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Results for sound studies

Displaying results 1 to 6 of 6.

  1. The Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Author: Galey, Alan
    Published: [2014]
    Publisher:  Cambridge University Press, Cambridge

    "Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four... more

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    Universitätsbibliothek der Eberhard Karls Universität
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    "Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyses how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analysing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitisation read through the afterlives of Shakespeare's texts"-- 1. Introduction: scenes from the prehistory of digitization -- 2. Leaves of brass: Shakespeare and the idea of the archive -- 3. The archive and the book: information architectures from folio to variorum -- 4. The counterfeit presentments of Victorian photography -- 5. Inventing Shakespeare's voice: early sound transmission and recording -- 6. Networks of deep impression: Shakespeare and the modern invention of information -- 7. Data and the ghosts of materiality -- Conclusion: sites of Shakespearean memory.

     
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  2. The Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Author: Galey, Alan
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts Machine generated contents note: 1. Introduction: scenes from the prehistory of digitization; 2. Leaves of brass: Shakespeare and the idea of the archive; 3. The archive and the book: information architectures from folio to variorum; 4. The counterfeit presentments of Victorian photography; 5. Inventing Shakespeare's voice: early sound transmission and recording; 6. Networks of deep impression: Shakespeare and the modern invention of information; 7. Data and the ghosts of materiality; 8. Conclusion : sites of Shakespearean memory

     
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  3. The Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Author: Galey, Alan
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four... more

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    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts Machine generated contents note: 1. Introduction: scenes from the prehistory of digitization; 2. Leaves of brass: Shakespeare and the idea of the archive; 3. The archive and the book: information architectures from folio to variorum; 4. The counterfeit presentments of Victorian photography; 5. Inventing Shakespeare's voice: early sound transmission and recording; 6. Networks of deep impression: Shakespeare and the modern invention of information; 7. Data and the ghosts of materiality; 8. Conclusion : sites of Shakespearean memory

     
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  4. The Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Author: Galey, Alan
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139629201
    Other identifier:
    RVK Categories: HI 3385
    Subjects: Geschichte; Archives / Technological innovations; Archival materials / Digitization; Literature and technology; Informationstechnik; Veröffentlichung
    Other subjects: Shakespeare, William / 1564-1616 / Criticism and interpretation / History; Shakespeare, William / 1564-1616 / Criticism, Textual; Shakespeare, William / 1564-1616 / Bibliography; Shakespeare, William / 1564-1616 / Study and teaching / Technological innovations; Shakespeare, William / 1564-1616 / In mass media; Shakespeare, William (1564-1616)
    Scope: 1 online resource (xv, 331 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Machine generated contents note: 1. Introduction: scenes from the prehistory of digitization; 2. Leaves of brass: Shakespeare and the idea of the archive; 3. The archive and the book: information architectures from folio to variorum; 4. The counterfeit presentments of Victorian photography; 5. Inventing Shakespeare's voice: early sound transmission and recording; 6. Networks of deep impression: Shakespeare and the modern invention of information; 7. Data and the ghosts of materiality; 8. Conclusion : sites of Shakespearean memory
  5. The Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Author: Galey, Alan
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four... more

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    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139629201
    RVK Categories: HI 3385
    Subjects: Informationstechnik; Veröffentlichung
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xv, 331 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  6. The Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Author: Galey, Alan
    Published: 2014
    Publisher:  Cambridge Univ. Press, Cambridge

    "Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 930261
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    "Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyses how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analysing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitisation read through the afterlives of Shakespeare's texts"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107040649
    Other identifier:
    9781107040649
    RVK Categories: HI 3385
    Subjects: Archives; Archival materials; Literature and technology; Shakespeare, William 1564-1616 / Criticism and interpretation / History
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: XV, 331 S, Ill.
    Notes:

    Literaturverzeichnis S. 281 - 307

    Machine generated contents note: 1. Introduction: scenes from the prehistory of digitization; 2. Leaves of brass: Shakespeare and the idea of the archive; 3. The archive and the book: information architectures from folio to variorum; 4. The counterfeit presentments of Victorian photography; 5. Inventing Shakespeare's voice: early sound transmission and recording; 6. Networks of deep impression: Shakespeare and the modern invention of information; 7. Data and the ghosts of materiality; Conclusion.