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Results for sound studies

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  1. Digital sound studies
    Published: 2018; ©2018
    Publisher:  Duke University Press, Durham

    'The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital... more

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    Universitätsbibliothek Regensburg
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    'The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines--including rhetoric and composition, performance studies, anthropology, history, and information science--the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary."--Provided by publisher

     
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1478091010; 9781478091011
    RVK Categories: LR 57790
    Edition: [Open access version]
    Subjects: Sciences humaines numériques; Son dans les médias; digital humanities; Digital humanities; Sound in mass media; Sound; Sound; Digital humanities; Sound in mass media; Sound; Sound; Forschung; Sound Studies; Digital Humanities
    Other subjects: Electronic books
    Scope: 1 Online-Ressource
    Notes:

    Array: Array

    Array: Array
  2. Digital sound studies
    Contributor: Lingold, Mary Caton (HerausgeberIn); Mueller, Darren (HerausgeberIn); Trettien, Whitney (HerausgeberIn)
    Published: 2018
    Publisher:  Duke University Press, Durham

    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital... more

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    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines—including rhetoric and composition, performance studies, anthropology, history, and information science—the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary.

     
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    Source: Union catalogues
    Contributor: Lingold, Mary Caton (HerausgeberIn); Mueller, Darren (HerausgeberIn); Trettien, Whitney (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822371991
    Other identifier:
    Subjects: Sound; Digital humanities; Sound; Sound in mass media; Sound
    Scope: 1 Online-Ressource (xii, 298 Seiten)
    Notes:

    Richard Cullen Rath: Ethnodigital sonics and the historical imagination

    Myron M. Beasley: Performing Zora : critical ethnography, digital sound, and not forgetting

    Jonathan W. Stone: Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity

    Aaron Trammell, Jennifer Lynn Stoever, and Liana Silva: The pleasure (is) principle: sounding out! and the digitizing of community

    Regina N. Bradley: Becoming outkasted: archiving contemporary Black Southernness in a digital age

    W. F. Umi Hsu: Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography

    Tanya E. Clement: Word. spoken. articulating the voice for high-performance sound technologies for access and scholarhip (hipstas)

    Michael J. Kramer: "A foreign sound to your ear" : digital image sonification for historical interpretation

    Joanna Swafford: Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes

    Rebecca Dowd Geoffroy-Schwinden: Digital approaches to historical acoustemologies: replication and reenactment

    Steph Ceraso: Sound practices for digital humanities

    Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien: Afterword: demands of duration: the futures of digital sound scholarship
  3. Digital Sound Studies
    Contributor: Trettien, Whitney Anne (HerausgeberIn); Mueller, Darren (HerausgeberIn); Lingold, Mary Caton (HerausgeberIn)
    Published: 2018
    Publisher:  Duke University Press, Durham

    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital... more

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    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines--including rhetoric and composition, performance studies, anthropology, history, and information science--the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary.

     
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  4. Navigating Urban Soundscapes
    Dublin and Los Angeles in Fiction
    Author: Eisenberg, Annika
    Published: 2023
    Publisher:  Springer Nature Switzerland, Cham ; Imprint: Palgrave Macmillan

    Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using... more

     

    Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by auscultators, the characters listening within a work of fiction, and by auditeurs, the implied audience of a fictional work. Eisenberg argues that the concept of “urban sound” is a cultural and aesthetic construct, and in doing so, she shows why aesthetics needs to be front and center in sound studies

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook; Data medium
    Format: Online
    ISBN: 9783031167348
    Other identifier:
    Edition: 1st ed. 2023
    Series: Literary Urban Studies
    Subjects: Literature, Modern—20th century; Literature—Aesthetics; Science—Social aspects; Cities and towns—History; Space; Culture; Twentieth-Century Literature; Literary Aesthetics; Sound Studies; Urban History; Space and Place in Culture
    Scope: 1 Online-Ressource (XII, 244 Seiten)
    Notes:

    Introduction -- Mediated Sound -- Tunement: Listening to Listening -- Urban Sonar -- Teeming with Traffic -- Crowded Voices -- Aquacities -- Conclusion: Rewind – Fast Forward.
  5. Sound and literature
    Contributor: Snaith, Anna (Publisher)
    Published: [2020]
    Publisher:  Cambridge University Press, Cambridge

    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late... more

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    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Snaith, Anna (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108855532
    Other identifier:
    RVK Categories: EC 5410
    Series: Cambridge critical concepts
    Subjects: Sound in literature; Aural history; Sound / Psychological aspects; Sounds / Psychological aspects; Sound / Social aspects; Sounds / Social aspects; Civilization, Modern; Geräusch; Musik; Literatur; Tonologie
    Scope: 1 Online-Ressource (xvi, 424 Seiten)
    Notes:

    Introduction: Anna Snaith -- Part I. Origins: Chapter 1. Hearing and the Senses / Sam Halliday -- Chapter 2. Fragments on/of Voice / David Nowell Smith -- Chapter 3. Sonic Forms: Ezra Pound's Anti-Metronome Modernism in Context / Jason David Hall -- Chapter 4. Classical Music and Literature / Gemma Moss -- Chapter 5. Aesthetics, Music, Noise / Brad Bucknell -- Part II. Development: Chapter 6. Literary Soundscapes / Helen Groth -- Chapter 7. Noise / James G. Mansell -- Chapter 8. 'Lost In Music': Wild Notes and Organized Sound / Paul Gilroy -- Chapter 9. Media History and Sound Technology / Julie Beth Napolin -- Part III: Applications. Chapter 10. What We Talk About When We Talk About Talking Books / Edward Allen -- Chapter -- 11. Prose Sense and Its Soundings / Garrett Stewart -- Chapter 12. Dissonant Prosody / A. J. Carruthers -- Chapter 13. Deafness and Sound / Rebecca Sanchez -- Chapter 14. Vibrations / Shelley Trower -- Chapter 15. Feminism and Sound / Ella Finer -- Chapter 16. Wireless Imaginations / Debra Rae Cohen -- Chapter 17. Attending to Theatre Sound Studies and Complicite's The Encounter / Adrian Curtin -- Chapter 18. Bob Dylan and Sound: A Tale of the Recording Era / Barry J. Faulk
  6. Sound and literature
    Contributor: Snaith, Anna (Herausgeber)
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late... more

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    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies.

     
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    Source: Union catalogues
    Contributor: Snaith, Anna (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108855532
    Other identifier:
    RVK Categories: EC 5410
    Series: Cambridge critical concepts
    Subjects: Klang; Literatur; Musik; Ton <Akustik>
    Scope: 1 Online-Ressource
    Notes:

    Title from publisher's bibliographic system (viewed on 01 Jun 2020)
  7. Digital Sound Studies
    Contributor: Lingold, Mary Caton (Herausgeber); Mueller, Darren (Herausgeber); Trettien, Whitney (Herausgeber)
    Published: 2018
    Publisher:  Duke University Press, Durham, NC ; OAPEN FOUNDATION, The Hague

    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital... more

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    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines—including rhetoric and composition, performance studies, anthropology, history, and information science—the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive.

     
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    Source: Union catalogues
    Contributor: Lingold, Mary Caton (Herausgeber); Mueller, Darren (Herausgeber); Trettien, Whitney (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822371991
    RVK Categories: LR 57790
    Subjects: Sound Studies; Digital Humanities; Forschung; Graphical & digital media applications
    Other subjects: Music; Sound Studies; Digital Humanities; Digital Pedagogy; Media; Technology
  8. Navigating Urban Soundscapes
    Dublin and Los Angeles in Fiction
    Author: Eisenberg, Annika
    Published: 2023.
    Publisher:  Springer Nature Switzerland, Cham ; Imprint: Palgrave Macmillan

    Introduction -- Mediated Sound -- Tunement: Listening to Listening -- Urban Sonar -- Teeming with Traffic -- Crowded Voices -- Aquacities -- Conclusion: Rewind – Fast Forward. . Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers... more

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    Introduction -- Mediated Sound -- Tunement: Listening to Listening -- Urban Sonar -- Teeming with Traffic -- Crowded Voices -- Aquacities -- Conclusion: Rewind – Fast Forward. . Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by auscultators, the characters listening within a work of fiction, and by auditeurs, the implied audience of a fictional work. Eisenberg argues that the concept of “urban sound” is a cultural and aesthetic construct, and in doing so, she shows why aesthetics needs to be front and center in sound studies.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783031167348
    Other identifier:
    Edition: 1st ed. 2023.
    Series: Literary Urban Studies
    Subjects: Literature, Modern—20th century.; Literature—Aesthetics.; Science—Social aspects.; Cities and towns—History.; Space.; Culture.
    Scope: 1 Online-Ressource(XII, 244 p.)
  9. Sound and Ritualistic Language in Charles Williams’ War in Heaven
    Author: Grant, Gwen
    Published: 2023

    This study uncovers a link between sound patterns and ritualistic language in Charles Williams’ novels through an analysis of the relationship between type of sound and content. The study focuses on War in Heaven with a view to conducting a... more

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    This study uncovers a link between sound patterns and ritualistic language in Charles Williams’ novels through an analysis of the relationship between type of sound and content. The study focuses on War in Heaven with a view to conducting a preliminary exploration into this link, and establishing possibilities for future research. Like Williams’ other novels, War in Heaven is saturated with the symbolism and ritual practices he learned in The Fellowship of the Rosy Cross and, potentially, the Hermetic Order of the Golden Dawn. Williams’ experimentation with sound to convey his experience of ritual is explored through the framework of Roman Jakobson’s “Poetic Function”, to establish how Williams may have intended sound to contribute to the experience of the reader. Using a data driven approach, the study explores how sound patterns work with ritualistic content across War in Heaven, discovering a link between fricative sounds and ritualistic events.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Aries; Leiden : Brill, 2001; 23(2023), 2, Seite 169-205; Online-Ressource

    Subjects: Golden Dawn; sound; occult; Charles Williams; poetics; ritual
  10. The Edinburgh Companion to Literature and Sound Studies
    Author: Groth, Helen
    Published: 2024; ©2024
    Publisher:  Edinburgh University Press, Edinburgh

    This field-defining collection maps key intersections between sound studies and literary studies. Intro -- List of Figures -- Introduction -- Part I: Literature, Listening, Sounding -- 1. The Sound a Sentence Makes: On Poetry, Judgement, and Hearing... more

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    This field-defining collection maps key intersections between sound studies and literary studies. Intro -- List of Figures -- Introduction -- Part I: Literature, Listening, Sounding -- 1. The Sound a Sentence Makes: On Poetry, Judgement, and Hearing -- 2. The Limits of Listening: Riotous Women, Imperial Structures, and Sonic Archives -- 3. PIANO/Forte: Writing Audible Space, Jane Austen, Dorothy Richardson, and Others -- 4. Oralities, Literacies, and the Xenophobic Fallacy -- Part II: Literature, Music, Performance -- 5. Notes to Literature: Scores as Musical Reproduction in the Literary Text -- 6. Sound Agonistes : Music and the Economy of Sacrifice in Sound Studies -- 7. Shakespeare's Vibrant Theatres -- 8. 'Imaginative and musical mixtures of sounds': Rap, Patter, and Hyper Diction in Musical Theatre -- Part III: Literature, Voice, Acousmatics -- 9. 'Let it resound': 'Lift Every Voice and Sing' as Sonic Witness -- 10. Sound Media, Race, and Voice -- 11. The Acousmatics of Prison Writing -- 12. Aural Anxiety and Rurality in Women's Second World War Writing -- Part IV: Literature, Media, Coded Sound -- 13. Sound Technology and US Fiction in the Postwar Era: The Ethics and Aesthetics of Cross-Racial Listening -- 14. Coded Sound: Reading in the Age of Networked Media -- 15. Media Affordances of Literary Audio: Interrelations of Format and Form -- 16. OH-EE-OH-EE-OH-EE-AW-EE-AW!: Sound Descriptors in the Books of Tarzan as Facilitators of Presence -- Part V: Literature, War, Industry -- 17. An Auditory History of Early Modernity: Listening to Enlightenment and Industry in Britain, 1700-1900 -- 18. 'This is/not was': The Violence of Circulation and the Sonics of Submerged Language -- 19. Shriek and Hum: Industrial Noise and Productivity -- 20. A Critical Poetics of Warfare -- 21. The Great War: Sonic Fragments in Literature and Sound Studies -- Part VI: Literature, Sonic Epistemology, Language -- 22. Sonic Epistemologies.

     
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    Source: Union catalogues
    Contributor: Murphet, Julian (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781399502320
    Edition: 1st ed.
    Series: Edinburgh Companions to Literature and the Humanities Series
    Scope: 1 online resource (433 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  11. Acoustic entanglements
    sound and aesthetic practice
    Author: Kim, Sabine
    Published: 2017
    Publisher:  Universitätsverlag Winter, Heidelberg

    Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material... more

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    Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material practices of aesthetic acts. Starting by reassessing Emily Dickinson's poetry as participating in an emergent phonographic logic, this book proposes that sound in modernity assumes the capacity to cross time and space, 'entangling' past and present, living and dead, periphery and alleged center. From this vantage point, the study examines Lillian Allen's dub poetry as an ethical demand for economic justice made via sound, Janet Cardiff's audio walks as renegotiating the cultural place of Europe for a North American imaginary, and Anishinaabe artist Rebecca Belmore's performances as voicing indigenous resilience in the present. Focusing on Canada and the US, the book brings together the fields of sound studies and transnational American studies -- Provided by the publisher Introduction: sound that moves -- Spirited media, aural excesses: Emily Dickinson and the phonograph -- (Re)mixing histories: Lillian Allen and the roues of dub poetry -- Subjects of hearing, subject to history: the sound works of Janet Cardiff and George Bures Miller -- Disciplining hearing -- Stratified sound: Rebecca Belmore and William Forsythe.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    9783825366773
    Series: American Studies - A Monograph Series ; v. 278
    Subjects: Sound in literature; American literature; Canadian literature; Sound in literature; Lyrik; Installation; Klang; Akustik; American literature; Canadian literature; Criticism, interpretation, etc
    Other subjects: Dickinson, Emily; Cardiff, Janet; Miller, George Bures; Belmore, Rebecca; Forsythe, William
    Scope: 1 Online-Ressource (182 pages), illustrations
    Notes:

    Includes bibliographical references (pages 159-174) and index
  12. Stereophonica
    sound and space in science, technology, and the arts
    Author: Ouzounian, Gascia
    Published: [2020]
    Publisher:  The MIT Press, Cambridge, Massachusetts

    Episodes in the transformation of our understanding of sound and space, from binaural listening in the nineteenth century to contemporary sound art. The relationship between sound and space has become central to both creative practices in music and... more

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    Episodes in the transformation of our understanding of sound and space, from binaural listening in the nineteenth century to contemporary sound art. The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial' In Stereophonica, Gascia Ouzounian examines a series of historical episodes that transformed ideas of sound and space, from the advent of stereo technologies in the nineteenth century to visual representations of sonic environments today.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780262361231; 026236123X; 0262361248; 9780262361248
    Subjects: Sound; Sounds; Acoustical engineering; Music; Sound in art; Sound in art; Sound art; Arts, Modern; ART ; History ; General; Sound art; Sounds; Sound in art; Sound; Music; Arts, Modern; Acoustical engineering; Art; ARTS/Music & Sound Studies; DIGITAL HUMANITIES & NEW MEDIA/General; Criticism, interpretation, etc; History; Art sonore; Acoustique appliquée ; Histoire; Bruits naturels ; Histoire; Sound art; Musique ; Histoire et critique
    Scope: 1 online resource
    Notes:

    Title from resource description page (Recorded Books, viewed June 29, 2020). - Includes bibliographical references and index. - Online resource; title from digital title page (viewed on February 15, 2021)
  13. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: [2019]
    Publisher:  Bloomsbury Academic, New York, NY ; London

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"-- more

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    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781501344480; 9781501344473
    Subjects: Geräusch; Künste; Philosophie; Klang; Literatur; Ästhetik; Kultur
    Other subjects: Sound in literature; Poetics; Sound in art; Sound (Philosophy)
    Scope: 296 Seiten
    Notes:

    Charms -- Returns -- Rattles -- Sirens -- Echoes -- Recordings -- Voices -- Callings
  14. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: [2019]
    Publisher:  Bloomsbury Academic, New York, NY ; London

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"-- more

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    Universitäts- und Landesbibliothek Bonn
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    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501344480; 9781501344473
    Subjects: Klang; Geräusch; Künste; Literatur; Kultur; Philosophie; Ästhetik; Geschichte
    Scope: 296 Seiten
    Notes:

    Charms -- Returns -- Rattles -- Sirens -- Echoes -- Recordings -- Voices -- Callings
  15. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: [2019]
    Publisher:  Bloomsbury Academic, New York, NY ; London

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"-- more

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    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781501344480; 9781501344473
    Subjects: Künste; Klang; Literatur; Geräusch; Ästhetik; Philosophie; Kultur
    Scope: 296 Seiten
    Notes:

    Charms -- Returns -- Rattles -- Sirens -- Echoes -- Recordings -- Voices -- Callings
  16. Music, sound and space
    transformations of public and private experience
    Contributor: Born, Georgina (Publisher)
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of... more

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    Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Born, Georgina (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511675850
    Other identifier:
    RVK Categories: AP 14900 ; LC 87000 ; MS 8020 ; LR 56600
    Subjects: Gesellschaft; Musik; Music / Social aspects; Sound / Social aspects; Alltagskultur; Musik; Raum; Öffentlichkeit; Gesellschaft; Raum <Motiv>
    Scope: 1 Online-Ressource (xv, 358 Seiten), Illustrationen
  17. Listening in the field
    recording and the science of birdsong
    Author: Bruyninckx, Joeri
    Published: [2018]; ©2018
    Publisher:  The MIT Press, Cambridge, MA

    The transformation of sound recording into a scientific technique in the study of birdsong, as biologists turned wildlife sounds into scientific objects. more

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    The transformation of sound recording into a scientific technique in the study of birdsong, as biologists turned wildlife sounds into scientific objects.

     
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  18. Auditory violence
    literary sounds in postcolonial prose fiction
    Author: Smirnow, Dmitri
    Published: 2020

    ger: Klänge weisen in postkolonialer Literatur eine politische Bedeutungsdimension auf. Die literarische Imagination von Klängen hebt verschiedene Machtkonfigurationen in Texten hervor, die einen postkolonialen Hintergrund haben, indem Unterdrückung... more

     

    ger: Klänge weisen in postkolonialer Literatur eine politische Bedeutungsdimension auf. Die literarische Imagination von Klängen hebt verschiedene Machtkonfigurationen in Texten hervor, die einen postkolonialen Hintergrund haben, indem Unterdrückung und Herrschaft, aber auch Widerstand auf einer klanglichen Ebene veranschaulicht werden. Die Dissertation untersucht die politischen Aspekte literarischer Klänge (verstanden als intermodale Referenzen) anhand des Konzepts von Gewalt: Literarische Klänge vermitteln unterschiedliche Gewaltformen (etwa interpersonelle, strukturelle oder epistemische Gewalt) und machen Konflikte durch Themen und Motive greifbar, in denen Hör-Wissen reflektiert und erweitert wird. Die close readings der Fallstudien konzentrieren sich auf narrative, rhetorische und andere literarische Merkmale bei der Inszenierung von Klang und werden von semiotischen Analysen ergänzt, die die Verbindung zwischen Klängen und Gewalt verdeutlichen. Die semiotischen Begriffe werden angewandt, um zu bestimmen, wie sich ein literarischer Klang (als Zeichen) auf Gewalt als dessen Objekt bezieht.Das Korpus besteht aus vier AutorInnen aus verschiedenen sprachlichen und kulturellen Kontexten: Chingiz Aitmatov, J. M. Coetzee, Frankétienne und Jean Rhys. Ihre anglophonen, frankophonen und russophonen Texte sind Gegenstand der Fallstudien zu postkolonialer Literatur. Die Romane problematisieren die Verschränkung zwischen Klangkultur, imperialer Ordnung und kolonialem Erbe, indem sie auf Klangumgebungen, Hörpraktiken und Modi der Klangerzeugung fokussieren. Ein Vergleich zwischen den Texten stellt die Gemeinsamkeiten und Unterschiede hinsichtlich ihrer Klangimaginationen und Inszenierungen von Klängen heraus.Die Dissertation stellt einen Beitrag zu den Literary Sound Studies dar, wobei das Forschungsinteresse an der Schnittstelle zwischen Komparatistik, Sound Studies und Postcolonial Studies liegt. eng: The sensory domain of sound is imbued with political meaning in postcolonial prose fiction. The literary imagination of sound articulates different configurations of power, accentuating sonic manifestations of oppression and domination, but also of resistance and subversion within texts that have a postcolonial background. The thesis examines the political significance of literary sounds (conceptualized as intermodal references) on the basis of the concept of violence: Literary sounds convey varying forms of violence (such as interpersonal, structural and epistemic violence) and make conflicts more palpable by illustrating them through themes and motifs that reflect and also creatively expand sonic knowledge. In the case studies, close-readings focus on narrative, rhetorical and other literary features in the staging of sound, complemented by semiotic analyses of the connection between sound and violence. The semiotic terminology is applied to determine how, as signs, literary sounds relate to violence as their object.The corpus consists of novels by four authors from different linguistic and cultural contexts: Chingiz Aitmatov, J. M. Coetzee, Frankétienne and Jean Rhys. Their Anglophone, Francophone and Russophone texts are the objects of the case studies on postcolonial literature. The chosen novels problematize the entanglement of sound culture with imperial orders and colonial legacies: By exploring auditory environments, listening practices and modes of sound production, they demonstrate a particular aural sensitivity that adds a violent dimension to literary sounds. A comparison of the analyzed texts establishes the similarities and differences in regard to their sonic imaginations and how they stage sounds.Contributing to the research of literary sound studies, the main interest of this thesis lies at the intersection of comparative literary studies, sound studies and postcolonial studies.

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    Subjects: Ajtmatov, Čingiz; Coetzee, J. M.; Frankétienne; Rhys, Jean; Prosa; Klang <Motiv>; Gewalt <Motiv>; Postkolonialismus;
    Scope: 226 Seiten
    Notes:

    Zusammenfassungen in Deutsch und Englisch

    Dissertation, Karl-Franzens-Universität Graz, 2020
  19. The acoustical unconscious
    from Walter Benjamin to Alexander Kluge
    Author: Ryder, Robert
    Published: [2022]; © 2022
    Publisher:  De Gruyter, Berlin ; Boston

    Is there an acoustical equivalent to Walter Benjamin's idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we... more

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    Is there an acoustical equivalent to Walter Benjamin's idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we could not consciously perceive before. This study argues that Benjamin was also concerned with how acoustical media allow us to "hear otherwise," that is, to listen to sound structures previously lost to the naked ear. Crucially, they help sensitize us to the discursive sonority of words, which Benjamin was already alluding to in his autobiographical work. In five chapters that range in scope from Tieck's Blonde Eckbert, which Benjamin once called his locus classicus of his theory of forgetting, to Alexander Kluge's films and short texts, where he develops what he calls "sound perspectives," this monograph discusses how the acoustical unconscious enriches our understanding of different media, from the written word to radio and film. As the first book-length study of Benjamin's linguistic, cultural-historical, and media-theoretical reflections on sound, this book will be particularly relevant to students and scholars of both German studies and sound studies

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110733006; 9783110733020
    Other identifier:
    Series: Interdisciplinary German Cultural Studies ; volume 32
    Subjects: SOCIAL SCIENCE / Media Studies; Sehen; Intermedialität; Unterbewusstsein; Hören; Lesen
    Other subjects: Kluge, Alexander (1932-); Benjamin, Walter (1892-1940); Arnheim, Rudolf (1904-2007); Eich, Günter (1907-1972); Tieck, Ludwig (1773-1853)
    Scope: 1 Online-Ressource (X, 265 pages)
  20. The acoustical unconscious
    from Walter Benjamin to Alexander Kluge
    Author: Ryder, Robert
    Published: 2022
    Publisher:  De Gruyter, Berlin ; Boston

    Is there an acoustical equivalent to Walter Benjamin's idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we... more

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    Is there an acoustical equivalent to Walter Benjamin's idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we could not consciously perceive before. This study argues that Benjamin was also concerned with how acoustical media allow us to "hear otherwise," that is, to listen to sound structures previously lost to the naked ear. Crucially, they help sensitize us to the discursive sonority of words, which Benjamin was already alluding to in his autobiographical work. In five chapters that range in scope from Tieck's Blonde Eckbert, which Benjamin once called his locus classicus of his theory of forgetting, to Alexander Kluge's films and short texts, where he develops what he calls "sound perspectives," this monograph discusses how the acoustical unconscious enriches our understanding of different media, from the written word to radio and film. As the first book-length study of Benjamin's linguistic, cultural-historical, and media-theoretical reflections on sound, this book will be particularly relevant to students and scholars of both German studies and sound studies

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783110737776; 3110737779
    Other identifier:
    9783110737776
    Series: Interdisciplinary German Cultural Studies ; Band 32
    Subjects: Sehen; Hören; Intermedialität; Unterbewusstsein; Lesen
    Other subjects: Eich, Günter (1907-1972); Kluge, Alexander (1932-); Arnheim, Rudolf (1904-2007); Benjamin, Walter (1892-1940); Tieck, Ludwig (1773-1853); Unconscious; hearing; Benjamin; German media
    Scope: X, 265 Seiten, Illustration, 23 cm x 15.5 cm
  21. The Acoustical Unconscious
    From Walter Benjamin to Alexander Kluge
    Author: Ryder, Robert
    Published: 2022; ©2022
    Publisher:  De Gruyter, Berlin ; Walter de Gruyter GmbH

    Is there an acoustical equivalent to Walter Benjamin's idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we... more

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    Is there an acoustical equivalent to Walter Benjamin's idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we could not consciously perceive before. This study argues that Benjamin was also concerned with how acoustical media allow us to "hear otherwise," that is, to listen to sound structures previously lost to the naked ear. Crucially, they help sensitize us to the discursive sonority of words, which Benjamin was already alluding to in his autobiographical work. In five chapters that range in scope from Tieck's Blonde Eckbert, which Benjamin once called his locus classicus of his theory of forgetting, to Alexander Kluge's films and short texts, where he develops what he calls "sound perspectives," this monograph discusses how the acoustical unconscious enriches our understanding of different media, from the written word to radio and film. As the first book-length study of Benjamin's linguistic, cultural-historical, and media-theoretical reflections on sound, this book will be particularly relevant to students and scholars of both German studies and sound studies.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110733006
    Other identifier:
    DDC Categories: 100; 791; 830; 800
    Series: Interdisciplinary German Cultural Studies , ; 32
    Subjects: Lesen; Hören; Sehen; Unterbewusstsein; Intermedialität
    Other subjects: Benjamin, Walter (1892-1940); Tieck, Ludwig (1773-1853); Arnheim, Rudolf (1904-2007); Eich, Günter (1907-1972); Kluge, Alexander (1932-)
    Scope: 1 Online-Ressource (X, 265 p.)
  22. Writing Anthropologists, Sounding Primitives
    The Poetry and Scholarship of Edward Sapir, Margaret Mead, and Ruth Benedict
    Author: Reichel, A. Elisabeth
    Published: 2021
    Publisher:  University of Nebraska Press, Lincoln ; Project MUSE, Baltimore, Md.

    "Writing Anthropologists, Sounding Primitives" offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by... more

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    "Writing Anthropologists, Sounding Primitives" offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultural anthropologists"--...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781496226082; 9781496227546
    Series: Critical studies in the history of anthropology
    Subjects: Lyrik; Anthropologie; Ethnologie; American poetry; Anthropologists' writings, American; Anthropologists' writings, American; American poetry
    Other subjects: Sapir, Edward (1884-1939); Mead, Margaret (1901-1978); Benedict, Ruth (1887-1948)
    Scope: 1 Online-Ressource (pages cm)
  23. Kaleidophonic modernity
    transatlantic sound, technology, and literature
    Author: Brehm, Brett
    Published: 2023
    Publisher:  Fordham University Press, New York ; Oxford University Press, Oxford

    What stories remain hidden behind one of the most significant inventions of the nineteenth century? 'Kaleidophonic Modernity' reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and... more

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    What stories remain hidden behind one of the most significant inventions of the nineteenth century? 'Kaleidophonic Modernity' reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Brehm builds a bridge between visual culture and sound studies.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781531504007
    Other identifier:
    Edition: First edition.
    Series: Fordham scholarship online
    Subjects: Schallaufzeichnung; Kunst; Literatur; Literature and technology; Technology; Inventions; Literature; Literature: history & criticism
    Scope: 1 Online-Ressource (v, 281 pages), Illustrations (black and white, and colour).
    Notes:

    Includes bibliographical references and index
  24. From music to sound
    the emergence of sound in 20th- and 21st-century music
    Author: Solōmos, Makēs
    Published: 2020
    Publisher:  Routledge, London

    On timbre -- On noise -- Listenting (sounds) -- Immersion in sound -- Composing sound -- Sound-space. "From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original... more

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    Mc 5545
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    Buch m 455 Sol 1.1
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    On timbre -- On noise -- Listenting (sounds) -- Immersion in sound -- Composing sound -- Sound-space. "From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music. Both well-known and lesser-known works and composers are anaylsed in detail, from Debussy to contemporary music in the early 21st century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis and aesthetics, this book will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367192136
    RVK Categories: LR 56807 ; LR 56660
    Series: Routledge research in music
    Subjects: Music; Music; Sound (Philosophy); Noise (Philosophy); Listening (Philosophy); Tone color (Music)
    Scope: XI, 282 Seiten, Illustrationen, Diagramme, Notenbeispiele
    Notes:

    Literaturverzeichnis: Seiten 243-269
  25. Sounding Islam
    voice, media, and sonic atmospheres in an Indian Ocean world
    Author: Eisenlohr, Patrick
    Published: [2018]; © 2018
    Publisher:  University of California Press, Oakland, California

    "Sounding Islam investigates the sonic dimensions of religion, combining perspectives from the anthropology of media, the anthropology of semiotic mediation, and sound studies. Based on long-term ethnographic research on devotional Islam in... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Max-Planck-Institut zur Erforschung multireligiöser und multiethnischer Gesellschaften, Bibliothek
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    Universitätsbibliothek Leipzig
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    "Sounding Islam investigates the sonic dimensions of religion, combining perspectives from the anthropology of media, the anthropology of semiotic mediation, and sound studies. Based on long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religion. At the core of Eisenlohr's concern is the interplay of voice, media, affect, and listeners' experience, especially within the context of Mauritian Islamic practices. The work is a contribution to the anthropological study of sound, media, and religious experience and a rich study of Mauritius, diasporic South Asian communities, and global Islam."--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520298712; 0520298713
    Other identifier:
    RVK Categories: LC 29594 ; LC 87594 ; LS 34000
    Subjects: Voice; Sound; Islamic poetry; Islam; Islam; Islamic poetry; Sound; Voice
    Scope: xi, 174 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references and index

    Sounding Islam -- Devotional Islam and sound reproduction -- Aspirations in transnational religious networks -- The materiality of media and the vanishing medium -- The work of transduction: Voice as atmosphere -- Sound as affect? Encorporation and movement in vocal performance