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Results for sound studies

Displaying results 1 to 25 of 2898.

  1. Digital sound studies
    Published: 2018; ©2018
    Publisher:  Duke University Press, Durham

    'The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital... more

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    'The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines--including rhetoric and composition, performance studies, anthropology, history, and information science--the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary."--Provided by publisher

     
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1478091010; 9781478091011
    RVK Categories: LR 57790
    Edition: [Open access version]
    Subjects: Sciences humaines numériques; Son dans les médias; digital humanities; Digital humanities; Sound in mass media; Sound; Sound; Digital humanities; Sound in mass media; Sound; Sound; Forschung; Sound Studies; Digital Humanities
    Other subjects: Electronic books
    Scope: 1 Online-Ressource
    Notes:

    Array: Array

    Array: Array
  2. Digital sound studies
    Contributor: Lingold, Mary Caton (HerausgeberIn); Mueller, Darren (HerausgeberIn); Trettien, Whitney (HerausgeberIn)
    Published: 2018
    Publisher:  Duke University Press, Durham

    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital... more

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    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines—including rhetoric and composition, performance studies, anthropology, history, and information science—the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary.

     
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    Source: Union catalogues
    Contributor: Lingold, Mary Caton (HerausgeberIn); Mueller, Darren (HerausgeberIn); Trettien, Whitney (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822371991
    Other identifier:
    Subjects: Sound; Digital humanities; Sound; Sound in mass media; Sound
    Scope: 1 Online-Ressource (xii, 298 Seiten)
    Notes:

    Richard Cullen Rath: Ethnodigital sonics and the historical imagination

    Myron M. Beasley: Performing Zora : critical ethnography, digital sound, and not forgetting

    Jonathan W. Stone: Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity

    Aaron Trammell, Jennifer Lynn Stoever, and Liana Silva: The pleasure (is) principle: sounding out! and the digitizing of community

    Regina N. Bradley: Becoming outkasted: archiving contemporary Black Southernness in a digital age

    W. F. Umi Hsu: Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography

    Tanya E. Clement: Word. spoken. articulating the voice for high-performance sound technologies for access and scholarhip (hipstas)

    Michael J. Kramer: "A foreign sound to your ear" : digital image sonification for historical interpretation

    Joanna Swafford: Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes

    Rebecca Dowd Geoffroy-Schwinden: Digital approaches to historical acoustemologies: replication and reenactment

    Steph Ceraso: Sound practices for digital humanities

    Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien: Afterword: demands of duration: the futures of digital sound scholarship
  3. Digital Sound Studies
    Contributor: Trettien, Whitney Anne (HerausgeberIn); Mueller, Darren (HerausgeberIn); Lingold, Mary Caton (HerausgeberIn)
    Published: 2018
    Publisher:  Duke University Press, Durham

    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital... more

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    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines--including rhetoric and composition, performance studies, anthropology, history, and information science--the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary.

     
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  4. Navigating Urban Soundscapes
    Dublin and Los Angeles in Fiction
    Author: Eisenberg, Annika
    Published: 2023
    Publisher:  Springer Nature Switzerland, Cham ; Imprint: Palgrave Macmillan

    Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using... more

     

    Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by auscultators, the characters listening within a work of fiction, and by auditeurs, the implied audience of a fictional work. Eisenberg argues that the concept of “urban sound” is a cultural and aesthetic construct, and in doing so, she shows why aesthetics needs to be front and center in sound studies

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook; Data medium
    Format: Online
    ISBN: 9783031167348
    Other identifier:
    Edition: 1st ed. 2023
    Series: Literary Urban Studies
    Subjects: Literature, Modern—20th century; Literature—Aesthetics; Science—Social aspects; Cities and towns—History; Space; Culture; Twentieth-Century Literature; Literary Aesthetics; Sound Studies; Urban History; Space and Place in Culture
    Scope: 1 Online-Ressource (XII, 244 Seiten)
    Notes:

    Introduction -- Mediated Sound -- Tunement: Listening to Listening -- Urban Sonar -- Teeming with Traffic -- Crowded Voices -- Aquacities -- Conclusion: Rewind – Fast Forward.
  5. Sound and literature
    Contributor: Snaith, Anna (Publisher)
    Published: [2020]
    Publisher:  Cambridge University Press, Cambridge

    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late... more

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    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Snaith, Anna (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108855532
    Other identifier:
    RVK Categories: EC 5410
    Series: Cambridge critical concepts
    Subjects: Sound in literature; Aural history; Sound / Psychological aspects; Sounds / Psychological aspects; Sound / Social aspects; Sounds / Social aspects; Civilization, Modern; Geräusch; Musik; Literatur; Tonologie
    Scope: 1 Online-Ressource (xvi, 424 Seiten)
    Notes:

    Introduction: Anna Snaith -- Part I. Origins: Chapter 1. Hearing and the Senses / Sam Halliday -- Chapter 2. Fragments on/of Voice / David Nowell Smith -- Chapter 3. Sonic Forms: Ezra Pound's Anti-Metronome Modernism in Context / Jason David Hall -- Chapter 4. Classical Music and Literature / Gemma Moss -- Chapter 5. Aesthetics, Music, Noise / Brad Bucknell -- Part II. Development: Chapter 6. Literary Soundscapes / Helen Groth -- Chapter 7. Noise / James G. Mansell -- Chapter 8. 'Lost In Music': Wild Notes and Organized Sound / Paul Gilroy -- Chapter 9. Media History and Sound Technology / Julie Beth Napolin -- Part III: Applications. Chapter 10. What We Talk About When We Talk About Talking Books / Edward Allen -- Chapter -- 11. Prose Sense and Its Soundings / Garrett Stewart -- Chapter 12. Dissonant Prosody / A. J. Carruthers -- Chapter 13. Deafness and Sound / Rebecca Sanchez -- Chapter 14. Vibrations / Shelley Trower -- Chapter 15. Feminism and Sound / Ella Finer -- Chapter 16. Wireless Imaginations / Debra Rae Cohen -- Chapter 17. Attending to Theatre Sound Studies and Complicite's The Encounter / Adrian Curtin -- Chapter 18. Bob Dylan and Sound: A Tale of the Recording Era / Barry J. Faulk
  6. Sound and literature
    Contributor: Snaith, Anna (HerausgeberIn)
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late... more

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    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Snaith, Anna (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108855532
    Other identifier:
    Series: Cambridge critical concepts
    Subjects: Sound in literature; Aural history; Sound; Sounds; Sound; Sounds; Civilization, Modern; Sound in literature; Aural history; Sound ; Psychological aspects; Sounds ; Psychological aspects; Sound ; Social aspects; Sounds ; Social aspects; Civilization, Modern
    Scope: 1 Online-Ressource (xvi, 424 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 01 Jun 2020)
  7. Sound and literature
    Contributor: Snaith, Anna (HerausgeberIn)
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Snaith, Anna (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108855532
    Other identifier:
    Series: Cambridge critical concepts
    Subjects: Sound in literature; Aural history; Sound; Sounds; Sound; Sounds; Civilization, Modern; Sound in literature; Aural history; Sound ; Psychological aspects; Sounds ; Psychological aspects; Sound ; Social aspects; Sounds ; Social aspects; Civilization, Modern
    Scope: 1 Online-Ressource (xvi, 424 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 01 Jun 2020)
  8. Sound and literature
    Contributor: Snaith, Anna (Herausgeber)
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late... more

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    What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies.

     
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    Source: Union catalogues
    Contributor: Snaith, Anna (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108855532
    Other identifier:
    RVK Categories: EC 5410
    Series: Cambridge critical concepts
    Subjects: Klang; Literatur; Musik; Ton <Akustik>
    Scope: 1 Online-Ressource
    Notes:

    Title from publisher's bibliographic system (viewed on 01 Jun 2020)
  9. Digital Sound Studies
    Contributor: Lingold, Mary Caton (Herausgeber); Mueller, Darren (Herausgeber); Trettien, Whitney (Herausgeber)
    Published: 2018
    Publisher:  Duke University Press, Durham, NC ; OAPEN FOUNDATION, The Hague

    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital... more

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    The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines—including rhetoric and composition, performance studies, anthropology, history, and information science—the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive.

     
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    Source: Union catalogues
    Contributor: Lingold, Mary Caton (Herausgeber); Mueller, Darren (Herausgeber); Trettien, Whitney (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822371991
    RVK Categories: LR 57790
    Subjects: Sound Studies; Digital Humanities; Forschung; Graphical & digital media applications
    Other subjects: Music; Sound Studies; Digital Humanities; Digital Pedagogy; Media; Technology
  10. Navigating Urban Soundscapes
    Dublin and Los Angeles in Fiction
    Author: Eisenberg, Annika
    Published: 2023.
    Publisher:  Springer Nature Switzerland, Cham ; Imprint: Palgrave Macmillan

    Introduction -- Mediated Sound -- Tunement: Listening to Listening -- Urban Sonar -- Teeming with Traffic -- Crowded Voices -- Aquacities -- Conclusion: Rewind – Fast Forward. . Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers... more

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    Introduction -- Mediated Sound -- Tunement: Listening to Listening -- Urban Sonar -- Teeming with Traffic -- Crowded Voices -- Aquacities -- Conclusion: Rewind – Fast Forward. . Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by auscultators, the characters listening within a work of fiction, and by auditeurs, the implied audience of a fictional work. Eisenberg argues that the concept of “urban sound” is a cultural and aesthetic construct, and in doing so, she shows why aesthetics needs to be front and center in sound studies.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783031167348
    Other identifier:
    Edition: 1st ed. 2023.
    Series: Literary Urban Studies
    Subjects: Literature, Modern—20th century.; Literature—Aesthetics.; Science—Social aspects.; Cities and towns—History.; Space.; Culture.
    Scope: 1 Online-Ressource(XII, 244 p.)
  11. Sound and Ritualistic Language in Charles Williams’ War in Heaven
    Author: Grant, Gwen
    Published: 2023

    This study uncovers a link between sound patterns and ritualistic language in Charles Williams’ novels through an analysis of the relationship between type of sound and content. The study focuses on War in Heaven with a view to conducting a... more

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    This study uncovers a link between sound patterns and ritualistic language in Charles Williams’ novels through an analysis of the relationship between type of sound and content. The study focuses on War in Heaven with a view to conducting a preliminary exploration into this link, and establishing possibilities for future research. Like Williams’ other novels, War in Heaven is saturated with the symbolism and ritual practices he learned in The Fellowship of the Rosy Cross and, potentially, the Hermetic Order of the Golden Dawn. Williams’ experimentation with sound to convey his experience of ritual is explored through the framework of Roman Jakobson’s “Poetic Function”, to establish how Williams may have intended sound to contribute to the experience of the reader. Using a data driven approach, the study explores how sound patterns work with ritualistic content across War in Heaven, discovering a link between fricative sounds and ritualistic events.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Aries; Leiden : Brill, 2001; 23(2023), 2, Seite 169-205; Online-Ressource

    Subjects: Golden Dawn; sound; occult; Charles Williams; poetics; ritual
  12. The Edinburgh Companion to Literature and Sound Studies
    Author: Groth, Helen
    Published: 2024; ©2024
    Publisher:  Edinburgh University Press, Edinburgh

    This field-defining collection maps key intersections between sound studies and literary studies. Intro -- List of Figures -- Introduction -- Part I: Literature, Listening, Sounding -- 1. The Sound a Sentence Makes: On Poetry, Judgement, and Hearing... more

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    This field-defining collection maps key intersections between sound studies and literary studies. Intro -- List of Figures -- Introduction -- Part I: Literature, Listening, Sounding -- 1. The Sound a Sentence Makes: On Poetry, Judgement, and Hearing -- 2. The Limits of Listening: Riotous Women, Imperial Structures, and Sonic Archives -- 3. PIANO/Forte: Writing Audible Space, Jane Austen, Dorothy Richardson, and Others -- 4. Oralities, Literacies, and the Xenophobic Fallacy -- Part II: Literature, Music, Performance -- 5. Notes to Literature: Scores as Musical Reproduction in the Literary Text -- 6. Sound Agonistes : Music and the Economy of Sacrifice in Sound Studies -- 7. Shakespeare's Vibrant Theatres -- 8. 'Imaginative and musical mixtures of sounds': Rap, Patter, and Hyper Diction in Musical Theatre -- Part III: Literature, Voice, Acousmatics -- 9. 'Let it resound': 'Lift Every Voice and Sing' as Sonic Witness -- 10. Sound Media, Race, and Voice -- 11. The Acousmatics of Prison Writing -- 12. Aural Anxiety and Rurality in Women's Second World War Writing -- Part IV: Literature, Media, Coded Sound -- 13. Sound Technology and US Fiction in the Postwar Era: The Ethics and Aesthetics of Cross-Racial Listening -- 14. Coded Sound: Reading in the Age of Networked Media -- 15. Media Affordances of Literary Audio: Interrelations of Format and Form -- 16. OH-EE-OH-EE-OH-EE-AW-EE-AW!: Sound Descriptors in the Books of Tarzan as Facilitators of Presence -- Part V: Literature, War, Industry -- 17. An Auditory History of Early Modernity: Listening to Enlightenment and Industry in Britain, 1700-1900 -- 18. 'This is/not was': The Violence of Circulation and the Sonics of Submerged Language -- 19. Shriek and Hum: Industrial Noise and Productivity -- 20. A Critical Poetics of Warfare -- 21. The Great War: Sonic Fragments in Literature and Sound Studies -- Part VI: Literature, Sonic Epistemology, Language -- 22. Sonic Epistemologies.

     
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    Source: Union catalogues
    Contributor: Murphet, Julian (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781399502320
    Edition: 1st ed.
    Series: Edinburgh Companions to Literature and the Humanities Series
    Scope: 1 online resource (433 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  13. Acoustic entanglements
    sound and aesthetic practice
    Author: Kim, Sabine
    Published: 2017
    Publisher:  Universitätsverlag Winter, Heidelberg

    Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material... more

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    Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material practices of aesthetic acts. Starting by reassessing Emily Dickinson's poetry as participating in an emergent phonographic logic, this book proposes that sound in modernity assumes the capacity to cross time and space, 'entangling' past and present, living and dead, periphery and alleged center. From this vantage point, the study examines Lillian Allen's dub poetry as an ethical demand for economic justice made via sound, Janet Cardiff's audio walks as renegotiating the cultural place of Europe for a North American imaginary, and Anishinaabe artist Rebecca Belmore's performances as voicing indigenous resilience in the present. Focusing on Canada and the US, the book brings together the fields of sound studies and transnational American studies -- Provided by the publisher Introduction: sound that moves -- Spirited media, aural excesses: Emily Dickinson and the phonograph -- (Re)mixing histories: Lillian Allen and the roues of dub poetry -- Subjects of hearing, subject to history: the sound works of Janet Cardiff and George Bures Miller -- Disciplining hearing -- Stratified sound: Rebecca Belmore and William Forsythe.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    9783825366773
    Series: American Studies - A Monograph Series ; v. 278
    Subjects: Sound in literature; American literature; Canadian literature; Sound in literature; Lyrik; Installation; Klang; Akustik; American literature; Canadian literature; Criticism, interpretation, etc
    Other subjects: Dickinson, Emily; Cardiff, Janet; Miller, George Bures; Belmore, Rebecca; Forsythe, William
    Scope: 1 Online-Ressource (182 pages), illustrations
    Notes:

    Includes bibliographical references (pages 159-174) and index
  14. Stereophonica
    sound and space in science, technology, and the arts
    Author: Ouzounian, Gascia
    Published: [2020]
    Publisher:  The MIT Press, Cambridge, Massachusetts

    Episodes in the transformation of our understanding of sound and space, from binaural listening in the nineteenth century to contemporary sound art. The relationship between sound and space has become central to both creative practices in music and... more

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    Episodes in the transformation of our understanding of sound and space, from binaural listening in the nineteenth century to contemporary sound art. The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial' In Stereophonica, Gascia Ouzounian examines a series of historical episodes that transformed ideas of sound and space, from the advent of stereo technologies in the nineteenth century to visual representations of sonic environments today.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780262361231; 026236123X; 0262361248; 9780262361248
    Subjects: Sound; Sounds; Acoustical engineering; Music; Sound in art; Sound in art; Sound art; Arts, Modern; ART ; History ; General; Sound art; Sounds; Sound in art; Sound; Music; Arts, Modern; Acoustical engineering; Art; ARTS/Music & Sound Studies; DIGITAL HUMANITIES & NEW MEDIA/General; Criticism, interpretation, etc; History; Art sonore; Acoustique appliquée ; Histoire; Bruits naturels ; Histoire; Sound art; Musique ; Histoire et critique
    Scope: 1 online resource
    Notes:

    Title from resource description page (Recorded Books, viewed June 29, 2020). - Includes bibliographical references and index. - Online resource; title from digital title page (viewed on February 15, 2021)
  15. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: [2019]
    Publisher:  Bloomsbury Academic, New York, NY ; London

    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"-- more

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    "A personal narrative to sound written by one of the top figures in sound studies and that outlines a new way of thinking about migratory poetics"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501344503; 9781501344510
    Other identifier:
    Subjects: Künste; Kultur; Geräusch; Literatur; Philosophie; Klang; Ästhetik
    Other subjects: Sound in literature; Poetics; Sound in art; Sound (Philosophy)
    Scope: 1 Online-Ressource (290 Seiten)
    Notes:

    Charms -- Returns -- Rattles -- Sirens -- Echoes -- Recordings -- Voices -- Callings
  16. Music, sound and space
    transformations of public and private experience
    Contributor: Born, Georgina (Publisher)
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of... more

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    Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Born, Georgina (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511675850
    Other identifier:
    RVK Categories: AP 14900 ; LC 87000 ; MS 8020 ; LR 56600
    Subjects: Gesellschaft; Musik; Music / Social aspects; Sound / Social aspects; Alltagskultur; Musik; Raum; Öffentlichkeit; Gesellschaft; Raum <Motiv>
    Scope: 1 Online-Ressource (xv, 358 Seiten), Illustrationen
  17. Music, sound and space
    transformations of public and private experience
    Contributor: Born, Georgina (Publisher)
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of... more

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    Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Contributor: Born, Georgina (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511675850
    Other identifier:
    RVK Categories: AP 14900 ; LC 87000 ; MS 8020 ; LR 56600
    Subjects: Gesellschaft; Musik; Music / Social aspects; Sound / Social aspects; Alltagskultur; Musik; Raum; Öffentlichkeit; Gesellschaft; Raum <Motiv>
    Scope: 1 Online-Ressource (xv, 358 Seiten), Illustrationen
  18. Sound and sense in British Romanticism
    Contributor: Grande, James (HerausgeberIn); Raz, Carmel (HerausgeberIn)
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge

    A radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life... more

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    A radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life in the modern city to the 'deep time' of the natural world. At the same time, sound emerged as a frequently disruptive phenomenon, a philosophical and political problem, and a force with the power to overwhelm listeners. This is the first book devoted to the topic and brings together scholars from literary studies, musicology, history and philosophy through the interdisciplinary frameworks of sound studies and the history of the senses. The chapters pursue a wide range of subjects, from 'national airs' to the London stage, and from experiments in sound to new musical and scientific instruments. Collectively, they demonstrate how a focus on sound can enrich our understanding of Romantic-era culture.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Grande, James (HerausgeberIn); Raz, Carmel (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781009277839; 9781009277846; 9781009277815
    Other identifier:
    RVK Categories: HL 1131
    Series: Cambridge studies in romanticism
    Subjects: Music; English literature; Romanticism
    Scope: Online-Ressource, Illustrationen
  19. Sound and sense in British Romanticism
    Contributor: Grande, James (HerausgeberIn); Raz, Carmel (HerausgeberIn)
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge

    A radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life... more

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    A radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life in the modern city to the 'deep time' of the natural world. At the same time, sound emerged as a frequently disruptive phenomenon, a philosophical and political problem, and a force with the power to overwhelm listeners. This is the first book devoted to the topic and brings together scholars from literary studies, musicology, history and philosophy through the interdisciplinary frameworks of sound studies and the history of the senses. The chapters pursue a wide range of subjects, from 'national airs' to the London stage, and from experiments in sound to new musical and scientific instruments. Collectively, they demonstrate how a focus on sound can enrich our understanding of Romantic-era culture.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Grande, James (HerausgeberIn); Raz, Carmel (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781009277839; 9781009277846; 9781009277815
    Other identifier:
    RVK Categories: HL 1131
    Series: Cambridge studies in romanticism
    Subjects: Music; English literature; Romanticism
    Scope: Online-Ressource, Illustrationen
  20. Listening in the field
    recording and the science of birdsong
    Author: Bruyninckx, Joeri
    Published: [2018]; ©2018
    Publisher:  The MIT Press, Cambridge, MA

    The transformation of sound recording into a scientific technique in the study of birdsong, as biologists turned wildlife sounds into scientific objects. more

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    The transformation of sound recording into a scientific technique in the study of birdsong, as biologists turned wildlife sounds into scientific objects.

     
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  21. The acoustical unconscious
    from Walter Benjamin to Alexander Kluge
    Author: Ryder, Robert
    Published: [2022]; © 2022
    Publisher:  De Gruyter, Berlin ; Boston

    Is there an acoustical equivalent to Walter Benjamin's idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we... more

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    Is there an acoustical equivalent to Walter Benjamin's idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we could not consciously perceive before. This study argues that Benjamin was also concerned with how acoustical media allow us to "hear otherwise," that is, to listen to sound structures previously lost to the naked ear. Crucially, they help sensitize us to the discursive sonority of words, which Benjamin was already alluding to in his autobiographical work. In five chapters that range in scope from Tieck's Blonde Eckbert, which Benjamin once called his locus classicus of his theory of forgetting, to Alexander Kluge's films and short texts, where he develops what he calls "sound perspectives," this monograph discusses how the acoustical unconscious enriches our understanding of different media, from the written word to radio and film. As the first book-length study of Benjamin's linguistic, cultural-historical, and media-theoretical reflections on sound, this book will be particularly relevant to students and scholars of both German studies and sound studies

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110733006; 9783110733020
    Other identifier:
    Series: Interdisciplinary German Cultural Studies ; volume 32
    Subjects: SOCIAL SCIENCE / Media Studies; Sehen; Intermedialität; Unterbewusstsein; Hören; Lesen
    Other subjects: Kluge, Alexander (1932-); Benjamin, Walter (1892-1940); Arnheim, Rudolf (1904-2007); Eich, Günter (1907-1972); Tieck, Ludwig (1773-1853)
    Scope: 1 Online-Ressource (X, 265 pages)
  22. The Acoustical Unconscious
    From Walter Benjamin to Alexander Kluge
    Author: Ryder, Robert
    Published: 2022; ©2022
    Publisher:  De Gruyter, Berlin ; Walter de Gruyter GmbH

    Is there an acoustical equivalent to Walter Benjamin's idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we... more

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    Is there an acoustical equivalent to Walter Benjamin's idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we could not consciously perceive before. This study argues that Benjamin was also concerned with how acoustical media allow us to "hear otherwise," that is, to listen to sound structures previously lost to the naked ear. Crucially, they help sensitize us to the discursive sonority of words, which Benjamin was already alluding to in his autobiographical work. In five chapters that range in scope from Tieck's Blonde Eckbert, which Benjamin once called his locus classicus of his theory of forgetting, to Alexander Kluge's films and short texts, where he develops what he calls "sound perspectives," this monograph discusses how the acoustical unconscious enriches our understanding of different media, from the written word to radio and film. As the first book-length study of Benjamin's linguistic, cultural-historical, and media-theoretical reflections on sound, this book will be particularly relevant to students and scholars of both German studies and sound studies.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110733006
    Other identifier:
    DDC Categories: 100; 791; 830; 800
    Series: Interdisciplinary German Cultural Studies , ; 32
    Subjects: Lesen; Hören; Sehen; Unterbewusstsein; Intermedialität
    Other subjects: Benjamin, Walter (1892-1940); Tieck, Ludwig (1773-1853); Arnheim, Rudolf (1904-2007); Eich, Günter (1907-1972); Kluge, Alexander (1932-)
    Scope: 1 Online-Ressource (X, 265 p.)
  23. Amplifications
    poetic migration, auditory memory
    Author: Carter, Paul
    Published: 2019
    Publisher:  Bloomsbury Academic, New York, NY

    "Written by one of the most prominent thinkers in sound studies, Amplifications presents a perspective on sound narrated through the experiences of a sound artist and writer. A work of reflective philosophy, Amplifications sits at the intersection of... more

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    "Written by one of the most prominent thinkers in sound studies, Amplifications presents a perspective on sound narrated through the experiences of a sound artist and writer. A work of reflective philosophy, Amplifications sits at the intersection of history, creative practice, and sound studies, recounting this narrative through a series of themes (rattles, echoes, recordings, etc.). Carter offers a unique perspective on migratory poetics, bringing together his own compositions and life's works while using his personal narrative to frame larger theoretical questions about sound and migration"--Bloomsbury Publishing Prolude -- 1. Charms -- 2. Returns -- 3. Rattles -- 4. Sirens -- 5. Echoes -- 6. Recordings -- 7. Voices -- 8. Callings -- Collect.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501344510; 9781501344497; 9781501344503
    Other identifier:
    Subjects: Sound in literature; Poetics
    Scope: 1 Online-Ressource (v, 296 pages)
  24. Writing anthropologists, sounding primitives
    the poetry and scholarship of Edward Sapir, Margaret Mead, and Ruth Benedict$HA. Elisabeth Reichel
    Author: Reichel, A. Elisabeth
    Published: 2021; ©2021
    Publisher:  University of Nebraska Press, Lincoln

    Writing Anthropologists, Sounding Primitives offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early... more

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    Writing Anthropologists, Sounding Primitives offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultural anthropologists..

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781496227522
    RVK Categories: HU 1769 ; LB 27610
    Series: Critical studies in the history of anthropology
    Subjects: Electronic books
    Scope: 1 Online-Ressource (319 Seiten)
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    Description based on publisher supplied metadata and other sources
  25. Writing anthropologists, sounding primitives
    the poetry and scholarship of Edward Sapir, Margaret Mead, and Ruth Benedict$HA. Elisabeth Reichel
    Author: Reichel, A. Elisabeth
    Published: 2021; ©2021
    Publisher:  University of Nebraska Press, Lincoln

    Writing Anthropologists, Sounding Primitives offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Writing Anthropologists, Sounding Primitives offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultural anthropologists..

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781496227522
    RVK Categories: HU 1769 ; LB 27610
    Series: Critical studies in the history of anthropology
    Subjects: Electronic books
    Scope: 1 Online-Ressource (319 Seiten)
    Notes:

    Description based on publisher supplied metadata and other sources