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Results for sound studies

Displaying results 1 to 25 of 815.

  1. Sound and literature
    Contributor: Snaith, Anna (HerausgeberIn)
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late... more

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    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Snaith, Anna (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108855532
    Other identifier:
    Series: Cambridge critical concepts
    Subjects: Sound in literature; Aural history; Sound; Sounds; Sound; Sounds; Civilization, Modern; Sound in literature; Aural history; Sound ; Psychological aspects; Sounds ; Psychological aspects; Sound ; Social aspects; Sounds ; Social aspects; Civilization, Modern
    Scope: 1 Online-Ressource (xvi, 424 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 01 Jun 2020)
  2. Sound and literature
    Contributor: Snaith, Anna (HerausgeberIn)
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late... more

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    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Snaith, Anna (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108855532
    Other identifier:
    Series: Cambridge critical concepts
    Subjects: Sound in literature; Aural history; Sound; Sounds; Sound; Sounds; Civilization, Modern; Sound in literature; Aural history; Sound ; Psychological aspects; Sounds ; Psychological aspects; Sound ; Social aspects; Sounds ; Social aspects; Civilization, Modern
    Scope: 1 Online-Ressource (xvi, 424 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 01 Jun 2020)
  3. Acoustic entanglements
    sound and aesthetic practice
    Author: Kim, Sabine
    Published: [2017]; © 2017
    Publisher:  Universitätsverlag Winter, Heidelberg

    Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material... more

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    Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material practices of aesthetic acts. Starting by reassessing Emily Dickinson's poetry as participating in an emergent phonographic logic, this book proposes that sound in modernity assumes the capacity to cross time and space, 'entangling' past and present, living and dead, periphery and alleged center. From this vantage point, the study examines Lillian Allen's dub poetry as an ethical demand for economic justice made via sound, Janet Cardiff's audio walks as renegotiating the cultural place of Europe for a North American imaginary, and Anishinaabe artist Rebecca Belmore's performances as voicing indigenous resilience in the present. Focusing on Canada and the US, the book brings together the fields of sound studies and transnational American studies -- Provided by the publisher Introduction: sound that moves -- Spirited media, aural excesses: Emily Dickinson and the phonograph -- (Re)mixing histories: Lillian Allen and the roues of dub poetry -- Subjects of hearing, subject to history: the sound works of Janet Cardiff and George Bures Miller -- Disciplining hearing -- Stratified sound: Rebecca Belmore and William Forsythe

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 3825366774; 9783825366773
    Other identifier:
    9783825366773
    RVK Categories: AP 14900 ; HQ 4053 ; HQ 7053 ; HT 1769 ; HT 4955 ; HU 1769 ; EC 2440 ; HR 1520
    Series: American studies. A monograph series ; 278
    Subjects: Sound in literature; American literature; Canadian literature
    Scope: 180 Seiten, Illustrationen, 21,5 cm x 13.5 cm
    Notes:

    Literaturverzeichnis: Seite 159-174 und Index
  4. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: [2019]
    Publisher:  Bloomsbury Academic, New York, NY ; London

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"-- more

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    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501344503; 9781501344510
    Other identifier:
    Subjects: Künste; Kultur; Geräusch; Literatur; Philosophie; Klang; Ästhetik
    Other subjects: Sound in literature; Poetics; Sound in art; Sound (Philosophy)
    Scope: 1 Online-Ressource (290 Seiten)
    Notes:

    Charms -- Returns -- Rattles -- Sirens -- Echoes -- Recordings -- Voices -- Callings
  5. Music, sound and space
    transformations of public and private experience
    Contributor: Born, Georgina (Publisher)
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of... more

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    Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Contributor: Born, Georgina (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511675850
    Other identifier:
    RVK Categories: AP 14900 ; LC 87000 ; MS 8020 ; LR 56600
    Subjects: Gesellschaft; Musik; Music / Social aspects; Sound / Social aspects; Alltagskultur; Musik; Raum; Öffentlichkeit; Gesellschaft; Raum <Motiv>
    Scope: 1 Online-Ressource (xv, 358 Seiten), Illustrationen
  6. Sound and sense in British Romanticism
    Contributor: Grande, James (HerausgeberIn); Raz, Carmel (HerausgeberIn)
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge

    A radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life... more

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    A radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life in the modern city to the 'deep time' of the natural world. At the same time, sound emerged as a frequently disruptive phenomenon, a philosophical and political problem, and a force with the power to overwhelm listeners. This is the first book devoted to the topic and brings together scholars from literary studies, musicology, history and philosophy through the interdisciplinary frameworks of sound studies and the history of the senses. The chapters pursue a wide range of subjects, from 'national airs' to the London stage, and from experiments in sound to new musical and scientific instruments. Collectively, they demonstrate how a focus on sound can enrich our understanding of Romantic-era culture.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Grande, James (HerausgeberIn); Raz, Carmel (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781009277839; 9781009277846; 9781009277815
    Other identifier:
    RVK Categories: HL 1131
    Series: Cambridge studies in romanticism
    Subjects: Music; English literature; Romanticism
    Scope: Online-Ressource, Illustrationen
  7. Sound and sense in British Romanticism
    Contributor: Grande, James (HerausgeberIn); Raz, Carmel (HerausgeberIn)
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge

    A radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life... more

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    A radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life in the modern city to the 'deep time' of the natural world. At the same time, sound emerged as a frequently disruptive phenomenon, a philosophical and political problem, and a force with the power to overwhelm listeners. This is the first book devoted to the topic and brings together scholars from literary studies, musicology, history and philosophy through the interdisciplinary frameworks of sound studies and the history of the senses. The chapters pursue a wide range of subjects, from 'national airs' to the London stage, and from experiments in sound to new musical and scientific instruments. Collectively, they demonstrate how a focus on sound can enrich our understanding of Romantic-era culture.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Grande, James (HerausgeberIn); Raz, Carmel (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781009277839; 9781009277846; 9781009277815
    Other identifier:
    RVK Categories: HL 1131
    Series: Cambridge studies in romanticism
    Subjects: Music; English literature; Romanticism
    Scope: Online-Ressource, Illustrationen
  8. Sounds senses
    Contributor: Elhariry, Yasser (HerausgeberIn)
    Published: 2021
    Publisher:  Liverpool University Press, Liverpool ; CPI Group (UK) Ltd, Croydon

    (from table of contents)Prelude.Ghérasim Luca's "Francophonics" /Raphaël Sigal --Introduction.Unsound french /yasser elhariry --Poetry.Sound capture and transmedial resonance: Moncef Ghachem's lyric /Edwige Tamalet Talbayev --Mohammed Khaïr-Eddine's... more

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    (from table of contents)Prelude.Ghérasim Luca's "Francophonics" /Raphaël Sigal --Introduction.Unsound french /yasser elhariry --Poetry.Sound capture and transmedial resonance: Moncef Ghachem's lyric /Edwige Tamalet Talbayev --Mohammed Khaïr-Eddine's secret music /Thomas C. Connolly --Listening to 19th-century Haitian poetry /Martin Munro --Cinema.Hollowed bodies: The aural skin of African cinema /Vlad Dima --"Timbuktu", sonic map of desert futures /Jill Jarvis --Listening back to the sounds of Algiers ... /Maya Boutaghou --Voices.Sounds of Palestine /Olivia C. Harrison --Transcending exoticism? : Sound and voice in Dai Sijie and François Cheng /Shuangyi Li --A walk on the Wilde side : rock music and listening as narrative strategy in Marjane Satrapi's "Persepolis" /Jennifer Solheim --Outro.The "Tchip" heard 'round the world /Edwin Hill. "'Sounds Senses' takes sound as a point of departure for engaging the francophone postcolonial condition. Offering a synthetic overview of sound studies, the book dismantles the oculocentrism and retinal paradigms of francophone postcolonial studies. It introduces two primary theoretical thrusts - the unheard and the unintegrated - to the project of analyzing, extending, and rejuvenating francophone postcolonial studies."--OCLC OLUC

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Elhariry, Yasser (HerausgeberIn)
    Language: English; French
    Media type: Book
    Format: Print
    ISBN: 9781800856882; 1800856881
    Series: Francophone postcolonial studies ; New Series, Vol. 12
    Subjects: Language and culture; Sound; Postcolonialism; French language; Civilization; French language ; Phonemics; Language and culture; Manners and customs; Postcolonialism ; Social aspects
    Scope: vii, 299 Seiten, Illustrationen, 24 cm
    Notes:

    Twelve contributions, in English

    Includes bibliographical references and index
  9. Sounds senses
    Contributor: Elhariry, Yasser (HerausgeberIn)
    Published: 2021
    Publisher:  Liverpool University Press, Liverpool ; CPI Group (UK) Ltd, Croydon

    (from table of contents)Prelude.Ghérasim Luca's "Francophonics" /Raphaël Sigal --Introduction.Unsound french /yasser elhariry --Poetry.Sound capture and transmedial resonance: Moncef Ghachem's lyric /Edwige Tamalet Talbayev --Mohammed Khaïr-Eddine's... more

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    (from table of contents)Prelude.Ghérasim Luca's "Francophonics" /Raphaël Sigal --Introduction.Unsound french /yasser elhariry --Poetry.Sound capture and transmedial resonance: Moncef Ghachem's lyric /Edwige Tamalet Talbayev --Mohammed Khaïr-Eddine's secret music /Thomas C. Connolly --Listening to 19th-century Haitian poetry /Martin Munro --Cinema.Hollowed bodies: The aural skin of African cinema /Vlad Dima --"Timbuktu", sonic map of desert futures /Jill Jarvis --Listening back to the sounds of Algiers ... /Maya Boutaghou --Voices.Sounds of Palestine /Olivia C. Harrison --Transcending exoticism? : Sound and voice in Dai Sijie and François Cheng /Shuangyi Li --A walk on the Wilde side : rock music and listening as narrative strategy in Marjane Satrapi's "Persepolis" /Jennifer Solheim --Outro.The "Tchip" heard 'round the world /Edwin Hill. "'Sounds Senses' takes sound as a point of departure for engaging the francophone postcolonial condition. Offering a synthetic overview of sound studies, the book dismantles the oculocentrism and retinal paradigms of francophone postcolonial studies. It introduces two primary theoretical thrusts - the unheard and the unintegrated - to the project of analyzing, extending, and rejuvenating francophone postcolonial studies."--OCLC OLUC

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Elhariry, Yasser (HerausgeberIn)
    Language: English; French
    Media type: Book
    Format: Print
    ISBN: 9781800856882; 1800856881
    Series: Francophone postcolonial studies ; New Series, Vol. 12
    Subjects: Language and culture; Sound; Postcolonialism; French language; Civilization; French language ; Phonemics; Language and culture; Manners and customs; Postcolonialism ; Social aspects
    Scope: vii, 299 Seiten, Illustrationen, 24 cm
    Notes:

    Twelve contributions, in English

    Includes bibliographical references and index
  10. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: 2019
    Publisher:  Bloomsbury Academic, New York, NY

    "Written by one of the most prominent thinkers in sound studies, Amplifications presents a perspective on sound narrated through the experiences of a sound artist and writer. A work of reflective philosophy, Amplifications sits at the intersection of... more

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    "Written by one of the most prominent thinkers in sound studies, Amplifications presents a perspective on sound narrated through the experiences of a sound artist and writer. A work of reflective philosophy, Amplifications sits at the intersection of history, creative practice, and sound studies, recounting this narrative through a series of themes (rattles, echoes, recordings, etc.). Carter offers a unique perspective on migratory poetics, bringing together his own compositions and life's works while using his personal narrative to frame larger theoretical questions about sound and migration"--Bloomsbury Publishing Prolude -- 1. Charms -- 2. Returns -- 3. Rattles -- 4. Sirens -- 5. Echoes -- 6. Recordings -- 7. Voices -- 8. Callings -- Collect.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501344510; 9781501344497; 9781501344503
    Other identifier:
    Subjects: Sound in literature; Poetics
    Scope: 1 Online-Ressource (v, 296 pages)
  11. Writing anthropologists, sounding primitives
    the poetry and scholarship of Edward Sapir, Margaret Mead, and Ruth Benedict$HA. Elisabeth Reichel
    Author: Reichel, A. Elisabeth
    Published: 2021; ©2021
    Publisher:  University of Nebraska Press, Lincoln

    Writing Anthropologists, Sounding Primitives offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early... more

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    Writing Anthropologists, Sounding Primitives offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultural anthropologists..

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781496227522
    RVK Categories: HU 1769 ; LB 27610
    Series: Critical studies in the history of anthropology
    Subjects: Electronic books
    Scope: 1 Online-Ressource (319 Seiten)
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    Description based on publisher supplied metadata and other sources
  12. Writing anthropologists, sounding primitives
    the poetry and scholarship of Edward Sapir, Margaret Mead, and Ruth Benedict$HA. Elisabeth Reichel
    Author: Reichel, A. Elisabeth
    Published: 2021; ©2021
    Publisher:  University of Nebraska Press, Lincoln

    Writing Anthropologists, Sounding Primitives offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early... more

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    Writing Anthropologists, Sounding Primitives offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultural anthropologists..

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781496227522
    RVK Categories: HU 1769 ; LB 27610
    Series: Critical studies in the history of anthropology
    Subjects: Electronic books
    Scope: 1 Online-Ressource (319 Seiten)
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    Description based on publisher supplied metadata and other sources
  13. White musical mythologies
    sonic presence in modernism
    Author: Mendelssohn, Edmund
    Published: 2023
    Publisher:  Stanford University Press, Stanford, California

    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez... more

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    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida to offer an ambitious intellectual history of the colonial roots of modernist musical thought. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. Edmund Mendelssohn suggests that the Euro-American idea of "pure sound," and the twentieth-century quest to produce it, was premised on an assumed authority of "the West" over Europe's others. Intended for readers in philosophy, musicology, art theory, the history of modernism, sound studies, and postcolonial studies, this book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503636637; 9781503636347
    Series: Sensing media: aesthetics, philosophy, and cultures of media
    Subjects: Modernism (Music); Avant-garde (Music); Modernism (Aesthetics); Music; Music; Philosophy, French; Postcolonialism and music
    Scope: xiii, 287 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

    Prelude : a silence filled with speech -- The ontology of the ineffable : Satie and Bergson -- Ontological machines : Varèse and Bataille -- Ontological appropriation : Boulez and Artaud -- The written being of sound : Cage and Derrida -- Postlude : a simulacrum of presence.
  14. White musical mythologies
    sonic presence in modernism
    Author: Mendelssohn, Edmund
    Published: 2023
    Publisher:  Stanford University Press, Stanford, California

    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez... more

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    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida to offer an ambitious intellectual history of the colonial roots of modernist musical thought. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. Edmund Mendelssohn suggests that the Euro-American idea of "pure sound," and the twentieth-century quest to produce it, was premised on an assumed authority of "the West" over Europe's others. Intended for readers in philosophy, musicology, art theory, the history of modernism, sound studies, and postcolonial studies, this book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503636637; 9781503636347
    Series: Sensing media: aesthetics, philosophy, and cultures of media
    Subjects: Modernism (Music); Avant-garde (Music); Modernism (Aesthetics); Music; Music; Philosophy, French; Postcolonialism and music
    Scope: xiii, 287 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

    Prelude : a silence filled with speech -- The ontology of the ineffable : Satie and Bergson -- Ontological machines : Varèse and Bataille -- Ontological appropriation : Boulez and Artaud -- The written being of sound : Cage and Derrida -- Postlude : a simulacrum of presence.
  15. Was sind Sounds?
    eine Ontologie des Klangs
    Author: Bayreuther, Rainer
    Published: [2019]; © 2019
    Publisher:  transcript, Bielefeld

    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche... more

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    A fundamental work for sound studies and musicology on the ontology and individuality of sounds Was sichtbare oder tastbare Dinge sind, weiß jede_r. Was aber sind hörbare Dinge? Die Klangquelle, die Luftschwingung oder die Klänge selber? Und welche Eigenschaften haben diese Dinge? In diesem Grundlagenwerk für Sound Studies und Musikwissenschaft, für das Kartographieren von Geräuschen sowie für Klangfetischisten, entwickelt Rainer Bayreuther in einer klaren ontologischen Systematik die Individualität sowie die Eigenschaften von Klängen. Die philosophische Arbeit wird anhand zahlreicher Fallbeispiele veranschaulicht

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839447079
    Other identifier:
    RVK Categories: AP 14900 ; LR 56660
    Series: Musik und Klangkultur ; Band 36
    Subjects: Aesthetics; Fundamental Work; Geräusch; Grundlagenwerk; Music; Musicology; Musik; Musikwissenschaft; Noise; Ontologie; Ontology; Sound Studies; Ästhetik; MUSIC / History & Criticism; Musik; Sound Studies; Klang; Geräusch
    Scope: 1 Online-Ressource (248 Seiten), Diagramme, Notenbeispiele
  16. Writing the radio war
    literature, politics and the BBC, 1939-1945
    Author: Whittington, Ian
    Published: 2018
    Publisher:  Edinburgh University Press, Edinburgh

    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting. more

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    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474413602; 9781474413596
    Series: Edinburgh critical studies in war and culture
    Subjects: World War, 1939-1945; World War, 1939-1945; British Broadcasting Corporation ; History; World War, 1939-1945 ; Great Britain ; Radio broadcasting and the war; World War, 1939-1945 ; Social aspects ; Great Britain
    Scope: 1 online resource (vii, 220 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 27 Apr 2021)
  17. Writing the radio war
    literature, politics and the BBC, 1939-1945
    Author: Whittington, Ian
    Published: 2018
    Publisher:  Edinburgh University Press, Edinburgh

    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting. more

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    Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474413602; 9781474413596
    Series: Edinburgh critical studies in war and culture
    Subjects: World War, 1939-1945; World War, 1939-1945; British Broadcasting Corporation ; History; World War, 1939-1945 ; Great Britain ; Radio broadcasting and the war; World War, 1939-1945 ; Social aspects ; Great Britain
    Scope: 1 online resource (vii, 220 pages), digital, PDF file(s).
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    Title from publisher's bibliographic system (viewed on 27 Apr 2021)
  18. The Sound of Salvation
    Voice, Gender, and the Sufi Mediascape in China
    Author: Ha, Guangtian
    Published: [2022]; ©2022
    Publisher:  Columbia University Press, New York, NY

    The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring... more

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    The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants.The first ethnography of this order in any language, The Sound of Salvation draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals.Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231552486
    Other identifier:
    Series: Studies of the Weatherhead East Asian Institute, Columbia University
    Subjects: Communication; Islam; Mass media in religion; Mass media; Muslims; Sufism; RELIGION / Islam / Rituals & Practice
    Scope: 1 Online-Ressource (xiv, 293 pages)
  19. The Sound of Salvation
    Voice, Gender, and the Sufi Mediascape in China
    Author: Ha, Guangtian
    Published: [2022]; ©2022
    Publisher:  Columbia University Press, New York, NY

    The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring... more

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    The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants.The first ethnography of this order in any language, The Sound of Salvation draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals.Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231552486
    Other identifier:
    Series: Studies of the Weatherhead East Asian Institute, Columbia University
    Subjects: Communication; Islam; Mass media in religion; Mass media; Muslims; Sufism; RELIGION / Islam / Rituals & Practice
    Scope: 1 Online-Ressource (xiv, 293 pages)
  20. Noise - Klang zwischen Musik und Lärm
    zu einer Praxeologie des Auditiven
    Author: Ginkel, Kai
    Published: [2017]; © 2017
    Publisher:  transcript-Verlag, Bielefeld

    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter? »Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür,... more

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    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter? »Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür, musikalische Sinnstiftung zu untersuchen. Kai Ginkel ergründet diese, indem er Soziologie, Ethnografie und Sound Studies miteinander in Dialog bringt. Schwerpunkte seiner Studie sind Verkörperung, Raum, Konflikt sowie Wissen und Kompetenz. What does it take to perceive sound as music? This ethnographic study explores auditory meaning by taking the noise culture as an example.

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839439289
    Other identifier:
    RVK Categories: EC 2440
    Series: Kulturen der Gesellschaft ; Band 27
    De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Subjects: Musik; Kultursoziologie; Raum; Musiksoziologie; Klang; Feldforschung; Klang; Noise; Lärm; SOCIAL SCIENCE / Popular Culture
    Scope: 1 Online-Ressource (267 Seiten)
    Notes:

    Dissertation, Katholische Universität Eichstädt-Ingolstadt, 2016

    Frontmatter -- -- Inhalt -- -- Vorbemerkungen und Danksagung -- -- 1. Einleitende Worte -- -- 2. Theoretische Fundierung -- -- 3. Methode -- -- 4. Noise als Gegenstandsbereich -- -- 5. Hörkompetenz und Distinktion -- -- 6. Klang-Raum-Körper -- -- 7. Kollektivität zwischen Dynamik und Routine -- -- 8. Praktisches Wissen und Transformationsleistungen -- -- 9. Zu einer Soziologie des Auditiven -- -- Literatur -- -- Nichtwissenschaftliche Internetquellen -- -- Medienquellen -- -- Kurzzusammenfassung
  21. Noise - Klang zwischen Musik und Lärm
    zu einer Praxeologie des Auditiven
    Author: Ginkel, Kai
    Published: [2017]; © 2017
    Publisher:  transcript-Verlag, Bielefeld

    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter? »Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür,... more

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    Wann wird Klang zur Musik, wann wird er als Lärm erfahren? Welche sozialen Praktiken stehen dahinter? »Noise«, eine Spielart der Klang- und Musikproduktion, die sich durch einen Fokus auf das Geräusch auszeichnet, ist prädestiniert dafür, musikalische Sinnstiftung zu untersuchen. Kai Ginkel ergründet diese, indem er Soziologie, Ethnografie und Sound Studies miteinander in Dialog bringt. Schwerpunkte seiner Studie sind Verkörperung, Raum, Konflikt sowie Wissen und Kompetenz. What does it take to perceive sound as music? This ethnographic study explores auditory meaning by taking the noise culture as an example.

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839439289
    Other identifier:
    RVK Categories: EC 2440
    Series: Kulturen der Gesellschaft ; Band 27
    De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Subjects: Musik; Kultursoziologie; Raum; Musiksoziologie; Klang; Feldforschung; Klang; Noise; Lärm; SOCIAL SCIENCE / Popular Culture
    Scope: 1 Online-Ressource (267 Seiten)
    Notes:

    Dissertation, Katholische Universität Eichstädt-Ingolstadt, 2016

    Frontmatter -- -- Inhalt -- -- Vorbemerkungen und Danksagung -- -- 1. Einleitende Worte -- -- 2. Theoretische Fundierung -- -- 3. Methode -- -- 4. Noise als Gegenstandsbereich -- -- 5. Hörkompetenz und Distinktion -- -- 6. Klang-Raum-Körper -- -- 7. Kollektivität zwischen Dynamik und Routine -- -- 8. Praktisches Wissen und Transformationsleistungen -- -- 9. Zu einer Soziologie des Auditiven -- -- Literatur -- -- Nichtwissenschaftliche Internetquellen -- -- Medienquellen -- -- Kurzzusammenfassung
  22. Sounding Islam
    Voice, Media, and Sonic Atmospheres in an Indian Ocean World
    Author: Eisenlohr, Patrick
    Published: [2018]
    Publisher:  University of California Press, Berkeley, CA

    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion,... more

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    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr's concern is the interplay of voice, media, affect, and listeners' religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language Frontmatter -- Contents -- Illustrations -- Audio Clips -- Acknowledgments -- 1. Sounding Islam -- 2. Devotional Islam and Sound Reproduction -- 3. Aspirations in Transnational Religious Networks -- 4. The Materiality of Media and the Vanishing Medium -- 5. The Work of Transduction: Voice as Atmosphere -- 6. Sound as Affect? Encorporation and Movement in Vocal Performance -- Conclusion -- Notes -- References -- Index

     
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  23. Sounding Islam
    Voice, Media, and Sonic Atmospheres in an Indian Ocean World
    Author: Eisenlohr, Patrick
    Published: [2018]
    Publisher:  University of California Press, Berkeley, CA

    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion,... more

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    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr's concern is the interplay of voice, media, affect, and listeners' religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language Frontmatter -- Contents -- Illustrations -- Audio Clips -- Acknowledgments -- 1. Sounding Islam -- 2. Devotional Islam and Sound Reproduction -- 3. Aspirations in Transnational Religious Networks -- 4. The Materiality of Media and the Vanishing Medium -- 5. The Work of Transduction: Voice as Atmosphere -- 6. Sound as Affect? Encorporation and Movement in Vocal Performance -- Conclusion -- Notes -- References -- Index

     
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  24. Financial inclusion and bank competition in Sub-Saharan Africa
    Author: Mengistu, Azanaw; Perez-Saiz, Hector
    Published: 2018
    Publisher:  International Monetary Fund, [Washington, D.C.]

    In this paper we study how competition and financial soundness affect financial inclusion in Sub-Saharan Africa (SSA). We use detailed individual-level survey data, combined with key country-level indicators of bank competition and financial... more

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    In this paper we study how competition and financial soundness affect financial inclusion in Sub-Saharan Africa (SSA). We use detailed individual-level survey data, combined with key country-level indicators of bank competition and financial soundness, to study the effect on the adoption of several financial products (bank accounts, credit and debit cards, and bank loans). We find that more competition tends to increase the probability of access to these financial products. On the contrary, we do not find strong evidence of the effect of bank-balance sheet variables (i.e. capital adequacy or liquidity) on borrowing by individuals. Our results may help policy makers design regulations that could improve financial inclusion, which could potentially impact economic growth and long-term economic development

     
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    ISBN: 9781484386163
    Other identifier:
    Series: IMF working paper ; WP/18, 256
    Scope: 1 Online-Ressource (circa 30 Seiten), Illustrationen
  25. Financial inclusion and bank competition in Sub-Saharan Africa
    Author: Mengistu, Azanaw; Perez-Saiz, Hector
    Published: 2018
    Publisher:  International Monetary Fund, [Washington, D.C.]

    In this paper we study how competition and financial soundness affect financial inclusion in Sub-Saharan Africa (SSA). We use detailed individual-level survey data, combined with key country-level indicators of bank competition and financial... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    In this paper we study how competition and financial soundness affect financial inclusion in Sub-Saharan Africa (SSA). We use detailed individual-level survey data, combined with key country-level indicators of bank competition and financial soundness, to study the effect on the adoption of several financial products (bank accounts, credit and debit cards, and bank loans). We find that more competition tends to increase the probability of access to these financial products. On the contrary, we do not find strong evidence of the effect of bank-balance sheet variables (i.e. capital adequacy or liquidity) on borrowing by individuals. Our results may help policy makers design regulations that could improve financial inclusion, which could potentially impact economic growth and long-term economic development

     
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781484386163
    Other identifier:
    Series: IMF working paper ; WP/18, 256
    Scope: 1 Online-Ressource (circa 30 Seiten), Illustrationen