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  1. The Narreme in the Medieval Romance Epic
    An Introduction to Narrative Structures
    Author: Dorfman, Eugene
    Published: [2017]; © 1969
    Publisher:  University of Toronto Press, Toronto

    In this study Professor Dorfman applies the methods of modern linguistics to literary analysis. Literature may be described as the structured use of language: the modern linguistic analyzes language in a search for the minimal units of sound and... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    In this study Professor Dorfman applies the methods of modern linguistics to literary analysis. Literature may be described as the structured use of language: the modern linguistic analyzes language in a search for the minimal units of sound and form, phoneme and morpheme, and determines the combinations by which they can communicate meaning. The author here searches for a minimal structural unit in the literary narrative analogous to the phoneme and the morpheme in language structure. Based on a detailed analysis of the Roland and the Cid and twelve additional Romance narratives, Professor Dorfman's argument is that the structure of the medieval Romance epics may be analyzed into functional units which he calls "narremes." He divides a narrative into two types of structure: the superstructure and the substructure. A narrative, by definition, is a series of incidents. All the incidents in the narrative, taken as written, form the superstructure. Analysis, however, shows that many of the incidents may be abstracted from the narrative without deflecting the story-line. On the other hand, other incidents reveal themselves as organically linked with each other, so they cannot be omitted, without destroying the story-line. These selected incidents are the narremes, which make up the substructure of the narrative. This method of analysis produces so interesting and surprising results, results which make an important advance in research in linguistics and Romance literature. Eugene Dorfman, as an orthodox structuralist, has focused strictly on the formal descriptions of the narratives; but his analysis leads into the great traditional problems of literary history, and in particular poses anew the problem of the origins of the epic

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442653887
    Other identifier:
    Series: University of Toronto Romance Series
    Subjects: DISCOUNT-B.; Geschichte; Epic poetry, Romance-language; Narration (Rhetoric); Poetry, Medieval; Rhetoric, Medieval; Motiv; Epos; Romanische Sprachen
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jun 2017)
  2. The Narreme in the Medieval Romance Epic
    An Introduction to Narrative Structures
    Author: Dorfman, Eugene
    Published: 2017; ©1969
    Publisher:  University of Toronto Press, Toronto

    In this study Professor Dorfman applies the methods of modern linguistics to literary analysis. Literature may be described as the structured use of language: the modern linguistic analyzes language in a search for the minimal units of sound and... more

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    Hochschule für Gesundheit, Hochschulbibliothek
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    In this study Professor Dorfman applies the methods of modern linguistics to literary analysis. Literature may be described as the structured use of language: the modern linguistic analyzes language in a search for the minimal units of sound and form, phoneme and morpheme, and determines the combinations by which they can communicate meaning. The author here searches for a minimal structural unit in the literary narrative analogous to the phoneme and the morpheme in language structure. Based on a detailed analysis of the Roland and the Cid and twelve additional Romance narratives, Professor Dorfman's argument is that the structure of the medieval Romance epics may be analyzed into functional units which he calls "narremes." He divides a narrative into two types of structure: the superstructure and the substructure. A narrative, by definition, is a series of incidents. All the incidents in the narrative, taken as written, form the superstructure. Analysis, however, shows that many of the incidents may be abstracted from the narrative without deflecting the story-line. On the other hand, other incidents reveal themselves as organically linked with each other, so they cannot be omitted, without destroying the story-line. These selected incidents are the narremes, which make up the substructure of the narrative. This method of analysis produces so interesting and surprising results, results which make an important advance in research in linguistics and Romance literature. Eugene Dorfman, as an orthodox structuralist, has focused strictly on the formal descriptions of the narratives; but his analysis leads into the great traditional problems of literary history, and in particular poses anew the problem of the origins of the epic.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442653887
    Other identifier:
    Series: University of Toronto Romance Series
    Subjects: Rhetoric, Medieval; Narration (Rhetoric); Epic poetry, Romance-language; Poetry, Medieval; Poetry, Medieval; Narration (Rhetoric); Epic poetry, Romance-language; Rhetoric, Medieval; Epic poetry, Romance-language.; Narration (Rhetoric).; Poetry, Medieval.; Rhetoric, Medieval.; DISCOUNT-B.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Foreword -- -- Preface -- -- Acknowledgment -- -- Contents -- -- PART ONE. Methods of Functional Analysis -- -- Chapter One. Function and Structure in the Literary Analysis -- -- Chapter Two. The (Sub)Structural Pattern of the French Epics -- -- Chapter Three. The (Sub) Structural Pattern of the Spanish Epics -- -- Chapter Four. The (Sub) Structural Pattern of the Arthurian Romance -- -- PART TWO. A Functional Analysis of the Roland and the Cid -- -- Chapter Five. Chanson de Roland: The Family Quarrel -- -- Chapter Six. Chanson de Roland: The Insult -- -- Chapter Seven. Chanson de Roland: The Act of Treachery -- -- Chapter Eight. Chanson de Roland: The Punishment and Epilogue -- -- Chapter Nine. Cantar de Mio Cid: Prologue and Family Quarrel -- -- Chapter Ten. Cantar de Mio Cid: The Insult -- -- Chapter Eleven. Cantar de Mio Cid: The Act of Treachery -- -- Chapter Twelve. Cantar de Mio Cid: The Punishment and Epilogue -- -- Chapter Thirteen. The Roland and the Cid: Comparison -- -- Chapter Fourteen. Conclusion -- -- Bibliography -- -- Index
  3. The Narreme in the Medieval Romance Epic
    An Introduction to Narrative Structures
    Author: Dorfman, Eugene
    Published: [2017]; © 1969
    Publisher:  University of Toronto Press, Toronto

    In this study Professor Dorfman applies the methods of modern linguistics to literary analysis. Literature may be described as the structured use of language: the modern linguistic analyzes language in a search for the minimal units of sound and... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    In this study Professor Dorfman applies the methods of modern linguistics to literary analysis. Literature may be described as the structured use of language: the modern linguistic analyzes language in a search for the minimal units of sound and form, phoneme and morpheme, and determines the combinations by which they can communicate meaning. The author here searches for a minimal structural unit in the literary narrative analogous to the phoneme and the morpheme in language structure. Based on a detailed analysis of the Roland and the Cid and twelve additional Romance narratives, Professor Dorfman's argument is that the structure of the medieval Romance epics may be analyzed into functional units which he calls "narremes." He divides a narrative into two types of structure: the superstructure and the substructure. A narrative, by definition, is a series of incidents. All the incidents in the narrative, taken as written, form the superstructure. Analysis, however, shows that many of the incidents may be abstracted from the narrative without deflecting the story-line. On the other hand, other incidents reveal themselves as organically linked with each other, so they cannot be omitted, without destroying the story-line. These selected incidents are the narremes, which make up the substructure of the narrative. This method of analysis produces so interesting and surprising results, results which make an important advance in research in linguistics and Romance literature. Eugene Dorfman, as an orthodox structuralist, has focused strictly on the formal descriptions of the narratives; but his analysis leads into the great traditional problems of literary history, and in particular poses anew the problem of the origins of the epic

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442653887
    Other identifier:
    Series: University of Toronto Romance Series
    Subjects: DISCOUNT-B.; Geschichte; Epic poetry, Romance-language; Narration (Rhetoric); Poetry, Medieval; Rhetoric, Medieval; Motiv; Epos; Romanische Sprachen
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jun 2017)
  4. The Narreme in the Medieval Romance Epic
    An Introduction to Narrative Structures
    Author: Dorfman, Eugene
    Published: [1969]
    Publisher:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    In this study Professor Dorfman applies the methods of modern linguistics to literary analysis. Literature may be described as the structured use of language: the modern linguistic analyzes language in a search for the minimal units of sound and... more

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    Universitätsbibliothek Gießen
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    In this study Professor Dorfman applies the methods of modern linguistics to literary analysis. Literature may be described as the structured use of language: the modern linguistic analyzes language in a search for the minimal units of sound and form, phoneme and morpheme, and determines the combinations by which they can communicate meaning. The author here searches for a minimal structural unit in the literary narrative analogous to the phoneme and the morpheme in language structure. Based on a detailed analysis of the Roland and the Cid and twelve additional Romance narratives, Professor Dorfman's argument is that the structure of the medieval Romance epics may be analyzed into functional units which he calls "narremes." He divides a narrative into two types of structure: the superstructure and the substructure. A narrative, by definition, is a series of incidents. All the incidents in the narrative, taken as written, form the superstructure. Analysis, however, shows that many of the incidents may be abstracted from the narrative without deflecting the story-line. On the other hand, other incidents reveal themselves as organically linked with each other, so they cannot be omitted, without destroying the story-line. These selected incidents are the narremes, which make up the substructure of the narrative. This method of analysis produces so interesting and surprising results, results which make an important advance in research in linguistics and Romance literature. Eugene Dorfman, as an orthodox structuralist, has focused strictly on the formal descriptions of the narratives; but his analysis leads into the great traditional problems of literary history, and in particular poses anew the problem of the origins of the epic.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442653887
    Other identifier:
    Series: University of Toronto Romance Series
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jun 2017)