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Results for sound studies

Displaying results 1 to 5 of 5.

  1. Sound of Shakespeare
    Author: Folkerth, Wes
    Published: 2014
    Publisher:  Taylor and Francis, Florence

    The 'Sound of Shakespeare' reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture. In this engaging study, Wes Folkerth... more

    Location:
    Universität Frankfurt, Elektronische Ressourcen
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    Location:
    Universitätsbibliothek Gießen
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    The 'Sound of Shakespeare' reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture. In this engaging study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatr...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780415253765; 9781317797210 (Sekundärausgabe)
    RVK Categories: HI 3381 ; HI 3560
    Series: Accents on Shakespeare
    Subjects: Laut
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 160 p.
    Notes:

    Description based upon print version of record

    Online-Ausg.:
  2. The Sound of Shakespeare
    Author: Folkerth, Wes
    Published: 2014
    Publisher:  Taylor and Francis, Hoboken

    The 'Sound of Shakespeare' reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture. In this engaging study, Wes Folkerth... more

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
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    e-Book Academic Complete
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Location:
    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
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    eBook ProQuest
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    eBook ProQuest
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    ProQuest
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    E-Books ProQuest Academic
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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    E-Book Proquest
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Location:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
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    EBS ProQuest
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    The 'Sound of Shakespeare' reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture. In this engaging study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatr

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780415253765
    Series: Accents on Shakespeare
    Accents on Shakespeare Ser.
    Subjects: Sound in literature; Electronic books
    Scope: Online-Ressource (160 p)
    Notes:

    Description based upon print version of record

    Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; General editor's preface; Acknowledgements; Introduction; Something of the ripe old sounds; The Shakespearean soundscape; 1 Shakespearience; Culture and sound | soundscape; Reading the soundscape: early modern playtextuality; Sounding out deep subjectivity; 2 The public ear; The public ear in Antony and Cleopatra; The doctrine is sound; One of the subtilest pieces of nature; 'An explication of certaine hard Problemes about the Eares'; 'And this is the true manner of hearing'; 3 Receptivity

    Hearing in Shakespearean cognitionThe receptive ear in Coriolanus; 4 Transformation and continuity; Woordes within the ground; A reasonable good ear in A Midsummer Night's Dream; The grotesque ear; Sound economics: excess, surfeit, stealing, giving; 5 Shakespearean acoustemologies; The greedy ear in Othello; The willing ear in Measure for Measure; Then play on; Notes; References; Index
  3. The sound of Shakespeare
    Author: Folkerth, Wes
    Published: 2002
    Publisher:  Routledge, London [u.a.]

    "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops... more

    Location:
    Universitätsbibliothek Augsburg
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bayreuth
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    Unlimited inter-library loan, copies and loan

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    Universitätsbibliothek der LMU München
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    Location:
    Universitätsbibliothek Passau
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    Location:
    Universitätsbibliothek Regensburg
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    Unlimited inter-library loan, copies and loan

     

    "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with us today."--BOOK JACKET.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0415253764; 0415253772
    RVK Categories: HI 3370 ; HI 3381 ; HI 3385
    Edition: 1. publ.
    Series: Accents on Shakespeare
    Subjects: Sound in literature; Sounds in literature; Drama; Klang <Motiv>
    Other subjects: Shakespeare, William <1564-1616> - Criticism and interpretation; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: XII, 147 S.
  4. The sound of Shakespeare
    Author: Folkerth, Wes
    Published: 2002
    Publisher:  Routledge, London

    "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
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    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
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    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with us today."--Jacket 1. Shakespearience -- 2. The public ear -- 3. Receptivity -- 4. Transformation and continuity -- 5. Shakespearean acoustemologies.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1317797213; 9781317797210
    RVK Categories: HI 3381 ; HI 3385 ; HI 3370
    Series: Accents on Shakespeare
    Subjects: Sound in literature; DRAMA ; English, Irish, Scottish, Welsh; Sound in literature; Technique; Klang; Drama
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William; Shakespeare, William
    Scope: 1 Online-Ressource (xii, 147 pages)
    Notes:

    Includes bibliographical references (pages 131-141) and index
  5. The sound of Shakespeare
    Author: Folkerth, Wes
    Published: 2002
    Publisher:  Routledge, London [u.a.]

    "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with us today."--BOOK JACKET.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0415253764; 0415253772
    RVK Categories: HI 3370 ; HI 3381 ; HI 3385
    Edition: 1. publ.
    Series: Accents on Shakespeare
    Subjects: Sound in literature; Sounds in literature; Drama; Klang <Motiv>
    Other subjects: Shakespeare, William <1564-1616> - Criticism and interpretation; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: XII, 147 S.