out. Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts. - Elsie Walker is Associate Professor of Film Studies at Salisbury University, Maryland. She has taught film in three countries (New Zealand and England, as well as the United States) and she has published many articles on film, sound tracks, and adaptations of Shakespeare. She co-edited Conversations With Directors (2008), and she is coeditor-in-chief of Literature/Film Quarterly.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780199896301; 9780199896325
    RVK Categories: LR 53509
    Subjects: Film; Ästhetik; Sound in motion pictures; Sound motion pictures; Motion pictures; Motion pictures; Filmmusik; Ästhetik; Interdisziplinarität; Filmtheorie
    Scope: IX, 435 Seiten, Illustrationen, Notenbeispiele
    Notes:

    General Introduction ; Part One: Genre Studies ; Part Two: Postcolonialism ; Part Three: Feminism ; Part Four: Psychoanalysis ; Part Five: Queer Theory ; Coda ; Select Filmography ; Further Perceiving ; Select Glossary ; Index
  6. Understanding sound tracks through film theory
    Author: Walker, Elsie
    Published: 2015
    Publisher:  Oxford University Press, New York, NY

    Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical... more

     

    Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out. Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts. - Elsie Walker is Associate Professor of Film Studies at Salisbury University, Maryland. She has taught film in three countries (New Zealand and England, as well as the United States) and she has published many articles on film, sound tracks, and adaptations of Shakespeare. She co-edited Conversations With Directors (2008), and she is coeditor-in-chief of Literature/Film Quarterly.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199896301; 9780199896325
    RVK Categories: LR 53509
    Subjects: Sound in motion pictures; Sound motion pictures; Motion pictures; Motion pictures
    Scope: IX, 435 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Enthält Literaturangaben
  7. Sound effects
    the object voice in fiction
    Contributor: Sacido, Jorge; Mieszkowski, Sylvia
    Published: 2015
    Publisher:  Brill Rodopi, Leiden ; Brill

    Sound Effects combines literary criticism and psychoanalytic theory in eleven original articles which explore the potential of the object voice as an analytic tool to approach fiction. Alongside the gaze, the voice is Jacques Lacan's original... more

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    Sound Effects combines literary criticism and psychoanalytic theory in eleven original articles which explore the potential of the object voice as an analytic tool to approach fiction. Alongside the gaze, the voice is Jacques Lacan's original addition to the set of partial objects of classical psychoanalysis, and has only recently been theorised by Mladen Dolar in A Voice and Nothing More (2006). With notable exceptions like Garrett Stewart's Reading Voices (1990), the sonorous element in fiction has received little scholarly attention in comparison with poetry and drama. Sound Effects is a contribution to the burgeoning field of sound studies, and sets out to fill this gap through selective readings of English and American fiction of the last two hundred years. Contributors: Fred Botting, Natalja Chestopalova, Mladen Dolar, Matt Foley, Alex Hope, Phillip Mahoney, Sylvia Mieszkowski, Jorge Sacido-Romero, Marcin Stawiarski, Garrett Stewart, Peter Weise, and Bruce Wyse.

     
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    Source: Union catalogues
    Contributor: Sacido, Jorge; Mieszkowski, Sylvia
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004304406
    Other identifier:
    Series: DQR studies in literature, ; v. 59
    Scope: 1 Online-Ressource (XX, 339 pages)
    Notes:

    Includes bibliographical references and index.
  8. Understanding sound tracks through film theory
    Author: Walker, Elsie M.
    Published: 2015
    Publisher:  Oxford University Press, New York

    Until recently, there was a lack of scholarly attention to the power of hearing cinema as well as seeing it. 'Understanding Sound Tracks Through Film Theory' breaks new ground by redirecting the arguments of foundational texts within film theory to... more

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    Until recently, there was a lack of scholarly attention to the power of hearing cinema as well as seeing it. 'Understanding Sound Tracks Through Film Theory' breaks new ground by redirecting the arguments of foundational texts within film theory to sound tracks. The book includes sustained analyses of particular films according to a wide range of theoretical approaches: feminism, genre studies, postcolonialism, psychoanalysis, and queer theory.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190217433
    Other identifier:
    RVK Categories: LR 53509
    Subjects: Sound in motion pictures; Sound motion pictures; Motion pictures; Motion pictures
    Scope: 1 online resource, illustrations (black and white)
    Notes:

    Includes bibliographical references, filmography and index. - Description based on online resource; title from home page (viewed on February 10, 2015)
  9. Understanding sound tracks through film theory
    Author: Walker, Elsie M.
    Published: 2015
    Publisher:  Oxford University Press, New York

    Until recently, there was a lack of scholarly attention to the power of hearing cinema as well as seeing it. 'Understanding Sound Tracks Through Film Theory' breaks new ground by redirecting the arguments of foundational texts within film theory to... more

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    Until recently, there was a lack of scholarly attention to the power of hearing cinema as well as seeing it. 'Understanding Sound Tracks Through Film Theory' breaks new ground by redirecting the arguments of foundational texts within film theory to sound tracks. The book includes sustained analyses of particular films according to a wide range of theoretical approaches: feminism, genre studies, postcolonialism, psychoanalysis, and queer theory.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190217433
    Other identifier:
    RVK Categories: LR 53509
    Subjects: Sound in motion pictures; Sound motion pictures; Motion pictures; Motion pictures
    Scope: 1 online resource, illustrations (black and white)
    Notes:

    Includes bibliographical references, filmography and index. - Description based on online resource; title from home page (viewed on February 10, 2015)
  10. Sound and Sense in Classical Arabic Poetry
    Author: Gelder, Geert Jan van
    Published: 2015
    Publisher:  Harrassowitz Verlag, Wiesbaden

    An early 10th-century Arabic critic defined poetry formally as "metrical, rhymed, meaningful speech". There are numerous studies of classical Arabic poetry, both pre-modern and modern, that deal with the themes and motifs of poems. Many of these pay... more

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    An early 10th-century Arabic critic defined poetry formally as "metrical, rhymed, meaningful speech". There are numerous studies of classical Arabic poetry, both pre-modern and modern, that deal with the themes and motifs of poems. Many of these pay scant attention to the formal aspects that distinguish Arabic poetry from prose: metre, rhyme, and other sound patterns. Likewise, there are many treatises and monographs on these formal aspects, but often they are more concerned with theory than with actual poetic practice, and they are rarely interested in the relationships between sounds and mea

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783447067928
    Series: Arabische Studien ; v.10
    Scope: Online-Ressource (416 p)
    Notes:

    Description based upon print version of record

    Cover; Title Page; Copyright; Table of Contents; Preface; Abbreviations and Symbols; Transliteration; Some Terms; Body; I. INTRODUCTION; 1. Sounds and Senses; 2. Poetry; 3. The Sound of Classical Arabic Verse: the Known and the Unknown; II. METRE; 1. Arabic Metre; 2. The Suitability of Arabic Prosody; 3. Length or Weight; 4. Asymmetry as an Essential Part of Arabic Poetry; 5. Choosing a Metre; 6. The Irrelevance of the Foot; 7. The Relevance of the Hemistich and the Caesura; 8. Some Metrical Statistics; 9. From Theory to Rare Practice: Three Metres; 10. Long and Short Measure

    11. Extremely Short Measure12. The Beat of the Clapper: An Oddity of Classical Arabic Versification .; 13. Further Metrical Experiments; 14. Degrees of Regularity and Irregularity; 15. Truly Unmetrical Verse; 16. Musical Rhythm and Poetical Metre; 17. Using a Metre; III. RHYME; 1. To Rhyme or Not to Rhyme; 2. Rhyme in Arabic Verse; 3. Rhyme and Metre; 4. Choosing a Rhyme; 5. Monorhyme and Monotony; 6. Enjambment; 7. Anticipating the Rhyme-Word ; 8. Choosing a Rhyme, continued: Feminine Rhyme; 9. Jarring Sounds, 1: The Ugly Rhyme-Letter /kh/ and its Ugly Sisters

    10. Jarring Sounds, 2: The Ugliest Arabic Words and Tongue-Twisters11. Rhyming Irregularities; 12. Ultra-Monorhyme; 13. No Rhyme; 14. Rhyme Rich and Richer; IV. SOUND PATTERNS; 1. Onomatopoeia; 2. Sound Effects for their Own Sake; 3. Alliteration, Lipogram, and Related Forms; 4. Parallelisms and Repetitions; 5. Paronomasia and Double Entendre; V. SOUND AND SENSE; 1. Smoothness and Appropriate Roughness; 2. What is Wrong with al-A4shā's Ayniyyah?; APPENDIX A; Metre and Rhyme in Classical Arabic Poetry: A Practical Survey; APPENDIX B; The Sounds of Arabic; BIBLIOGRAPHY

    INDEX OF NAMES AND SUBJECTS
  11. Pasternak's Lyric
    A study of sound and Imagery
    Author: Plank, Dale L
    Published: 2015
    Publisher:  De Gruyter, Inc, Berlin

    Intro; PREFACE; CONTENTS; I. INTRODUCTION; II. SOUND DESIGNS; III. SOUND AND IMAGERY; IV. DICTATION FROM NATURE; V. SOUND AS THEME; VI. THE SOUND AS IMAGE; VII. THE VOICE OF THE IMAGE; VIII. THE GRAMMATICAL METAPHOR; IX. MELODY AND METAPHOR; SELECTED... more

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    Intro; PREFACE; CONTENTS; I. INTRODUCTION; II. SOUND DESIGNS; III. SOUND AND IMAGERY; IV. DICTATION FROM NATURE; V. SOUND AS THEME; VI. THE SOUND AS IMAGE; VII. THE VOICE OF THE IMAGE; VIII. THE GRAMMATICAL METAPHOR; IX. MELODY AND METAPHOR; SELECTED BIBLIOGRAPHY

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783111682785; 3111682781
    Series: Slavistic Printings and Reprintings Ser ; v.59
    Subjects: Literary style; Russian language; Russian language; Literary style; Russian language; Literary style; Literary style; Russian language ; Figures of speech; LANGUAGE ARTS & Disciplines ; Linguistics ; General; History
    Other subjects: Pasternak, Boris Leonidovich 1890-1960; Pasternak, Boris Leonidovich (1890-1960); Pasternak, Boris Leonidovich (1890-1960); Pasternak, Boris Leonidovich
    Scope: Online Ressource (124 p.)
    Notes:

    Includes bibliographical references and index. - Print version of record
  12. Literature’s Sensuous Geographies
    Postcolonial Matters of Place
    Author: Moslund, S.
    Published: 2015.
    Publisher:  Palgrave Macmillan US, New York ; Imprint: Palgrave Macmillan

    Using place studies within a postcolonial context, this study explores the sense-aesthetic dimensions in literature such as smell, sound, etc. that often challenge the rationalizing logic of modernity. Through close readings of writers such as Conrad... more

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    Using place studies within a postcolonial context, this study explores the sense-aesthetic dimensions in literature such as smell, sound, etc. that often challenge the rationalizing logic of modernity. Through close readings of writers such as Conrad and Coetzee, Moslund invites scholars to shift focus from discourse analysis to aesthetic analysis.

     
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    ISBN: 9781137453228
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    Edition: 1st ed. 2015.
    Series: Geocriticism and Spatial Literary Studies
    Subjects: Literature   .; Fiction.; Literature—History and criticism.; Literature—Philosophy.; Culture—Study and teaching.; British literature.
    Scope: 1 Online-Ressource(XI, 273 p.)
  13. Adapted Voices
    transpositions of Céline's Voyage au bout de la nuit and Queneau's Zazie dans le métro
    Author: Blin-Rolland, Armelle
    Published: 2015
    Publisher:  Legenda, Oxford

    Voyage au bout de la nuit' (1932), by Louis-Ferdinand Celine (1894-1961), and 'Zazie dans le métro' (1959), by Raymond Queneau (1903-1976), were two revolutionary novels in their transposition of spoken language into written language. Since their... more

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    Voyage au bout de la nuit' (1932), by Louis-Ferdinand Celine (1894-1961), and 'Zazie dans le métro' (1959), by Raymond Queneau (1903-1976), were two revolutionary novels in their transposition of spoken language into written language. Since their publication they have been adapted into a broad range of media, including illustrated novel, bande dessinée, film, stage performance and recorded reading. What happens to their striking literary voices as they are transposed into media that combine text and image, sound and image, or consist of sound alone? In this study, Armelle Blin-Rolland examines adaptations sparked by these two seminal novels to understand what 'voice' means in each medium, and its importance in the process of adaptation

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1909662569; 9781909662568
    RVK Categories: IH 2157 ; IH 25481 ; IH 74641
    Series: Transcript ; 2
    Subjects: Céline, Louis-Ferdinand; Queneau, Raymond; Rezeption; Audiovisuelle Medien; Graphic Novel;
    Other subjects: Céline, Louis-Ferdinand (1894-1961): Voyage au bout de la nuit; Queneau, Raymond (1903-1976): Zazie dans le métro
  14. Adapted Voices
    transpositions of Céline's Voyage au bout de la nuit and Queneau's Zazie dans le métro
    Author: Blin-Rolland, Armelle
    Published: 2015
    Publisher:  Legenda, Oxford

    Voyage au bout de la nuit' (1932), by Louis-Ferdinand Celine (1894-1961), and 'Zazie dans le métro' (1959), by Raymond Queneau (1903-1976), were two revolutionary novels in their transposition of spoken language into written language. Since their... more

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    Voyage au bout de la nuit' (1932), by Louis-Ferdinand Celine (1894-1961), and 'Zazie dans le métro' (1959), by Raymond Queneau (1903-1976), were two revolutionary novels in their transposition of spoken language into written language. Since their publication they have been adapted into a broad range of media, including illustrated novel, bande dessinée, film, stage performance and recorded reading. What happens to their striking literary voices as they are transposed into media that combine text and image, sound and image, or consist of sound alone? In this study, Armelle Blin-Rolland examines adaptations sparked by these two seminal novels to understand what 'voice' means in each medium, and its importance in the process of adaptation

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1909662569; 9781909662568
    RVK Categories: IH 2157 ; IH 25481 ; IH 74641
    Series: Transcript ; 2
    Subjects: Céline, Louis-Ferdinand; Queneau, Raymond; Rezeption; Audiovisuelle Medien; Graphic Novel;
    Other subjects: Céline, Louis-Ferdinand (1894-1961): Voyage au bout de la nuit; Queneau, Raymond (1903-1976): Zazie dans le métro
  15. Sounding objects
    musical instruments, poetry, and art in Renaissance France
    Published: 2015
    Publisher:  University of Toronto Press, Toronto [Ontario]

    "In Sounding Objects, Carla Zecher studies the representation of musical instruments in French Renaissance poetry and art, arguing that the efficacy of these material objects as literary and pictorial images was derived from their physical... more

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    "In Sounding Objects, Carla Zecher studies the representation of musical instruments in French Renaissance poetry and art, arguing that the efficacy of these material objects as literary and pictorial images was derived from their physical characteristics and acoustic properties, as well as from their aesthetic product." "Sounding Objects is concerned with ways in which musical culture provided poets with a rich, nuanced vocabulary for reflecting on their own art and its roles in courtly life, the civic arena, and salon society. Poets not only depicted the world of musical practice but also appropriated it, using musical instruments figuratively to establish their literary identities. Drawing on music treatises and archival sources as well as poems, paintings, and engravings, this study aims to enrich our understanding of the interplay of poetry, music, and art in this period, and highlights the importance of musical materiality to Renaissance culture."--Jacket

     
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  16. The Oxford handbook of new audiovisual aesthetics
    Contributor: Richardson, John (HerausgeberIn); Gorbman, Claudia (HerausgeberIn); Vernallis, Carol (HerausgeberIn)
    Published: 2015
    Publisher:  Oxford University Press, Oxford

    This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. This handbook offers new... more

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    This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. This handbook offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals-producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too-from street to stadium to classroom-would at times be hardly recognizable to the mid-twentieth-century subject. The Oxford Handbook of New Audiovisual Aesthetics provides powerful ways to understand these changes. Earlier approaches tended to consider sound and music as secondary to image and narrative. These remained popular even as practices from theater, cinema and television migrated across media. However, the traversal, or "remediation," from one medium to another has also provided practitioners and audiences the chance to rewrite the rules of the audiovisual contract. Whether viewed from the vantage of televised mainstream culture, the Hollywood film industry, the cinematic avant-garde, or the participatory discourses of "cyberspace," audiovisual expression has changed dramatically. The book provides a definitive cross-section of current ways of thinking about sound and image. Its authors-leading scholars and promising younger ones, audiovisual practitioners and non-academic writers (both mainstream and independent)- open the discussion on audiovisual aesthetics in new directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today's sound and image. All consider the aural dimension, and what Michel Chion calls "audio-vision:" the sensory and semiotic result of sound placed with vision, an encounter greater than their sum.

     
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    Source: Union catalogues
    Contributor: Richardson, John (HerausgeberIn); Gorbman, Claudia (HerausgeberIn); Vernallis, Carol (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780190244590
    RVK Categories: AP 12750 ; EC 2440 ; LR 56820
    Subjects: Digital media / Technological innovations; Mass media / Aesthetics
    Scope: X, 735 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Literaturangaben
  17. The Oxford handbook of new audiovisual aesthetics
    Contributor: Richardson, John (HerausgeberIn); Gorbman, Claudia (HerausgeberIn); Vernallis, Carol (HerausgeberIn)
    Published: 2015
    Publisher:  Oxford University Press, Oxford

    This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. This handbook offers new... more

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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. This handbook offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals-producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too-from street to stadium to classroom-would at times be hardly recognizable to the mid-twentieth-century subject. The Oxford Handbook of New Audiovisual Aesthetics provides powerful ways to understand these changes. Earlier approaches tended to consider sound and music as secondary to image and narrative. These remained popular even as practices from theater, cinema and television migrated across media. However, the traversal, or "remediation," from one medium to another has also provided practitioners and audiences the chance to rewrite the rules of the audiovisual contract. Whether viewed from the vantage of televised mainstream culture, the Hollywood film industry, the cinematic avant-garde, or the participatory discourses of "cyberspace," audiovisual expression has changed dramatically. The book provides a definitive cross-section of current ways of thinking about sound and image. Its authors-leading scholars and promising younger ones, audiovisual practitioners and non-academic writers (both mainstream and independent)- open the discussion on audiovisual aesthetics in new directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today's sound and image. All consider the aural dimension, and what Michel Chion calls "audio-vision:" the sensory and semiotic result of sound placed with vision, an encounter greater than their sum.

     
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    Source: Union catalogues
    Contributor: Richardson, John (HerausgeberIn); Gorbman, Claudia (HerausgeberIn); Vernallis, Carol (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780190244590; 0190244593; 9780199733866
    RVK Categories: AP 12750 ; EC 2440 ; LR 56820
    Subjects: Mass media; Digital media; Digital media / Technological innovations; Mass media / Aesthetics
    Scope: X, 735 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Literaturangaben
  18. Instruments for New Music : Sound, Technology, and Modernism
    Author: Patteson, Thomas
    Published: 2015
    Publisher:  University of California Press

    Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the... more

     

    Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts. “The smartest book on the German roots of what happened once electricity joined sound to make music and media. Amid profound historical events, technological possibilities were hacked, recordings stopped repeating themselves to perform something new, and the innovative art forms with us today were born.” -DOUGLAS KAHN, author of Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts “A fascinating story of the technological music instrumentarium that not only gives composers and improvisers new sounds and new ways to play but also engages all of us in new social and philosophical insights.” -PAULINE OLIVEROS, Composer and Professor of Practice, Rensselaer Polytechnic Institute “Through meticulous new research, Patteson recovers the forgotten history of early twentieth-century music. This book shows how today’s sounds were born long before the age of electronics.” -TREVOR PINCH, author of Analog Days: The History and Impact of the Moog Synthesizer THOMAS PATTESON is Professor of Music History at the Curtis Institute of Music in Philadelphia. He is also Associate Curator for Bowerbird, a performing organization that presents contemporary music, film, and dance.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520963122
    Other identifier:
    Subjects: Music
    Other subjects: Music; History & Criticism
  19. Spectatorship, embodiment and physicality in the contemporary mutilation film
    Author: Wilson, Laura
    Published: 2015
    Publisher:  Palgrave Macmillan, Basingstoke

    "Focusing on the representation of mutilation on the screen and the physical responses this evokes - what the author defines as 'physical spectatorship' - this book is organised around the study of a series of dynamic engagements that reconfigure the... more

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    "Focusing on the representation of mutilation on the screen and the physical responses this evokes - what the author defines as 'physical spectatorship' - this book is organised around the study of a series of dynamic engagements that reconfigure the film-viewer relationship; these include: corporeal mimicry and the cinematic visualisations of mutilation; generalised anxiety and experimental use of sound; and the nausea generated by audio-visual techniques that both signify and locate the filmic gut in the viewer's body. Combining close textual analyses with theoretical approaches, and traversing a number of national cinemas, Wilson draws upon psychoanalytic, phenomenological and feminist theories of film and spectatorship to explore specific aspects of this often overlooked group of films, aspects such as the assault narrative sequence, the use of extreme frequencies, and haptic sounds and images"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137444370; 9781349573103
    Subjects: Splatter films; Violence in motion pictures; Motion picture audiences
    Scope: viii, 192 Seiten, Illustrationen
    Notes:

    Machine generated contents note:List of FiguresIntroduction 1. Embodied Voyeurism 2. Mutilation as Spectacle 3. Representing the Unrepresentable: Self-Harm as Affect 4. Extreme Frequencies 5. The Gut Conclusion Bibliography Filmography Index.
  20. Spectatorship, embodiment and physicality in the contemporary mutilation film
    Author: Wilson, Laura
    Published: 2015
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    "Focusing on the representation of mutilation on the screen and the physical responses this evokes - what the author defines as 'physical spectatorship' - this book is organised around the study of a series of dynamic engagements that reconfigure the... more

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    "Focusing on the representation of mutilation on the screen and the physical responses this evokes - what the author defines as 'physical spectatorship' - this book is organised around the study of a series of dynamic engagements that reconfigure the film-viewer relationship; these include: corporeal mimicry and the cinematic visualisations of mutilation; generalised anxiety and experimental use of sound; and the nausea generated by audio-visual techniques that both signify and locate the filmic gut in the viewer's body. Combining close textual analyses with theoretical approaches, and traversing a number of national cinemas, Wilson draws upon psychoanalytic, phenomenological and feminist theories of film and spectatorship to explore specific aspects of this often overlooked group of films, aspects such as the assault narrative sequence, the use of extreme frequencies, and haptic sounds and images"..

     
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    Content information
  21. Spectatorship, embodiment and physicality in the contemporary mutilation film
    Author: Wilson, Laura
    Published: 2015
    Publisher:  Palgrave Macmillan, Basingstoke

    "Focusing on the representation of mutilation on the screen and the physical responses this evokes - what the author defines as 'physical spectatorship' - this book is organised around the study of a series of dynamic engagements that reconfigure the... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    "Focusing on the representation of mutilation on the screen and the physical responses this evokes - what the author defines as 'physical spectatorship' - this book is organised around the study of a series of dynamic engagements that reconfigure the film-viewer relationship; these include: corporeal mimicry and the cinematic visualisations of mutilation; generalised anxiety and experimental use of sound; and the nausea generated by audio-visual techniques that both signify and locate the filmic gut in the viewer's body. Combining close textual analyses with theoretical approaches, and traversing a number of national cinemas, Wilson draws upon psychoanalytic, phenomenological and feminist theories of film and spectatorship to explore specific aspects of this often overlooked group of films, aspects such as the assault narrative sequence, the use of extreme frequencies, and haptic sounds and images"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137444370; 9781349573103
    Subjects: Splatter films; Violence in motion pictures; Motion picture audiences
    Scope: viii, 192 Seiten, Illustrationen
    Notes:

    Machine generated contents note:List of FiguresIntroduction 1. Embodied Voyeurism 2. Mutilation as Spectacle 3. Representing the Unrepresentable: Self-Harm as Affect 4. Extreme Frequencies 5. The Gut Conclusion Bibliography Filmography Index.
  22. Racial discrimination in local public services
    a field experiment in the US
    Author: Giulietti, Corrado; Tonin, Mirco; Vlassopoulos, Michael
    Published: 2015
    Publisher:  CESifo, München

    Discrimination in access to public services can act as a major obstacle towards addressing racial inequality. We examine whether racial discrimination exists in access to a wide spectrum of public services in the US. We carry out an email... more

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    Discrimination in access to public services can act as a major obstacle towards addressing racial inequality. We examine whether racial discrimination exists in access to a wide spectrum of public services in the US. We carry out an email correspondence study in which we pose simple queries to more than 19,000 local public service providers. We find that emails are less likely to receive a response if signed by a black-sounding name compared to a white-sounding name. Given a response rate of 72% for white senders, emails from putatively black senders are almost 4 percentage points less likely to receive an answer. We also find that responses to queries coming from black names are less likely to have a cordial tone. Further tests suggest that the differential in the likelihood of answering is due to animus towards blacks rather than inferring socioeconomic status from race.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    hdl: 10419/123178
    Series: Array ; 5537
    Scope: Online-Ressource (28 S.), graph. Darst.
  23. Racial discrimination in local public services
    a field experiment in the US
    Author: Giulietti, Corrado; Tonin, Mirco; Vlassopoulos, Michael
    Published: 2015
    Publisher:  IZA, Bonn

    Discrimination in access to public services can act as a major obstacle towards addressing racial inequality. We examine whether racial discrimination exists in access to a wide spectrum of public services in the US. We carry out an email... more

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    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
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    Discrimination in access to public services can act as a major obstacle towards addressing racial inequality. We examine whether racial discrimination exists in access to a wide spectrum of public services in the US. We carry out an email correspondence study in which we pose simple queries to more than 19,000 local public service providers. We find that emails are less likely to receive a response if signed by a black-sounding name compared to a white-sounding name. Given a response rate of 72% for white senders, emails from putatively black senders are almost 4 percentage points less likely to receive an answer. We also find that responses to queries coming from black names are less likely to have a cordial tone. Further tests demonstrate that the differential in the likelihood of answering is due to animus towards blacks rather than inferring socioeconomic status from race.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    hdl: 10419/120940
    Series: Discussion paper series / Forschungsinstitut zur Zukunft der Arbeit ; 9290
    Scope: Online-Ressource (29 S.), graph. Darst.
  24. Sound Studies: Traditionen - Methoden - Desiderate
    Eine Einführung
    Published: [2015]; ©2008
    Publisher:  transcript-Verlag, Bielefeld

    Was höre ich - jetzt? Wie höre ich in diesem Raum oder auf diesem Platz?Die Buchreihe Sound Studies möchte ein Sprechen aus, mit und über Klang eröffnen - über Fach- und Methodengrenzen hinweg, über die Grenzen wissenschaftlichen Sprechens hinaus.Es... more

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    Was höre ich - jetzt? Wie höre ich in diesem Raum oder auf diesem Platz?Die Buchreihe Sound Studies möchte ein Sprechen aus, mit und über Klang eröffnen - über Fach- und Methodengrenzen hinweg, über die Grenzen wissenschaftlichen Sprechens hinaus.Es werden Fragen gestellt nach dem gegenwärtigen, historischen und künftigen Leben von Menschen und Tieren mit Dingen und Lauten; nach den Sounds, die sie gestalten, durch die sie handeln und fremde wie auch vermeintlich vertraute Kulturen erkunden.Der erste Band bietet eine Einführung in Traditionen, aktuelle künstlerische Ansätze und gegenwärtige Methoden - eine allgemeine Einführung in das Forschungsfeld Sound Studies, welches quer zu etablierten Disziplinen und Ausdrucksformen liegt. Er versammelt Texte zu historischen Beispielen der elektronischen Musik, des Radios und der Netzmusik, zu funktionalen Klängen, zur Akustischen Architektur, zur Pop- und Medienmusikwissenschaft, zu medienhistorischen Betrachtungen von Zeit und Klang, zur akustischen Markenkommunikation und zu experimentell-künstlerischen Ansätzen.Mit Beiträgen von Sam Auinger, Roger Behrens, Diedrich Diederichsen, Florian Dombois, Wolfgang Ernst, Golo Föllmer, Thomas Hermann, Daniel Ott, Holger Schulze, Martin Supper, Elena Ungeheuer, Carl-Frank Westermann u.v.a.m

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839408940
    Other identifier:
    Edition: 1. Aufl
    Series: Sound Studies ; 1
    Other subjects: Music / Acoustics and physics; Music / Philosophy and aesthetics; Sound; Aesthetics; Architecture; Architektur; Cultural Studies; Design; Klang; Kulturwissenschaft; Kunst; Musicology; Musikwissenschaft; Pop Music; Popmusik; Sound; Ästhetik; MUSIC / History & Criticism
    Scope: 1 online resource
  25. Keywords in sound
    Contributor: Novak, David (HerausgeberIn); Sakakeeny, Matt (HerausgeberIn)
    Published: 2015
    Publisher:  Duke University Press, Durham

    Keywords in Sound defines the field of sound studies and provides a comprehensive conceptual apparatus for why studying sound matters. Each essay includes the keyword's intellectual history, a discussion of its role in cultural, social and political... more

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    Keywords in Sound defines the field of sound studies and provides a comprehensive conceptual apparatus for why studying sound matters. Each essay includes the keyword's intellectual history, a discussion of its role in cultural, social and political discourses, and suggestions for possible future research. Cover -- Contents -- Introduction, David Novak and Matt Sakakeeny -- 1. Acoustemology, Steven Feld -- 2. Acoustics, Benjamin Steege -- 3. Body, Deborah Kapchan -- 4. Deafness, Mara Mills -- 5. Echo, Mark M. Smith -- 6. Hearing, Jonathan Sterne -- 7. Image, John Mowitt -- 8. Language, David Samuels and Thomas Porcello -- 9. Listening, Tom Rice -- 10. Music, Matt Sakakeeny -- 11. Noise, David Novak -- 12. Phonography, Patrick Feaster -- 13. Radio, Daniel Fisher -- 14. Religion, Charles Hirschkind -- 15. Resonance, Veit Erlmann -- 16. Silence, Ana María Ochoa Gautier -- 17. Space, Andrew J. Eisenberg -- 18. Synthesis, Tara Rodgers -- 19. Transduction, Stefan Helmreich -- 20. Voice, Amanda Weidman -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W -- Y -- Z.

     
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    Source: Union catalogues
    Contributor: Novak, David (HerausgeberIn); Sakakeeny, Matt (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822375494; 9780822359036
    RVK Categories: LR 56660 ; EC 2440 ; LR 56820
    Subjects: Sound -- Terminology; Electronic books; Sound ; Terminology
    Scope: 1 Online-Ressource
    Notes:

    Description based upon print version of record

    Cover; Contents; Introduction, David Novak and Matt Sakakeeny; 1. Acoustemology, Steven Feld; 2. Acoustics, Benjamin Steege; 3. Body, Deborah Kapchan; 4. Deafness, Mara Mills; 5. Echo, Mark M. Smith; 6. Hearing, Jonathan Sterne; 7. Image, John Mowitt; 8. Language, David Samuels and Thomas Porcello; 9. Listening, Tom Rice; 10. Music, Matt Sakakeeny; 11. Noise, David Novak; 12. Phonography, Patrick Feaster; 13. Radio, Daniel Fisher; 14. Religion, Charles Hirschkind; 15. Resonance, Veit Erlmann; 16. Silence, Ana María Ochoa Gautier; 17. Space, Andrew J. Eisenberg; 18. Synthesis, Tara Rodgers

    19. Transduction, Stefan Helmreich20. Voice, Amanda Weidman; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y; Z