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Results for sound studies

Displaying results 1 to 25 of 1579.

  1. Acoustic entanglements
    sound and aesthetic practice
    Author: Kim, Sabine
    Published: 2017
    Publisher:  Universitätsverlag Winter, Heidelberg

    Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material practices of aesthetic acts. Starting by reassessing Emily Dickinson's poetry as participating in an emergent phonographic logic, this book proposes that sound in modernity assumes the capacity to cross time and space, 'entangling' past and present, living and dead, periphery and alleged center. From this vantage point, the study examines Lillian Allen's dub poetry as an ethical demand for economic justice made via sound, Janet Cardiff's audio walks as renegotiating the cultural place of Europe for a North American imaginary, and Anishinaabe artist Rebecca Belmore's performances as voicing indigenous resilience in the present. Focusing on Canada and the US, the book brings together the fields of sound studies and transnational American studies -- Provided by the publisher Introduction: sound that moves -- Spirited media, aural excesses: Emily Dickinson and the phonograph -- (Re)mixing histories: Lillian Allen and the roues of dub poetry -- Subjects of hearing, subject to history: the sound works of Janet Cardiff and George Bures Miller -- Disciplining hearing -- Stratified sound: Rebecca Belmore and William Forsythe.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    9783825366773
    Series: American Studies - A Monograph Series ; v. 278
    Subjects: Sound in literature; American literature; Canadian literature; Sound in literature; Lyrik; Installation; Klang; Akustik; American literature; Canadian literature; Criticism, interpretation, etc
    Other subjects: Dickinson, Emily; Cardiff, Janet; Miller, George Bures; Belmore, Rebecca; Forsythe, William
    Scope: 1 Online-Ressource (182 pages), illustrations
    Notes:

    Includes bibliographical references (pages 159-174) and index
  2. Acoustic entanglements
    sound and aesthetic practice
    Author: Kim, Sabine
    Published: [2017]; © 2017
    Publisher:  Universitätsverlag Winter, Heidelberg

    Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material practices of aesthetic acts. Starting by reassessing Emily Dickinson's poetry as participating in an emergent phonographic logic, this book proposes that sound in modernity assumes the capacity to cross time and space, 'entangling' past and present, living and dead, periphery and alleged center. From this vantage point, the study examines Lillian Allen's dub poetry as an ethical demand for economic justice made via sound, Janet Cardiff's audio walks as renegotiating the cultural place of Europe for a North American imaginary, and Anishinaabe artist Rebecca Belmore's performances as voicing indigenous resilience in the present. Focusing on Canada and the US, the book brings together the fields of sound studies and transnational American studies -- Provided by the publisher Introduction: sound that moves -- Spirited media, aural excesses: Emily Dickinson and the phonograph -- (Re)mixing histories: Lillian Allen and the roues of dub poetry -- Subjects of hearing, subject to history: the sound works of Janet Cardiff and George Bures Miller -- Disciplining hearing -- Stratified sound: Rebecca Belmore and William Forsythe

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 3825366774; 9783825366773
    Other identifier:
    9783825366773
    RVK Categories: AP 14900 ; HQ 4053 ; HQ 7053 ; HT 1769 ; HT 4955 ; HU 1769 ; EC 2440 ; HR 1520
    Series: American studies. A monograph series ; 278
    Subjects: Sound in literature; American literature; Canadian literature
    Scope: 180 Seiten, Illustrationen, 21,5 cm x 13.5 cm
    Notes:

    Literaturverzeichnis: Seite 159-174 und Index
  3. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: [2019]
    Publisher:  Bloomsbury Academic, New York, NY ; London

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"-- more

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    Bayerische Staatsbibliothek
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    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781501344480; 9781501344473
    Subjects: Geräusch; Künste; Philosophie; Klang; Literatur; Ästhetik; Kultur
    Other subjects: Sound in literature; Poetics; Sound in art; Sound (Philosophy)
    Scope: 296 Seiten
    Notes:

    Charms -- Returns -- Rattles -- Sirens -- Echoes -- Recordings -- Voices -- Callings
  4. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: [2019]
    Publisher:  Bloomsbury Academic, New York, NY ; London

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"-- more

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    Universitäts- und Landesbibliothek Bonn
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    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501344480; 9781501344473
    Subjects: Klang; Geräusch; Künste; Literatur; Kultur; Philosophie; Ästhetik; Geschichte
    Scope: 296 Seiten
    Notes:

    Charms -- Returns -- Rattles -- Sirens -- Echoes -- Recordings -- Voices -- Callings
  5. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: [2019]
    Publisher:  Bloomsbury Academic, New York, NY ; London

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"-- more

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    Universität Bonn, Institut für Sprach-, Medien- und Musikwissenschaft, Bibliothek für Medien- und Musikwissenschaft
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    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"--

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781501344480; 9781501344473
    Subjects: Künste; Klang; Literatur; Geräusch; Ästhetik; Philosophie; Kultur
    Scope: 296 Seiten
    Notes:

    Charms -- Returns -- Rattles -- Sirens -- Echoes -- Recordings -- Voices -- Callings
  6. Sounds senses
    Contributor: Elhariry, Yasser (HerausgeberIn)
    Published: 2021
    Publisher:  Liverpool University Press, Liverpool ; CPI Group (UK) Ltd, Croydon

    (from table of contents)Prelude.Ghérasim Luca's "Francophonics" /Raphaël Sigal --Introduction.Unsound french /yasser elhariry --Poetry.Sound capture and transmedial resonance: Moncef Ghachem's lyric /Edwige Tamalet Talbayev --Mohammed Khaïr-Eddine's... more

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    (from table of contents)Prelude.Ghérasim Luca's "Francophonics" /Raphaël Sigal --Introduction.Unsound french /yasser elhariry --Poetry.Sound capture and transmedial resonance: Moncef Ghachem's lyric /Edwige Tamalet Talbayev --Mohammed Khaïr-Eddine's secret music /Thomas C. Connolly --Listening to 19th-century Haitian poetry /Martin Munro --Cinema.Hollowed bodies: The aural skin of African cinema /Vlad Dima --"Timbuktu", sonic map of desert futures /Jill Jarvis --Listening back to the sounds of Algiers ... /Maya Boutaghou --Voices.Sounds of Palestine /Olivia C. Harrison --Transcending exoticism? : Sound and voice in Dai Sijie and François Cheng /Shuangyi Li --A walk on the Wilde side : rock music and listening as narrative strategy in Marjane Satrapi's "Persepolis" /Jennifer Solheim --Outro.The "Tchip" heard 'round the world /Edwin Hill. "'Sounds Senses' takes sound as a point of departure for engaging the francophone postcolonial condition. Offering a synthetic overview of sound studies, the book dismantles the oculocentrism and retinal paradigms of francophone postcolonial studies. It introduces two primary theoretical thrusts - the unheard and the unintegrated - to the project of analyzing, extending, and rejuvenating francophone postcolonial studies."--OCLC OLUC

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Elhariry, Yasser (HerausgeberIn)
    Language: English; French
    Media type: Book
    Format: Print
    ISBN: 9781800856882; 1800856881
    Series: Francophone postcolonial studies ; New Series, Vol. 12
    Subjects: Language and culture; Sound; Postcolonialism; French language; Civilization; French language ; Phonemics; Language and culture; Manners and customs; Postcolonialism ; Social aspects
    Scope: vii, 299 Seiten, Illustrationen, 24 cm
    Notes:

    Twelve contributions, in English

    Includes bibliographical references and index
  7. Sounds senses
    Contributor: Elhariry, Yasser (HerausgeberIn)
    Published: 2021
    Publisher:  Liverpool University Press, Liverpool ; CPI Group (UK) Ltd, Croydon

    (from table of contents)Prelude.Ghérasim Luca's "Francophonics" /Raphaël Sigal --Introduction.Unsound french /yasser elhariry --Poetry.Sound capture and transmedial resonance: Moncef Ghachem's lyric /Edwige Tamalet Talbayev --Mohammed Khaïr-Eddine's... more

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    (from table of contents)Prelude.Ghérasim Luca's "Francophonics" /Raphaël Sigal --Introduction.Unsound french /yasser elhariry --Poetry.Sound capture and transmedial resonance: Moncef Ghachem's lyric /Edwige Tamalet Talbayev --Mohammed Khaïr-Eddine's secret music /Thomas C. Connolly --Listening to 19th-century Haitian poetry /Martin Munro --Cinema.Hollowed bodies: The aural skin of African cinema /Vlad Dima --"Timbuktu", sonic map of desert futures /Jill Jarvis --Listening back to the sounds of Algiers ... /Maya Boutaghou --Voices.Sounds of Palestine /Olivia C. Harrison --Transcending exoticism? : Sound and voice in Dai Sijie and François Cheng /Shuangyi Li --A walk on the Wilde side : rock music and listening as narrative strategy in Marjane Satrapi's "Persepolis" /Jennifer Solheim --Outro.The "Tchip" heard 'round the world /Edwin Hill. "'Sounds Senses' takes sound as a point of departure for engaging the francophone postcolonial condition. Offering a synthetic overview of sound studies, the book dismantles the oculocentrism and retinal paradigms of francophone postcolonial studies. It introduces two primary theoretical thrusts - the unheard and the unintegrated - to the project of analyzing, extending, and rejuvenating francophone postcolonial studies."--OCLC OLUC

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Elhariry, Yasser (HerausgeberIn)
    Language: English; French
    Media type: Book
    Format: Print
    ISBN: 9781800856882; 1800856881
    Series: Francophone postcolonial studies ; New Series, Vol. 12
    Subjects: Language and culture; Sound; Postcolonialism; French language; Civilization; French language ; Phonemics; Language and culture; Manners and customs; Postcolonialism ; Social aspects
    Scope: vii, 299 Seiten, Illustrationen, 24 cm
    Notes:

    Twelve contributions, in English

    Includes bibliographical references and index
  8. The acoustical unconscious
    from Walter Benjamin to Alexander Kluge
    Author: Ryder, Robert
    Published: 2022
    Publisher:  De Gruyter, Berlin ; Boston

    Is there an acoustical equivalent to Walter Benjamin's idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we... more

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    Archiv der Akademie der Künste, Bibliothek
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    Is there an acoustical equivalent to Walter Benjamin's idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we could not consciously perceive before. This study argues that Benjamin was also concerned with how acoustical media allow us to "hear otherwise," that is, to listen to sound structures previously lost to the naked ear. Crucially, they help sensitize us to the discursive sonority of words, which Benjamin was already alluding to in his autobiographical work. In five chapters that range in scope from Tieck's Blonde Eckbert, which Benjamin once called his locus classicus of his theory of forgetting, to Alexander Kluge's films and short texts, where he develops what he calls "sound perspectives," this monograph discusses how the acoustical unconscious enriches our understanding of different media, from the written word to radio and film. As the first book-length study of Benjamin's linguistic, cultural-historical, and media-theoretical reflections on sound, this book will be particularly relevant to students and scholars of both German studies and sound studies

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783110737776; 3110737779
    Other identifier:
    9783110737776
    Series: Interdisciplinary German Cultural Studies ; Band 32
    Subjects: Sehen; Hören; Intermedialität; Unterbewusstsein; Lesen
    Other subjects: Eich, Günter (1907-1972); Kluge, Alexander (1932-); Arnheim, Rudolf (1904-2007); Benjamin, Walter (1892-1940); Tieck, Ludwig (1773-1853); Unconscious; hearing; Benjamin; German media
    Scope: X, 265 Seiten, Illustration, 23 cm x 15.5 cm
  9. From music to sound
    the emergence of sound in 20th- and 21st-century music
    Author: Solōmos, Makēs
    Published: 2020
    Publisher:  Routledge, London

    On timbre -- On noise -- Listenting (sounds) -- Immersion in sound -- Composing sound -- Sound-space. "From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original... more

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    Universitätsbibliothek Hildesheim
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    MUS 460 : S56
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    On timbre -- On noise -- Listenting (sounds) -- Immersion in sound -- Composing sound -- Sound-space. "From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music. Both well-known and lesser-known works and composers are anaylsed in detail, from Debussy to contemporary music in the early 21st century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis and aesthetics, this book will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367192136
    RVK Categories: LR 56807 ; LR 56660
    Series: Routledge research in music
    Subjects: Music; Music; Sound (Philosophy); Noise (Philosophy); Listening (Philosophy); Tone color (Music)
    Scope: XI, 282 Seiten, Illustrationen, Diagramme, Notenbeispiele
    Notes:

    Literaturverzeichnis: Seiten 243-269
  10. Sounding Islam
    voice, media, and sonic atmospheres in an Indian Ocean world
    Author: Eisenlohr, Patrick
    Published: [2018]; © 2018
    Publisher:  University of California Press, Oakland, California

    "Sounding Islam investigates the sonic dimensions of religion, combining perspectives from the anthropology of media, the anthropology of semiotic mediation, and sound studies. Based on long-term ethnographic research on devotional Islam in... more

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    "Sounding Islam investigates the sonic dimensions of religion, combining perspectives from the anthropology of media, the anthropology of semiotic mediation, and sound studies. Based on long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religion. At the core of Eisenlohr's concern is the interplay of voice, media, affect, and listeners' experience, especially within the context of Mauritian Islamic practices. The work is a contribution to the anthropological study of sound, media, and religious experience and a rich study of Mauritius, diasporic South Asian communities, and global Islam."--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520298712; 0520298713
    Other identifier:
    RVK Categories: LC 29594 ; LC 87594 ; LS 34000
    Subjects: Voice; Sound; Islamic poetry; Islam; Islam; Islamic poetry; Sound; Voice
    Scope: xi, 174 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references and index

    Sounding Islam -- Devotional Islam and sound reproduction -- Aspirations in transnational religious networks -- The materiality of media and the vanishing medium -- The work of transduction: Voice as atmosphere -- Sound as affect? Encorporation and movement in vocal performance
  11. White musical mythologies
    sonic presence in modernism
    Author: Mendelssohn, Edmund
    Published: 2023
    Publisher:  Stanford University Press, Stanford, California

    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida to offer an ambitious intellectual history of the colonial roots of modernist musical thought. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. Edmund Mendelssohn suggests that the Euro-American idea of "pure sound," and the twentieth-century quest to produce it, was premised on an assumed authority of "the West" over Europe's others. Intended for readers in philosophy, musicology, art theory, the history of modernism, sound studies, and postcolonial studies, this book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503636637; 9781503636347
    Series: Sensing media: aesthetics, philosophy, and cultures of media
    Subjects: Modernism (Music); Avant-garde (Music); Modernism (Aesthetics); Music; Music; Philosophy, French; Postcolonialism and music
    Scope: xiii, 287 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

    Prelude : a silence filled with speech -- The ontology of the ineffable : Satie and Bergson -- Ontological machines : Varèse and Bataille -- Ontological appropriation : Boulez and Artaud -- The written being of sound : Cage and Derrida -- Postlude : a simulacrum of presence.
  12. White musical mythologies
    sonic presence in modernism
    Author: Mendelssohn, Edmund
    Published: 2023
    Publisher:  Stanford University Press, Stanford, California

    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez... more

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    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida to offer an ambitious intellectual history of the colonial roots of modernist musical thought. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. Edmund Mendelssohn suggests that the Euro-American idea of "pure sound," and the twentieth-century quest to produce it, was premised on an assumed authority of "the West" over Europe's others. Intended for readers in philosophy, musicology, art theory, the history of modernism, sound studies, and postcolonial studies, this book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503636637; 9781503636347
    Series: Sensing media: aesthetics, philosophy, and cultures of media
    Subjects: Modernism (Music); Avant-garde (Music); Modernism (Aesthetics); Music; Music; Philosophy, French; Postcolonialism and music
    Scope: xiii, 287 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

    Prelude : a silence filled with speech -- The ontology of the ineffable : Satie and Bergson -- Ontological machines : Varèse and Bataille -- Ontological appropriation : Boulez and Artaud -- The written being of sound : Cage and Derrida -- Postlude : a simulacrum of presence.
  13. The intersection of animation, video games, and music
    making movement sing
    Contributor: Scoggin, Lisa (Publisher); Plank, Dana M. (Publisher)
    Published: 2023
    Publisher:  Routledge,, New York

    "In both video games and animated films, worlds are constructed through a combination of animation, which defines what players see on the screen, and music and sound, which provide essential cues to action, emotion, and narrative. This book offers a... more

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    "In both video games and animated films, worlds are constructed through a combination of animation, which defines what players see on the screen, and music and sound, which provide essential cues to action, emotion, and narrative. This book offers a rich exploration of the intersections between animation, video games, and music and sound, bringing together a range of multidisciplinary lenses. In fourteen chapters, the contributors consider similarities and differences in how music and sound structure video games and animation, as well as the animation within video games, and explore core topics of nostalgia, adaptation, gender and sexuality. Offering fresh insights into the aesthetic interplay of animation, video games, and sound, this volume provides a gateway into new areas of study that will be of interest to scholars and students across musicology, animation studies, game studies, and media studies more broadly"--

     
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    Content information
    Source: Union catalogues
    Contributor: Scoggin, Lisa (Publisher); Plank, Dana M. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781032172224; 9781032172248
    Series: Routledge research in music
    Subjects: Musik; Computerspiel
    Other subjects: Video game music / History and criticism; Video games / Literary themes, motives; Video games / Design; Sex in video games; Nostalgia in video games; Sex in video games; Video game music; Video games / Design; Video games / Literary themes, motives; Criticism, interpretation, etc
    Scope: xviii, 220 Seiten, Illustrationen, Notenbeispiele, 23 cm
    Notes:

    Part I. Adaptation and Comparative Usage. What is "Real?" Diegetic Spaces in Epic Mickey / Andrew S. Powell ; Rusted Red : Machinarium as Political Allegory /Tristan Kneschke ; A Watercolor that can be Played : Gris and the Appeal of Hand-Made Indie Games / María Lorenzo Hernández and Armando Bernabeu Lorenzo ; Building Worlds with Beethoven : Epistemic Roles of ("Classical") Music in Animated Films and Video Games / Reinke Schwinning ; The Pseudo-1930s World of Cuphead / Lisa Scoggin -- Part II. Gender, Sex, and Sexuality. Xandir P. Wifflebottom, Video Game Hero? / Karen M. Cook ; Who on Earth is Carmen Sandiego? : Two Case Studies in Aural Identity / T.J. Laws-Nicola and Brent Ferguson ; Into the Dragon's Lair : A Sonic Tapestry of Medievalism, Gender, and Sexuality / Dana Plank ; From Fantasy to Trauma : Sound and Sex in School Days / Ko On Chan -- Part III. Nostalgia. The Retrospective and Retrocursive Stances in Retro Game Aesthetics : How DuckTales Remastered Got the Last Quack / Dominic Arsenault ; (Re)creating the (Imagined) Past in Kingdom Hearts III / Ryan Thompson ; Chiptunes to Cartoons : Video Game Aesthetics in the Plot and Sound World of Adventure Time! / Matthew Ferrandino ; Rurouni Kenshin : Anime-driven Nostalgia in Gaming Soundscapes / Stacey Jocoy ; Looking Forward, Turning Back : Ni no Kuni as a Renegotiation of the Animēshon Concept / Jason Cody Douglass and Rayna Denison
  14. The intersection of animation, video games, and music
    making movement sing
    Contributor: Scoggin, Lisa (Publisher); Plank, Dana M. (Publisher)
    Published: 2023
    Publisher:  Routledge,, New York

    "In both video games and animated films, worlds are constructed through a combination of animation, which defines what players see on the screen, and music and sound, which provide essential cues to action, emotion, and narrative. This book offers a... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "In both video games and animated films, worlds are constructed through a combination of animation, which defines what players see on the screen, and music and sound, which provide essential cues to action, emotion, and narrative. This book offers a rich exploration of the intersections between animation, video games, and music and sound, bringing together a range of multidisciplinary lenses. In fourteen chapters, the contributors consider similarities and differences in how music and sound structure video games and animation, as well as the animation within video games, and explore core topics of nostalgia, adaptation, gender and sexuality. Offering fresh insights into the aesthetic interplay of animation, video games, and sound, this volume provides a gateway into new areas of study that will be of interest to scholars and students across musicology, animation studies, game studies, and media studies more broadly"--

     
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    Content information
    Source: Union catalogues
    Contributor: Scoggin, Lisa (Publisher); Plank, Dana M. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781032172224; 9781032172248
    Series: Routledge research in music
    Subjects: Musik; Computerspiel
    Other subjects: Video game music / History and criticism; Video games / Literary themes, motives; Video games / Design; Sex in video games; Nostalgia in video games; Sex in video games; Video game music; Video games / Design; Video games / Literary themes, motives; Criticism, interpretation, etc
    Scope: xviii, 220 Seiten, Illustrationen, Notenbeispiele, 23 cm
    Notes:

    Part I. Adaptation and Comparative Usage. What is "Real?" Diegetic Spaces in Epic Mickey / Andrew S. Powell ; Rusted Red : Machinarium as Political Allegory /Tristan Kneschke ; A Watercolor that can be Played : Gris and the Appeal of Hand-Made Indie Games / María Lorenzo Hernández and Armando Bernabeu Lorenzo ; Building Worlds with Beethoven : Epistemic Roles of ("Classical") Music in Animated Films and Video Games / Reinke Schwinning ; The Pseudo-1930s World of Cuphead / Lisa Scoggin -- Part II. Gender, Sex, and Sexuality. Xandir P. Wifflebottom, Video Game Hero? / Karen M. Cook ; Who on Earth is Carmen Sandiego? : Two Case Studies in Aural Identity / T.J. Laws-Nicola and Brent Ferguson ; Into the Dragon's Lair : A Sonic Tapestry of Medievalism, Gender, and Sexuality / Dana Plank ; From Fantasy to Trauma : Sound and Sex in School Days / Ko On Chan -- Part III. Nostalgia. The Retrospective and Retrocursive Stances in Retro Game Aesthetics : How DuckTales Remastered Got the Last Quack / Dominic Arsenault ; (Re)creating the (Imagined) Past in Kingdom Hearts III / Ryan Thompson ; Chiptunes to Cartoons : Video Game Aesthetics in the Plot and Sound World of Adventure Time! / Matthew Ferrandino ; Rurouni Kenshin : Anime-driven Nostalgia in Gaming Soundscapes / Stacey Jocoy ; Looking Forward, Turning Back : Ni no Kuni as a Renegotiation of the Animēshon Concept / Jason Cody Douglass and Rayna Denison
  15. The intersection of animation, video games, and music
    making movement sing
    Contributor: Scoggin, Lisa (HerausgeberIn); Plank, Dana M. (HerausgeberIn)
    Published: 2023
    Publisher:  Routledge, Taylor & Francis Group, New York

    "In both video games and animated films, worlds are constructed through a combination of animation, which defines what players see on the screen, and music and sound, which provide essential cues to action, emotion, and narrative. This book offers a... more

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    Universitätsbibliothek Heidelberg
    Signature:
    2023 A 8479
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    "In both video games and animated films, worlds are constructed through a combination of animation, which defines what players see on the screen, and music and sound, which provide essential cues to action, emotion, and narrative. This book offers a rich exploration of the intersections between animation, video games, and music and sound, bringing together a range of multidisciplinary lenses. In fourteen chapters, the contributors consider similarities and differences in how music and sound structure video games and animation, as well as the animation within video games, and explore core topics of nostalgia, adaptation, gender and sexuality. Offering fresh insights into the aesthetic interplay of animation, video games, and sound, this volume provides a gateway into new areas of study that will be of interest to scholars and students across musicology, animation studies, game studies, and media studies more broadly"--

     
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    Content information
    Source: Union catalogues
    Contributor: Scoggin, Lisa (HerausgeberIn); Plank, Dana M. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781032172224; 9781032172248
    Series: Routledge research in music
    Subjects: Video game music; Video games; Video games; Sex in video games; Nostalgia in video games
    Scope: xviii, 220, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

    Part I. Adaptation and Comparative Usage. What is "Real?" Diegetic Spaces in Epic Mickey / Andrew S. Powell ; Rusted Red : Machinarium as Political Allegory /Tristan Kneschke ; A Watercolor that can be Played : Gris and the Appeal of Hand-Made Indie Games / María Lorenzo Hernández and Armando Bernabeu Lorenzo ; Building Worlds with Beethoven : Epistemic Roles of ("Classical") Music in Animated Films and Video Games / Reinke Schwinning ; The Pseudo-1930s World of Cuphead / Lisa Scoggin -- Part II. Gender, Sex, and Sexuality. Xandir P. Wifflebottom, Video Game Hero? / Karen M. Cook ; Who on Earth is Carmen Sandiego? : Two Case Studies in Aural Identity / T.J. Laws-Nicola and Brent Ferguson ; Into the Dragon's Lair : A Sonic Tapestry of Medievalism, Gender, and Sexuality / Dana Plank ; From Fantasy to Trauma : Sound and Sex in School Days / Ko On Chan -- Part III. Nostalgia. The Retrospective and Retrocursive Stances in Retro Game Aesthetics : How DuckTales Remastered Got the Last Quack / Dominic Arsenault ; (Re)creating the (Imagined) Past in Kingdom Hearts III / Ryan Thompson ; Chiptunes to Cartoons : Video Game Aesthetics in the Plot and Sound World of Adventure Time! / Matthew Ferrandino ; Rurouni Kenshin : Anime-driven Nostalgia in Gaming Soundscapes / Stacey Jocoy ; Looking Forward, Turning Back : Ni no Kuni as a Renegotiation of the Animēshon Concept / Jason Cody Douglass and Rayna Denison.
  16. Resonant Alterities
    Sound, Desire and Anxiety in Non-Realist Fiction
    Author: Mieszkowski, Sylvia
    Published: [2014]
    Publisher:  Transcript, Bielefeld

    Cover Resonant Alterities; Contents; Acknowledgements; Introduction; Sound Studies -- An Interdisciplinary Field; Literary Sound Studies; Resonant Alterities; Haunted by Sound:Vernon Lee, "A Wicked Voice"; Introduction; Resonant Texts; Literary... more

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    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    Cover Resonant Alterities; Contents; Acknowledgements; Introduction; Sound Studies -- An Interdisciplinary Field; Literary Sound Studies; Resonant Alterities; Haunted by Sound:Vernon Lee, "A Wicked Voice"; Introduction; Resonant Texts; Literary Soundscapes; Implied Sound; Discursive Echo Chamber; Idolatrous Sounds; Scandalously Effeminate -- Meltingly Foreign; Sedimented Anxieties; Desiring the Vocal Phallus; Sound is Power:Algernon Blackwood, The Human Chord; Introduction; Fin de Siècle Occultism; On Vibration: Sound in Occultism; On Vibration: Sound in Occult Fiction. Occultist Science -- Scientific OccultismDissolved Division; First Identity Experiment: Voice; Second Identity Experiment: Pattern; Partial Evocation; Names as Words of Power; First Scene of Uttering: the Dangers of Calling; Vocal Technique Between Occultism & Science; Second Scene of Uttering: the Bliss of Being Called; The Name of God; Noise, Silence and Oedipus: J.G. Ballard, "The Sound Sweep"; Introduction; Sonic Waste & Sonic Weapons; Noise, the Avant-Garde & Ultrasonic Music; Noise; Technology; Playing With Tradition; Ultrasonic Music & Muzak; Ultrasonic Music & Silence. Cruel Mothers, Cruel CrowdsHate Speech; The Voice as Ambivalent Object; Auditory Hallucination & Vocal Jouissance; Air To Sounds, Sounds To Words: Don DeLillo, The Body Artist; Introduction; First Failure of comNmuOnicIatiSonE: What?; Second Failure of comNmuOnicIatiSonE: The Noise; Noise -- Voice -- Chant; The Visual & The Aural -- Legacies of Modernism; Second Person Narration & Self-Awareness; Voice -- Gender -- Loss; Sonic Symptom; Aural Fort/Da; Gender -- De-Gendering -- Empowerment; Conclusion; Bibliography. "Resonant Alterities" bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a post-traumatic short novel by Don DeLillo are its primary objects of analysis. Each is explored within the context of its contemporary cultural debates on sound. Meanwhile, all four theory-enriched readings focus on intersecting and desire-laden processes of meaning making, knowledge production and subject formation. Focal points are aurally/audio-visually stru

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    RVK Categories: EC 2440
    Series: Culture and media studies
    Subjects: Literature, Modern; Literature, Modern; Modernism (Literature); LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Literature, Modern; Modernism (Literature); Geräusch; Klang; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (402 pages)
    Notes:

    Includes bibliographical references (pages 369-402)
  17. Eco-sonic media
    Author: Smith, Jacob
    Published: [2015]
    Publisher:  University of California Press, Oakland, California

    Green discs -- Birdland melodies -- Subterranean signals -- Radio's dark ecology -- The run-out groove "The negative environmental effects of media culture are not often acknowledged: the fuel required to keep huge server farms in operation,... more

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    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
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    Mg 9013
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    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    780 | SMI | Eco
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    Universitätsbibliothek Mannheim
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    500 EC 2440 S642 J15
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    LR 57790 011 2015
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    Green discs -- Birdland melodies -- Subterranean signals -- Radio's dark ecology -- The run-out groove "The negative environmental effects of media culture are not often acknowledged: the fuel required to keep huge server farms in operation, landfills full of high tech junk, and the extraction of rare minerals for devices reliant on them are just some of the hidden costs of the contemporary mediascape. Eco-Sonic Media brings an ecological critique to the history of sound media technologies in order to amplify the environmental undertones in sound studies and turn up the audio in discussions of greening the media. By looking at early and neglected forms of sound technology, Jacob Smith seeks to create a revisionist, ecologically aware history of sound media. Delving into the history of pre-electronic media like hand-cranked gramophones, comparatively eco-friendly media artifacts such as the shellac discs that preceded the use of petroleum-based vinyl, early forms of portable technology like divining rods, and even the use of songbirds as domestic music machines, Smith builds a scaffolding of historical case studies to demonstrate how 'green media archaeology' can make sound studies vibrate at an ecological frequency while opening the ears of eco-criticism. Throughout this eye-opening and timely book he makes readers more aware of the costs and consequences of their personal media consumption by prompting comparisons with non-digital, non-electronic technologies and by offering different ways in which sound media can become eco-sonic media. In the process, he forges interdisciplinary connections, opens new avenues of research, and poses fresh theoretical questions for scholars and students of media, sound studies, and contemporary environmental history"--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520286139; 0520286138; 9780520286146; 0520286146
    RVK Categories: LR 57790 ; EC 2440
    Subjects: Sound recordings; Sound; Audio equipment industry; Sound; Sound in mass media
    Scope: 254 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  18. The sculpted ear
    aurality and statuary in the West
    Author: McCormack, Ryan
    Published: [2020]; © 2020
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue-a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make-The Sculpted... more

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue-a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make-The Sculpted Ear rethinks this relationship in light of discourses on aurality emerging within the field of sound studies. Ryan McCormack argues that the sounding statue is best thought of not as an aesthetic object but as an event heard by people and subsequently conceptualized into being through acts of writing and performance. Constructing a history in which hearing plays an integral role in ideas about anthropocentric statuary, McCormack begins with the ancient sculpture of Laocooen, before moving to a discussion of the early modern automaton known as Tipu's Tiger and the statue of the Commendatore in Mozart's Don Giovanni. Finally, he examines statues of people from the present and the past, including the singer Josephine Baker, the violinist Aleksandar Nikolov, and the actor Bob Newhart-with each case touching on some of the issues that have historically plagued the aesthetic viability of the sounding statue. McCormack convincingly demonstrates how sounding statues served as important precursors and continuing contributors to modern ideas about the ontology of sound, technologies of sound reproduction, and performance practices blurring traditional divides between music, sculpture, and the other arts. A compelling narrative that illuminates the stories of individual sculptural objects and the audiences that hear them, this book will appeal to anyone interested in the connections between aurality and statues in the Western world, in particular scholars and students of sound studies and sensory history

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780271086927; 0271086920
    RVK Categories: LR 56660
    Series: Perspectives on sensory history
    Subjects: Sprache; Plastik; Klangkunst; Klang; Ästhetik
    Other subjects: Sound sculpture; Sound in art; Statues
    Scope: x, 214 Seiten
    Notes:

    Introduction : Elvis leaves the building -- Animation introduces animation -- Breathing voice into Laocoön's mouth -- Imperial possessions -- Hearing a stone man -- Aural skins -- Now you have to go, comrade -- Museums of resonance -- Conclusion : I now present Sergei Rachmaninoff
  19. The sculpted ear
    aurality and statuary in the West
    Author: McCormack, Ryan
    Published: [2020]; © 2020
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue-a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make-The Sculpted... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue-a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make-The Sculpted Ear rethinks this relationship in light of discourses on aurality emerging within the field of sound studies. Ryan McCormack argues that the sounding statue is best thought of not as an aesthetic object but as an event heard by people and subsequently conceptualized into being through acts of writing and performance. Constructing a history in which hearing plays an integral role in ideas about anthropocentric statuary, McCormack begins with the ancient sculpture of Laocooen, before moving to a discussion of the early modern automaton known as Tipu's Tiger and the statue of the Commendatore in Mozart's Don Giovanni. Finally, he examines statues of people from the present and the past, including the singer Josephine Baker, the violinist Aleksandar Nikolov, and the actor Bob Newhart-with each case touching on some of the issues that have historically plagued the aesthetic viability of the sounding statue. McCormack convincingly demonstrates how sounding statues served as important precursors and continuing contributors to modern ideas about the ontology of sound, technologies of sound reproduction, and performance practices blurring traditional divides between music, sculpture, and the other arts. A compelling narrative that illuminates the stories of individual sculptural objects and the audiences that hear them, this book will appeal to anyone interested in the connections between aurality and statues in the Western world, in particular scholars and students of sound studies and sensory history

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780271086927; 0271086920
    RVK Categories: LR 56660
    Series: Perspectives on sensory history
    Subjects: Sprache; Plastik; Klangkunst; Klang; Ästhetik
    Other subjects: Sound sculpture; Sound in art; Statues
    Scope: x, 214 Seiten
    Notes:

    Introduction : Elvis leaves the building -- Animation introduces animation -- Breathing voice into Laocoön's mouth -- Imperial possessions -- Hearing a stone man -- Aural skins -- Now you have to go, comrade -- Museums of resonance -- Conclusion : I now present Sergei Rachmaninoff
  20. The sonic persona
    an anthropology of sound
    Author: Schulze, Holger
    Published: 2018
    Publisher:  Bloomsbury Academic, New York

    "Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with... more

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    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
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    534 S391s
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    "Holger Schulze undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, the engineering sciences, and in media theory, confronting them with contemporary artistic practices, with experimental critique, and with disturbing sonic experiences. From Hermann von Helmholtz to Miley Cyrus, from FLUXUS to the Arab Spring, from Wavefield Synthesis to otoacoustic emissions, from premillennial clubculture to postdemocratic authoritarianism, from signal processing to human echolocation, this book presents a fundamental critique concerning recent sound theories and their anthropological concepts--and proposes an alternate, a more plastic, a visceral framework for research in the field of a cultural anthropology of sounding and listening. This anthropology of sound takes its readers and listeners on a research expedition to the multitude of alien humanoids and their surprising sonic personae: in dynamic and generative tension between predetermined auditory dispositives, miniscule and not seldomly ignored sound practices, and idiosyncratic sensory corpuses: a critique of the senses"-- Quantifying sound -- Materializing listening -- Corporealizing the senses -- In auditory dispositives -- The sonic persona -- A sensory corpus -- The precision of sensibility -- Resistance and resonance -- Generativity

     
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  21. Chitram
    Author: Balasubramanaym, V.
    Published: 2006
    Publisher:  Rashtriya Sanskrit Sansthan, New Delhi

    Critical study of Sanskrit visual and sound poetry more

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    Centre for Asian and Transcultural Studies (CATS), Abteilung Südasien
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    ind 54 D 07/4020
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    Critical study of Sanskrit visual and sound poetry

     
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    Source: Union catalogues
    Language: English; Sanskrit
    Media type: Book
    Format: Print
    ISBN: 818611131X
    Series: Golden jubilee of India's independence series ; 44
    Subjects: Visual poetry, Sanskrit; Sanskrit poetry
    Scope: 25 cm
    Notes:

    Includes indexes. - Includes bibliographical references. - English and Sanskrit (Devanagari)
  22. Sound and sense in British Romanticism
    Contributor: Grande, James (HerausgeberIn); Raz, Carmel (HerausgeberIn)
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge

    "This unparalleled exploration reveals how understandings of sound shifted and multiplied in late eighteenth- and early nineteenth-century Britain. Drawing on literary studies, musicology and history, and interrogating how writers of this period... more

    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2023/5621
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    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signature:
    EQ/205/1305
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2023 A 9144
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    Location:
    Universitätsbibliothek Mannheim
    Signature:
    500 HL 1131 G751
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    "This unparalleled exploration reveals how understandings of sound shifted and multiplied in late eighteenth- and early nineteenth-century Britain. Drawing on literary studies, musicology and history, and interrogating how writers of this period thought with and through sound, this book opens up a new chapter in the history of the senses"--

     
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    Source: Union catalogues
    Contributor: Grande, James (HerausgeberIn); Raz, Carmel (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781009277846; 9781009277815
    Other identifier:
    9781009277846
    RVK Categories: HL 1131
    Series: Cambridge studies in romanticism ; 144
    Subjects: Music; English literature; Romanticism
    Scope: xiv, 277 Seiten, Illustrationen, Notenbeispiele, 24 cm
    Notes:

    Includes bibliographical references and index
  23. The Spanish quinqui film
    delinquency, sound, sensation
    Author: Whittaker, Tom
    Published: 2020
    Publisher:  Manchester University Press, Manchester [UK]

    "This is the first major study in English of cine quinqui, a cycle of popular Spanish films from the late 1970s and early 1980s that starred real-life juvenile delinquents. The book provides a close analysis of key quinqui films by directors such as... more

    Location:
    Bayerische Staatsbibliothek
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    "This is the first major study in English of cine quinqui, a cycle of popular Spanish films from the late 1970s and early 1980s that starred real-life juvenile delinquents. The book provides a close analysis of key quinqui films by directors such as Eloy de la Iglesia, José Antonio de la Loma and Carlos, as well as the moral panics, public fears and media debates that surrounded their controversial production and reception. In paying particular attention to the soundtrack of the films, the book shows how marginal youth cultures during Spain's transition to democracy were shaped by sound. It will be of interest to scholars and students of Spanish film, history and cultural studies, and those working in sound studies and youth subcultures more broadly."--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781526131775
    RVK Categories: AP 59437
    Subjects: Film; Jugendkriminalität <Motiv>; Spanisch
    Other subjects: Juvenile delinquency films; Motion pictures, Spanish / 20th century / History and criticism; Motion pictures / Spain; Juvenile delinquency films; Motion pictures; Motion pictures, Spanish; Spain; 1900-1999; Criticism, interpretation, etc
    Scope: ix, 233 Seiten, Illustrationen, Portraits, 23 cm
    Notes:

    Unruly speed and sensation in the Perros callejeros cycle -- Soundscapes of anxiety: civil insecurity, democracy and the home -- Sound and skin in the quinqui films of Eloy de la Iglesia -- Listening to the delinquent voice -- The place of the rumba in cine quinqui
  24. The Spanish quinqui film
    delinquency, sound, sensation
    Author: Whittaker, Tom
    Published: 2020
    Publisher:  Manchester University Press, Manchester [UK]

    "This is the first major study in English of cine quinqui, a cycle of popular Spanish films from the late 1970s and early 1980s that starred real-life juvenile delinquents. The book provides a close analysis of key quinqui films by directors such as... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This is the first major study in English of cine quinqui, a cycle of popular Spanish films from the late 1970s and early 1980s that starred real-life juvenile delinquents. The book provides a close analysis of key quinqui films by directors such as Eloy de la Iglesia, José Antonio de la Loma and Carlos, as well as the moral panics, public fears and media debates that surrounded their controversial production and reception. In paying particular attention to the soundtrack of the films, the book shows how marginal youth cultures during Spain's transition to democracy were shaped by sound. It will be of interest to scholars and students of Spanish film, history and cultural studies, and those working in sound studies and youth subcultures more broadly."--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781526131775
    RVK Categories: AP 59437
    Subjects: Film; Jugendkriminalität <Motiv>; Spanisch
    Other subjects: Juvenile delinquency films; Motion pictures, Spanish / 20th century / History and criticism; Motion pictures / Spain; Juvenile delinquency films; Motion pictures; Motion pictures, Spanish; Spain; 1900-1999; Criticism, interpretation, etc
    Scope: ix, 233 Seiten, Illustrationen, Portraits, 23 cm
    Notes:

    Unruly speed and sensation in the Perros callejeros cycle -- Soundscapes of anxiety: civil insecurity, democracy and the home -- Sound and skin in the quinqui films of Eloy de la Iglesia -- Listening to the delinquent voice -- The place of the rumba in cine quinqui
  25. Sound and affect
    voice, music, world
    Contributor: Lochhead, Judith Irene (Publisher); Mendieta, Eduardo (Publisher); Smith, Stephen Decatur (Publisher)
    Published: [2021]; ©2021
    Publisher:  University of Chicago Press, Chicago ; London

    "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have... more

    Location:
    Bayerische Staatsbibliothek
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    "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"--

     
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    Content information
    Source: Union catalogues
    Contributor: Lochhead, Judith Irene (Publisher); Mendieta, Eduardo (Publisher); Smith, Stephen Decatur (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780226758015; 9780226751832
    RVK Categories: LR 56800 ; LR 56650
    Subjects: Ästhetik; Affekt; Musik; Philosophie
    Other subjects: Music / Psychological aspects; Affect (Psychology); Music / Philosophy and aesthetics; Music / Political aspects; Emotions in music; Affect (Psychology); Emotions in music; Music / Philosophy and aesthetics; Music / Political aspects; Music / Psychological aspects
    Scope: ix, 405 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Waves of modernation: the sound of sophrosyne in ancient Greek and neoliberal times / Robin James -- The politics of silence: Heidegger's Black notebooks / Adam Knowles -- Sign, affect, and musicking before the human / Gary Tomlinson -- Human beginnings and music: technology and embodiment roles / Don Ihde -- The life and death of Daniel Barenboim / James Currie -- The philosopher's voice: the prosody of logos / Eduardo Mendieta -- Late capitalism, affect, and the algorithmic self in music streaming platforms / Michael Birenbaum Quintero -- Music, labor, and technologies of desire / Martin Scherzinger -- Musical affect, autobiographical memory, and collective individuation in Thomas Bernhard's Correction / Christopher Haworth -- The "sound" of music: sonic agency and the dialectic of freedom and constraint in jazz improvisation / Lorenzo C. Simpson -- Merleau-Ponty on consciousness and affect through the temporal movement of music / Jessica Wiskus -- A.N. Whitehead, feeling, and music: on some potential modifications to affect theory / Ryan Dohoney -- Delivering affect: Mersenne, voice, and the background of Jesuit rhetorical theory / André de Oliveira Redwood -- Mimesis and the affective ground of Baroque representation / Daniel Villegas Vélez -- Affect and the recording devices of seventeenth-century Italy / Emily Wilbourne -- Immanuel Kant and the downfall of the Affektenlehre / Tomás McAuley