Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for sound studies

Displaying results 1 to 6 of 6.

  1. Eardrums
    literary modernism as sonic warfare
    Author: Whitney, Tyler
    Published: [2019]
    Publisher:  Northwestern University Press, Evanston, Illinois

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions from the battlefield to Fin-de-siecle Vienna -- Drumming literature into the ground: Dada's tympanic regime -- Toward a modernist ear: Robert Musil and the poetics of acoustic space -- Into the inaudible: sound and imperception in Kafka's late writings -- Conclusion: Nazi soundscapes and their reverberation in postwar culture. "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780810140219; 9780810140226
    Subjects: German literature; German literature; Modernism (Literature); Sound in literature
    Scope: x, 219 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  2. Eardrums
    literary modernism as sonic warfare
    Author: Whitney, Tyler
    Published: [2019]
    Publisher:  Northwestern University Press, Evanston, Illinois

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 79816
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2020 A 2891
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Mannheim
    Signature:
    2020 A 2609
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Deutsches Literaturarchiv Marbach, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions from the battlefield to Fin-de-siecle Vienna -- Drumming literature into the ground: Dada's tympanic regime -- Toward a modernist ear: Robert Musil and the poetics of acoustic space -- Into the inaudible: sound and imperception in Kafka's late writings -- Conclusion: Nazi soundscapes and their reverberation in postwar culture. "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780810140219; 9780810140226
    Subjects: German literature; German literature; Modernism (Literature); Sound in literature
    Scope: x, 219 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  3. Eardrums
    literary modernism as sonic warfare
    Author: Whitney, Tyler
    Published: 2019
    Publisher:  Northwestern University Press, Evanston, Illinois

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780810140219; 9780810140226
    Subjects: Moderne; Deutsch; Literatur; Klang <Motiv>; Geräusch <Motiv>
    Other subjects: German literature / 19th century / History and criticism; German literature / 20th century / History and criticism; Modernism (Literature) / Germany / History and criticism; Sound in literature; German literature; Modernism (Literature); Sound in literature; Germany; 1800-1999; Criticism, interpretation, etc
    Scope: x, 219 Seiten, Illustrationen, 23 cm
    Notes:

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions from the battlefield to Fin-de-siècle Vienna -- Drumming literature into the ground: Dada's tympanic regime -- Toward a modernist ear: Robert Musil and the poetics of acoustic space -- Into the inaudible: sound and imperception in Kafka's late writings -- Conclusion: Nazi soundscapes and their reverberation in postwar culture
  4. Eardrums
    literary modernism as sonic warfare
    Author: Whitney, Tyler
    Published: 2019
    Publisher:  Northwestern University Press, Evanston, Illinois

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780810140219; 9780810140226
    Subjects: Moderne; Deutsch; Literatur; Klang <Motiv>; Geräusch <Motiv>
    Other subjects: German literature / 19th century / History and criticism; German literature / 20th century / History and criticism; Modernism (Literature) / Germany / History and criticism; Sound in literature; German literature; Modernism (Literature); Sound in literature; Germany; 1800-1999; Criticism, interpretation, etc
    Scope: x, 219 Seiten, Illustrationen, 23 cm
    Notes:

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions from the battlefield to Fin-de-siècle Vienna -- Drumming literature into the ground: Dada's tympanic regime -- Toward a modernist ear: Robert Musil and the poetics of acoustic space -- Into the inaudible: sound and imperception in Kafka's late writings -- Conclusion: Nazi soundscapes and their reverberation in postwar culture
  5. Eardrums
    literary modernism as sonic warfare
    Author: Whitney, Tyler
    Published: 2019
    Publisher:  Northwestern University Press, Evanston, Illinois

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both... more

     

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     
    Export to reference management software   RIS file
      BibTeX file
  6. Eardrums
    literary modernism as sonic warfare
    Author: Whitney, Tyler
    Published: [2019]
    Publisher:  Northwestern University Press, Evanston, Illinois

    Zusammenfassung: "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the... more

     

    Zusammenfassung: "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information